(18) The twelve stones, set in four rows on the breast, describe for us the circle of the zodiac, in the four changes of the year. It was otherwise requisite that the law and the prophets should be placed beneath the Lord's head, because in both Testaments mention is made of the righteous. For were we to say that the apostles were at once prophets and righteous, we should say well, "since one and the self-same Holy Spirit works in all." And as the Lord is above the whole world, yea, above the world of thought, so the name engraven on the plate has been regarded to signify, above all rule and authority; and it was inscribed with reference both to the written commandments and the manifestation to sense.

(17) Differently, the stones might be the various phases of salvation; some occupying the upper, some the lower parts of the entire body saved. The three hundred and sixty bells, suspended from the robe, is the space of a year, "the acceptable year of the Lord," proclaiming and resounding the stupendous manifestation of the Saviour. Further, the broad gold mitre indicates the regal power of the Lord, "since the Head of the Church" is the Savour. The mitre that is on it [i.e., the head] is, then, a sign of most princely rule; and otherwise we have heard it said, "The Head of Christ is the God and Father of our Lord Jesus Christ." Moreover, there was the breastplate, comprising the ephod, which is the symbol of work, and the oracle logion; and this indicated the Word logos by which it was framed, and is the symbol of heaven, made by the Word, and subjected to Christ, the Head of all things, inasmuch as it moves in the same way, and in a like manner. The luminous emerald stones, therefore, in the ephod, signify the sun and moon, the helpers of nature. The shoulder, I take it, is the commencement of the hand.

(16) Now the high priest's robe is the symbol of the world of sense. The seven planets are represented by the five stones and the two carbuncles, for Saturn and the Moon. The former is southern, and moist, and earthy, and heavy; the latter aerial, whence she is called by some Artemis, as if Aerotomos (cutting the air); and the air is cloudy. And cooperating as they did in the production of things here below, those that by Divine Providence are set over the planets are rightly represented as placed on the breast and shoulders; and by them was the work of creation, the first week. And the breast is the seat of the heart and soul.

(2) Now concealment is evinced in the reference of the seven circuits around the temple, which are made mention of among the Hebrews; and the equipment on the robe, indicating by the various symbols, which had reference to visible objects, the agreement which from heaven reaches down to earth. And the covering and the veil were variegated with blue, and purple, and scarlet, and linen. And so it was suggested that the nature of the elements contained the revelation of God.

(7) Also, the Word of God attributes to the Heavenly Beings a likeness to Brass, Electron, and many-coloured stones. Electron, as being partly like gold, partly like silver, denotes the incorruptible, as in gold, and unexpended, and undiminished, and spotless brilliancy, and the brightness, as in silver, and a luminous and heavenly radiance. But to the Brass, according to the reasons assigned, must be attributed either the likeness of fire or that of gold. We must consider that the many-coloured appearances of stones denote either as white, the luminous; or as red, the fiery; or as yellow, the golden; or as green, the youthful and the full grown; and within each likeness you will find an explanation which teaches the inner meaning of the typical images. But since, I think, according to our power, this has been sufficiently said, let us pass to the sacred explanation of the Divine representations of the Heavenly Minds through wild beasts. We must consider that the shape of a Lion signifies the leading, and robust, and indomitable, and the assimilation, as far as possible, to the unutterable Godhead, by the concealment of the intellectual footprints, and by the mystically modest covering of the path, leading to It, during Divine illumination.

(4) Certain chapters having reference to the Heart were written upon gems [45] and served as amulets, the 26th upon Lapis-lazuli, the 27th upon green Felspar, the 30th upon Serpentine, and the foregoing chapter upon Carnelian

(18) But concerning precious stones, as carbuncles, rubies, diamonds, smaragdines or emeralds, onyxes and the like, which are of the best sort, they have their original where the flash of the light rose up in the love. For that flash becometh generated in the meekness, and is the heart in the centre of the qualifying or fountain spirits; therefore those stones are also meek, full of virtue, delightful, pleasant and lovely. Now it might be asked, Why in this world is man so in love with gold, silver and precious stones, above all other things, and useth them for a defence or protection, and for the maintenance of his body? [Eccles. vii. 12] Answer.

(18) And as for those towards the east, 〈one〉 was of coloured stone, and one of pearl, and one of jacinth, and those towards the south of red stone.

(96) And corresponding to her (the earth) is the deep-blue/t’cheilet of the tsitsit (the corner fringes on a prayer shawl). For R’ Meir said: How is t’cheilet different from all kinds of colors? Because t’cheilet resembles the sea and the sea resembles the firmament and the firmament resembles the throne of glory, as it is said, “And they saw Israel’s God and under His feet [was something] like sapphire brick-work and like the essence of the heavens for purity” [Ex 24:10] and it says, “like the appearance/mar’eh of sapphire stone, a likeness of a throne / d’mut kisei’” [Ez 1:26].

(4) Said on an eye of pure lapis-lazuli or mak stone, ornamented with gold; an offering is made before it of all things good and holy, when Rā puts it on (on his head) on the last day of Mechir; another one is made of jasper, which a man will put on any of his limbs he likes. When this chapter is read by one who is in the boat of Rā, he is towed like the gods, he is like one of them, and he prescribes what is done to him in the Netherworld