(52) The faithful hold that the sweet influences of heaven As we are all members of Adam, We have heard these melodies in Paradise; Though earth and water have cast their veil upon us, But while we are thus shrouded by gross earthly veils, How can the tones of the dancing spheres reach us? Hence it is that listening to music is lovers' food, The inward feelings of the mind acquire strength, Nay, are shown outwardly, under influence of music. The fire of love burns hotter under stimulus of music,

(14) Music is then to be handled for the sake of the embellishment and composure of manners. For instance, at a banquet we pledge each other while the music is playing; soothing by song the eagerness of our desires, and glorifying God for the copious gift of human enjoyments, for His perpetual supply of the food necessary for the growth of the body and of the soul. But we must reject superfluous music, which enervates men's souls, and leads to variety, - now mournful, and then licentious and voluptuous, and then frenzied and frantic.

(3) A holy man who had found prosperity in God gave himself up to worship and adoration for forty years. He had fled from the world, but since God was intimately united to him he was satisfied. This dervish had enclosed a plot of ground in the desert; in the middle of it was a tree, and in the tree a bird had made its nest. The song of the bird was sweet to hear for in each of its notes were a hundred secrets. The servant of God was enchanted. But God told a seer about this state of things in these words: 'Tell this Sufi I am astonished that after so many years of devotion he has ended by selling me for a bird. It is true that this bird is admirable, but its song has caught him in a snare. I have bought him, and he has sold me.'

(42) The mysteries of the Islamic faith are now in the keeping of the dervishes--men who, renouncing worldliness, have withstood the test of a thousand and one days of temptation. Jelal-ud-din, the great Persian Sufic poet and philosopher, is accredited with having founded the Order of Mevlevi, or the "dancing dervishes," whose movements exoterically signify the motions of the celestial bodies and esoterically result in the establishment of a rhythm which stimulates the centers of spiritual consciousness within the dancer's body.

Then follow exhortations to undergo "the pains of negation," as they are called in the Gulshan i Raz, i.e., even as the great saint and poet Faridu-'d-Din 'Attar cast away his drugs, to cast one's own will, knowledge, power, and ''self" into the unique river of "annihilation," and from that state to rise to the higher state of eternal existence in God. The end and object of all negation is to attain to subsequent affirmation, as the negation in the creed, "There is no God," finds its complement and purpose in the affirmation "but God." Just so the purpose of negation of self is to clear the way for the apprehension of the fact that there is no existence but The One. The intoxication of life and its pleasures and occupations veils the Truth from men's eyes, and they ought to pass on to the spiritual intoxication which makes men beside themselves and lifts them to the beatific vision of eternal Truth. This is the same thing as saying they must pass on from negation to affirmation, from ignorance to the highest knowledge. This is illustrated by the story of the Turkish noble and the minstrel, which is given with an apology for using illustrations derived from drunkenness. A Turkish noble awoke from his drunken sleep, and called his minstrel to enliven him. The minstrel was a spiritual man, and proceeded to improve the occasion by singing a song with a deep spiritual meaning:

(34) Sobriety is wrong, and a straying from that other road. O thou who seekest to be contrite for the past, How wilt thou be contrite for this contrition? At one time thou adorest the music of the lute, At another embracest wailing and weeping." While the "Discerner" reflected these mysteries, Like a soul he was freed from weeping and rejoicing, His old life died, and he was regenerated. Amazement fell upon him at that moment, For he was exalted above earth and heaven,

(4) A Sufi woke one night and said to himself: 'It seems to me that the world is like a chest in which we are put and the lid shut down, and we give ourselves up to foolishness. When death lifts the lid, he who has acquired wings, soars away to eternity, but he who has not, stays in the chest a prey to a thousand tribulations. Make sure then that the bird of ambition acquires wings of aspiration, and give to your heart and reason the ecstasy of the soul. Before the lid of the chest is opened become a bird of the Spirit, ready to spread your wings.'

(1) Whoso is restricted to religious raptures is but a man; Sometimes his rapture is excessive, sometimes deficient. The Sufi is, as it were, the "son of the season," Religious raptures depend on feelings and will, You are a lover of your own raptures, not of me; Whoso is now defective, now perfect, Is not adored by Abraham; he is "one that sets." Because the stars set, and are now up, now down, He loved them not; "I love not them that set." Whoso is now pleasing and now unpleasing Is at one time water, at another fire.

(22) Therefore sanctification is the best of all things, for it cleanses the soul, and illuminates the conscience, and kindles the heart, and wakens the spirit, and girds up the loins, and glorifies virtue and separates us from creatures, and unites us with God. The quickest means to bring us to perfection is suffering; none enjoy everlasting blessedness more than those who share with Christ the bitterest pangs. Nothing is sharper than suffering, nothing is sweeter than to have suffered. The surest foundation in which this perfection may rest is humility; whatever here crawls in the deepest abjectness, that the Spirit lifts to the very heights of God, for love brings suffering and suffering brings love.

Ways of living are many; one lives thus, and another thus; but whosoever will reach the highest life, let him in a few words hear the conclusion of the whole matter: keep thyself clear of all men, keep thyself from all imaginations that crowd upon the mind, free thyself from all that is contingent, entangling, and cumbersome and direct thy mind always to gazing upon God in thy heart with a steadfast look that never wavers: as for other spiritual exercises--fasting, watching and prayer--direct them all to this one end, and practice them so far as they may be helpful thereto, so wilt thou win to perfection.

Here some one may ask, "Who can thus gaze always without wavering at a divine object?" I answer: "No one who now lives." This has only been said to thee that thou mightest know what the highest is, and that thou mightest have desires after it. But when thou losest sight of the Divine, thou shouldest feel as if bereft of thine eternal salvation, and shouldest long to recover it, and watch over thyself at all times, and direct thy aims and longing towards it. May God be blessed for ever. Amen.

(1) What you afterwards say is as follows: “ That some of those who suffer a mental alienation, energize enthusiastically on hearing cymbals or drums, or a certain modulated sound, such as those who are Corybantically inspired, those who are possessed by Sabazius, and those who are inspired by the mother of the Gods .” It is necessary, therefore, to discuss the causes of these things, and to show how they are definitely produced. That music, therefore, is of a motive nature, and is adapted to excite the affections, and that the melody of pipes produces or heals the disordered passions of the soul, changes the temperaments or dispositions of the body, and by some melodies causes a Bacchic fury, but by others occasions this fury to cease; and, likewise, how the differences of these accord with the several dispositions of the soul, and that an unstable and variable melody is adapted to ecstasies, such as are the melodies of Olympus, and others of the like kind; all these appear to me to be adduced in a way foreign to enthusiasm. For they are physical and human, and the work of our art; but nothing whatever of a divine nature in them presents itself to the view.

(3) Now this highly triumphing and joyous spirit is very fitly and excellently, in the divine Salitter, used to the imaging or framing; because it chiefly moveth in the tone or tune, and in the love, and is nearest to the heart of God in the birth, and bound or united therewith in joy, which indeed is itself also the spring and source of joy, or the rising up in the heart of God.

(24) And now when it seeth and heareth the divine tone, tune and sound rise up, which is externally without it, then is its spirit affected and kindled with joy, and elevateth itself in its princely seat, and singeth and ringeth forth very joyful words concerning God's holiness, and concerning the fruit and vegetation of the eternal life.

(2) For some there be that without much and long ghostly exercise may not come thereto, and yet it shall be but full seldom, and in special calling of our Lord that they shall feel the perfection of this work: the which calling is called ravishing. And some there be that be so subtle in grace and in spirit, and so homely with God in this grace of contemplation, that they may have it when they will in the common state of man’s soul: as it is in sitting, going, standing, or kneeling. And yet in this time they have full deliberation of all their wits bodily or ghostly, and may use them if they desire: not without some letting (but without great letting). Ensample of the first we have by Moses, and of this other by Aaron the priest of the Temple: for why, this grace of contemplation is figured by the Ark of the Testament in the old law, and the workers in this grace be figured by them that most meddled them about this Ark, as the story will witness. And well is this grace and this work likened unto that Ark. For right as in that Ark were contained all the jewels and the relics of the Temple, right so in this little love put upon this cloud be contained all the virtues of man’s soul, the which is the ghostly Temple of God.

(35) Now when the heavenly music of the angel riseth up, then in the heavenly pomp, in the divine Salitter, there rise up all manner of vegetations, springings or sprouts, also all manner of figures, shapes or ideas, and all manner of colours; for the Deity presenteth, sheweth or discovereth itself in endless and unsearchable varieties of kinds, colours, ideas, forms and joys.

(2) The beloved of Tus, that ocean of spiritual secrets, said to one of his disciples: 'Melt yourself in the fire of love until you become as thin as a hair, then you will be fit to take your place among the locks of your beloved. If your eyes are turned towards the Way and if you are clear-seeing, then contemplate and ponder, hair by hair.

'He who leaves the world to follow this Way, finds death; he who finds death finds immortality. O my heart, if you have been turned inside out, cross the bridge Sirat and the burning fire; for when the oil in the lamp is burning it produces smoke as black as an old crow, but when it has been consumed by fire it ceases to have a coarse existence.

'If you wish to arrive at that high place first get rid of yourself; then go out from nothing as another Borak. Put on the khirka of nothingness and drink of the cup of annihilation, then cover your breast with the belt of belittlement

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and put on your head the burnous of non-existence. Place your foot in the stirrup of non-attachment, and urge your useless steed towards the place where there is nothing. But if there remains in you the least egoism the seven seas will be, for you, full of adversity.'

(91) When the light of Allah illumes his senses, When love of God kindles a flame in the inward man, He burns, and is freed from effects. He has no need of signs to assure him of love, Other details are wanting to complete this subject, But take this much, and all hail to you! Though reality is exposed to view in this form, For instance, these two resemble water and a tree; When you look to their essence they are far apart; Yet see how quickly a seed becomes a high tree

(10) Whatsoever is lost to thee through God's decree What is Sufiism? 'Tis to find joy in the heart Know troubles to be that eagle of the Prophet's Which carried off the sandal of that holy one, In order to save his foot from the bite of the viper O excellent device! to preserve him from harm. 'Tis said, "Mourn not for your slaughtered cattle If a wolf has harried your flocks;" For that calamity may avert a greater calamity,

(2) The greatest indication, however, of the truth of this is the following. Many, through divine inspiration, are not burned when fire is introduced to them, the inspiring influence preventing the fire from touching them. Many, also, though burned, do not apprehend that they are so, because they do not then live an animal life. And some, indeed, though transfixed with spits, do not perceive it; but others that are struck on the shoulders with axes, and others that have their arms cut with knives, are by no means conscious of what is done to them. Their energies, likewise, are not at all human. For inaccessible places become accessible to those that are divinely inspired; they are thrown into fire, and pass through fire, and over rivers, like the priest in Castabalis, without being injured. But from these things it is demonstrated, that those who energize enthusiastically are not conscious of the state they are in, and that they neither live a human nor an animal life, according to sense or impulse, but that they exchange this for a certain more divine life, by which they are inspired and perfectly possessed.

(2) From these things, therefore, the signs of those that are inspired are multiform. For the inspiration is indicated by the motions of the [whole] body, and of certain parts of it, by the perfect rest of the body, by harmonious orders and dances, and by elegant sounds, or the contraries of these. Either the body, likewise, is seen to be elevated, or increased in bulk, or to be borne along sublimely in the air, or the contraries of these, are seen to take place about it. An equability, also, of voice, according to magnitude, or a great variety of voice after intervals of silence, may be observed. And again, sometimes the sounds have a musical intension and remission, and sometimes they are strained and relaxed after a different manner.

(36) Now, that qualifying or fountain spirit in the Deity which does shew itself then specially or more distinctly with its rising up and love-wrestling, as if it had become the prince or chief of them, that very angelprince belonging to it beginneth instantly his heavenly music with his own legions, according to his quality, with singing, ringing forth piping melody, and in all the manners of heavenly skill and art, which riseth up in the spirits of God.