(50) The ancients conceived the spirit of man to correspond with the color blue, the mind with yellow, and the body with red. Heaven is therefore blue, earth yellow, and hell--or the underworld--red. The fiery condition of the inferno merely symbolizes the nature of the sphere or plane of force of which it is composed. In the Greek Mysteries the irrational sphere was always considered as red, for it represented that condition in which the consciousness is enslaved by the lusts and passions of the lower nature. In India certain of the gods--usually attributes of Vishnu--are depicted with blue skin to signify their divine and supermundane constitution. According to esoteric philosophy, blue is the true and sacred color of the sun. The apparent orange-yellow shade of this orb is the result of its rays being immersed in the substances of the illusionary world.

(22) The green color alludes to the vegetation which covers the face of the earth, and therefore represents the robe of Nature. The black represents death and corruption as being the way to a new life and generation. "Except a man be born again, he cannot see the kingdom of God." (John iii. 3.) White, yellow, and red signify the three principal colors of the alchemical, Hermetical, universal medicine after the blackness of its putrefaction is over.

(168) III. The earth signifieth or denoteth the heavenly nature, or the seventh spirit of nature, in which the ideas or images, forms and colours rise up.

(36) Among both civilized and savage peoples color has been accepted as a natural language in which to couch their religious and philosophical doctrines. The ancient city of Ecbatana as described by Herodotus, its seven walls colored according to the seven planets, revealed the knowledge of this subject possessed by the Persian Magi. The famous zikkurat or astronomical tower of the god Nebo at Borsippa ascended in seven great steps or stages, each step being painted in the key color of one of the planetary bodies. (See Lenormant's Chaldean Magic.) It is thus evident that the Babylonians were familiar with the concept of the spectrum in its relation to the seven Creative Gods or Powers. In India, one of the Mogul emperors caused a fountain to be made with seven levels. The water pouring down the sides through specially arranged channels changed color as it descended, passing sequentially through all shades of the spectrum. In Tibet, color is employed by the native artists to express various moods. L. Austine Waddell, writing of Northern Buddhist art, notes that in Tibetan mythology "White and yellow complexions usually typify mild moods, while the red, blue, and black belong to fierce forms, though sometimes light blue, as indicating the sky, means merely celestial. Generally the gods are pictured white, goblins red, and devils black, like their European relative." (See The Buddhism of Tibet.)

(17) Blue (dark shade) represents religious emotion. feeling, and tendencies in general. The dull shades; however, indicate religious emotion of a low order, while the clearer brighter shades indicate religious emotions of a high order. These shades vary and range from a dull indigo to a beautiful bright violet. Light Blue (of a peculiar hue and shade) indicates spirituality. This spiritual blue is of a peculiarly clear, transparent, and luminous appearance, which is difficult to describe in words. In the auras of some persons of a very high degree of spirituality there appear tiny luminous spark-like points, often twinkling and sparkling like the stars in the heavens on a clear night.

(47) It enlighteneth also the heaven, the stars, and the deep above the earth, working in all things that are in this world, and is the king and the heart of all things of this world, and so rightly signifieth the Son of God.

(34) On the girdle surrounding the upper part of the body of the statue appear a number of mysterious emblems. The girdle is joined together in front by four golden plates (the elements), placed in the form of a square. This signified that Isis, or Nature, the first matter (alchemical terminology), was the essence- of the four elements (life, light, heat, and force), which quintessence generated all things. Numerous stars are represented on this girdle, thereby indicating their influence in darkness as well as the influence of the sun in light. Isis is the Virgin immortalized in the constellation of Virgo, where the World Mother is placed with the serpent under her feet and a crown. of stars on her head. In her arms she carries a sheaf of grain and sometimes the young Sun God.

(150) In such manner and colours the heaven of God's nature sheweth or presenteth itself in the rising up of the spirits of God: Now when the light of the Son of God shineth therein, then it is like a bright clear sea of the colours of the abovementioned precious stones or jewels. Of the wonderful Proportion, Alteration or Variation, and Rising up of the Qualities in the heavenly Nature.

(20) There seemeth to be a blue or azure sphere above the stars, whereby the place of this world is closed and shut out from the holy heaven, as men have thought hitherto; yet it is not so, but it is the superior water of nature, which is much brighter than the water below the moon. And now when the sun shineth through the deep, then it is as it were of a lightblue or azure colour.

(138) For the Goddess bringeth forth the Vast Sun, and the lucent Moon.

(106) Now being drawn together, it looketh like azure or sky-colour blue, but when the light or flash riseth up therein, then it looketh like the precious jaspis or jasper stone, or as I may call it in my language, a glassy sea, on which the sun shineth, and that very clear and bright.

(20) The statues of Isis were decorated with the sun, moon, and stars, and many emblems pertaining to the earth, over which Isis was believed to rule (as the guardian spirit of Nature personified). Several images of the goddess have been found upon which the marks of her dignity and position were still intact. According to the ancient philosophers, she personified Universal Nature, the mother of all productions. The deity was generally represented as a partly nude woman, often pregnant, sometimes loosely covered with a garment either of green or black color, or of four different shades intermingled-black, white, yellow, and red.

(10) The body of every thing was likened to a rock, trued either into a cube or more ornately chiseled to form a pedestal, while the spirit of everything was likened to the elaborately carved figure surmounting it. Accordingly, altars were erected as a symbol of the lower world, and fires were kept burning upon them to represent that spiritual essence illuminating the body it surmounted. The square is actually one surface of a cube, its corresponding figure in plane geometry, and its proper philosophic symbol. Consequently, when considering the earth as an element and not as a body, the Greeks, Brahmins, and Egyptians always referred to its four corners, although they were fully aware that the planet itself was a sphere.

(5) TABLE I, Figures 1-11. Figure 1 is a Ptolemaic chart showing the true relationship existing between the primordial elements. Its secret significance is as follows: The outer ring enclosed by the lines A and B is the region of Schamayim, a Qabbalistic name for the Supreme Deity, signifying the expanse of the heavens, or a spiritual fiery water. Schamayim is "The Ocean of Spirit, " within which all created and uncreated things exist and by the life of which they are animated. In the lower worlds Schamayim becomes the astral light.

(3) The Golden Flower is the Light. What colour has the Light? One uses the Golden Flower as an image. It is the true power of the transcendent Great One. The phrase, " The lead of the water-region has but one taste," refers to it.

(5) O thou who art called aloud ( bis ), second verse. Thy head is ... woven by a woman from Asia; thy face shines brighter than the moon; the top of thy head is lapis blue; thy hair is darker than the doors of the Tuat, thy hair is black like the night; thy forehead is adorned of blue; the rays of Horus are on thy face. Thy garments are of gold; Horus has decked them with blue; thy eyebrows, the two sisters joined together; Horus has adorned them with blue; thy nose inhales the perfume of ... and thy nostrils are like the winds in the sky

(44) Now the heaven, the stars, and the whole deep between the stars, together with the earth, signify the Father.

(62) The earthly Earth is like the holy Ternary, wherein is the heavenly Aquaster (viz. in the heavenly Earth, which I call the [one holy] Element) which is pure. Thus God is a Spirit, and the pure Element is heavenly Earth, for it is substantial; and the Essences in the heavenly Earth are paradisical Buds [or Fruits;] and the Virgin of Wisdom is the great Spirit of the whole heavenly World, in a Similitude, and that not only opens the great Wonders in the heavenly Earth, but also in the whole Deep of the Deity.

(3) For purple is from water, linen from the earth; blue, being dark, is like the air, as scarlet is like fire.

(16) Now the high priest's robe is the symbol of the world of sense. The seven planets are represented by the five stones and the two carbuncles, for Saturn and the Moon. The former is southern, and moist, and earthy, and heavy; the latter aerial, whence she is called by some Artemis, as if Aerotomos (cutting the air); and the air is cloudy. And cooperating as they did in the production of things here below, those that by Divine Providence are set over the planets are rightly represented as placed on the breast and shoulders; and by them was the work of creation, the first week. And the breast is the seat of the heart and soul.