(13) It is not claimed, however, that in the pages of this book are given all the Secret Teachings of the Rosicrucians, such as their Formulas and Methods of Mental Alchemy, and Spiritual Transmutation. Such information cannot be cast broadcast, for reasons which will be apparent to every earnest and intelligent student. But, on the other hand, such information cannot be withheld from those who are ready to receive it , and who are moved by the proper motives in seeking to acquire the secret knowledge. When the student learns how to give "The Right Knock," then will he find proven the old promise: "Knock, and it shall be opened unto you." The Symbol of the Rosy Cross The well-known Symbol of the Rosicrucians—"The Rosy Cross"—appears in several forms, as for instance: The Cross surmounted by the Rose; the Sword (the Cross handle) attached to the Rose; the Cross surmounted by the Crown; a modification of the Phallic Cross, etc. The explanation of the general Symbol is Sevenfold—the three highest being reserved for Initiates of a certain rank, only, and therefore cannot be stated here. Below follow several of the meanings which we are permitted to translate and explain here: (1) The Cross Surmounted by the Rose , indicates that the "Rose" (the mystic symbol of the Divine) can be attained only by the suffering of mortal life (symbolized by the Cross).

(5) This symbol of the "Circle enclosing the Cross" is one particularly sacred to the Rosicrucians, since to them it represents the Universal Activity and Universal Creation, symbolizing the Great Mystery of Occult Generation on all planes of Life. In the fanciful symbology of the ancient Rosicrucian Brotherhoods, the Circle was transformed into the Rose , and the Cross sometimes transformed into the Sword with its Cross-like handle. The sign, then, of the Cross (or Sword) combined with the Circle (or Rose), symbolized the Mystic Union of the Rose and the Cross, from whence arose the name of the Order, i.e. Rosi-Crucian, meaning "Rose-Cross." The Third Aphorism states: "The One became Two. The Neuter became Bi-Sexual. Male and Female—the Two in One—evolved from the Neuter. And the Work of Creation began." In this Aphorism there is given the "hint" at the very important teaching of the Rosicrucians concerning the Universal Sex Principles in Nature—the presence and activity of the Sexual Pairs of Opposites, Male and Female, which constitute the Secret of Creation. According to the Secret Doctrine of the Rosicrucians, there are present in All-Creation the activities of a Male Principle and a Female Principle, both Universal in Nature, Character and Extent—both Opposing Aspects of the World Soul—which act and react, one upon the other, and thus produce all Creative Activity and the "Cosmic Becoming" or Universal Activity and Change. And the teachings also are that these Two Sex Principles operate and manifest upon every plane of Life, from the Sub-Mineral, on to the Mineral, on to the Plant, on to the Animal, on to the Human, or to the Super-Human, on to the Angelic or God-like. And, likewise, that in every Thing in Creation there is present and manifest the activity of Sex.

(14) (2) The Sword Attached to the Rose indicates that the Sword of the Spirit must be actively employed in the Battle of Life, in order to win the reward of the Rose (the Rose being the reward bestowed by the Queen upon the victorious Knight, in the olden days).

(4) There is the Rose in which the Word Divine Became incarnate; there the lilies are By whose perfume the good way was discovered." Thus Beatrice; and I, who to her counsels Was wholly ready, once again betook me Unto the battle of the feeble brows. As in the sunshine, that unsullied streams Through fractured cloud, ere now a meadow of flowers Mine eyes with shadow covered o'er have seen, So troops of splendours manifold I saw Illumined from above with burning rays, Beholding not the source of the effulgence. O power benignant that dost so imprint them! Thou didst exalt thyself to give more scope There to mine eyes, that were not strong enough. The name of that fair flower I e'er invoke Morning and evening utterly enthralled My soul to gaze upon the greater fire. And when in both mine eyes depicted were The glory and greatness of the living star Which there excelleth, as it here excelled, Athwart the heavens a little torch descended Formed in a circle like a coronal, And cinctured it, and whirled itself about it.

(58) For the Virgin [the Wisdom of God] has graciously bestowed behold in that Wonder; and we cannot [write] otherwise, but our Pen is broken, and the Rose taken from us, and then we are as we were before the Time [of our Knowledge;] whereas yet the Rose stands in the Center of Paradise, in the Hand of the Virgin, which she reaches forth to us, in the same Place where she came to us in the Gate of the Deep, and proffered us her Love, when we lay on the Mountain towards the a North, in the Strife and Storm before Babel, which [Virgin] our earthly Man has never seen nor known.

(3) In order to understand the symbology of the Universal Androgyne, it is necessary to first become familiar with the two ancient symbols of Sex. In all the ancient philosophies and religions, we find that the "Cross" (+) is the symbol of the Male; and the "Circle" (O) the symbol of the Female. In representing the Bisexual, the Hermaphrodite, the Androgyne, the two symbols, i.e. the Cross and the Circle are combined in one of several ways. The original way was that of placing the Cross within the circumference of the Circle; but later usage preferred the various forms of the so-called "Phallic Cross," which consists of the Circle, or Oval, sustaining the Cross which depends downward from it. (See illustrations.) Sometimes the Cross is represented as the letter "T", and the Circle as the letter "O".

(10) The golden lamp conveys another enigma as a symbol of Christ, not in respect of form alone, but in his casting light, "at sundry times and divers manners," on those who believe on Him and hope, and who see by means of the ministry of the First-born. And they say that the seven eyes of the Lord "are the seven spirits resting on the rod that springs from the root of Jesse."

(1) In this tale there is a warning for thee, O Soul, That thou mayest acquiesce in God's ordinances, And be wary and not doubt God's benevolence, Let others grow pale from fear of ill fortune, Do thou smile like the rose at loss and gain; For the rose, though its petals be torn asunder, Still smiles on, and it is never cast down. It says, "Why should I fall into grief in disgrace? I gather beauty even from the thorn of disgrace."

(13) Red is the color of the passions in general, but there is a great variety in its manifestations, for instance: Red (dull and appearing as if mixed with smoke) indicates sensuality and the lower animal passions; Red (appearing as bright flashes, sometimes light lightning in form) indicates anger. In this case the red usually is shown on a black back ground when the anger arises from hatred or malice and on a greenish background when the anger arise, from jealousy, envy, etc., and without any back ground when the anger arises from "righteous indignation" and the defense of what is believed to be righteous cause. Red (crimson shade) represent Love, and varies in shade according to the character of the passion named. For instance, a dull and heavy crimson shade indicates a gross, sensual love, while the brighter, clearer and more pleasing shades indicate love blended with higher feelings and accompanied by higher ideals; and the highest form of human love between the sexes manifests in a beautiful rose color.

(1) Absorbed in his delight, that contemplator Assumed the willing office of a teacher, And gave beginning to these holy words: "The wound that Mary closed up and anointed, She at her feet who is so beautiful, She is the one who opened it and pierced it. Within that order which the third seats make Is seated Rachel, lower than the other, With Beatrice, in manner as thou seest. Sarah, Rebecca, Judith, and her who was Ancestress of the Singer, who for dole Of the misdeed said, 'Miserere mei,' Canst thou behold from seat to seat descending Down in gradation, as with each one's name I through the Rose go down from leaf to leaf. And downward from the seventh row, even as Above the same, succeed the Hebrew women, Dividing all the tresses of the flower; Because, according to the view which Faith In Christ had taken, these are the partition By which the sacred stairways are divided. Upon this side, where perfect is the flower With each one of its petals, seated are Those who believed in Christ who was to come.

(49) Now the Salitter and Mercurius signify the Father, the gold signifieth the Son, and the power or virtue signifies the Holy Ghost: In such a manner also is the Ternary in the holy Trinity, only that all moveth and goeth forth therein universally.

(1) In fashion then as of a snow-white rose Displayed itself to me the saintly host, Whom Christ in his own blood had made his bride, But the other host, that flying sees and sings The glory of Him who doth enamour it, And the goodness that created it so noble, Even as a swarm of bees, that sinks in flowers One moment, and the next returns again To where its labour is to sweetness turned, Sank into the great flower, that is adorned With leaves so many, and thence reascended To where its love abideth evermore. Their faces had they all of living flame, And wings of gold, and all the rest so white No snow unto that limit doth attain. From bench to bench, into the flower descending, They carried something of the peace and ardour Which by the fanning of their flanks they won. Nor did the interposing 'twixt the flower And what was o'er it of such plenitude Of flying shapes impede the sight and splendour; Because the light divine so penetrates The universe, according to its merit, That naught can be an obstacle against it.

(17) Differently, the stones might be the various phases of salvation; some occupying the upper, some the lower parts of the entire body saved. The three hundred and sixty bells, suspended from the robe, is the space of a year, "the acceptable year of the Lord," proclaiming and resounding the stupendous manifestation of the Saviour. Further, the broad gold mitre indicates the regal power of the Lord, "since the Head of the Church" is the Savour. The mitre that is on it [i.e., the head] is, then, a sign of most princely rule; and otherwise we have heard it said, "The Head of Christ is the God and Father of our Lord Jesus Christ." Moreover, there was the breastplate, comprising the ephod, which is the symbol of work, and the oracle logion; and this indicated the Word logos by which it was framed, and is the symbol of heaven, made by the Word, and subjected to Christ, the Head of all things, inasmuch as it moves in the same way, and in a like manner. The luminous emerald stones, therefore, in the ephod, signify the sun and moon, the helpers of nature. The shoulder, I take it, is the commencement of the hand.

(3) Furthermore, the whole body feels strong and firm so that it fears neither storm nor frost. Things by which other men are displeased, when I meet them, cannot cloud the brightness of the seed of the spirit. Yellow gold fills the house; the steps are white jade. Rotten and stinking things on Earth that come in contact with one breath of the true power will immediately live again. Red blood becomes milk. The fragile body of the flesh is sheer gold and diamonds. That is a sign that the Golden Flower is crystallized.

(2) In the midst of primal becoming, the radiance of the Light (Yang Kuang) is the determining thing. In the physical world it is the sun; in man the eye. The emanation and dissemination of spiritual consciousness is chie ly brought about by this power when it is directed outward (flows downward). Therefore the meaning of the Golden Flower depends wholly on the backward-flowing method.

(47) It enlighteneth also the heaven, the stars, and the deep above the earth, working in all things that are in this world, and is the king and the heart of all things of this world, and so rightly signifieth the Son of God.

(24) This, too, it says, that every single flower is appropriate to an angel (ameshôspend), as the white jasmine (saman) is for Vohûman, the myrtle and jasmine (yâsmin) are Aûharmazd's own, the mouse-ear (or sweet marjoram) is Ashavahist's own, the basil-royal is Shatvaîrô's own, the musk flower is Spendarmad's, the lily is Horvadad's, the kamba is Amerôdad's, Dîn-pavan-Âtarô has the orange-scented mint (vâdrang-bôd), Âtarô has the marigold (âdargun), the water-lily is Âvân's, the white marv is Khtûrshêd's, the ranges is Mâh's, the violet is Tîr's, the mêren is Gôs's, the kârda is Dîn-pavan-Mitrô's, all violets are Mitrô's, the red chrysanthemum (khêr) is Srôsh's, the dog-rose (nestran) is Rashnû's, the cockscomb is Fravardîn's, the sisebar is Vâhrâm's, the yellow chrysanthemum is Râm's, the orange-scented mint is Vâd's, the trigonella is Dîn-pavan-Dîn's, the hundred-petalled rose is Dîn's, all kinds of wild flowers (vahâr) are Ard's, Âstâd has all the white Hôm, the bread-baker's basil is Asmân's, Zamyâd has the crocus, Mâraspend has the flower of Ardashîr, Anîrân has this Hôm of the angel Hôm, of three kinds.

(5) Unto the canticle divine responded From every part the court beatified, So that each sight became serener for it. "O holy father, who for me endurest To be below here, leaving the sweet place In which thou sittest by eternal lot, Who is the Angel that with so much joy Into the eyes is looking of our Queen, Enamoured so that he seems made of fire?" Thus I again recourse had to the teaching Of that one who delighted him in Mary As doth the star of morning in the sun. And he to me: "Such gallantry and grace As there can be in Angel and in soul, All is in him; and thus we fain would have it; Because he is the one who bore the palm Down unto Mary, when the Son of God To take our burden on himself decreed. But now come onward with thine eyes, as I Speaking shall go, and note the great patricians Of this most just and merciful of empires. Those two that sit above there most enrapture As being very near unto Augusta, Are as it were the two roots of this Rose.

(36) But the Vail (in the Death of Christ) was since taken away from the Face of Moses, instead whereof the Stars with the four Elements have yet cast a Mist and Cloud (through the Infection of the Devil) before Man; for the a Region of this World has generated the Antichrist, and set [him] before the Countenance of Moses, in a Cloud, as if he were Christ; so that the Countenance of Moses cannot be apprehended [or beheld.] Therefore we have Need of the Lily, which grows through the Tables of Moses, (that were graven through,) with its strong Smell, which reaches into the Paradise of God; from whose Virtue, the People [or Nations] shall be so virtuous and strong, that they shall forsake the Antichrist, and shall run through the Darkness to the Smell of the Blossom. For the Breaker-through the Gates has planted the Lily, and he has given it into the Hand of the noble Virgin, and this [Lily] grows in the Element wonderfully against the horrible Storm of Hell, and [against] the Kingdom of this World; where then many Branches will fall to the Ground, from whence Antichrist becomes blind, and grows stark mad and raving in the Fog and Mist, and stirs the four Elements in the [Wrath and grim] Fierceness; and then it is needful for the Children of God to awake from the Sleep of the Fog; this the Spirit intimates, in the Light of Nature, seriously and earnestly.

(7) Also, the Word of God attributes to the Heavenly Beings a likeness to Brass, Electron, and many-coloured stones. Electron, as being partly like gold, partly like silver, denotes the incorruptible, as in gold, and unexpended, and undiminished, and spotless brilliancy, and the brightness, as in silver, and a luminous and heavenly radiance. But to the Brass, according to the reasons assigned, must be attributed either the likeness of fire or that of gold. We must consider that the many-coloured appearances of stones denote either as white, the luminous; or as red, the fiery; or as yellow, the golden; or as green, the youthful and the full grown; and within each likeness you will find an explanation which teaches the inner meaning of the typical images. But since, I think, according to our power, this has been sufficiently said, let us pass to the sacred explanation of the Divine representations of the Heavenly Minds through wild beasts. We must consider that the shape of a Lion signifies the leading, and robust, and indomitable, and the assimilation, as far as possible, to the unutterable Godhead, by the concealment of the intellectual footprints, and by the mystically modest covering of the path, leading to It, during Divine illumination.