(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(5) They had the appearance of youths, when those who came to offer gifts saw them. Then the persecution of the young of the birds and of the deer began, and the fruit of the chase was received by the priests and sacrificers. And when they found the young of the birds and the deer, they went at once to place the blood of the deer and of the birds in the mouths of the stones, that were Tohil and Avilix. As soon as the blood had been drunk by the gods, the stones spoke, when the priests and the sacrificers came, when they came to bring their offerings. And they did the same before their symbols, burning pericón and holom-ocox.

(16) Now the high priest's robe is the symbol of the world of sense. The seven planets are represented by the five stones and the two carbuncles, for Saturn and the Moon. The former is southern, and moist, and earthy, and heavy; the latter aerial, whence she is called by some Artemis, as if Aerotomos (cutting the air); and the air is cloudy. And cooperating as they did in the production of things here below, those that by Divine Providence are set over the planets are rightly represented as placed on the breast and shoulders; and by them was the work of creation, the first week. And the breast is the seat of the heart and soul.

(17) Differently, the stones might be the various phases of salvation; some occupying the upper, some the lower parts of the entire body saved. The three hundred and sixty bells, suspended from the robe, is the space of a year, "the acceptable year of the Lord," proclaiming and resounding the stupendous manifestation of the Saviour. Further, the broad gold mitre indicates the regal power of the Lord, "since the Head of the Church" is the Savour. The mitre that is on it [i.e., the head] is, then, a sign of most princely rule; and otherwise we have heard it said, "The Head of Christ is the God and Father of our Lord Jesus Christ." Moreover, there was the breastplate, comprising the ephod, which is the symbol of work, and the oracle logion; and this indicated the Word logos by which it was framed, and is the symbol of heaven, made by the Word, and subjected to Christ, the Head of all things, inasmuch as it moves in the same way, and in a like manner. The luminous emerald stones, therefore, in the ephod, signify the sun and moon, the helpers of nature. The shoulder, I take it, is the commencement of the hand.

(2) Since, then, our earliest progenitors were in great error, —seeing they had no rational faith about the Gods, and that they paid no heed unto their cult and holy worship,—they chanced upon an art whereby they made Gods [for themselves]. To this invention they conjoined a power that suited it, [derived] from cosmic nature; and blending these together, since souls they could not make, [they set about] evoking daimons’ souls or those of angels; [and thus] attached them to their sacred images and holy mysteries, so that the statues should, by means of these, possess the powers of doing good and the reverse.

(11) It is said also in a certain oracle,- "A pillar to the Thebans is joy-inspiring Bacchus," from the history of the Hebrews. Also Euripides says, in Antiope,- "In the chambers within, the herdsman, With chaplet of ivy, pillar of the Evoean god." The pillar indicates that God cannot be portrayed. The pillar of light, too, in addition to its pointing out that God cannot be represented, shows also the stability and the permanent duration of the Deity, and His unchangeable and inexpressible light. Before, then, the invention of the forms of images, the ancients erected pillars, and reverenced them as statues of the Deity.

(18) O nobly-born, from the north [will dawn] the Blue Wolf-Headed Wind-Goddess, waving a pennant in the hand; and the Red Ibex-Headed Woman-Goddess, holding a pointed stake in the hand; and the Black Sow-Headed Sow-Goddess, holding a noose of fangs in the hand; and the Red Crow-Headed Thunderbolt-Goddess, holding an infant corpse in the hand; and the Greenish-Black Elephant-Headed Big-Nosed Goddess, holding in the hand a big corpse and drinking blood from a skull; and the Blue Serpent-Headed Water-Goddess, holding in the hand a serpent noose: [these], the Six Yoginis of the North, issuing from within [the northern quarter of] thine own brain, will come to shine upon thee; fear that not.

(48) But of us mortals, many erring far In heart, as solace for our woes, have raised Images of gods - of stone, or else of brass, Or figures wrought of gold or ivory; And sacrifices and vain festivals To these appointing, deem ourselves devout."

(1) Whence also the Egyptians did not entrust the mysteries they possessed to all and sundry, and did not divulge the knowledge of divine things to the profane; but only to those destined to ascend the throne, and those of the priests that were judged the worthiest, from their nurture, culture, and birth. Similar, then, to the Hebrew enigmas in respect to concealment, are those of the Egyptians also. Of the Egyptians, some show the sun on a ship, others on a crocodile. And they signify hereby, that the sun, making a passage through the delicious and moist air, generates time; which is symbolized by the crocodile in some other sacerdotal account. Further, at Diospolis in Egypt, on the temple called Pylon, there was figured a boy as the symbol of production, and an old man as that of decay. A hawk, on the other hand, was the symbol of God, as a fish of hate; and, according to a different symbolism, the crocodile; of impudence. The whole symbol, then, when put together, appears to teach this: "Oh ye who are born and die, God hates impudence."

(100) And they who worship stones, and grave images of gold and silver and wood 〈and stone〉 and clay, and those who worship impure spirits and demons, and all kinds of idols not according to knowledge, shall get no manner of help from them.

INITIATIONS ATTEND Musæus to my sacred song, And learn what rites to sacrifice belong. Jove I invoke, the earth, and solar light, The moon's pure splendor, and the stars of night; Thee Neptune, ruler of the sea profound, Dark-hair'd, whose waves begirt the solid ground; Ceres abundant, and of lovely mien, And Proserpine infernal Pluto's queen The huntress Dian, and bright Phœbus rays, Far-darting God, the theme of Delphic praise; And Bacchus, honour'd by the heav'nly choir, And raging Mars, and Vulcan god of fire; The mighty pow'r who rose from foam to light, And Pluto potent in the realms of night; With Hebe young, and Hercules the strong, And you to whom the cares of births belong: Justice and Piety august I call, And much-fam'd nymphs, and Pan the god of all. To Juno sacred, and to Mem'ry fair, And the chaste Muses I address my pray'r; The various year, the Graces, and the Hours, Fair-hair'd Latona, and Dione's pow'rs; Armed Curetes, household Gods I call, With those who spring from Jove the king of all: Th' Idæan Gods, the angel of the skies, And righteous Themis, with sagacious eyes; With ancient night, and day-light I implore, And Faith, and Justice dealing right adore; Saturn and Rhea, and great Thetis too, Hid in a veil of bright celestial blue: I call great Ocean, and the beauteous train Of nymphs, who dwell in chambers of the main; Atlas the strong, and ever in its prime, Vig'rous Eternity, and endless Time; The Stygian pool, and placid Gods beside, And various Genii, that o'er men preside; Illustrious Providence, the noble train Of dæmon forms, who fill th' ætherial plain; Or live in air, in water, earth, or fire, Or deep beneath the solid ground retire. Bacchus and Semele the friends of all, And white Leucothea of the sea I call; Palæmon bounteous, and Adrastria great, And sweet-tongu'd Victory, with success elate; Great Esculapius, skill'd to cure disease, And dread Minerva, whom fierce battles please; Thunders and winds in mighty columns pent, With dreadful roaring struggling hard for vent; Attis, the mother of the pow'rs on high, And fair Adonis, never doom'd to die, End and beginning he is all to all, These with propitious aid I gently call; And to my holy sacrifice invite, The pow'r who reigns in deepest hell and night; I call Einodian Hecate, lovely dame, Of earthly, wat'ry, and celestial frame, Sepulchral, in a saffron veil array'd, Pleas'd with dark ghosts that wander thro' the shade; Persian, unconquerable huntress hail! 59 The world's key-bearer never doom'd to fail On the rough rock to wander thee delights, Leader and nurse be present to our rites Propitious grant our just desires success, Accept our homage, and the incense bless.

(12) Why do ye worship things that have no spirit in them? For they are the work of (men's) hands, And on your shoulders do ye bear them,* And ye have no help from them, But they are a great cause of shame to those who make them, And a misleading of the heart to those who worship them : Worship them not."

(583) 1568 To say: R`, turn thou, that N. may see 1568 ------- N. Thy red (crown) is that of N. 1568 ------- N. of R`, the uraeus-serpent, which is on the forehead of R`. 1569 Thou art Shu; thou art height, O father; 1569 thou art the nss; thou art the nsss.t; 1569 thou art ----------------------- 1570 -------------- 1570 The arm of Horus is behind thee; the arm of Thot [is before thee]. 1571 The two Great Gods support thee; 1571 they prepare thy place which is in [heaven] ---------- 1572 -------------------------------------- 1572 --------------------------------------- 1572 Arisen, arisen, on thy feet -----------------------

(378) 663 To say: The uraeus-serpent belongs to heaven; the centipede of Horus belongs in the earth. 663 It is the sandal (or, sole of the foot) of Horus which has trod upon the (dangerous) serpent, 663 the serpent (dangerous) for Horus, a young child, his finger in his mouth. 664 N. is also a Horus, a little child, his finger in his mouth. 664 If it is dangerous for N., he will tread upon thee (serpent); 664 be wise for N., so will he not tread upon thee, 665 for thou art indeed the mysterious, the hidden, as the gods call thee, 665 because thou hast no legs, because thou hast no arms, 665 with which thou mayest go in the following of thy brothers, thy gods. 666 O ye both who are unlucky, O ye both who are unlucky; O ye both who arise, O ye both who arise, 666 ye who make the mti-knot of the god, protect N. that he may protect you.

(1) Thou art a lion, thou art a sphinx, thou art Horus who avengeth his father; thou art these four gods, those glorious ones who are shouting for joy, who are making incantations, and who bring out water by the power of the tramp of their feet. Thou risest on the right, thou risest on the left. Seb has opened thy blind eyes, he has loosened thy legs which were fettered. Thou hast received thy heart of thy mother, thy whole heart of thy own body; thy soul is in the sky, thy body is under the ground. There is bread for thy body, water for thy throat, sweet breeze for thy nostrils

(3) And why should I linger over the barbarians, when I can adduce the Greeks as exceedingly addicted to the use of the method of concealment? Androcydes the Pythagorean says the far-famed so-called Ephesian letters were of the class of symbols. For he said that askion (shadowless) meant darkness, for it has no shadow; and katas kion (shadowy) light, since it casts with its rays the shadow; and lix if is the earth, according to an ancient' appellation; and tetras is the year, in reference to the seasons; and d amnameneus is the sun, which overpowers (damazwn); and ta aisia is the true voice. And then the symbol intimates that divine things have been arranged in harmonious order - darkness to light, the sun to the year, and the earth to nature's processes of production of every sort. Also Dionysius Thrax, the grammarian, in his book, Respecting the Exposition of the Symbolical Signification in Circles, says expressly, "Some signified actions not by words only, but also by symbols: by words, as is the case of what are called the Delphic maxims, 'Nothing in excess,' 'Know thyself,' and the like; and by symbols, as the wheel that is turned in the temples of the gods, derived from the Egyptians, and the branches that are given to the worshippers. For the Thracian Orpheus says: "Whatever works of branches are a care to men on earth, Not one has one fate in the mind, but all things Revolve around; and it is not lawful to stand at one point, But each one keeps an equal part of the race as they began."

(32) Indeed they honoured, prayed to, or worshipped the sun and stars for gods, but knew not how these were created or came to be, nor out of what they came to be: For they might well have thought that that which proceeded from somewhat, and that that which created this, must needs be older and higher or greater than all the stars.

(20) And make not for yourselves molten or graven gods ; a For they are vanity, And there is no spirit in them ; For they are work of (men's) hands, And all who trust in them, trust in nothing. Serve them not, nor worship them,

(5) Wishing to express Sun in writing, they make a circle; and Moon, a figure like the Moon, like its proper shape. But in using the figurative style, by transposing and transferring, by changing and by transforming in many ways as suits them, they draw characters. In relating the praises of the kings in theological myths, they write in anaglyphs. Let the following stand as a specimen of the third species - the Enigmatic. For the rest of the stars, on account of their oblique course, they have figured like the bodies of serpents; but the sun, like that of a beetle, because it makes a round figure of ox-dung, and rolls it before its face. And they say that this creature lives six months under ground, and the other division of the year above ground, and emits its seed into the ball, and brings forth; and that there is not a female beetle. All then, in a word, who have spoken of divine things, both Barbarians and Greeks, have veiled the first principles of things, and delivered the truth in enigmas, and symbols, and allegories, and metaphors, and such like tropes. Such also are the oracles among the Greeks. And the Pythian Apollo is called Loxias. Also the maxims of those among the Greeks called wise men, in a few sayings indicate the unfolding of matter of considerable importance. Such certainly is that maxim, "Spare Time:" either because life is short, and we ought not to expend this time in vain; or, on the other hand, it bids you spare your personal expenses; so that, though you live many years, necessaries may not fail you. Similarly also the maxim "Know thyself" shows many things; both that thou art mortal, and that thou wast born a human being; and also that, in comparison with the other excellences of life, thou art of no account, because thou sayest that thou art rich or renowned; or, on the other hand, that, being rich or renowned, you are not honoured on account of your advantages alone. And it says, Know for what thou wert born, and whose image thou art; and what is thy essence, and what thy creation, and what thy relation to God, and the like. And the Spirit says by Isaiah the prophet, "I will give thee treasures, hidden, dark." Now wisdom, hard to hunt, is the treasures of God and unfailing riches. But those, taught in theology by those prophets, the poets, philosophize much by way of a hidden sense. I mean Orpheus, Linus, Musaeus, Homer, and Hesiod, and those in this fashion wise. The persuasive style of poetry is for them a veil for the many.

(4) But since again the simple and variegated wisdom both clothes the naked, and distributes certain implements to them to carry, come, let us unfold, according to our power, the sacred garments and implements of the celestial Minds. The shining and glowing raiment, I think, signifies the Divine likeness after the image of fire, and their enlightening, in consequence of their repose in Heaven, where is the Light, and their complete illuminating intelligibly, and their being illuminated intellectually; and the sacerdotal robe denotes their conducting to Divine and mystical visions, and the consecration of their whole life. And the girdles signify the guard over their productive powers, and the collected habit of being turned uniformly to It, and being drawn around Itself by an unbroken identity, in a well-ordered circle.