(21) Saying, "Alas! that house belonged to me; Alas! the wind has carried off my dwelling Forever! 'O misery that rests on slaves!' In that house of mine I saw but forms and pictures; I was enchanted with that house so fleetin! I was ignorant of the treasure hidden beneath it, Ah! if I had administered the justice of the axe, But I fixed my gaze on outward forms, Well said the famous Hakim Sanai, 'Thou art a child; thy house is full of pictures.'

(18) the House of Influence (by the greatness of whose abundance the influx of good things upon created beings is increased) and from the midst of the investigation the arcana and hidden senses are drawn forth, which dwell in its shade and which cling to it, from the cause of all causes.

(3) And the soul includes a faculty peculiarly addressed to Beauty- one incomparably sure in the appreciation of its own, never in doubt whenever any lovely thing presents itself for judgement.

Or perhaps the soul itself acts immediately, affirming the Beautiful where it finds something accordant with the Ideal-Form within itself, using this Idea as a canon of accuracy in its decision.

But what accordance is there between the material and that which antedates all Matter?

On what principle does the architect, when he finds the house standing before him correspondent with his inner ideal of a house, pronounce it beautiful? Is it not that the house before him, the stones apart, is the inner idea stamped upon the mass of exterior matter, the indivisible exhibited in diversity?

So with the perceptive faculty: discerning in certain objects the Ideal-Form which has bound and controlled shapeless matter, opposed in nature to Idea, seeing further stamped upon the common shapes some shape excellent above the common, it gathers into unity what still remains fragmentary, catches it up and carries it within, no longer a thing of parts, and presents it to the Ideal-Principle as something concordant and congenial, a natural friend: the joy here is like that of a good man who discerns in a youth the early signs of a virtue consonant with the achieved perfection within his own soul.

The beauty of colour is also the outcome of a unification: it derives from shape, from the conquest of the darkness inherent in Matter by the pouring-in of light, the unembodied, which is a Rational-Principle and an Ideal-Form.

Hence it is that Fire itself is splendid beyond all material bodies, holding the rank of Ideal-Principle to the other elements, making ever upwards, the subtlest and sprightliest of all bodies, as very near to the unembodied; itself alone admitting no other, all the others penetrated by it: for they take warmth but this is never cold; it has colour primally; they receive the Form of colour from it: hence the splendour of its light, the splendour that belongs to the Idea. And all that has resisted and is but uncertainly held by its light remains outside of beauty, as not having absorbed the plenitude of the Form of colour.

And harmonies unheard in sound create the harmonies we hear, and wake the soul to the consciousness of beauty, showing it the one essence in another kind: for the measures of our sensible music are not arbitrary but are determined by the Principle whose labour is to dominate Matter and bring pattern into being.

Thus far of the beauties of the realm of sense, images and shadow-pictures, fugitives that have entered into Matter- to adorn, and to ravish, where they are seen.

(63) And such a house is the whole deep without, within, and above all heavens; which house is called the Eternity. And such a house also is the house of flesh in man, and in all creatures.

(35) It is a glimpse and source of meekness, a pleasant habitation of heavenly joyfulness, a house or mansion of the Holy Ghost, a qualification of love and mercy, a joy of the life.

(65) And such a house also the whole space or extent of this world came to be, when the Deity, in the seven spirits, had hidden itself from the horrible devils.

(7) "And once again I appeal to you. I am disclosed to you as I am building a house useful to you when you find shelter in it, and it will support your neighbors' house when theirs threatens to collapse.

(44) From this viewpoint the story of CHiram may well represent the incorporation of the divine secrets of architecture into the actual parts and dimensions of earthly buildings. The three degrees of the Craft bury the Grand Master (the Great Arcanum) in the actual structure they erect, after first having killed him with the builders' tools, by reducing the dimensionless Spirit of Cosmic Beauty to the limitations of concrete form. These abstract ideals of architecture can be resurrected, however, by the Master Mason who, by meditating upon the structure, releases therefrom the divine principles of architectonic philosophy incorporated or buried within it. Thus the physical building is actually the tomb or embodiment of the Creative Ideal of which its material dimensions are but the shadow.

(10) But the body of this great house, which lies hid under the shell or rind of darkness, incomprehensibly to the darkness, that body is the house of life, wherein love and wrath wrestle the one with the other.

(5) The mansion of his stars is again and again renewed. I sail upon its streams that I may come to the domains thereof

(41) And now after that the Stars and Elements (as is mentioned before) have got their Region and the House to dwell in, then begins the mighty Strife in great Anxiety about the King of the Life. For the Chamber of the Building (or Fabrick] stands in very great Anguish, and [here] we must consider the Original of the Essence of all Essences, the eternal Birth and the Root of all Things; as that there is in the House of the Anguish, first one only Essence [or Being,] and that Essence is the Mixing of all P Essences, and it has first a Will to generate the Light, and that Will is attractive, [astringent or sour.] Or Hell, A Dwelling for the Senses and Thoughts,

(6) It is exalted, the soul of Rā in the Amenta, his body is blessed there; the powers praise him in the bounds of the Tuat, Teb Temt who rests in his covering

(22) For it is the proper house and habitation of the six spirits, which they continually build according to their pleasure, or as a garden of delight into which the master of it soweth all manner of seeds, according to his pleasure, and then enjoyeth the fruit thereof.

(9) Think, and I will give." For we have heard that God knows the heart, not judging the soul from [external] movement, as we men; nor yet from the event, For it is ridiculous to think so. Nor was it as the architect praises the work when accomplished that God, on making the light and then seeing it, called it good.

(21) This act is naught but a reflection from Himself! The forms of the walls and roofs of houses Know to be shadows of the architect's thought; Although stones and planks and bricks Find no entrance into the sanctuary of thought, Verily the Absolute Agent is without form, Sometimes that Formless One of His mercy Shows His face to His forms from behind the veil of Not-being, That every form may derive aid therefrom, Again, when that Formless One hides His face,

(49) But in this present time everything has a twofold source and quality; whatsoever thou buildest and sowest here in the spirit, be it with words, works or thoughts, that will be thy eternal house.

(5) O splendour of God! by means of which I saw The lofty triumph of the realm veracious, Give me the power to say how it I saw! There is a light above, which visible Makes the Creator unto every creature, Who only in beholding Him has peace, And it expands itself in circular form To such extent, that its circumference Would be too large a girdle for the sun. The semblance of it is all made of rays Reflected from the top of Primal Motion, Which takes therefrom vitality and power. And as a hill in water at its base Mirrors itself, as if to see its beauty When affluent most in verdure and in flowers, So, ranged aloft all round about the light, Mirrored I saw in more ranks than a thousand All who above there have from us returned. And if the lowest row collect within it So great a light, how vast the amplitude Is of this Rose in its extremest leaves! My vision in the vastness and the height Lost not itself, but comprehended all The quantity and quality of that gladness.

(7) A divine Domain hath been constructed for me; I know the name of it; the name of it is the garden of Aarru

(9) Of the holy house, the house of the gods, the habitation had not been made

(51) Thus also is the place or space in the centre or midst of the angelical gates a more pleasant, more gracious, amiable and blessed place to the Father, wherein his Son and Heart is generated in the most richly and fully loving manner, and wherein the Holy Ghost goeth forth from the Father and the Son in the most richly and fully loving manner.