(77) For the tone goeth through the animated or soulish spirit into the nature of God, and into the Salitter of the seventh qualifying or fountain spirit in the divine power, which is its inceptive or beginning mother, and uniteth, qualifieth or cooperateth with the same in the forming or framing, and also in the distinguishing or diversifying of the imaging or shaping.

(50) And if the spirit is pleased therewith, then it [the spirit] bringeth the same before its mother into the heart, and the heart, or the fountain of the heart, giveth it [the sound] to all the powers in the whole body; and then the mouth and hands lay hold on it.

(7) He who knowing this sings a Sâman, sings to both (the adhidaivata and adhyâtma self, the person in the sun and the person in the eye, as one and the same person). He obtains through the one, yea, he obtains the worlds beyond that, and the wishes of the Devas;

(2) He who thus knows this Sâman, as interwoven in everything, he becomes everything.

(22) First there is the power, and in the power is the tone or tune, which, in the spirit, riseth up into the head, into the mind, as in man in the brain; and in the mind it [the tone] has its open doors or gates; but in the heart it has its seat and its origin, where it springeth [or ariseth] from all the powers.

(61) In this pressing through and turning about existeth the tone, according to the quality of each spirit; and always one power affecteth another, for the powers are as loving brethren in one body; and the meekness riseth up; and the spirit generateth and sheweth itself infinitely.

(9) 'What wish shall I obtain for you by my songs?' For he who knowing this sings a Sâman is able to obtain wishes through his song, yea, through his song.

(41) The prayer is answered by the mere fact that part and other part are wrought to one tone like a musical string which, plucked at one end, vibrates at the other also. Often, too, the sounding of one string awakens what might pass for a perception in another, the result of their being in harmony and tuned to one musical scale; now, if the vibration in a lyre affects another by virtue of the sympathy existing between them, then certainly in the All- even though it is constituted in contraries- there must be one melodic system; for it contains its unisons as well, and its entire content, even to those contraries, is a kinship.

Thus, too, whatever is hurtful to man- the passionate spirit, for example, drawn by the medium of the gall into the principle seated in the liver- comes with no intention of hurt; it is simply as one transferring fire to another might innocently burn him: no doubt, since he actually set the other on fire he is a cause, but only as the attacking fire itself is a cause, that is by the merely accidental fact that the person to whom the fire was being brought blundered in taking it.

(27) But what is that whose entry supplies every such need?

Some Idea, we maintain. There is a Form to which Matter aspires: to soul, moral excellence is this Form.

But is this Form a good to the thing as being apt to it, does the striving aim at the apt?

No: the aptest would be the most resemblant to the thing itself, but that, however sought and welcomed, does not suffice for the good: the good must be something more: to be a good to another a thing must have something beyond aptness; that only can be adopted as the good which represents the apt in its better form and is best to what is best in the quester's self, to that which the quester tends potentially to be.

A thing is potentially that to which its nature looks; this, obviously, it lacks; what it lacks, of its better, is its good. Matter is of all that most in need; its next is the lowest Form; Form at lowest is just one grade higher than Matter. If a thing is a good to itself, much more must its perfection, its Form, its better, be a good to it; this better, good in its own nature, must be good also to the quester whose good it procures.

But why should the Form which makes a thing good be a good to that thing? As being most appropriate?

No: but because it is, itself, a portion of the Good. This is why the least alloyed and nearest to the good are most at peace within themselves.

It is surely out of place to ask why a thing good in its own nature should be a good; we can hardly suppose it dissatisfied with its own goodness so that it must strain outside its essential quality to the good which it effectually is.

There remains the question with regard to the Simplex: where there is utter absence of distinction does this self-aptness constitute the good to that Simplex?

If thus far we have been right, the striving of the lower possesses itself of the good as of a thing resident in a certain Kind, and it is not the striving that constitutes the good but the good that calls out the striving: where the good is attained something is acquired and on this acquisition there follows pleasure. But the thing must be chosen even though no pleasure ensued; it must be desirable for its own sake.

(2) But thou wilt ask, What is the tone or sound? Or how taketh this spirit its source and original? Answer.

(26) These holy Souls Works also follow them, in their Tincture of the Spirit of the Soul, in the holy Element, so that they see and know how much Good they have wrought here; and their highest Delight and Desire is still continually (in their Love) to do more Good; although without the paradisical Body (which they [shall then] first attain at the Restoration) they work nothing, but their Source, [Quality or Property,] is mere Delight and soft Welfare.

(31) But if it puts its Will forward into Meekness (viz. into the Obedience of God) then it is in the Source [or of the Quality and Property] of the Heart of God, and receives divine Virtue, and then all its rough Essences become angelical and joyful; and then its rough Essences are very serviceable to it, and are better and more profitable to it, than that it were altogether sweet in the Originality; in which [being sweet] there would be no Strength, nor such mighty Power as in the harsh, bitter, and fiery [Essences.]

(52) In this the tone should rise up and sound, with singing and ringing forth, in praising and jubilating: also all the qualities should rejoice therein, and every spirit should exercise or practise its divine work or labour, as God the Father himself does.

(23) And this stirring in the hardness is the tone, so that [there is a] sound; and the light or flash makes the ringing, and the sweet water makes the ringing soft: so that a man can use the sound to the distinction of speech, or articulation of syllables. Here observe yet more plainly the Nativity or Birth of the bitter Quality.

(30) Then the tone riseth up; and the hard spirit beateth, striketh or thumpeth; but the sweet makes that beating or striking mild; and the bitter divideth it according to the condition or kind of every quality; the fourth causes the ringing; the fifth causes joyfulness; and the compacted incorporated sounding is the tone or tune, or the sixth spirit.

(3) That virtue however happens to be eligible for its own sake, is evident from the following considerations. For if things which are naturally subordinate, I mean the goods of the body, are eligible for their own sakes, but the soul is better than the body, it is evident that we love the goods of the soul on their own account, and not for the sake of the consequences with which they are attended.

(26) that a candidate, when first entering the precincts of sanctuary, must offer upon the brazen altar not a poor unoffending bull or ram but its correspondence within his own nature. The bull, being symbolic of earthiness, represented his own gross constitution which must be burned up by the fire of his Divinity. (The sacrificing of beasts, and in some cases human beings, upon the altars of the pagans was the result of their ignorance concerning the fundamental principle underlying sacrifice. They did not realize that their offerings must come from within their own natures in order to be acceptable.)

(9) Let him quickly reflect on the Rik in which that Sâman occurs; on the Rishi (poet) by whom it was seen or composed; on the Devatâ (object) which he is going to praise;

(24) And now when it seeth and heareth the divine tone, tune and sound rise up, which is externally without it, then is its spirit affected and kindled with joy, and elevateth itself in its princely seat, and singeth and ringeth forth very joyful words concerning God's holiness, and concerning the fruit and vegetation of the eternal life.

(65) Each quality goeth forth from itself into the others, and toucheth or stirreth the others, that is, it affecteth the others, whereby the other qualities get the will of this quality; that is, they prove the sharpness and spirit of this, as to what is in it, and always mix with it continually.