(11) h ) The two figures of the soul, with raised hands

(46) And that is a spirit, as all the rest of the seven spirits are, only the other six are an incomprehensible being therein; for the divine power generateth itself in the comprehensibility of the seventh nature-spirit, as it were hidden or concealed, and incomprehensible to the creatures.

(21) The fifth numbered major trump is called Le Pape, the Pope, and represents the high priest of a pagan or Christian Mystery school. In this card the hierophant wears the tiara and carries in his left hand the triple cross surmounting the globe of the world. His right hand, bearing upon its back the stigmata, makes "the ecclesiastic sign of esotericism," and before him kneel two suppliants or acolytes. The back of the papal throne is in the form of a celestial and a terrestrial column. This card signifies the initiate or master of the mystery of life and according to the Pythagoreans, the spiritual physician. The illusionary universe in the form of the two figures (polarity) kneels before the throne upon which sits the initiate who has elevated his consciousness to the plane of spiritual understanding and reality. In the pseudo-Egyptian Tarot the Master wears the uræus. A white and a black figure--life and death, light and darkness, good and evil--kneel before him. The initiate's mastery over unreality is indicated by the tiara and the triple cross, emblems of rulership over the three worlds which have issued from the Unknowable First Cause.

(97) 99. Heading. 65 Placed in the left hand. 97. 65 To say: Osiris N., this eye of Horus is that which he demanded from Set.

(25) The ninth numbered major trump is called L'Hermite, the Hermit, and portrays an aged man, robed in a monkish habit and cowl, leaning on a staff. This card was popularly supposed to represent Diogenes in his quest for an honest man. In his right hand the recluse carries a lamp which he partly conceals within the folds of his cape. The hermit thereby personifies the secret organizations which for uncounted centuries have carefully concealed the light of the Ancient Wisdom from the profane. The staff of the hermit is knowledge, which is man's main and only enduring support. Sometimes the mystic rod is divided by knobs into seven sections, a subtle reference to the mystery of the seven sacred centers along the human spine. In the pseudo-Egyptian Tarot the hermit shields the lamp behind a rectangular cape to emphasize the philosophic truth that wisdom, if exposed to the fury of ignorance, would be destroyed like the tiny flame of a lamp unprotected from the storm. Man's bodies form a cloak through which his divine nature is faintly visible like the flame of the partly covered lantern. Through renunciation--the Hermetic life--man attains depth of character and tranquility of spirit.

(17) The magician stands behind a table on which are spread out a number of objects, prominent among them a cup--the Holy Grail and the cup placed by Joseph in Benjamin's sack; a coin--the tribute money and the wages of a Master Builder, and a sword, that of Goliath and also the mystic blade of the philosopher which divides the false from the true. The magician's hat is in the form of the cosmic lemniscate, signifying the first motion of creation. His right hand points to the earth, his left holds aloft the rod of Jacob and also the staff that budded--the human spine crowned with the globe of creative intelligence. In the pseudo-Egyptian Tarot the magician wears an uræus or golden band around his forehead, the table before him is in the form of a perfect cube, and his girdle is the serpent of eternity devouring its own tail.

(30) Summary The student must not fall into the error of supposing that man really has seven separate and distinct souls, either tied together like a bundle of twigs, or else worn as one would wear seven overcoats, one over the other. The symbol is only figurative, and must not be construed literally. There are not seven selves in man—but only One Self concealed by seven veils, each of which while serving to conceal the real nature of the Self yet serves to disclose the presence and power thereof to some degree. It is as if seven planes of variously colored glass, ranging from the darkest to the almost-transparent and colorless, were to be placed before a brilliant light. The darker glass would almost entirely obscure the Light, though yet revealing its presence in some of its rays; the next lighter would reveal more, and obscure less; and so on to the last in which the obscuration was but slight, and the revelation almost perfect. All illustrations of this ineffable fact of the Eternal are, by the very nature of things, imperfect, faulty, and misleading if taken too literally.

(5) Thou who liftest the hand at the Balance, and raisest Law to the nose of Rā in this day [of my Ka]: do not thou put my head away from me. For I am the Eye which seeth and the Ear which heareth; and am I not the Bull of the sacrificial herd, are not the mortuary gifts upon me and the supernal powers [ otherwise said : the powers above Nut

(26) A hand covered with numerous symbols was extended to the neophytes when they entered into the Temple of Wisdom. An understanding of the embossed upon the surface of the hand brought with it Divine power and regeneration Therefore, by means of these symbolic hands the candidate was said to be raised from the dead.

(23) The seventh numbered major trump is called Le Chariot, the Chariot, and portrays a victorious warrior crowned and riding in a chariot drawn by black and white sphinxes or horses. The starry canopy of the chariot is upheld by four columns. This card signifies the Exalted One who rides in the chariot of creation. The vehicle of the solar energy being numbered seven reveals the arcane truth that the seven planers are the chariots of the solar power which rides victorious in their midst. The four columns supporting the canopy represent the four Mighty Ones who uphold the worlds represented by the star-strewn drapery. The figure carries the scepter of the solar energy and its shoulders are ornamented with lunar crescents--the Urim. and Thummim. The sphinxes drawing the chariot resent the secret and unknown power by which the victorious ruler is moved continuously through the various parts of his universe. In certain Tarot decks the victor signifies the regenerated man, for the body of the chariot is a cubic stone. The man in armor is not standing in the chariot but is rising out of the cube, thus typifying the ascension of the 3 out of the 4--the turning upward of the flap of the Master Mason's apron. In the pseudo-Egyptian Tarot the warrior carries the curved sword of Luna, is bearded to signify maturity, and wears the collar of the planetary orbits. His scepter (emblematic of the threefold universe) is crowned with a square upon which is a circle surmounted by a triangle.

(46) The court cards contain a number of important Masonic symbols. Nine are full face and three are profile. Here is the broken "Wheel of the Law," signifying the nine months of the prenatal epoch and the three degrees of spiritual unfoldment necessary to produce the perfect man. The four armed kings are the Egyptian Ammonian Architects who gouged out the universe with knives. They are also the cardinal signs of the zodiac. The four queens, carrying eight-petaled flowers symbolic of the Christ, are the fixed signs of the zodiac. The four jacks, two of whom bear acacia sprigs--the jack of hearts in his hand, the jack of clubs in his hat-are the four common signs of the zodiac. It should be noted also that the court cards of the spade suit will not look upon the pip in the corner of the card but face away from it as though fearing this emblem of death. The Grand Master of the Order of the Cards is the king of clubs, who carries the orb as emblematic of his dignity.

(2) In this Seventh Aphorism of Creation, the Rosicrucian is directed to apply his attention to the concept of the Sevenfold Soul—One in essence—of Man; which in the figurative language of the mystic constitutes the seven veils which conceal from (yet reveal to) Man his real Self. This concept is represented by the Rosicrucians by means of the symbol of the figure of a man surrounded by seven outlined shapes—the man, himself in his essence, is represented by the blank space disclosed by the inmost outline, and each one of the "concealing but revealing veils" is represented by an outlined figure, each being but one of the series of seven. The series of outlines, be it noted, is enclosed in the circle representing the Infinite Unmanifest.

(2) And I call upon the Eye of Horus which gleams as an ornament upon the brow of Râ, the father of the gods

(42) The twenty-first numbered major trump is called Le Monde, the World, and portrays a female figure draped with a scarf which the wind blows into the form of the Hebrew letter Kaph. Her extended hands--each of which holds a wand--and her left leg, which crosses behind the right, cause the figure to assume the form of the alchemical symbol of sulphur. The central figure is surrounded by a wreath in the form of a vesica piscis which Levi likens to the Qabbalistic crown Kether. The Cherubim of Ezekiel's vision occupy the corners of the card. This Tarot is called the Microcosm and the Macrocosm because in it are summed up every agency contributing to the structure of creation. The figure in the form Of the emblem of sulphur represents the divine fire and the heart of the Great Mystery. The wreath is Nature, which surrounds the fiery center. The Cherubim represent the elements, worlds, forces, and planes issuing out of the divine fiery center of life. The wreath signifies the crown of the initiate which is given to those who master the four guardians and enter into the presence of unveiled Truth. In the pseudo-Egyptian Tarot the Cherubim surround a wreath composed of twelve trifoliate flowers--the decanates of the zodiac. A human figure kneels below this wreath, playing upon a harp of three strings, for the spirit must create harmony in the triple constitution of its inferior nature before it can gain for itself the solar crown of immortality.

(33) This is that which all the seven spirits generate, and that is the son of all the seven spirits, and the seven spirits are its father, which generate the light; and the light generateth in them the life; and the light is the heart of the seven spirits.

(4) It will be noted that while these Seven Veils serve to conceal the Real Self—in the sense of imposing limitations and shape to it, yet at the same time it reveals the presence of Spirit by means of its outlines. The ancient teachers were wont to illustrate this concealing-revealment by means of a bit of thin gauzy drapery suspended across the space of an open door or open window into which the breeze is blowing. The drapery covers (and thus conceals) the moving wind, yet at the same time it shows a form representing the movement and presence of the wind, and thus reveals the latter. Another favorite illustration was that of an invisible hand, of itself impossible of being perceived, but upon which was placed seven gloves, one over the other. The gloves were filled, and the presence of the hand revealed; but each glove, in turn, is mistaken for the hand itself. The hand is able to feel but faintly, and to act clumsily when the gloves are all on it, but as each glove is taken off it feels more sensitively, and performs more delicate actions; but without at least one of the gloves it is not apparent at all, even to the eyes of its owner.

(19) The third numbered major trump is called L'Impératrice, the Empress, and has been likened to the "woman clothed with the sun" described in the Apocalypse. On this card appears the winged figure of a woman seated upon a throne, supporting with her right hand a shield emblazoned with a phœnix and holding in her left a scepter surmounted by an orb or trifoliate flower. Beneath her left foot is sometimes shown the crescent. Either the Empress is crowned or her head is surrounded by a diadem of stars; sometimes both. She is called Generation, and represents the threefold spiritual world out of which proceeds the fourfold material world. To the graduate of the College of the Mysteries she is the Alma Mater out of whose body the initiate has "born again." In the pseudo-Egyptian Tarot the Empress is shown seated upon a cube filled with eyes and a bird is balanced upon the forefinger other left hand. The upper part of her body is surrounded by a radiant golden nimbus. Being emblematic of the power from which emanates the entire tangible universe, L'Impératrice is frequently symbolized as pregnant.

(36) The Truth in Symbols There are certain truths which cannot be well expressed in words, but which may be at least partially expressed in symbols. To those who feel a desire to penetrate rather more deeply into the Mystery of. the Three Higher Planes of Consciousness, we call attention to the symbol accompanying this particular chapter of this book. There is a wealth of knowledge and important information hidden in this symbol, undiscoverable to the many but at least partially discoverable by the few. To the Few, we offer the following suggestions concerning this Symbol.

(170) Having put on the completely armed-vigour of resounding Light, with triple strength fortifying the Soul and the Mind, He must put into the Mind the various Symbols, and not walk dispersedly on the empyræan path, but with concentration.

(5) Let Rā lend me his two hands, let not his divine Boatmen prevent me. Let my strength be that of the divine Eye, and conversely