(121) Outward colors arise from the light of sun and stars, The light that lights the eye is also the heart's Light; The eye's light proceeds from the Light of the heart. But the light that lights the heart is the Light of God, At night there is no light, and colors are not seen; Hence we know what light is by its opposite, darkness. At night no colors are visible, for light is lacking. How can color be the attribute of dark blackness? Looking on light is the same as looking on colors; Opposite shows up opposite, as a Frank a Negro.

(25) In symbolism the body is divided vertically into halves, the right half being considered as light and the left half as darkness. By those unacquainted with the true meanings of light and darkness the light half was denominated spiritual and the left half material. Light is the symbol of objectivity; darkness of subjectivity. Light is a manifestation of life and is therefore posterior to life. That which is anterior to light is darkness, in which light exists temporarily but darkness permanently. As life precedes light, its only symbol is darkness, and darkness is considered as the veil which must eternally conceal the true nature of abstract and undifferentiated Being.

(22) The green color alludes to the vegetation which covers the face of the earth, and therefore represents the robe of Nature. The black represents death and corruption as being the way to a new life and generation. "Except a man be born again, he cannot see the kingdom of God." (John iii. 3.) White, yellow, and red signify the three principal colors of the alchemical, Hermetical, universal medicine after the blackness of its putrefaction is over.

(50) The ancients conceived the spirit of man to correspond with the color blue, the mind with yellow, and the body with red. Heaven is therefore blue, earth yellow, and hell--or the underworld--red. The fiery condition of the inferno merely symbolizes the nature of the sphere or plane of force of which it is composed. In the Greek Mysteries the irrational sphere was always considered as red, for it represented that condition in which the consciousness is enslaved by the lusts and passions of the lower nature. In India certain of the gods--usually attributes of Vishnu--are depicted with blue skin to signify their divine and supermundane constitution. According to esoteric philosophy, blue is the true and sacred color of the sun. The apparent orange-yellow shade of this orb is the result of its rays being immersed in the substances of the illusionary world.

(46) Primitive conceptions concerning the warfare between the principles of Good and Evil were often based upon the alternations of day and night. During the Middle Ages, the practices of black magic were confined to the nocturnal hours; and those who served the Spirit of Evil were called black magicians, while those who served the Spirit of Good were called white magicians. Black and white were associated respectively with night and day, and the endless conflict of light and shadow is alluded to many times in the mythologies of various peoples.

(4) On it, they say, is white and blue And yellow and green and red. That was the path by Brahma found; By it goes the knower of Brahma, the doer of right (punya-kri), and every shining one. jo. Into blind darkness enter they That worship ignorance; Into darkness greater than that, as it were, they That delight in knowledge.

(14) But the bitter spirit is the chief cause of the black earth, for through its fierce bitterness the Salitter became killed in its outermost birth or geniture, from whence existed the wild or barren earth.

(7) Nocturnal birds were appropriate symbols of both sorcery and the secret divine sciences: sorcery because black magic cannot function in the light of truth (day) and is powerful only when surrounded by ignorance (night); and the divine sciences because those possessing the arcana are able to see through the darkness of ignorance and materiality. Owls and bats were consequently often associated with either witchcraft or wisdom. The goose was an emblem of the first primitive substance or condition from which and within which the worlds were fashioned. In the Mysteries, the universe was likened to an egg which the Cosmic Goose had laid in space. Because of its blackness the crow was the symbol of chaos or the chaotic darkness preceding the light of creation. The grace and purity of the swan were emblematic of the spiritual grace and purity of the initiate. This bird also represented the Mysteries which unfolded these qualities in humanity. This explains the allegories of the gods (the secret wisdom) incarnating in the body of a swan (the initiate).

(5) The third bottle is entirely black save for a golden tree trunk having six lopped-off branches and terminating in five branches which end in knobs and protrude from the neck of the bottle. The state of the substance is termed "Blackness showing through the Head of the Raven." Under the bottle occurs the statement that "the tincture of the Philosophers is hidden in the air like the soul in the human body." The fourth bottle is of the deepest blackness and is called "The Head of the Raven." Nothing rises from the neck of the vessel, for the earth (its contents) is described as "submerged in Chaos." The bottom of the fifth bottle contains a bluish-gray, spotted liquid, the upper part being filled with a brick-colored substance. Above are the words: "Sixth Raven's Head"; below is added: "At the bottom of the vessel worms are born."

(6) The lower half of the sixth bottle is of a bluish-gray, the u per half black, the entire figure being termed "Seventh Raven's Head." A child is seated beside the bottle, concerning whom it is written: "This newly-born, black son is called Elixir and will be made perfectly white." The seventh bottle is black below and black spotted with red above. The process is thus described: "Black blacker than black, for many divers colors will appear. Those black clouds will [descend] to the body whence they came, and the junction of body, soul, and spirit has been completed and turned to ashes."

(60) The black magician cannot use the symbols of white magic without bringing down upon himself the forces of white magic, which would be fatal to his schemes. He must therefore distort the hierograms so that they typify the occult fact that he himself is distorting the principles for which the symbols stand. Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.

(51) In the original symbolism of the Christian Church, colors were of first importance and their use was regulated according to carefully prepared rules. Since the Middle Ages, however, the carelessness with which colors have been employed has resulted in the loss of their deeper emblematic meanings. In its primary aspect, white or silver signified life, purity, innocence, joy, and light; red, the suffering and death of Christ and His saints, and also divine love, blood, and warfare or suffering; blue, the heavenly sphere and the states of godliness and contemplation; yellow or gold, glory, fruitfulness, and goodness; green, fecundity, youthfulness, and prosperity; violet, humility, deep affection, and sorrow; black, death, destruction, and humiliation. In early church art the colors of robes and ornaments also revealed whether a saint had been martyred, as well as the character of the work that he had done to deserve canonization.

(11) On thy heart is rust on rust collected, Thy rust, layer on layer, O black kettle! If that smoke touched a new kettle, It would show the smut, were it only as a grain of barley; For everything is made manifest by its opposite, But when the kettle is black, then afterwards Who can see on it the impression of the smoke? If the blacksmith be a negro, But if a man of Rum does blacksmith's work,

(10) In this manner you must understand the four Elements, which yet are not four divided Things, or Essences, but one only Essence: And yet there are four Differences, or Distinctions in this Birth; and each Element lies in the other, as in a Chest, and it is its Receptacle, also it is a Member therein. Understand and consider the Ground aright, which follows. The P Sourness is the Matrix, and a Cause of all Things, which in its own Substance is very dark, cold, and as nothing; but the Eternal Deity being there, and speculating or beholding itself in the Sourness, therefore the dark Sourness is desirous after the divine Virtue, and attracts; although there is no Life or Understanding in the Sourness, yet it is the Ground of the first Essence, and the Original whence something comes to be: Here we can search no further into the Ground of the Deity, for it troubles [disturbs, or confounds] us.

(5) But, it will be objected, if this seeing and frequenting of the darkness is due to the lack of good, the Soul's evil has its source in that very lack; the darkness will be merely a secondary cause- and at once the Principle of Evil is removed from Matter, is made anterior to Matter.

No: Evil is not in any and every lack; it is in absolute lack. What falls in some degree short of the Good is not Evil; considered in its own kind it might even be perfect, but where there is utter dearth, there we have Essential Evil, void of all share in Good; this is the case with Matter.

Matter has not even existence whereby to have some part in Good: Being is attributed to it by an accident of words: the truth would be that it has Non-Being.

Mere lack brings merely Not-Goodness: Evil demands the absolute lack- though, of course, any very considerable shortcoming makes the ultimate fall possible and is already, in itself, an evil.

In fine we are not to think of Evil as some particular bad thing- injustice, for example, or any other ugly trait- but as a principle distinct from any of the particular forms in which, by the addition of certain elements, it becomes manifest. Thus there may be wickedness in the Soul; the forms this general wickedness is to take will be determined by the environing Matter, by the faculties of the Soul that operate and by the nature of their operation, whether seeing, acting, or merely admitting impression.

But supposing things external to the Soul are to be counted Evil- sickness, poverty and so forth- how can they be referred to the principle we have described?

Well, sickness is excess or defect in the body, which as a material organism rebels against order and measure; ugliness is but matter not mastered by Ideal-Form; poverty consists in our need and lack of goods made necessary to us by our association with Matter whose very nature is to be one long want.

If all this be true, we cannot be, ourselves, the source of Evil, we are not evil in ourselves; Evil was before we came to be; the Evil which holds men down binds them against their will; and for those that have the strength- not found in all men, it is true- there is a deliverance from the evils that have found lodgement in the soul.

In a word since Matter belongs only to the sensible world, vice in men is not the Absolute Evil; not all men are vicious; some overcome vice, some, the better sort, are never attacked by it; and those who master it win by means of that in them which is not material.

(51) THE PENTAGRAM. The pentagram is the figure of the microcosm--the magical formula of man. It is the one rising out of the four--the human soul rising from the bondage of the animal nature. It is the true light--the "Star of the morning." It marks the location of five mysterious centers of force, the awakening of which is the supreme secret of white magic.

(13) Fourth. True black magic is performed with the aid of a demoniacal spirit, who serves the sorcerer for the length of his earthly life, with the understanding that after death the magician shall become the servant of his own demon. For this reason a black magician will go to inconceivable ends to prolong his physical life, since there is nothing for him beyond the grave.

(9) But what approach have we to the knowing of Good and Evil?

And first of the Evil of soul: Virtue, we may know by the Intellectual-Principle and by means of the philosophic habit; but Vice?

A a ruler marks off straight from crooked, so Vice is known by its divergence from the line of Virtue.

But are we able to affirm Vice by any vision we can have of it, or is there some other way of knowing it?

Utter viciousness, certainly not by any vision, for it is utterly outside of bound and measure; this thing which is nowhere can be seized only by abstraction; but any degree of evil falling short of The Absolute is knowable by the extent of that falling short.

We see partial wrong; from what is before us we divine that which is lacking to the entire form thus indicated; we see that the completed Kind would be the Indeterminate; by this process we are able to identify and affirm Evil. In the same way when we observe what we feel to be an ugly appearance in Matter- left there because the Reason-Principle has not become so completely the master as to cover over the unseemliness- we recognise Ugliness by the falling-short from Ideal-Form.

But how can we identify what has never had any touch of Form?

We utterly eliminate every kind of Form; and the object in which there is none whatever we call Matter: if we are to see Matter we must so completely abolish Form that we take shapelessness into our very selves.

In fact it is another Intellectual-Principle, not the true, this which ventures a vision so uncongenial.

To see darkness the eye withdraws from the light; it is striving to cease from seeing, therefore it abandons the light which would make the darkness invisible; away from the light its power is rather that of not-seeing than of seeing and this not-seeing is its nearest approach to seeing Darkness. So the Intellectual-Principle, in order to see its contrary , must leave its own light locked up within itself, and as it were go forth from itself into an outside realm, it must ignore its native brightness and submit itself to the very contradition of its being.

(1) 'The red colour of burning fire (agni) is the colour of fire, the white colour of fire is the colour of water, the black colour of fire the colour of earth. Thus vanishes what we call fire, as a mere variety, being a name, arising from speech. What is true (satya) are the three colours (or forms).