(31) And when the light riseth up out of the sweet fountain-water in the heat, in the astringent and bitter qualities, then the bitter and astringent qualities taste the light and sweet water, and the bitter quality catcheth the taste of the sweet water, and in the sweet water is the light, but only of a sky-colour or azure, which is blue.

(68) Timaeus: which is midway between these reaches to the liquid of the eyes and is mingled therewith, it is not brilliant but, owing to the blending of the fire's ray through the moisture, it gives off a sanguine color, and we give it the name of “red.” And “bright” color when blended with red and white becomes “yellow.” But in what proportions the colors are blended it were foolish to declare, even if one knew, seeing that in such matters one could not properly adduce any necessary ground or probable reason. Red blended with black and white makes “purple”;

(62) Munpus saith: It behoves you, O all ye seekers after this Art, to know that whatsoever the Philosophers have narrated or ordained, Kenckel, herbs, geldum, and carmen, are one thing!* Do not, therefore, trouble about a plurality of things, for there is one Tyrian tincture of the Philosophers to which they have given names at will, and having abolished the proper name, they have called it black, because it has been extracted from our sea. And know that the ancient priests did not condescend to wear artificial garments, whence, for purifying altars, and lest they should introduce into them anything sordid or impure, they tinged Kenckel with a Tyrian colour; but our Tyrian colour, which they placed in their altars and treasuries, was more clean and fragrant than can be described by me, which also has been extracted from our red and most pure sea, which is sweet and of a pleasant odour, and is neither sordid nor impure in putrefaction. And know ye that we have given many names to it, which are all true—an example of which, for those that possess understanding, is to be traced in corn that is being ground. For after grinding it is called by another name, and after it has been passed through the sieve, and the various substances have been separated one from another, each of these has its own name, and yet fundamentally there is but one name, to wit, corn, from which many names are distinguished. Thus we call the purple in each grade of its regimen by the name:of its own colour.

(4) 'The red colour of the lightning is the colour of fire, the white of water, the black of earth. Thus vanishes what we call the lightning, as a mere variety, being a name, arising from speech. What is true are the three colours.

(17) Blue (dark shade) represents religious emotion. feeling, and tendencies in general. The dull shades; however, indicate religious emotion of a low order, while the clearer brighter shades indicate religious emotions of a high order. These shades vary and range from a dull indigo to a beautiful bright violet. Light Blue (of a peculiar hue and shade) indicates spirituality. This spiritual blue is of a peculiarly clear, transparent, and luminous appearance, which is difficult to describe in words. In the auras of some persons of a very high degree of spirituality there appear tiny luminous spark-like points, often twinkling and sparkling like the stars in the heavens on a clear night.

(106) Now being drawn together, it looketh like azure or sky-colour blue, but when the light or flash riseth up therein, then it looketh like the precious jaspis or jasper stone, or as I may call it in my language, a glassy sea, on which the sun shineth, and that very clear and bright.

(38) In those colours grow all manner of fruits, which rise or spring up in the Salitter, and the Mercurius or sound mingleth itself therewith, and riseth up in all the powers of the Father, and then sounding and tunes rise up in the heavenly joyfulness.

(6) 'Whatever they thought looked red, they knew was the colour of fire. Whatever they thought looked white, they knew was the colour of water. Whatever they thought looked black, they knew was the colour of earth.

(50) The ancients conceived the spirit of man to correspond with the color blue, the mind with yellow, and the body with red. Heaven is therefore blue, earth yellow, and hell--or the underworld--red. The fiery condition of the inferno merely symbolizes the nature of the sphere or plane of force of which it is composed. In the Greek Mysteries the irrational sphere was always considered as red, for it represented that condition in which the consciousness is enslaved by the lusts and passions of the lower nature. In India certain of the gods--usually attributes of Vishnu--are depicted with blue skin to signify their divine and supermundane constitution. According to esoteric philosophy, blue is the true and sacred color of the sun. The apparent orange-yellow shade of this orb is the result of its rays being immersed in the substances of the illusionary world.

(68) Timaeus: but when these colors are mixed and more completely burned, and black is blended therewith, the result is “violet.” “Chestnut” comes from the blending of yellow and grey; and “grey” from white and black; and “ochre” from white mixed with yellow. And when white is combined with “bright” and is steeped in deep black it turns into a “dark blue” color; and dark blue mixed with white becomes “light blue”; and chestnut with black becomes “green.” As to the rest, it is fairly clear from these examples

(3) 'The red colour of the moon is the colour of fire, the white of water, the black of earth. Thus vanishes what we call the moon, as a mere variety, being a name, arising from speech. What is true are the three colours.

(76) In the earth the heat of the sun kindleth the sweet quality of water, in all imaged or framed figures; and then through the heat the light cometh to be in the sweet water, and that enlighteneth the astringent or sour quality, and the bitter, so that they see in or by the light; and in that seeing the one riseth up into the other, and proveth the other, that is, in that seeing the one tasteth of the other's sharpness, from whence cometh the taste.

(2) A sage, whose habit it was to ponder over the meaning of things, went to Ocean and asked why it wore a garment of blue, since this was the colour of mourning, and why did it boil without fire?

Ocean replied to the man of contemplation: ' I am troubled because I am separated from my friend. Because of my insufficiency I am not worthy of him, so I put on a garment of blue as a sign of the remorse I feel. In my distress the beaches of my lips are dried up, and because of the fire of my love I am in a turmoil. Could I find but a single drop of the celestial water of Kausar, I should be in possession of the gate of eternal life. Lacking this drop I shall die from desire with the thousand others who perish on the way.'

(34) But that also the element of fire is, and does rule in the deep of the air and water, thou seest in tempests of lightning; also thou perceivest how the light of the sun kindleth the element of fire on the earth with its reflection, although many times aloft in the upper region towards the moon it is very cold.

(37) For when the powers spring up in God they touch and stir one another, and move one in another, and so there is a constant harmony, mixing or concert, from whence go forth all manner of colours.

(150) In such manner and colours the heaven of God's nature sheweth or presenteth itself in the rising up of the spirits of God: Now when the light of the Son of God shineth therein, then it is like a bright clear sea of the colours of the abovementioned precious stones or jewels. Of the wonderful Proportion, Alteration or Variation, and Rising up of the Qualities in the heavenly Nature.

(91) III. Thirdly, the bitter quality, which existeth in the kindling of the water in the fire-flash, is melted away, for that is a rager, raver, tyrant and destroyer. Also no silver nor gold can subsist, if that be not killed or mortified; for it makes all dry and brittle, and presenteth or sheweth forth itself in several colours; for it rideth through all spirits, assuming the colours of all spirits.

(80) Timaeus: and derived from kindred substances,—some from fruits, and some from cereals, which God planted for us for the express purpose of serving as food, —they get all varieties of colors because of their commingling, but red is the color that runs through them most of all, it being a natural product of the action of the fire in dividing the liquid food and imprinting itself thereon. Wherefore the color of the stream which flows through the body acquired an appearance such as we have described; and this stream we call “blood,” which is the nutriment of the flesh

(109) But when the light, which is the Son of God, shineth into this sea of nature, then it getteth its yellowish and whitish colour, which I cannot compare to anything; you must be content to stay or tarry with this aspect or vision, till you come into the other life.

(13) Red is the color of the passions in general, but there is a great variety in its manifestations, for instance: Red (dull and appearing as if mixed with smoke) indicates sensuality and the lower animal passions; Red (appearing as bright flashes, sometimes light lightning in form) indicates anger. In this case the red usually is shown on a black back ground when the anger arises from hatred or malice and on a greenish background when the anger arise, from jealousy, envy, etc., and without any back ground when the anger arises from "righteous indignation" and the defense of what is believed to be righteous cause. Red (crimson shade) represent Love, and varies in shade according to the character of the passion named. For instance, a dull and heavy crimson shade indicates a gross, sensual love, while the brighter, clearer and more pleasing shades indicate love blended with higher feelings and accompanied by higher ideals; and the highest form of human love between the sexes manifests in a beautiful rose color.