(204) 118 Rejoice, O hoers; let the heart in the breasts of men be lifted up. 118 They have swallowed the 'bright eye of Horus which is in Heliopolis. 118 The little finger of N. draws out that which is in the navel of Osiris. 119 N. thirsts not, he hungers not; the heart of N. faints (?) not, 119 for it is in the hands of : which hold off his hunger. O fill (him), O fillers of hearts.

(98) Now the heart signifieth the sun, which is the beginning of life in the outward body of this world. Now, while the body stands in the mobility or life, thou canst not say that the animated or soulish birth goeth away or departeth from the heart.

(36) Leaf 21. The upper line reads: "Two things and double, but finally one is dissolved into the first and they make sperm." The four capitals. I A A T, are the initial letters of the names of the elements: Ignis, Aer, Aqua, and Terra. The writing under them reads: "Our fire is water; if you can give fire to fire, fire and Mercury will suffice." Along the arm appear the words: "The Art of the Stone is," and on the ribbon: "Swift, brief, bright, and rare." The two lines under the ribbon read: "Every hand is a key, because it was called the herb celandine"; under the Sun: "I am the gift of God " The verse reads: "So that you remain contented in all matters, I must listen attentively. My body [is] naked, clean, and shining, and I run like oil ready to drop, resplendent like bright gold, and then succumb to the plague in its bright and cheerful little chamber [retort]."

(15) While all the Mysteries recognized the heart as the center of spiritual consciousness, they often purposely ignored this concept and used the heart in its exoteric sense as the symbol of the emotional nature, In this arrangement the generative center represented the physical body, the heart the emotional body, and the brain the mental body. The brain represented the superior sphere, but after the initiates had passed through the lower degrees they were instructed that the brain was the proxy of the spiritual flame dwelling in the innermost recesses of the heart. The student of esotericism discovers ere long that the ancients often resorted to various blinds to conceal the true interpretations of their Mysteries. The substitution of the brain for the heart was one of these blinds.

(42) Leaf 26. This page, which concludes that part of the Hermetic manuscript bearing the symbols of the Secret Work, contains a number of emblems not directly correlated. At the top is the head of the King--the most common of alchemical figures. To the right of the King is an alchemical vessel designated the Hermetic Seal. Below is the head of a ferocious bird, here designated a griffon. To the left of the King is a headless figure elevating a Sun, or spiritual face. This figure is the world, which must be headless, since its spiritual and rational part is not material and consequently, is invisible. Below is a circle unaccompanied by descriptive matter. Directly under the King's head is a vase of flowers, in which rises the golden plant of the Philosophers. At the bottom of the page is additional alchemical equipment, this also being termed a Hermetic Seal.

(18) But concerning precious stones, as carbuncles, rubies, diamonds, smaragdines or emeralds, onyxes and the like, which are of the best sort, they have their original where the flash of the light rose up in the love. For that flash becometh generated in the meekness, and is the heart in the centre of the qualifying or fountain spirits; therefore those stones are also meek, full of virtue, delightful, pleasant and lovely. Now it might be asked, Why in this world is man so in love with gold, silver and precious stones, above all other things, and useth them for a defence or protection, and for the maintenance of his body? [Eccles. vii. 12] Answer.

(17) Differently, the stones might be the various phases of salvation; some occupying the upper, some the lower parts of the entire body saved. The three hundred and sixty bells, suspended from the robe, is the space of a year, "the acceptable year of the Lord," proclaiming and resounding the stupendous manifestation of the Saviour. Further, the broad gold mitre indicates the regal power of the Lord, "since the Head of the Church" is the Savour. The mitre that is on it [i.e., the head] is, then, a sign of most princely rule; and otherwise we have heard it said, "The Head of Christ is the God and Father of our Lord Jesus Christ." Moreover, there was the breastplate, comprising the ephod, which is the symbol of work, and the oracle logion; and this indicated the Word logos by which it was framed, and is the symbol of heaven, made by the Word, and subjected to Christ, the Head of all things, inasmuch as it moves in the same way, and in a like manner. The luminous emerald stones, therefore, in the ephod, signify the sun and moon, the helpers of nature. The shoulder, I take it, is the commencement of the hand.

(1) IF we consider now the Springing up of the Life, and in what Place of the Body it is where the Life is generated, then we shall rightly find the whole Ground of Man, and there is nothing so secret in Man but that it may be found. For we must needs say, that the Heart is the Place, wherein the noble Life is generated, and the Life again penetrates the Heart.

(14) Yet, if one do not recognize them, the obscurations of evil deeds being too great, and flee from them through terror and awe, then, on the Tenth Day, the blood-drinking [deities] of the [Precious]-Gem Order will come to receive one. Thereupon the setting-face-to-face is, calling the deceased by name, thus: O nobly- born, listen. On the Tenth Day, the blood-drinking [deity] of the [Precious] -Gem Order named Ratna-Heruka, yellow of colour; [having] three faces, six hands, four feet firmly postured; the right [face] white, the left, red, the central darkish yellow; enhaloed in flames; in the first of the six hands holding a gem, in the middle [one], a trident-staff, in the last [one], a baton; in the first of the left [hands], a bell, in the middle [one], a skull-bowl, in the last [one], a trident-staff; his body embraced by the Mother Ratna-Krotishaurima, her right [hand] clinging to his neck, her left offering to his mouth a red shell [filled with blood], will issue from the southern quarter of thy brain and come to shine upon thee. Fear not. Be not terrified. Be not awed. Know them to be the embodiment of thine own intellect. [They] being thine own tutelary deity, be not terrified. In reality [they are] the Father-Mother

(44) The fundamental symbols of the Rosicrucians were the rose and the cross; the rose female and the cross male, both universal phallic emblems. While such learned gentlemen as Thomas Inman, Hargrave Jennings, and Richard Payne Knight have truly observed that the rose and the cross typify the generative processes, these scholars seem unable to pierce the veil of symbolism; they do not realize that the creative mystery in the material world is merely a shadow of the divine creative mystery in the spiritual world. Because of the phallic significance of their symbols, both the Rosicrucians and the Templars have been falsely accused of practicing obscene rites in their secret ceremonials. While it is quite true that the alchemical retort symbolizes the womb, it also has a far more significant meaning concealed under the allegory of the second birth. As generation is the key to material existence, it is natural that the Fraternity of R.C. should adopt as its characteristic symbols those exemplifying the reproductive processes. As regeneration is the key to spiritual existence, they therefore founded their symbolism upon the rose and the cross, which typify the redemption of man through the union of his lower temporal nature with his higher eternal nature. The rosy cross is also a hieroglyphic figure representing the formula of the Universal Medicine.

(17) Leaf 6. This plate shows all the secrets of the great Stone. In the center stands the Paschal Virgin, in her hair the prime virtue which is described as an herb flourishing in wells. The hands hold the symbols of the spiritual and material elements. The statement at the upper left is to the effect that there are four spirits with two faces, which are called the elements. At the upper right it is written that fire lives on air, air on water, water on earth, and thus the Stone lives Peacefully on all the pure elements. Under the sun appears the word Summer; under the moon, Autumn. About the tree on the left with its attendant eyes are the words: "Turn away your eyes to [from?] the fire. There is space [?]." About the tree to the right. "Open your eyes to the fire. There is time." The lower panel opens with this sentence "I am exalted above the circles of world."

(5) The second, tinct of deeper hue than perse, Was of a calcined and uneven stone, Cracked all asunder lengthwise and across. The third, that uppermost rests massively, Porphyry seemed to me, as flaming red As blood that from a vein is spirting forth. Both of his feet was holding upon this The Angel of God, upon the threshold seated, Which seemed to me a stone of diamond. Along the three stairs upward with good will Did my Conductor draw me, saying: "Ask Humbly that he the fastening may undo." Devoutly at the holy feet I cast me, For mercy's sake besought that he would open, But first upon my breast three times I smote. Seven P's upon my forehead he described With the sword's point, and, "Take heed that thou wash These wounds, when thou shalt be within," he said. Ashes, or earth that dry is excavated, Of the same colour were with his attire, And from beneath it he drew forth two keys.

(29) Although Eugenius Philalethes disclaimed membership in the Rosicrucian Fraternity, it is believed that for a number of years he was the head of that Order. In a little work called Lumen de Lumine, or A New Magical Light Discovered and Communicated to the World, published in London in 1651, Eugenius Philalethes gives a remarkable letter, presumably from the Rosicrucian Order. Accompanying the letter is an emblematic figure setting forth in symbolic form the processes and formulæ of the Philosopher's Stone. This epistle is an excellent example of the Rosicrucian system of combining abstract theological speculations with concrete chemical formulæ. With the aid of the material contained in various parts of this present book the student would do well to set himself the task of solving the riddle contained in this hieroglyph.

(16) Valentinus too, in a letter to certain people, writes in these very words respecting the appendages: "There is one good, by whose presence is the manifestation, which is by the Son, and by Him alone can the heart become pure, by the expulsion of every evil spirit from the heart: for the multitude of spirits dwelling in it do not suffer it to be pure; but each of them performs his own deeds, insulting it oft with unseemly lusts. And the heart seems to be treated somewhat like a caravanserai. For the latter has holes and ruts made in it, and is often filled with dung; men living filthily in it, and taking no care for the place as belonging to others. So fares it with the heart as long as there is no thought taken for it, being unclean, and the abode of many demons.

(101) II. Further, thou canst not deny, either, that the gall in a creature is not existed from the heart, and yet it is the mobility or stirring of the heart, by a vein that goeth from the gall to the heart; from whence the heat existeth. But it has its first original from the flash of life, and so when the life generateth itself in the heart, and the light riseth up in the water, then the fire-crack goeth before, which riseth up out of the anxiety of the water in the heat.

(148) In this rising up of the heart, the Mercurius in the heart is stirred up or awakened, as also in the whole Salitter of heaven there riseth up in the Deity the miraculous, wonderful and fair beautiful imaging of heaven, in several manifold various colours and manners, and each spirit presenteth itself in its own peculiar form.

(116) 'There are a hundred and one arteries of the heart, one of them penetrates the crown of the head. Moving upwards by it, a man (at his death) reaches the Immortal; the other arteries serve for departing in different directions.'

(1) For that heart there are five gates belonging to the Devas (the senses). The eastern gate is the Prâna (up-breathing), that is the eye, that is Âditya (the sun). Let a man meditate on that as brightness (glory of countenance) and health. He who knows this, becomes bright and healthy.

(22) The plate also contains a number of other symbols, including episodes from the destruction of the world and the crystal sea pouring forth from the throne of God. By the presentation of such symbolic conceptions in the form of rituals and dramatic episodes the secrets of the Phrygian Mysteries were perpetuated. When these sacred pageantries were thus revealed to all mankind indiscriminately and each human soul was appointed it own initiator into the holy rite, of the philosophic life, a boon was conferred upon humanity which cannot be fully appreciated until men and women have grown more responsive to those mysteries which are of the spirit.

(19) Leaf 7. The verse at the top reads:," This Stone is so noble and worthy that Nature has hidden it in her recesses. Its soul is all fair, and pure, for it is the true sun. I inform you of this. Keep it removed, apart and separated. Whatever boon you crave, it will come to you bounteously. without sin, with pleasure and delight." The seated figure on the left holding aloft the hammer is described as breaking hard stone, while the words beside the man with the retort read: "Breaking of stone our replenishment." Between the standing figures below is the exclamation; "O Sages, seek and ye shall find my Stone!" Under the outstretched hand of the man with a basket appear the words: "Draw out sorerem [?] in the bottom." Below the pool which the man on the left is stirring appears the simple statement: "Our healing water." The faces of the four men are extremely well drawn.