(6) Many symbols appearing upon the Tarot cards have definite Masonic interest. The Pythagorean numerologist will also find an important relationship to exist between the numbers on the cards and the designs accompanying the numbers. The Qabbalist will be immediately impressed by the significant sequence of the cards, and the alchemist will discover certain emblems meaningless save to one versed in the divine chemistry of transmutation and regeneration.' As the Greeks placed the letters of their alphabet--with their corresponding numbers--upon the various parts of the body of their humanly represented Logos, so the Tarot cards have an analogy not only in the parts and members of the universe but also in the divisions of the human body.. They are in fact the key to the magical constitution of man.

(7) The Tarot cards must be considered (1) as separate and complete hieroglyphs, each representing a distinct principle, law, power, or element in Nature; (2) in relation to each other as the effect of one agent operating upon another; and (3) as vowels and consonants of a philosophic alphabet. The laws governing all phenomena are represented by the symbols upon the Tarot cards, whose numerical values are equal to the numerical equivalents of the phenomena. As every structure consists of certain elemental parts, so the Tarot cards represent the components of the structure of philosophy. Irrespective of the science or philosophy with which the student is working, the Tarot cards can be identified with the essential constituents of his subject, each card thus being related to a specific part according to mathematical and philosophical laws. "An imprisoned person," writes Eliphas Levi, "with no other book than the Tarot, if he knew how to use it, could in a few years acquire universal knowledge, and would be able to speak on all subjects with unequalled learning and inexhaustible eloquence. " (See Transcendental Magic.)

(8) The diverse opinions of eminent authorities on the Tarot symbolism are quite irreconcilable. The conclusions of the scholarly Court de Gébelin and the bizarre Grand Etteila--the first authorities on the subject--not only are at radical variance but both are equally discredited by Levi, whose arrangement of the Tarot trumps was rejected in turn by Arthur Edward Waite and Paul Case as being an effort to mislead students. The followers of Levi--especially Papus, Christian, Westcott, and Schuré-are regarded by the "reformed Tarotists" as honest but benighted individuals who wandered in darkness for lack of Pamela Coleman Smith's new deck of Tarot cards with revisions by Mr. Waite.

(9) Most writers on the Tarot (Mr. Waite a notable exception) have proceeded upon the hypothesis that the 22 major trumps represent the letters of the Hebrew alphabet. This supposition is based upon nothing more substantial than the coincidence that both consist of 22 parts. That Postel, St. Martin, and Levi all wrote books divided into sections corresponding to the major Tarots is an interesting sidelight on the subject. The major trump cards portray incidents from the Book of Revelation; and the Apocalypse of St. John is also divided into 22 chapters. Assuming the Qabbalah to hold the solution to the Tarot riddle, seekers have often ignored other possible lines of research. The task, however, of discovering the proper relationship sustained by the Tarot trumps to the letters of the Hebrew alphabet and the Paths of Wisdom thus far has not met with any great

(4) Court de Gébelin believed the word Tarot itself to be derived from two Egyptian words, Tar, meaning "road," and Ro, meaning "royal." Thus the Tarot constitutes the royal road to wisdom. (See Le Monde Primitif.) In his History of Magic, P. Christian, the mouthpiece of a certain French secret society, presents a fantastic account of a purported initiation into the Egyptian Mysteries wherein the 22 major Tarots assume the proportions of trestleboards of immense size and line a great gallery. Stopping before each card in turn, the initiator described its symbolism to the candidate. Edouard Schuré, whose source of information was similar to that of Christian's, hints at the same ceremony in his chapter on initiation into the Hermetic Mysteries. (See The Great Initiates.) While the Egyptians may well have employed the Tarot cards in their rituals, these French mystics present no evidence other than their own assertions to support this theory. The validity also of the so-called Egyptian Tarots now in circulation has never been satisfactorily established. The drawings are not only quite modem but the symbolism itself savors of French rather than Egyptian influence.

(14) "The Isiac Tablet, writes Levi, is a Key to the Ancient Book of Thoth, which has survived to some extent the lapse of centuries and is pictured to us in the still comparatively ancient set of Tarocchi Cards. To him the Book of Thoth was a résumé of the esoteric learning of the Egyptians, after the decadence of their civilization, this lore became crystallized in a hieroglyphic form as the Tarot; this Tarot having become partially or entirely forgotten or misunderstood, its pictured symbols fell into the hands of the sham diviners, and of the providers of the public amusement by games of Cards. The modem Tarot, or Tarocchi pack of cards consists of 78 cards, of which 22 form a special group of trumps, of pictorial design: the remaining 56 are composed of four suits of 10 numerals and four court cards, King, Queen, Knight, and Knave or Valet; the suits are Swords (Militaryism), Cups (Sacerdocy), Clubs or Wands (Agriculture), and Shekels or Coins (Commerce), answering respectively to our Spades, Hearts, Clubs and Diamonds. Our purpose is with the 22 trumps, these form the special characteristic of the Pack and are the lineal descendants of the Hieroglyphics of the Tarot. These 22 respond to the letters of the Hebrew and other sacred alphabets, which fall naturally into three classes of a Trio of Mothers, a Heptad of doubles, and a duodecad of simple letters. They are also considered as a triad of Heptads and one apart, a system of Initiation and an Uninitiate." (See Westcott's The Isiac Tablet.)

(43) The four suits of the minor trumps are considered as analogous to the four elements, the four corners of creation, and the four worlds of Qabbalism. The key to the lesser Tarots is presumably the Tetragrammaton, or the four-letter name of Jehovah, IHVH. The four suits of the minor trumps represent also the major divisions of society: cups are the priesthood, swords the military, coins the tradesmen, and rods the farming class. From the standpoint of what Court de Gébelin calls "political geography," cups represent the northern countries, swords the Orient, coins the Occident, and rods the southern countries. The ten pip cards of each suit represent the nations composing each of these grand divisions. The kings are their governments, the queens their religions, the knights their histories and national characteristics, and the pages their arts and sciences. Elaborate treatises have been written concerning the use of the Tarot cards in divination, but as this practice is contrary to the primary purpose of the Tarot no profit can result from its discussion.

(5) The Tarot is undoubtedly a vital element in Rosicrucian symbolism, possibly the very book of universal knowledge which the members of the order claimed to possess. The Rota Mundi is a term frequently occurring in the early manifestoes of the Fraternity of the Rose Cross. The word Rota by a rearrangement of its letters becomes Taro, the ancient name of these mysterious cards. W. F. C. Wigston has discovered evidence that Sir Francis Bacon employed the Tarot symbolism in his ciphers. The numbers 21, 56, and 78, which are all directly related to the divisions of the Tarot deck, are frequently involved in Bacon's cryptograms. In the great Shakespearian Folio of 1623 the Christian name of Lord Bacon appears 21 times on page 56 of the Histories. (See The Columbus of Literature.)

(12) This does not dispose of the problem, however, for efforts to assign a Hebrew letter to each Tarot trump in sequence produce an effect far from convincing. Mr. Waite, who reedited the Tarot, expresses himself thus: "I am not to be included among those who are satisfied that there is a valid correspondence between Hebrew letters and Tarot Trump symbols." (See introduction to The Book of Formation by Knut Stenring.) The real explanation may be that the major Tarots no longer are in the same sequence as when they formed the leaves of Hermes' sacred book, for the Egyptians--or even their Arabian successors--could have purposely confused the cards so that their secrets might be better preserved. Mr. Case has developed a system which, while superior to most, depends largely upon two debatable points, namely, the accuracy of Mr. Waite's revised Tarot and the justification for assigning the first letter of the Hebrew alphabet to the unnumbered, or zero, card. Since Aleph (the first Hebrew letter) has the numerical value of 1, its assignment to the zero card is equivalent to the statement that zero is equal to the letter Aleph and therefore synonymous with the number 1.

(42) The twenty-first numbered major trump is called Le Monde, the World, and portrays a female figure draped with a scarf which the wind blows into the form of the Hebrew letter Kaph. Her extended hands--each of which holds a wand--and her left leg, which crosses behind the right, cause the figure to assume the form of the alchemical symbol of sulphur. The central figure is surrounded by a wreath in the form of a vesica piscis which Levi likens to the Qabbalistic crown Kether. The Cherubim of Ezekiel's vision occupy the corners of the card. This Tarot is called the Microcosm and the Macrocosm because in it are summed up every agency contributing to the structure of creation. The figure in the form Of the emblem of sulphur represents the divine fire and the heart of the Great Mystery. The wreath is Nature, which surrounds the fiery center. The Cherubim represent the elements, worlds, forces, and planes issuing out of the divine fiery center of life. The wreath signifies the crown of the initiate which is given to those who master the four guardians and enter into the presence of unveiled Truth. In the pseudo-Egyptian Tarot the Cherubim surround a wreath composed of twelve trifoliate flowers--the decanates of the zodiac. A human figure kneels below this wreath, playing upon a harp of three strings, for the spirit must create harmony in the triple constitution of its inferior nature before it can gain for itself the solar crown of immortality.

(21) O ye gods, O ye Glorified who precede Rā, and who escort his soul, tow me as you tow him, in the same way as you conduct Rā and tow those in the sky. I am the lofty power in the Amenta

(1) Moreover, in the manifestations there is an indication of the order which the powers that are seen possess. For the Gods are surrounded by either Gods or angels; but archangels have angels either preceding or coarranged with them, or following them behind, or are accompanied by a certain other multitude of angels, who attend on them as guards. Angels exhibit, together with themselves, the peculiar works of the order to which they belong. Good dæmons permit us to survey, in conjunction with themselves, their own works, and the benefits which they impart; but avenging dæmons exhibit the species of punishments [which they inflict]; and such other dæmons as are depraved are surrounded by certain noxious, blood-devouring, and fierce wild beasts. Archons [of the first rank] exhibit, together with themselves, certain portions of the world; but other archons attract to themselves the inordination and confusion of matter. With respect to soul, if it ranks as a whole, and does not belong to any particular species, it presents to the view a formless fire, extended through the whole world, which is indicative of the total, one, indivisible, and formless soul of the universe; but a purified soul exhibits a fiery form, and a pure and unmingled fire. Then, also, the most inward light of it is seen, and an undefiled and stable form, and it most willingly and joyfully follows its elevating leader, and unfolds, by its works, its own appropriate order.

(23) The seventh numbered major trump is called Le Chariot, the Chariot, and portrays a victorious warrior crowned and riding in a chariot drawn by black and white sphinxes or horses. The starry canopy of the chariot is upheld by four columns. This card signifies the Exalted One who rides in the chariot of creation. The vehicle of the solar energy being numbered seven reveals the arcane truth that the seven planers are the chariots of the solar power which rides victorious in their midst. The four columns supporting the canopy represent the four Mighty Ones who uphold the worlds represented by the star-strewn drapery. The figure carries the scepter of the solar energy and its shoulders are ornamented with lunar crescents--the Urim. and Thummim. The sphinxes drawing the chariot resent the secret and unknown power by which the victorious ruler is moved continuously through the various parts of his universe. In certain Tarot decks the victor signifies the regenerated man, for the body of the chariot is a cubic stone. The man in armor is not standing in the chariot but is rising out of the cube, thus typifying the ascension of the 3 out of the 4--the turning upward of the flap of the Master Mason's apron. In the pseudo-Egyptian Tarot the warrior carries the curved sword of Luna, is bearded to signify maturity, and wears the collar of the planetary orbits. His scepter (emblematic of the threefold universe) is crowned with a square upon which is a circle surmounted by a triangle.

(54) The Egyptian sphinx, the Greek centaur, and the Assyrian man-bull have much in common. All are composite creatures combining human and animal members; in the Mysteries all signify the composite nature of man and subtly refer to the hierarchies of celestial beings that have charge of the destiny of mankind. These hierarchies are the twelve holy animals now known as constellations--star groups which are merely symbols of impersonal spiritual impulses. Chiron, the centaur, teaching the sons of men, symbolizes the intelligences of the constellation of Sagittarius, who were the custodians of the secret doctrine while (geocentrically) the sun was passing through the sign of Gemini. The five-footed Assyrian man-bull with the wings of an eagle and the head of a man is a reminder that the invisible nature of man has the wings of a god, the head of a man, and the body of a beast. The same concept was expressed through the sphinx--that armed guardian of the Mysteries who, crouching at the gate of the temple, denied entrance to the profane. Thus placed between man and his divine possibilities, the sphinx also represented the secret doctrine itself. Children's fairy stories abound with descriptions of symbolic monsters, for nearly all such tales are based upon the ancient mystic folklore.

(26) The tenth numbered major trump is called La Roue de Fortune, the Wheel of Fortune, and portrays a mysterious wheel with eight spokes--the familiar Buddhist symbol of the Cycle of Necessity. To its rim cling Anubis and Typhon--the principles of good and evil. Above sits the immobile sphinx, carrying the sword of Justice and signifying the perfect equilibrium of Universal Wisdom. Anubis is shown rising and Typhon descending; but when Typhon reaches the bottom, evil ascends again, and when Anubis reaches the top good wanes once more. The Wheel of Fortune represents the lower universe as a whole with Divine Wisdom (the sphinx) as the eternal arbiter between good and evil. In India, the chakra, or wheel, is associated with the life centers either of a world or of an individual. In the pseudo-Egyptian Tarot the Sphinx is armed with a javelin, and Typhon is being thrown from the wheel. The vertical columns, supporting the wheel and so placed that but one is visible, represent the axis of the world with the inscrutable sphinx upon its northern pole. Sometimes the wheel with its supports is in a boat upon the water. The water is the Ocean of Illusion, which is the sole foundation of the Cycle of Necessity.

(1) I am the god in Lion form; the heir of Râ and Tmu in Chemmis, the Master in their halls

(14) The Tarot cards were entrusted by the illumined hierophants of the Mysteries into the keeping of the foolish and the ignorant, thus becoming playthings--in many instances even instruments of vice. Man's evil habits therefore actually became the unconscious perpetuators of his philosophical precepts. "We must admire the wisdom of the Initiates," writes Papus, "who utilized vice and made it produce more beneficial results than virtue." Does not this act of the ancient priests itself afford proof that the entire mystery of the Tarot is wrapped up in the symbolism of its zero card? If knowledge was thus entrusted to fools, should it not be sought for in this card?

(9) Levi's hint may be construed to mean that the twenty-one figures in the center section of the Table represent the twenty-one major trumps of the Tarot cards. If this be so, is not the zero card, cause of so much controversy, the nameless crown of the Supreme Mind, the crown being symbolized by the hidden triad in the upper part of the throne in the center of the Table? Might not the first emanation of this Supreme Mind be well symbolized by a juggler or magician with the symbols of the four lower worlds spread out on a table before him: the rod, the sword, the cup, and the coin? Thus considered, the zero card belongs nowhere among the others but is in fact the fourth dimensional point from which they all emanated and consequently is broken up into the twenty-one cards (letters) which, when gathered together, produce the zero. The cipher appearing upon this card would substantiate this interpretation, for the cipher, or circle, is emblematic of the superior sphere from which issue the lower worlds, powers, and letters.

(31) Kings, Queens, courtesans, and knaves are alike to death, the master of the visible and a parent parts of all creatures. In some Tarot decks death is symbolized as a figure in armor mounted on a white horse which tramples under foot old and young alike. In the pseudo-Egyptian Tarot a rainbow is seen behind the figure of death, thus signifying that the mortality of the body of itself achieves the immortality of the spirit. Death, though it destroys form, can never destroy life, which continually renews itself. This card is the symbol of the constant renovation of the universe--disintegration that reintegration may follow upon a higher level of expression.

(22) The sixth numbered major trump is called L'Amoureux, the Lovers. There are two distinct forms of this Tarot. One shows a marriage ceremony in which a priest is uniting a youth and a maiden (Adam and Eve?) in holy wedlock. Sometimes a winged figure above transfixes the lovers with his dart. The second form of the card portrays a youth with a female figure on either side. One of these figures wears a golden crown and is winged, while the other is attired in the flowing robes of the bacchante and on her head is a wreath of vine leaves. The maidens represent the twofold soul of man (spiritual and animal), the first his guardian angel and the second his ever-present demon. The youth stands at the beginning of mature life, "the Parting of the Ways," where he must choose between virtue and vice, the eternal and the temporal. Above, in a halo of light, is the genius of Fate (his star), mistaken for Cupid by the uninformed. If youth chooses unwisely, the arrow of blindfolded Fate will transfix him. In the pseudo-Egyptian Tarot the arrow of the genius points directly to the figure of vice, thereby signifying that the end of her path is destruction. This card reminds man that the price of free will--or, more correctly, the power of choice--is responsibility.