The FUMIGATION from MYRRH. DARK veil'd Latona, much invoked queen, Twin-bearing Goddess, of a noble mien; Cæantis great, a mighty mind is thine, Offspring prolific, blest of Jove divine: Phœbus proceeds from thee, the God of light, And Dian fair, whom winged darts delight; She in Ortygia's honor'd regions born, In Delos he, which mountains high adorn. Hear me, O Goddess, with propitious mind, And end these holy rites, with aspect kind. Next: XXXV: To Diana Sacred Texts | Classics « Previous: The Initiations of Orpheus: XXXIII: To Apollo Index Next: The Initiations of Orpheus: XXXV: To Diana » Sacred Texts | Classics

(10) And Nymphodorus of Amphipolis, in the third book of the Institutions of Asia, says that the bull Apis, dead and laid in a coffin (soros), was deposited in the temple of the god (daimonos) there worshipped, and thence was called Soroapis, and afterwards Serapis by the custom of the natives. And Apis is third after Inachus. Further, Latona lived in the time of Tityus. "For he dragged Latona, the radiant consort of Zeus." Now Tityus was contemporary with Tantalus. Rightly, therefor, the Boeotian Pindar writes, "And in time was Apollo born;" and no wonder when he is found along with Hercules, serving Admetus "for a long year." Zethus and Amphion, the inventors of music, lived about the age of Cadmus. And should one assert that Phemonoe was the first who sang oracles in verse to Acrisius, let him know that twenty-seven years after Phemonoe, lived Orpheus, and Musaeus, and Linus the teacher of Hercules. And Homer and Hesiod are much more recent than the Trojan war; and after them the legislators among the Greeks are far more recent, Lycurgus and Solon, and the seven wise men, and Pherecydes of Syros, and Pythagoras the great, who lived later, about the Olympiads, as we have shown. We have also demonstrated Moses to be more ancient, not only than those called poets and wise men among the Greeks, but than the most of their deities. Nor he alone, but the Sibyl also is more ancient than Orpheus. For it is said, that respecting her appellation and her oracular utterances there are several accounts; that being a Phrygian, she was called Artemis; and that on her arrival at Delphi, she sang- "O Delphians, ministers of far-darting Apollo, I come to declare the mind of Ægis-bearing Zeus, Enraged as I am at my own brother Apollo."

(3) For thy forebear, Asclepius, the first discoverer of medicine, to whom there is a temple hallowed on Libya’s Mount, hard by the shore of crocodiles, in which his cosmic man reposes, that is to say his body; for that the rest [of him], or better still, the whole (if that a man when wholly [plunged] in consciousness of life, be better), hath gone back home to heaven,—still furnishing, [but] now by his divinity, the sick with all the remedies which he was wont in days gone by to give by art of medicine.

(12) Accordingly, he who composed the Pharonis writes,- "Callithoe, key-bearer of the Olympian queen: Argive Hera, who first with fillets and with fringes The queen's tall column all around adorned." Further, the author of Europia relates that the statue of Apollo at Delphi was a pillar in these words: "That to the god first-fruits and tithes we may On sacred pillars and on lofty column hang."

(105) Does he not seem to you to paraphrase that text, "At the presence of the Lord the earth trembles?" In addition to these, the most prophetic Apollo is compelled - thus testifying to the glory of God - to say of Athene, when the Medes made war against Greece, that she besought and supplicated Zeus for Attica. The oracle is as follows: "Pallas cannot Olympian Zeus propitiate, Although with many words and sage advice she prays; But he will give to the devouring fire many temples of the immortals, Who now stand shaking with terror, and bathed in sweat;" and so forth.

ONLY-Begotten, noble race of Jove, Blessed and fierce, who joy'st in caves to rove: 2 O, warlike Pallas, whose illustrious kind, Ineffable and effable we find: Magnanimous and fam'd, the rocky height, And groves, and shady mountains thee delight: In arms rejoicing, who with Furies dire And wild, the souls of mortals dost inspire. Gymnastic virgin of terrific mind, Dire Gorgons bane, unmarried, blessed, kind: Mother of arts, imperious; understood, Rage to the wicked., wisdom to the good: Female and male, the arts of war are thine, Fanatic, much-form'd dragoness, divine: 14 O'er the Phlegrean giants rous'd to ire, Thy coursers driving, with destruction dire. Sprung from the head of Jove, of splendid mien, Purger of evils, all-victorious queen. Hear me, O Goddess, when to thee I pray, With supplicating voice both night and day, And in my latest hour, peace and health, Propitious times, and necessary wealth, And, ever present, be thy vot'ries aid, O, much implor'd, art's parent, blue eyed maid.

(57) And before him Orpheus said, speaking of the in hand: "Son of great Zeus, Father of Aegis-bearing Zeus." And Xenocrates the Chalcedonian, who mentions the supreme Zeus and the inferior Zeus, leaves an indication of the Father and the Son. Homer, while representing the gods as subject to human passions, appears to know the Divine Being, whom Epicurus does not so revere. He says accordingly: "Why, son of Peleus, mortal as thou art, With swift feet me pursuest, a god Immortal? Hast thou not yet known That I am a god?"

(13) Apollo, interpreted mystically by "privation of many," means the one God.

(2) It is said, therefore, that Mnesarchus and Pythaïs, who were the parents of Pythagoras, descended from the family and alliance of this Ancæus, who founded the colony. In consequence, however, of this nobility of birth being celebrated by the citizens, a certain Samian poet says, that Pythagoras was the son of Apollo. For thus he sings,

(407) for such a cure would have been of no use either to himself, or to the State. Then, he said, you regard Asclepius as a statesman. Clearly; and his character is further illustrated by his sons. Note that they were heroes in the days of old and practised the medicines of which I am speaking at the siege of Troy: You will remember how, when Pandarus wounded Menelaus, they ‘Sucked the blood out of the wound, and sprinkled soothing remedies 40 ,’ but they never prescribed what the patient was afterwards to eat or drink in the case of Menelaus, any more than in the case of Eurypylus; the remedies, as they conceived, were enough to heal any man who before he was wounded was healthy and regular in his habits; and even though he did happen to drink a posset of Pramnian wine, he might get well all the same. But they would have nothing to do with unhealthy and intemperate subjects, whose lives were of no use either to themselves or others; the art of medicine was not designed for their good, and though they were as rich as Midas, the sons of Asclepius would have declined to attend them. They were very acute persons, those sons of Asclepius. Naturally so, I replied. Nevertheless, the tragedians and Pindar disobeying our behests, although they acknowledge that Asclepius was the son of Apollo, say also that he was bribed into healing a rich man who was at the point of

The FUMIGATION from MANNA. BLEST Pæan, come, propitious to my pray'r, Illustrious pow'r, whom Memphian tribes revere, Slayer of Tityus, and the God of health, Lycorian Phœbus, fruitful source of wealth . Spermatic, golden-lyr'd, the field from thee Receives it's constant, rich fertility. Titanic, Grunian, Smynthian, thee I sing, 7 Python-destroying, hallow'd, Delphian king: Rural, light-bearer, and the Muse's head, Noble and lovely, arm'd with arrows dread: Far-darting, Bacchian, two-fold, and divine, 11 Pow'r far diffused, and course oblique is thine. O, Delian king, whose light-producing eye Views all within, and all beneath the sky: Whose locks are gold, whose oracles are sure, Who, omens good reveal'st, and precepts pure: Hear me entreating for the human kind, Hear, and be present with benignant mind; For thou survey'st this boundless æther all, And ev'ry part of this terrestrial ball Abundant, blessed; and thy piercing sight, Extends beneath the gloomy, silent night; Beyond the darkness, starry-ey'd, profound, The stable roots, deep fix'd by thee are found. The world's wide bounds, all-flourishing are thine, Thyself all the source and end divine: 'Tis thine all Nature's music to inspire, With various-sounding, harmonising lyre; Now the last string thou tun'ft to sweet accord, 29 Divinely warbling now the highest chord; Th' immortal golden lyre, now touch'd by thee, Responsive yields a Dorian melody. All Nature's tribes to thee their diff'rence owe, And changing seasons from thy music flow Hence, mix'd by thee in equal parts, advance Summer and Winter in alternate dance; This claims the highest, that the lowest string, The Dorian measure tunes the lovely spring . Hence by mankind, Pan-royal, two-horn'd nam'd, 39 Emitting whistling winds thro' Syrinx fam'd; Since to thy care, the figur'd seal's consign'd, 41 Which stamps the world with forms of ev'ry kind. Hear me, blest pow'r, and in these rites rejoice, And save thy mystics with a suppliant voice.

The FUMIGATION from FRANKINCENSE. HEAR, pow'rful, Hercules untam'd and strong, To whom vast hands, and mighty works belong, Almighty Titan, prudent and benign, Of various forms, eternal and divine, Father of Time, the theme of gen'ral praise, Ineffable, ador'd in various ways. Magnanimous, in divination skill'd And in the athletic labours of the field. 'Tis thine strong archer, all things to devour, Supreme, all-helping, all-producing pow'r; To thee mankind as their deliv'rer pray, Whose arm can chase the savage tribes away: Uweary'd, earth's best blossom, offspring fair, To whom calm peace, and peaceful works are dear. 13 Self-born, with primogenial fires you shine, And various names and strength of heart are thine. Thy mighty head supports the morning light, And bears untam'd, the silent gloomy night; From east to west endu'd with strength divine, Twelve glorious labours to absolve is thine; Supremely skill'd, thou reign'st in heav'n's abodes, Thyself a God amid'st th' immortal Gods. With arms unshaken, infinite, divine, Come, blessed pow'r, and to our rites incline; The mitigations of disease convey, And drive disasterous maladies away. Come, shake the branch with thy almighty arm, Dismiss thy darts and noxious fate disarm.

(8) Moses, then, is shown to have preceded the deification of Dionysus six hundred and four years, if he was deified in the thirty-second year of the reign of Perseus, as Apollodorus says in his Chronology. From Bacchus to Hercules and the chiefs that sailed with Jason in the ship Argo, are comprised sixty-three years. Æsculapius and the Dioscuri sailed with them, as Apollonius Rhodius testifies in his Argonautics. And from the reign of Hercules, in Argos, to the deification of Hercules and of Æsculapius, are comprised thirty-eight years, according to Apollodorus the chronologist; from this to the deification of Castor and Pollux, fifty-three years. And at this time Troy was taken. And if we may believe the poet Hesiod, let us hear him: "Then to Jove, Maia, Atlas' daughter, bore renowned Hermes, Herald of the immortals, having ascended the sacred couch.

(1) Conceiving, however, that the first attention which should be paid to men, is that which takes place through the senses; as when some one perceives beautiful figures and forms, or hears beautiful rythms and melodies, he established that to be the first erudition which subsists through music, and also through certain melodies and rythms, from which the remedies of human manners and passions are obtained, together with those harmonies of the powers of the soul which it possessed from the first. He likewise devised medicines calculated to repress and expel the diseases both of bodies and souls. And by Jupiter that which deserves to be mentioned above all these particulars is this, that he arranged and adapted for his disciples what are called apparatus and contrectations, divinely contriving mixtures of certain diatonic, chromatic, and euharmonic melodies, through which he easily transferred and circularly led the passions of the soul into a contrary direction, when they had recently and in an irrational and clandestine manner been formed; such as sorrow, rage, and pity, absurd emulation and fear, all-various desires, angers, and appetites, pride, supineness, and vehemence.

For he corrected each of these by the rule of virtue, attempering them through appropriate melodies, as through certain salutary medicines. In the evening, likewise, when his disciples were retiring to sleep, he liberated them by these means from diurnal perturbations and tumults, and purified their intellective power from the influxive and effluxive waves of a corporeal nature; rendered their sleep quiet, and their dreams pleasing and prophetic. But when they again rose from their bed, he freed them from nocturnal heaviness, relaxation and torpor, through certain peculiar songs and modulations, produced either by simply striking the lyre, or employing the voice. Pythagoras, however, did not procure for himself a thing of this kind through instruments or the voice, but employing a certain ineffable divinity, and which it is difficult to apprehend, he extended his ears, and fixed his intellect in the sublime symphonies of the world, he alone hearing and understanding, as it appears, the universal harmony and consonance of the spheres, and the stars that are moved through them, and which produce a fuller and more intense melody than any thing effected by mortal sounds.

This melody also was the result of dissimilar and variously differing sounds, celerities, magnitudes, and intervals, arranged with reference to each other in a certain most musical ratio, and thus producing a most gentle, and at the same time variously beautiful motion and convolution. Being therefore irrigated as it were with this melody, having the reason of his intellect well arranged through it, and as I may say, exercised, he determined to exhibit certain images of these things to his disciples as much as possible, especially producing an imitation of them through instruments, and through the mere voice alone. For he conceived that by him alone, of all the inhabitants of the earth, the mundane sounds were understood and heard, and this from a natural fountain itself and root.

He therefore thought himself worthy to be taught, and to learn something about the celestial orbs, and to be assimilated to them by desire and imitation, as being the only one on the earth adapted to this by the conformation of his body, through the dæmoniacal power that inspired him. But he apprehended that other men ought to be satisfied in looking to him, and the gifts he possessed, and in being benefited and corrected through images and examples, in consequence of their inability to comprehend truly the first and genuine archetypes of things. Just, indeed, as to those who are incapable of looking intently at the sun, through the transcendent splendor of his rays, we contrive to exhibit the eclipses of that luminary, either in the profundity of still water, or through melted pitch, or through some darkly-splendid mirror; sparing the imbecility of their eyes, and devising a method of representing a certain repercussive light, though less intense than its archetype, to those who are delighted with a thing of this kind. Empedocles also appears to have obscurely signified this about Pythagoras, and the illustrious and divinely-gifted conformation of his body above that of other men, when he says: