(1) The Hoopoe continued: 'The next valley is The Valley of Love. To enter it one must be a flaming fire - what shall I say? A man must himself be fire. The face of the lover must be enflamed, burning and impetuous as fire. True love knows no after-thoughts; with love, good and evil cease to exist.

'But as for you, the heedless and the careless, this discourse will not touch you, your teeth will not even nibble at it. A loyal person stakes ready money, stakes his head even, to be united to his friend. Others content themselves with promising what they will do for you tomorrow. If he who sets out on this way will not engage himself wholly and completely he will never be free from the sadness and melancholy which weigh him down. Until the falcon reaches his aim he is agitated and distressed. If a fish is thrown on to the beach by the waves it struggles to get back into the water.

'In this valley, love is represented by fire, and reason by smoke. When love comes reason disappears. Reason cannot live with the folly of love; love has nothing to do with human reason. If you possessed inner sight, the atoms of the visible world would be manifested to you. But if you look at things with the eye of ordinary reason you will never understand how necessary it is to love. Only a man who has been tested and is free can feel this. He who undertakes tliis journey should have a thousand hearts so that he can sacrifice one at every moment.'

(3) We come now to treat of love in its essential nature. Love may be defined as an inclination to that which is pleasant. This is apparent in the case of the five senses, each of which may be said to love that which gives it delight; thus the eye loves beautiful forms, the ear music, etc. This is a kind of love we share with the animals. But there is a sixth sense, or faculty of perception, implanted in the heart, which animals do not possess, through which we become aware of spiritual beauty and excellence. Thus, a man who only acquainted with sensuous delights cannot understand what the Prophet meant when he said he loved prayer more than perfumes or women, though the last two were also pleasant to him. But he whose inner eye is opened to behold the beauty and perfection of God will despise all outward sights in comparison, however fair they may be.

(1) The amorous Nightingale first came forward almost beside himself with passion. He poured emotion into each of the thousand notes of his song; and in each was to be found a world of secrets. When he sang of these mysteries the birds became silent. 'The secrets of love are known to me,' he said. 'All night I repeat my songs of love. Is there no unhappy David to whom I can sing the yearning psalms of love? The flute's sweet wailing is because of me, and the lamenting of the lute. I create a tumult among the roses as well as in the hearts of lovers. Always I teach new mysteries, at each instant I repeat new songs of sadness. When love overpowers my soul my singing is as the sighing sea. Who hears me forsakes his reason, though he be among the wise. If I am parted from my dear Rose I am desolate, I cease my singing and tell my secrets to none. Mv secrets are not known to everyone; only to the Rose are they known with certainty. So deep in love am I with the Rose that I do not even think of my own existence; but only of the Rose and

the coral of her petals. The journey to the Simurgh is beyond my strength; the love of the Rose is enough for the Nightingale. It is for me that she flowers with her hundred petals; what more then can I wish! The Rose which blooms today is full of longing, and for me smiles joyously. When she shows her face under the veil I know that it is for me. How then can the Nightingale remain a single night deprived of the love of this enchantress?'

(1) Another bird said to the Hoopoe: 'As long as I live the love of the Eternal Being will be dear and agreeable to me, and I shall never cease to think of him. I have been about with

all living creatures and far from being attached to them I am identified with none. The folly of love occupies all my thoughts, so for me, love is enough. But such love is not expedient for everyone, and now the time has come when I must draw a line on my life so that I shall be able to take a cup of wine from my beloved; then the eye of my heart will be rendered luminous by his beauty, and my hand will touch his neck as a pledge of the union.'

The Hoopoe replied: 'It is not by these pretentious boastings that one can become an honoured guest of the Simurgh of the Caucasus. Do not extol so much the love that you believe you feel for him, for it is not given to everyone to possess it. It is necessary that the wind of good fortune should lift the veil of the mystery, then the Simurgh will draw you to him and you shall sit with him in his harem. If you wish to come to the sacred place you must first of all strive to have a knowledge of spiritual things, otherwise your love for the Simurgh will be turned to torment. For your true felicity it is necessary that the Simurgh shall also love you.'

(2) And if, when turned, towards it she incline, Love is that inclination; it is nature, Which is by pleasure bound in you anew Then even as the fire doth upward move By its own form, which to ascend is born, Where longest in its matter it endures, So comes the captive soul into desire, Which is a motion spiritual, and ne'er rests Until she doth enjoy the thing beloved. Now may apparent be to thee how hidden The truth is from those people, who aver All love is in itself a laudable thing; Because its matter may perchance appear Aye to be good; but yet not each impression Is good, albeit good may be the wax." "Thy words, and my sequacious intellect," I answered him, "have love revealed to me; But that has made me more impregned with doubt; For if love from without be offered us, And with another foot the soul go not, If right or wrong she go, 'tis not her merit." And he to me: "What reason seeth here, Myself can tell thee; beyond that await For Beatrice, since 'tis a work of faith.

(8) As regards the erotic poetry which is recited in Sufi gatherings, and to which people sometimes make objection, we must remember that, when in such poetry mention is made of separation from or union with the beloved, the Sufi, who is an adept in the love of God, applies such expressions to separation from or union with Him. Similarly, "dark locks" are taken to signify the darkness of unbelief; "the brightness of the face," the light of faith, and "drunkenness" the Sufi's ecstasy. Take, for instance, the verse:

(4) A poor dendsh once fell in love with Ayaz, and the news soon spread. When Ayaz rode through the street, perfumed with musk, this spiritual wanton would wait and run out to see him, and would stare at him as a polo player fixes his eye on the ball. At last they told Mahmud about this beggar being in love with Ayaz. One day, when Ayaz was riding with the sultan, the latter stopped and looked at this dervish and he saw that the soul of Ayaz was as a grain of barley and the face of the man as a ball of dough which encloses it.

He saw that the back of the beggar was curved like a mallet, and his head was turning every way at once like the ball in polo. Mahmud said: 'Miserable beggar, do you expect to drink from the same cup as the Sultan?' 'Although you call me a beggar,' replied the dervish, 'I am not inferior to you in the play of love. Love and poverty go together. You are the sovereign, and your heart is luminous; but for love, a burning heart like mine is necessary. Your love is commonplace. I suffer from the pain of absence. You are with the beloved; but in love one must know how to endure the pain of absence.' The sultan said: 'O you who have withdrawn from ordinary existence, love to you is as a game of polo?' 'It is,' replied the beggar, 'because the ball is always in movement, as I am, and I as the ball. The ball and I have heads that turn, though we have neither hands nor feet. We can speak together about the suffering that the mallet causes us; but the ball is happier than I, for the pony touches it from time to time with its feet. The ball receives the blows of the mallet on his body, but I feel them in my heart.'

'Poor Dervish!' said the sultan, 'you boast of your poverty, but where is your evidence?'

'If I sacrifice everything for love,' replied the derdsh, 'that is a token of my spiritual poverty. And if you, O Mahmud, ever have the experience of real love, sacrifice your life for it; if not you have no right to speak of love.'

So saying, he died, and the world became dark for Mahmud.

(11) By this the writer means that the true delights of religion cannot be reached by way of formal instruction, but by felt attraction and desire. A man may converse much and write volumes concerning love, faith, piety, and so forth, and blacken paper to any extent, but till he himself possesses these attributes all this will do him no good. Thus, those who find fault with the Sufis for being powerfully affected, even to ecstasy, by these and similar verses, are merely shallow and uncharitable. Even camels are sometimes so powerfully affected by the Arab songs of their drivers that they will run rapidly, bearing heavy burdens, till they fall down in a state of exhaustion.

(6) A man of high ideals fell in love with a beautiful young woman. But, as time went on, she to whom he had given his heart became thin, and as yellow as a sprig of saffron. The bright day faded from her heart; and death, who was watching from far off, came near. When her lover learnt of this he took a dagger and said: 'I will go and kill my mistress where she lies so that this beauty, who is like a wonderful picture, does not die by nature.' They said to him: 'Are you mad! Why do you wish to kill her when she is already at the point of death?' The lover said: 'If she dies at my hands they will kill me, since I am forbidden to do that myself. Then, on the day of resurrection, we shall be together as we are now. If I am put to death because of my passion for her we shall be as one, as the clear flame of a lighted candle.'

Lovers who have staked their lives for their love have entered on the Path. In the Life of the Spirit they are united to the object of their affection.