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Passages similar to: Brihadaranyaka Upanishad — Brahmana 3
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Brihadaranyaka Upanishad
Brahmana 3 (1.3.25)
He who knows the property of that Saman has that property. Its property, truly, is tone. Therefore let him who is about to perform the duties of an Ritvij priest desire a good itself. tone in his voice. Being possessed of such a voice, let him perform the duties of the Ritvij priest. Therefore people desire to see at the sacrifice one who has a good tone, as being one who has a possession. He has a possession who knows thus the property of the Saman.
Chandogya Upanishad
Prapathaka I, Khanda 7 (7)
He who knowing this sings a Sâman, sings to both (the adhidaivata and adhyâtma self, the person in the sun and the person in the eye, as one and the...
Chandogya Upanishad
Prapathaka II, Khanda 1 (4)
If any one knowing this meditates on the Sâman as good, depend upon it all good qualities will approach quickly, aye, they will become his own .
Chandogya Upanishad
Prapathaka I, Khanda 7 (9)
'What wish shall I obtain for you by my songs?' For he who knowing this sings a Sâman is able to obtain wishes through his song, yea, through his...
Chandogya Upanishad
Prapathaka II, Khanda 22 (2)
Let a man sing , wishing to obtain by his song immortality for the Devas. 'May I obtain by my song oblations (svadhâ) for the fathers, hope for men,...
Chandogya Upanishad
Prapathaka II, Khanda 20 (2)
He who thus knows the Râgana, as interwoven in the deities, obtains the same world, the same happiness, the same company as the gods, he reaches the...
Chandogya Upanishad
Prapathaka II, Khanda 22 (1)
The udgîtha, of which a poet said, I choose the deep sounding note of the Sâman as good for cattle, belongs to Agni; the indefinite note belongs to...
Chandogya Upanishad
Prapathaka II, Khanda 8 (3)
Speech yields the milk, which is the milk of speech itself, to him who knowing this meditates on the sevenfold Sâman in speech. He becomes rich in...
Katha Upanishad
Second Vallī (16)
'That (imperishable) syllable means Brahman, that syllable means the highest (Brahman); he who knows that syllable, whatever he desires, is his.'
Chandogya Upanishad
Prapathaka I, Khanda 13 (4)
Speech yields the milk, which is the milk of speech itself to him who knows this Upanishad (secret doctrine) of the Sâmans in this wise. He becomes...
Chandogya Upanishad
Prapathaka I, Khanda 3 (9)
Let him quickly reflect on the Rik in which that Sâman occurs; on the Rishi (poet) by whom it was seen or composed; on the Devatâ (object) which he...
Chandogya Upanishad
Prapathaka I, Khanda 1 (9)
By that syllable does the threefold knowledge (the sacrifice, more particularly the Soma-sacrifice, as founded on the three Vedas) proceed. When the...
Chandogya Upanishad
Prapathaka II, Khanda 9 (3)
What he is when first risen, that is the prastâva. On it men are dependent. Therefore men love praise (prastuti) and celebrity, for they share the...
Chandogya Upanishad
Prapathaka II, Khanda 6 (2)
Animals belong to him, nay, he is rich in animals who knowing this meditates on the fivefold Sâman as animals.
Chandogya Upanishad
Prapathaka I, Khanda 7 (3)
Rik is the ear, Sâman the mind. This Sâman (mind) rests on that Rik (ear). Therefore the Sâman is sung as resting on the Rik. Sâ is the ear, ama the...
Chandogya Upanishad
Prapathaka I, Khanda 7 (8)
Therefore an Udgâtri priest who knows this, may say (to the sacrificer for whom he officiates);
Chandogya Upanishad
Prapathaka II, Khanda 21 (2)
He who thus knows this Sâman, as interwoven in everything, he becomes everything.
Chandogya Upanishad
Prapathaka I, Khanda 4 (4)
When a man has mastered the Rig-veda, he says quite loud Om; the same, when he has mastered the Sâman and the Yagus. This Svara is the imperishable...
Chandogya Upanishad
Prapathaka I, Khanda 7 (1)
Now with reference to the body. Rik is speech, Sâman breath . This Sâman (breath) rests on that Rik (speech). Therefore the Sâman is sung as resting...
Chandogya Upanishad
Prapathaka II, Khanda 21 (4)
He who knows this, knows everything. All regions offer him gifts. His rule is, 'Let him meditate (on the Sâman), knowing that he is. everything, yea,...
Chandogya Upanishad
Prapathaka I, Khanda 2 (13)
He was the Udgâtri (singer) of the Naimishîya-sacrificers, and by singing he obtained for them their wishes.
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