(12) Special attention has been given to this chapter by Mr. Goodwin ( Zeitschr. , 1873, p. 104), and by M. Lefébure ( Mélanges D’Arch. , 1874, p. 155), whose work is very much more valuable than that of his English colleague. But the most important study bearing on the relations between the older and the more recent recension is that of M. Naville, ‘Un ostrakon égyptien,’ in the first volume of the Annales du Musée Guimet

(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(2) For time always proceeding the divine mode of knowledge becomes evanescent, through being frequently mingled and contaminated with much of what is mortal. This divine mode is indeed [in astrology also], and a certain clear indication of truth, though it is but small, is at the same time preserved in it. For it places before our eyes manifest signs of the mensuration of the divine periods, when it predicts the eclipses of the sun and moon, and the concursions of the moon with the fixed stars, and when the experience of the sight is seen to accord with the prediction. Moreover, the observations of the celestial bodies through the whole of time, both by the Chaldeans and by us, testify that this science is true. Indications, also, more known than these might be adduced, if the present discussion was precedaneously about these particulars. But as they are superfluous, and do not pertain to the knowledge of the peculiar dæmon, I shall, as it is fit so to do, omit them, and pass on to things more appropriate than these.

(1) These things, therefore, having been accurately discussed, the solution of the doubts which you have met with in certain books will be manifest. For the books which are circulated under the name of Hermes contain Hermaic opinions, though they frequently employ the language of the philosophers: for they were translated from the Egyptian tongue by men who were not unskilled in philosophy. But Chæremon, and any others who have at all discussed the first causes of mundane natures, have unfolded the last rulers of these. And such as have written concerning the planets, the zodiac, the decans, horoscopes, and what are called powerful and leading planets, these have unfolded the partible distributions of the rulers. The particulars, also, contained in the Calendars comprehend a certain very small part of the Hermaic arrangements. And the causes of such things as pertain to the phases or occultations of the stars, or to the increments and decrements of the moon, are assigned by the Egyptians the last of all.

(68) The seventeenth chapter is one of the most remarkable in the whole collection, and it has been preserved from times previous to the XIIth dynasty. The very earliest monuments which have preserved it have handed it down accompanied with scholia and other commentaries interpolated into the text. Some of the monuments enable us to some extent to divide the original text from the additions, in consequence of the latter being written in red. But there is really only one text where the additions are suppressed, and which therefore offers the most ancient form, as far as we know it, of the chapter. This is the copy on the wall of the tomb of Horhotep. The sarcophagus itself of Horhotep contains a copy of the text along with the additions. The chapter must already at the time have been of the most venerable antiquity. Besides these two copies of the chapter we have those from the sarcophagi of Hora and Sit-Bastit (published, like those of Horhotep, by M. Maspero [24] ), two from the sarcophagi of Mentuhotep, and one from that of Sebek-āa (the three latter published by Lepsius in his Aelteste Texte ). The British Museum has Sir Gardner Wilkinson’s copy of the texts inscribed on the coffin of Queen Mentuhotep of the XIth dynasty, and also a fragment (6636 a) of the coffin of a prince named Hornefru. Here then we have an abundance of witnesses of the best period. They unfortunately do not agree. The progress of corruption had no doubt begun long before, and the variants are not simply differences of orthography but positively different readings. The differences however are chiefly in the scholia. Even when the explanations of the text are identical, the form differs. The latest recensions have retained the form ; the ancient added the feminine . What is that? But some of the ancient texts give the equivalent words , and Horhotep does without them altogether. These words were evidently additions not merely to the text but to the scholia

(11) The ancient text of this chapter has most unfortunately been lost. A few words only remain in the fragments of Papyrus Pm . M. Naville has also published what is found on an ostracon of the time of the XVIIIth dynasty. There is no doubt that the form of the text which has been handed down in the later papyri has suffered great alterations. And a comparison between the Turin and Cadet papyri shows in how untrustworthy a way this later form of the text has been transmitted

(8) The text which has been followed in the translation of this chapter is that of the Royal Tombs of Rameses IV and Rameses VI, called by M. Naville Chapter 127 A . The lost Busca papyrus, of which Lepsius had a tracing, furnishes a different text, (127 B ), and the text of the Turin Todtenbuch has been enlarged by means of numerous interpolations. M. Naville has called attention to the close relationship between this chapter and the second part of the “Solar Litany.”

(4) "For the Muse was not then Greedy of gain or mercenary; Nor were Terpsichore's sweet, Honey-toned, silvery soft-voiced Strains made merchandise of." Now those instructed among the Egyptians learned first of all that style of the Egyptian letters which is called Epistolographic; and second, the Hieratic, which the sacred scribes practise; and finally, and last of all, the Hieroglyphic, of which one kind which is by the first elements is literal (Kyriologic), and the other Symbolic. Of the Symbolic, one kind speaks literally by imitation, and another writes as it were figuratively; and another is quite allegorical, using certain enigmas.

(2) It has been thought well to publish with this translation the Vignettes from the great Papyrus La of Leyden, representing a , the Rising; and b , the Setting Sun. ( See plates

(50) This chapter is in itself most interesting, and it is one of the most important as illustrative of Egyptian mythology. It is impossible at present to explain every detail, but the general drift of the chapter is not to be mistaken. And the same drift is to be recognised in the whole course of Egyptian religious literature from the beginning

(5) Wishing to express Sun in writing, they make a circle; and Moon, a figure like the Moon, like its proper shape. But in using the figurative style, by transposing and transferring, by changing and by transforming in many ways as suits them, they draw characters. In relating the praises of the kings in theological myths, they write in anaglyphs. Let the following stand as a specimen of the third species - the Enigmatic. For the rest of the stars, on account of their oblique course, they have figured like the bodies of serpents; but the sun, like that of a beetle, because it makes a round figure of ox-dung, and rolls it before its face. And they say that this creature lives six months under ground, and the other division of the year above ground, and emits its seed into the ball, and brings forth; and that there is not a female beetle. All then, in a word, who have spoken of divine things, both Barbarians and Greeks, have veiled the first principles of things, and delivered the truth in enigmas, and symbols, and allegories, and metaphors, and such like tropes. Such also are the oracles among the Greeks. And the Pythian Apollo is called Loxias. Also the maxims of those among the Greeks called wise men, in a few sayings indicate the unfolding of matter of considerable importance. Such certainly is that maxim, "Spare Time:" either because life is short, and we ought not to expend this time in vain; or, on the other hand, it bids you spare your personal expenses; so that, though you live many years, necessaries may not fail you. Similarly also the maxim "Know thyself" shows many things; both that thou art mortal, and that thou wast born a human being; and also that, in comparison with the other excellences of life, thou art of no account, because thou sayest that thou art rich or renowned; or, on the other hand, that, being rich or renowned, you are not honoured on account of your advantages alone. And it says, Know for what thou wert born, and whose image thou art; and what is thy essence, and what thy creation, and what thy relation to God, and the like. And the Spirit says by Isaiah the prophet, "I will give thee treasures, hidden, dark." Now wisdom, hard to hunt, is the treasures of God and unfailing riches. But those, taught in theology by those prophets, the poets, philosophize much by way of a hidden sense. I mean Orpheus, Linus, Musaeus, Homer, and Hesiod, and those in this fashion wise. The persuasive style of poetry is for them a veil for the many.

(3) After the interruption due to Chapters 153 and 154, we revert to the series inaugurated by 151, the description of the chamber in which the mummy is deposited, and of the funeral equipment of the deceased, his amulets and ornaments. The papyrus III, 93 (Pb), of the Louvre, throws several of these Chapters into one, with the title: the description of the hidden things of the Tuat , and the vignette (Pl. LV) represents three figures of Chapter 151: the statuette, the torch or flame, and the Anubis; besides two Tat of different substances, one of them for the wall, and one to be put on the neck of the deceased, and a buckle

(4) The oldest papyrus containing this chapter is that of Ani, and the translation is based upon it. But the text differs both from those written on the very ancient coffins of Heru and Set-Bastit, copied by M. Maspero, [34] and from the later texts

(8) This chapter is often found not only in papyri but upon coffins, in accordance with the rubric at the end. The earliest copy is on the coffin of Queen Mentuhotep. A very fine copy is on the alabaster sarcophagus of Seti I, and our museums are rich in funereal monuments inscribed with this ancient text. A very similar text is found at the end of chapter 99

(17) This Chapter and the following are found in one papyrus only, Paris, III, 93, a document more remarkable for the beauty of its vignettes than for the correctness of the text

(20) The two chapters which are numbered by M. Naville as 136 A and 136 B are represented in the later recensions by a single chapter, which has been made out of them. There is very much obscurity in the ancient texts, though the MSS. containing them are numerous, and the more recent versions are quite as difficult to understand. We must be satisfied for the present by a strict literal and grammatical translation, wherever this amount of success is attainable. The royal sarcophagus 32 of the British Museum gives the latest form of 136 A

(8) There are two chapters (114 and 116) of “the Powers of Hermopolis,” and they have been preserved separately both in the older and in the more recent papyri. They are very similar in thought but differently worded, and each throws a certain light upon the other, without however dispelling the obscurity of this very ancient religious composition. Some farther help, however insufficient, is afforded by the pictures of the Book which records the passage of the Sun-god through the twelve hours of the night

(15) The chapters 108, 109, 112, 113, and 114 being so analogous to each other, in form, matter, style, and composition, and each being concerned with the divine Powers of some locality, it is interesting to know that one at least of these chapters is found on a monument of the Middle Empire. The others are probably not less ancient, and the text published by Dr. Golenischef ( Zeitschr. f. Aegypt. Spr. , 1874, p. 84) from the Sarcophagus at St. Petersburg already bears manifest signs of antiquity

(2) The three versions which have been preserved of this text are very fragmentary. The most complete, papyrus 10478 of the British Museum, contains only the 7 to 12. As the interest of this text, the character of which is chiefly pictorial, lies in the vignettes, it has been thought unnecessary to give a translation of it

(4) Next in order advances the sacred Scribe, with wings on his head, and in his hand a book and rule, in which were writing ink and the reed, with which they write. And he must be acquainted with what are called hieroglyphics, and know about cosmography and geography, the position of the sun and moon, and about the five planets; also the description of Egypt, and the chart of the Nile; and the description of the equipment of the priests and of the places consecrated to them, and about the measures and the things in use in the sacred rites. Then the Stole-keeper follows those previously mentioned, with the cubit of justice and the cup for libations. He is acquainted with all points called Paedeutic (relating to training) and Moschophatic (sacrificial). There are also ten books which relate to the honour paid by them to their gods, and containing the Egyptian worship; as that relating to sacrifices, first-fruits, hymns, prayers, processions, festivals, and the like. And behind all walks the Prophet, with the water-vase carried openly in his arms; who is followed by those who carry the issue of loaves.