(2) The Phoenix is an admirable and lovely bird which lives in Hindustan. It has no mate and lives alone. Its beak, which

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is very long and hard, is pierced like a flute with nearly a hundred holes. Each of these holes gives out a sound and in each sound is a particular secret. Sometimes he makes music through the holes, and when the birds and the fishes hear his sweet plaintive notes they are agitated, and the most ferocious beasts are in rapture; then they all become silent. A philosopher once visited this bird and learnt from him the science of music. The Phoenix lives about a thousand years and he knows exactly the day of his death. When his time comes he gathers round him a quantity of palm leaves and, distraught among the leaves, utters plaintive cries. From the openings in his beak he sends forth varied notes, and this music is drawn from the depths of his heart. His lamentations express the sorrow of death, and he trembles like a leaf. At the sound of his trumpet the birds and the beasts draw near to assist at the spectacle. Now they fall into bewilderment, and many die because their strength fails them. While the Phoenix still has breath, he beats his wings and ruffles his feathers, and by this produces fire. The fire spreads to the palm fronds, and soon both the fronds and the bird are reduced to living coals and then to ashes. But when the last spark has flickered out a new small Phoenix arises from the ashes.

Has it ever happened to anyone to be re-born after death? Even if you lived as long as the Phoenix, nevertheless you would die when the measure of your life was taken. His thousand years of life are filled with lamentations and he remains alone without companions or children, and has contact with no one. When the end comes he throws his ashes to the wind so that you may know that none can escape death whatever trick he may use. Learn then from the miracle of the Phoenix. Death is a tyrant, but we must always keep death in mind. And, although we have much to endure, it is nothing compared with dying.

Then when Sophia Zoe saw that the rulers of darkness cursed her companions, she was angry. And when she came out of the first heaven with every power, she chased the rulers from their heavens, and she cast them down to the sinful world, that they might dwell there as evil demons upon the earth. She sent the bird that was in paradise so that, until the consummation of the age, it might spend the thousand years in the rulers’ world: a vital living being with soul, called the phoenix, which kills itself and reanimates itself for a witness to their judgment, because they dealt unjustly with Adam and his race. There are three human beings and their descendants in the world until the consummation of the age: the spiritual and the psychical and the earthly. This is like the three kinds of phoenixes of paradise: the first is immortal; the second attains one thousand years; as for the third, it is written in the Holy Book that it is consumed. Likewise three baptisms exist: the first is spiritual, the second is by fire, the third is by water. Just as the phoenix appears as a witness for the angels, so too the water serpents in Egypt have become a witness to those who go down for the baptism of a true person. The two bulls in Egypt, insofar as they indicate the sun and the moon as a mystery, exist for a witness to Sabaoth, that Sophia of the world has been exalted above the sun and the moon, from the day when she created them and sealed her heaven until the consummation of the age. And the worm that is brought forth from the phoenix is also a human being. It is written of it, “The just will sprout like the phoenix.” The phoenix first appears alive, and dies, and rises again, as a sign of what appears at the consummation of the age. These great signs appeared only in Egypt, not in other lands, signifying that it is like the paradise of god.

(1) Whence also the Egyptians did not entrust the mysteries they possessed to all and sundry, and did not divulge the knowledge of divine things to the profane; but only to those destined to ascend the throne, and those of the priests that were judged the worthiest, from their nurture, culture, and birth. Similar, then, to the Hebrew enigmas in respect to concealment, are those of the Egyptians also. Of the Egyptians, some show the sun on a ship, others on a crocodile. And they signify hereby, that the sun, making a passage through the delicious and moist air, generates time; which is symbolized by the crocodile in some other sacerdotal account. Further, at Diospolis in Egypt, on the temple called Pylon, there was figured a boy as the symbol of production, and an old man as that of decay. A hawk, on the other hand, was the symbol of God, as a fish of hate; and, according to a different symbolism, the crocodile; of impudence. The whole symbol, then, when put together, appears to teach this: "Oh ye who are born and die, God hates impudence."