(1) Another species of divine divination which is much celebrated, most manifest and manifold, is that of oracles, about which you say as follows: “ There are some who drink water, as the priest of Clarius, in Colophon; but others are seated at the mouth [of a cavern], as those who prophesy at Delphi; and others imbibe the vapour from water, as the prophetesses in Brandchidæ .” You have, therefore, made mention of these three oracles by name, not that there are only these, for there are many more which you have omitted, but as these are more celebrated than the rest, and, at the same time, because through these you may be sufficiently instructed in the mode of divination sent to men from the Gods, hence, as it appears to me, you were satisfied with these. We, therefore, likewise shall discuss these three, omitting to speak about the many other oracles that exist.

(23) In the chamber were four so-called canopic vases, with the gods of the four cardinal points, each of whom has his words to say. Besides these were statuettes called shabti or ushabti , the helpers of the deceased in his work in the Elysian fields. In the papyrus London, 10010 ( Af. ), from which this chapter is translated, one of them has the usual appearance, the other the head of Anubis

(61) Mosss sazih: It is to be observed that the envious have named lead of copper instruments of formation, simulating, deceiving prosterity,* to whom I give notice that there are no instruments except from our own white, strong, and splendid powder, and from our concave stone“ and marble, to the whole work whereof there is no more suitable powder, nor one more conjoined to our composition, than the powder of Alociz,t out of which are produced instruments of formation. Further, the Philosophers have already said: Take instruments out of the egg. Yet they have not said what the egg is, nor of what bird.} And know ye that the regimen of these things is more difficult than the entire work, because, if the composition be ruled more than it should be, its light is taken and extinguished by the sea. Wherefore the Philosophers have ordered that it should be ruled with profound judgment. The moon, therefore, being at the full, take this and place in sand till it be dissolved. And know ye that while ye are placing the same in sand and repeating the process, unless ye have patience, ye err in ruling, and corrupt the work. Cook, therefore, the same in a gentle fire until ye see that it is dissolved. Then extinguish with vinegar, and ye shall find one thing separated from three companions. And know ye that the first, Ixir, commingles, the second burns, while the third liquefies.* In the first place, therefore, impose nine ounces of vinegar twice—first while the vessel is being made hot, and second when it is heated.

(5) There were set there six waterpots of stone containing two or three firkins apiece. Jesus saith,

(6) The symbols of each one were there where they had been placed on the top of the mountain. But they [the priests] did not live in their houses by day, but walked over the mountains, and ate only the young horseflies, and the wasps, and the bees which they hunted; they had neither good food nor good drink. And neither were the roads from their homes known, nor did they know where their wives had remained.

(10) ARISLEUS saith:—Know that the key of this work is the art of Coins.* Take, therefore, the body which I have shewn to you and reduce it to thin tablets. Next immerse the said tablets in the Water of our Sea,t which is permanent Water,! and, after it is covered,§ set it over a gentle fire until the tablets are melted and become waters or Etheliz, which are one and the same thing. Mix, cook, and simmer in a gentle fire until Brodium is produced, like to Saginatum. Then stir in its water of Etheliz until it be coagulated, and the coins become variegated, which we call the Flower of Salt. Cook it, therefore, until it be deprived of blackness, and the whiteness appear. Then rub it, mix with the Gum of Gold, and cook -until it becomes red Etheliz. Use patience in pounding lest you become weary. Imbue the Ethelia with its own water, which has preceded from it, which also is Permanent Water, until the same becomes red. This, then, is Burnt Copper,” which is the Leaven of Gold and the Flower thereof. Cook the same with Permanent Water, which is always with it, until the water be dried up. Continue the operation until all the water is consumed, and it becomes a most subtle powder.

(22) Each of the four walls had a small niche of the exact size of an amulet, which was lodged in it. We know it from the four oriented steles of Marseilles (Naville, Les quatre stèles orientées du Musée de Marseille ), where we find the text belonging to each wall, and also the niche cut in the stone for each amulet. On the North was a human figure, on the South a flame, on the East a jackal, on the West a Tat

(29) The vignette of 153 A , in the papyrus III, 93, of the Louvre ( Pb ), shows a clap-net drawn by four men. Behind it comes the deceased, holding in his hand two instruments mentioned in the text: the and the , called or each of them consists of different parts having a distinct name

(7) And when upon their hinges were turned round The swivels of that consecrated gate, Which are of metal, massive and sonorous, Roared not so loud, nor so discordant seemed Tarpeia, when was ta'en from it the good Metellus, wherefore meagre it remained. At the first thunder-peal I turned attentive, And "Te Deum laudamus" seemed to hear In voices mingled with sweet melody. Exactly such an image rendered me That which I heard, as we are wont to catch, When people singing with the organ stand; For now we hear, and now hear not, the words.

(2) It is acknowledged then by all men, that the oracle in Colophon gives its answers through the medium of water. For there is a fountain in a subterranean dwelling from which the prophetess drinks; and on certain established nights, after many sacred rites have been previously performed, and she has drank of the fountain, she delivers oracles, but is not visible to those that are present. That this water, therefore, is prophetic, is from hence manifest. But how it becomes so, this, according to the proverb, is not for every man to know. For it appears as if a certain prophetic spirit pervaded through the water. This is not, however, in reality the case. For a divine nature does not pervade through its participants in this manner, according to interval and division, but comprehends as it were externally, and illuminates the fountain, and fills it from itself with a prophetic power. For the inspiration which the water affords is not the whole of that which proceeds from a divine power, but the water itself only prepares us, and purifies our luciform spirit, so that we may be able to receive the divinity; while, in the mean time, there is a presence of divinity prior to this, and illuminating from on high.

(11) Instantly the Lords of Xibalba paled and their faces became livid because of the flowers. They sent at once for the guardians of the flowers. "Why did you permit them to steal our flowers? These which we see here are our flowers," they said to the guardians. "We noticed nothing, my lord. Our tails also suffered," they answered. And then the [lords] tore at their mouths as a punishment for having let that which was under their care be stolen. Thus were Hun-Camé and Vucub-Camé defeated by Hunahpú and Xbalanqué. And this was the beginning of their deeds. From that time the mouth of the owl is divided, cleft as it is today. Immediately they went down to play ball, and also they played several tie-matches. Then they finished playing and agreed to play again the following day at dawn. So said the Lords of Xibalba. "It is well," said the boys upon finishing.

The FUMIGATION from FRANKINCENSE. ILLUSTRIOUS Themis, of celestial birth, Thee I invoke, young blossom of the earth; 2 Beauteous-eyed virgin; first from thee alone, Prophetic oracles to men were known, Giv'n from the deep recesses of the fane In sacred Pytho, where renown'd you reign; From thee, Apollo's oracles arose, And from thy pow'r his inspiration flows. Honour'd by all, of form divinely bright, Majestic virgin, wand'ring in the night: Mankind from thee first learnt initial rites, And Bacchus' nightly choirs thy soul delights; For holy honours to disclose is thine, With all the culture of the pow'rs divine. Be present, Goddess, to my pray'r inclin'd, And bless the mystic rites with fav'ring mind.

(58) Barcus* saith: The whole Turba, O Acratus, has already spoken, as you have seen, but a benefactor sometimes deceives, though his intention is to do good. And they: Thou speakest truly. Proceed, therefore, according to thy opinion, and beware of envy! Then he:

You must know that the envious have described this arcanum in the shade; in physical reasoning and astronomy, and the art of images; they have also likened it to trees; they have ambiguously concealed it by the names of metals, vapours, and reptiles; as is generally perceived in all their work.

I, nevertheless, direct you, investigators of this science, to take iron and draw it into plates; finally, mix (or sprinkle) it with venom, and place it in its vessel, the mouth of which must be closed most carefully, and beware lest ye too much increase the humour, or, on the other hand, lest it be too dry, but stir it vigorously as a mass, because, if the water be in excess, it will not be contained in the chimney, while, if it be too dry, it will neither be conjoined nor cooked in the chimney; hence I direct you to confect it diligently; finally, place it in its vessel, the mouth of which must be closed internally and externally with clay, and, having kindled coals above it, after some days ye shall open it, and there shall ye find the iron plates already liquefied; while on the lid of the vessel ye shall find globules. For when the fire is kindled the vinegar* ascends, because its spiritual nature passes into the air, wherefore, I direct you to keep that part separately. Ye must also know that by multipliedt decoctions and attritions it is congealed and coloured by the fire, and its nature is changed. By a similar decoction and liquefaction Cambar is not disjoined.t I notify to you that by the said frequent decoction the weight of a third part of the water is consumed, but the residue becomes a wind in the Cambar of the second spirit.* And know ye that nothing is more precious or more excellent than the red sand of the sea, for the Sputum of Luna is united with the light of the Sun’s rays.t Luna is perfected by the coming on of night, and by the heat of the Sun the dew is congealed. Then, that being wounded, the dew of the deathdealer is joined,! and the more the days pass on the more intensely is it congealed, and is not burned. For he who cooks with the Sun is himself congealed,§’ and that signal whiteness causes it to overcome the terrene fire.

Then saith Bonites: Do you not know, O Balgus, that the Spume of Luna tinges nothing except our copper? And Bateus: Thou speakest truly, And he: Why, therefore, hast thou omitted to describe that tree, of the fruit whereof whosoever eateth shall hunger nevermore? And Barcus: A certain person,* who has followed science, has notified to me after what manner he discovered this same tree, and appropriately operating, did extract the fruit and eat of it. But when I inquired of him concerning the growth and the increment, he described that pure whiteness, thinking that the same is found without any laborious disposition. Then its perfection is the fruit thereof. But when I further asked how it is nourished with food until it fructifies, he said: Take that tree, and build a house about it, which shall wholly surround the same, which shall also be circular, dark, encircled by dew, and shall have placed on it a man of a hundred years; shut and secure the door lest dust or wind should reach them. ‘Then in the time of 180 days send them away to their homes. I say that man shall not cease to eat of the fruit of that tree to the perfection of the number [of the days] until the old man shall become young. O what marvellous natures, which have transformed the soul of that old man into a juvenile body, and the father is made into the son! Blessed be thou, O most excellent God!

(2) But if any one think well to accept the sacred compositions as of things simple and unknown in their own nature, and beyond our contemplation, but thinks the imagery of the holy minds in the Oracles is incongruous, and that all this is, so to speak, a rude scenic representation of the angelic names; and further says that the theologians ought, when they have come to the bodily representation of creatures altogether without body, to represent and display them by appropriate and, as far as possible, cognate figures, taken, at any rate, from our most honoured and immaterial and exalted beings, and ought not to clothe the heavenly and Godlike simple essences with the many forms of the lowest creatures to be found on the earth (for the one would perhaps be more adapted to our instruction, and would not degrade the celestial explanations to incongruous dissimilitudes; but the other both does violence without authority to the Divine powers, and likewise leads astray our minds, through dwelling upon these irreverent descriptions); and perhaps he will also think that the super-heavenly places are filled with certain herds of lions, and troops of horses, and bellowing songs of praise, and flocks of birds, and other living creatures, and material and less honourable things, and whatever else the similitudes of the Oracles, in every respect dissimilar, describe, for a so-called explanation, but which verge towards the absurd, and pernicious, and impassioned; now, in my opinion, the investigation of the truth demonstrates the most sacred wisdom of the Oracles, in the descriptions of the Heavenly Minds, taking forethought, as that wisdom does, wholly for each, so as neither, as one may say, to do violence to the Divine Powers, nor at the same time to enthral us in the grovelling passions of the debased imagery. For any one might say that the cause why forms are naturally attributed to the formless, and shapes to the shapeless, is not alone our capacity which is unable immediately to elevate itself to the intelligible contemplations, and that it needs appropriate and cognate instructions which present images, suitable to us, of the formless and supernatural objects of contemplation; but further, that it is most agreeable to the revealing Oracles to conceal, through mystical and sacred enigmas, and to keep the holy and secret truth respecting the supermundane minds inaccessible to the multitude. For it is not every one that is holy, nor, as the Oracles affirm, does knowledge belong to all.

(14) And I went in till I drew nigh to a wall which is built of crystals and surrounded by tongues of fire: and it began to affright me. And I went into the tongues of fire and drew nigh to a large house which was built of crystals: and the walls of the house were like a tesselated floor (made) of crystals, and its groundwork was of crystal.

(53) a a ExumeENust! saith: The envious have laid waste the whole Art with the multiplicity of names, but the entire work must be the Art of the Coin. For the Philosophers have ordered the doctors of this art to make coin-like gold, which also the same Philosophers have called by all manner of names.

The Turba answereth: Inform, therefore, posterity, O Exumenus, concern- ’ 161 ing a few of these names, that they may take warning! And he: They have named it salting, sublimating, washing, and pounding Ethelias, whitening in the fire, frequently cooking vapour and coagulating, turning into rubigo, the confection of Ethel, the art of the water of sulphur and coagula. By all these names is that operation called which has pounded and whitened copper. And know ye, that quicksilver is white to the sight, but when it is possessed by the smoke of sulphur, it reddens and becomes Cambar. Therefore, when quicksilver is cooked with its confections it is turned into red, and hence the

Philosopher saith that the nature of lead is swiftly converted. Do you not see that the Philosophers have spoken without envy? Hence we deal in many ways with pounding and reiteration, that ye may extract the spirits existing in the vessel, which the fire did not cease to burn continuously. But the M water placed with those things prevents the fire from burning, and it befalls those things that the more they are possessed by the flame of fire, the more they are hidden in the depths of the water, lest they should be injured by the heat of the fire; but the water receives them in its belly and repels the flame of fire from them.

The Turba answereth: Unless ye make bodies not-bodies ye achieve nothing. But concerning the sublimation of water the Philosophers have treated not a little. And know that unless ye diligently pound the thing in the fire, the Ethelia does not ascend, but when that does not ascend ye achieve nothing. When, however, it ascends it is an instrument for the intended tincture with which ye tinge, and concerning this Ethelia

Hermes saith:

Sift the things which ye know; but another: Liquefy the things. Therefore,

Arras saith: Unless ye pound the thing diligently in the fire, Ethelia does not ascend. The Master hath put forth a view whichI shall now explain to the reasoners. Know ye that a very great wind of the south, when it is stirred up, sublimates clouds and elevates the vapours of the sea.

The Turba answereth: Thou hast dealt obscurely. And he: I will explain the testa,* and the vessel wherein is incombustible sulphur. But I order you to congeal fluxible quicksilver out of many things, that two may be made three, and four one, and two one.

(13) Now the compilers of narratives say that in the island of Britain s there is a cave situated under a mountain, and a chasm on its summit; and that, accordingly, when the wind falls into the cave, and rushes into the bosom of the cleft, a sound is heard like cymbals clashing musically. And often in the woods, when the leaves are moved by a sudden gust of wind, a sound is emitted like the song of birds.

(10) In the Outer Circle, round about these Knowledge-Holders, innumerable bands of ddkinTs — ddkinTs of the eight places of cremation, ddkinTs of the four classes, ddkinTs of the three abodes, ddkinTs of the thirty holy-places and of the twenty-four places of pilgrimage — heroes, heroines, celestial warriors, and faith-protecting deities, male and female, each bedecked with the six bone-ornaments, having drums and thigh-bone trumpets, skull-timbrels, banners of gigantic human[-like] hides, human-hide canopies, human-hide bannerettes, fumes of human-fat incense, and innumerable [other] kinds of musical instruments, filling [with music] the whole world-systems and causing them to vibrate, to quake and tremble with sounds so mighty as to daze one's brain, and dancing various measures, will come to receive the faithful and punish the unfaithful.

The FUMIGATION from FRANKINCENSE. WIDE coursing gales, whose lightly leaping feet With rapid wings the air's wet bosom beat, Approach benevolent, swift-whirling pow'rs, With humid clouds the principles of flow'rs: For flow'ry clouds are portion'd to your care, To send on earth from all surrounding air. Bear, blessed pow'rs, these holy rites attend, And fruitful rains on earth all-parent send. Next: LXXXII: To Ocean Sacred Texts | Classics « Previous: The Initiations of Orpheus: LXXX: To The West Wind Index Next: The Initiations of Orpheus: LXXXII: To Ocean » Sacred Texts | Classics

(8) Previously [the lords] had warned the guards of the flowers of Xibalba: "Take care of our flowers, do not let them be taken by the boys who shall come to cut them. But how could [the boys] see and cut the flowers? Not at all. Watch, then, all night!" "Very well," they answered. But the guards of the garden heard nothing. Needlessly they shouted up into the branches of the trees in the garden. There they were all night, repeating their same shouts and songs. "Ixpurpuvec! Ixpurpuvec!" one shouted. "Puhuyú! Puhuyú!" the other answered.