(50) The ancients conceived the spirit of man to correspond with the color blue, the mind with yellow, and the body with red. Heaven is therefore blue, earth yellow, and hell--or the underworld--red. The fiery condition of the inferno merely symbolizes the nature of the sphere or plane of force of which it is composed. In the Greek Mysteries the irrational sphere was always considered as red, for it represented that condition in which the consciousness is enslaved by the lusts and passions of the lower nature. In India certain of the gods--usually attributes of Vishnu--are depicted with blue skin to signify their divine and supermundane constitution. According to esoteric philosophy, blue is the true and sacred color of the sun. The apparent orange-yellow shade of this orb is the result of its rays being immersed in the substances of the illusionary world.

(96) And corresponding to her (the earth) is the deep-blue/t’cheilet of the tsitsit (the corner fringes on a prayer shawl). For R’ Meir said: How is t’cheilet different from all kinds of colors? Because t’cheilet resembles the sea and the sea resembles the firmament and the firmament resembles the throne of glory, as it is said, “And they saw Israel’s God and under His feet [was something] like sapphire brick-work and like the essence of the heavens for purity” [Ex 24:10] and it says, “like the appearance/mar’eh of sapphire stone, a likeness of a throne / d’mut kisei’” [Ez 1:26].

(68) Timaeus: which is midway between these reaches to the liquid of the eyes and is mingled therewith, it is not brilliant but, owing to the blending of the fire's ray through the moisture, it gives off a sanguine color, and we give it the name of “red.” And “bright” color when blended with red and white becomes “yellow.” But in what proportions the colors are blended it were foolish to declare, even if one knew, seeing that in such matters one could not properly adduce any necessary ground or probable reason. Red blended with black and white makes “purple”;

(106) Now being drawn together, it looketh like azure or sky-colour blue, but when the light or flash riseth up therein, then it looketh like the precious jaspis or jasper stone, or as I may call it in my language, a glassy sea, on which the sun shineth, and that very clear and bright.

(6) 'Whatever they thought looked red, they knew was the colour of fire. Whatever they thought looked white, they knew was the colour of water. Whatever they thought looked black, they knew was the colour of earth.

(4) 'The red colour of the lightning is the colour of fire, the white of water, the black of earth. Thus vanishes what we call the lightning, as a mere variety, being a name, arising from speech. What is true are the three colours.

(68) Timaeus: but when these colors are mixed and more completely burned, and black is blended therewith, the result is “violet.” “Chestnut” comes from the blending of yellow and grey; and “grey” from white and black; and “ochre” from white mixed with yellow. And when white is combined with “bright” and is steeped in deep black it turns into a “dark blue” color; and dark blue mixed with white becomes “light blue”; and chestnut with black becomes “green.” As to the rest, it is fairly clear from these examples

(20) There seemeth to be a blue or azure sphere above the stars, whereby the place of this world is closed and shut out from the holy heaven, as men have thought hitherto; yet it is not so, but it is the superior water of nature, which is much brighter than the water below the moon. And now when the sun shineth through the deep, then it is as it were of a lightblue or azure colour.

(80) Timaeus: and derived from kindred substances,—some from fruits, and some from cereals, which God planted for us for the express purpose of serving as food, —they get all varieties of colors because of their commingling, but red is the color that runs through them most of all, it being a natural product of the action of the fire in dividing the liquid food and imprinting itself thereon. Wherefore the color of the stream which flows through the body acquired an appearance such as we have described; and this stream we call “blood,” which is the nutriment of the flesh

(22) The green color alludes to the vegetation which covers the face of the earth, and therefore represents the robe of Nature. The black represents death and corruption as being the way to a new life and generation. "Except a man be born again, he cannot see the kingdom of God." (John iii. 3.) White, yellow, and red signify the three principal colors of the alchemical, Hermetical, universal medicine after the blackness of its putrefaction is over.

By water and fire this whole realm is purified, the visible by the visible, the hidden by the hidden. Some things are hidden by the visible. There is water within water, there is fire within the oil of anointing.

(14) Acsubofen* saith: Master, thou hast spoken without envy, even as became thee, and for the same may God reward thee!

PyTHacoras saith: May God also deliver thee, Acsubofen, from envy! Then he: Ye must know, O Assembly of the Wise, that sulphurs are contained in sulphurs, and humidity in humidity.t

The Turba answereth: The envious, O Acsubofen, have uttered something like unto this! Tell us, therefore, what is this humidity? And he: Humidity is a venom, and when venom} penetrates a body, it tinges it with an invariable colour, and in no wise permits the soul to be separated from the body, because it is equal thereto. Concerning this, the envious have said: When one flies and the other pursues, then one seizes upon the other, and afterwards they no longer flee, because Nature has laid hold of its equal, after the manner of an enemy, and they destroy one another. For this reason, out of the sulphureous mixed sulphur is produced a most precious colour, which varies not, nor flees from the fire, when the soul enters into the interior of the body and holds the body together and tinges it. I will repeat my words in Tyrian dye.* Take the Animal which is called Kenckel, since all its water is a Tyrian colour, and rule the same with a gentle fire, as is customary, until it shall become earth, in which there will be a little colour. But if you wish to obtain the Tyrian tincture, take the humidity which that thing has ejected, and place it therewith gradually in a vessel, adding that tincture whereof the colour was disagreeable to you. Then cook with that same marine water* until itshall becomedry.t Afterwards moisten with that humour, dry gradually, and cease not to imbue it, to cook, and to dry, until it be imbued with all its humour. Then leave it for several days in its own vessel, until the most precious Tyrian colour shall come out from it to the surface. Observe how I describe the regimen to you! Prepare it with the urine of boys, with gigt water of the sea, and with permanent clean water, so that it may be tinged, and decoct with a gentle fire, until the blackness altogether shall depart from it, and it be easily pounded. Decoct, therefore, in its own humour until it clothe itself with a red colour. But if ye wish to bring it to the Tyrian colour, imbue the same with continual* water, and mix, as ye know to be sufficient, according to the rule of sight; mix the same with permanent water sufficiently, and decoct until rust absorb the water. Then wash with the water of the sea which thou hast prepared, which is water of desiccated calx;+ cook until it imbibe its own moisture; and do this day by day. I tell you thata colour will thence appear to you the like of which the Tyrians have never made. And if ye wish that it should be a still more exalted colour, place the gum in the permanent water, with which ye shall dye it alternately, and afterwards desiccate in the sun. Then restore to the aforesaid water and the black Tyrian colour is intensified. But know that ye do not tinge the purple colour except by cold.

Take, therefore, water which is of the nature of cold, and steep wool* therein until it extract the force of the tincture from the water.

Know also that the Philosophers have called the force which proceeds from that water the Flower. Seek, therefore, your intent in the said water; therein place what is in the vessel for days and nights, until it be clothed with a most precious Tyrian colour.

(3) 'The red colour of the moon is the colour of fire, the white of water, the black of earth. Thus vanishes what we call the moon, as a mere variety, being a name, arising from speech. What is true are the three colours.

(20) Now this spirit subsisteth in its colour like azure or heaven-blue, for it is generated out of all the six spirits; and when the flash, which stands in the midst or centre in the heat, shineth into the other spirits, so that they rise up in the flash and generate the seventh spirit, then the flash riseth up also in the birth of the six spirits together in the seventh.

(1) 'The red colour of burning fire (agni) is the colour of fire, the white colour of fire is the colour of water, the black colour of fire the colour of earth. Thus vanishes what we call fire, as a mere variety, being a name, arising from speech. What is true (satya) are the three colours (or forms).

(8) For this is very well to be apprehended and perceived in the Earth and Stones, that the four Elements are of one only Substance, and that the Earth and Stones were generated in the Fierceness from the Kindling of the Elements. For a Stone is but Water; and therefore we should do well to consider, what Kind of Fierceness there must have been, that has drawn the Water so hard together.

(2) The silver one became this earth, the golden one the sky, the thick membrane (of the white) the mountains, the thin membrane (of the yoke) the mist with the clouds, the small veins the rivers, the fluid the sea.

(2) 'The red colour of the sun (âditya) is the colour of fire, the white of water, the black of earth. Thus vanishes what we call the sun, as a mere variety, being a name, arising from speech. What is true are the three colours.

(31) And when the light riseth up out of the sweet fountain-water in the heat, in the astringent and bitter qualities, then the bitter and astringent qualities taste the light and sweet water, and the bitter quality catcheth the taste of the sweet water, and in the sweet water is the light, but only of a sky-colour or azure, which is blue.

(92) "For the fire will consume all, and causes a high rising in the source, and the meekness of the light causes entity or substantiality; viz. in the eternal light it causes the water-spirit of eternal life; and in the third principle of this world it causes water, together with the existency or original of the air.