(4) O Rā, in that thy name of Rā, since thou openest the secrets of the Ammehit, which gladdeneth the hearts of the Divine Circle: do thou then give me my heart. I am a powerful Chu, let thy soundness be my soundness, and the soundness of thy limbs be the soundness of my limbs

(4) O thou who guidest the Bark of Rā, sound is thy rigging and free from disaster as thou passest on to the Tank of Flame

(2) O Rā, in that thy name of Rā, since thou passest through an Eye of seven cubits, whose pupil is of three: do thou then make me sound, I am a powerful Chu, let thy soundness be my soundness

(4) I am conveyed by it along with Rā. I am conveyed by it like the Kaf

(12) I am Rā, who proceedeth from Nu, and my soul is divine. I am he who produceth food, but I execrate what is wrong

(6) It is exalted, the soul of Rā in the Amenta, his body is blessed there; the powers praise him in the bounds of the Tuat, Teb Temt who rests in his covering

(3) O Rā, in that thy name of Rā, since thou passest through those who are perishing headlong: do thou then keep me standing on my feet. I am a powerful Chu, let thy soundness be my soundness

(1) When Thoth had brought the Eye, he appeased the Eye, After Rā had wounded her, she was raging furiously and then Thoth calmed her after she had gone away raging. As I am sound, she is sound and N. is sound

(22) First there is the power, and in the power is the tone or tune, which, in the spirit, riseth up into the head, into the mind, as in man in the brain; and in the mind it [the tone] has its open doors or gates; but in the heart it has its seat and its origin, where it springeth [or ariseth] from all the powers.

(410) And the musician, who, keeping to the same track, is content to practise the simple gymnastic, will have nothing to do with medicine unless in some extreme case. That I quite believe. The very exercises and tolls which he undergoes are intended to stimulate the spirited element of his nature, and not to increase his strength; he will not, like common athletes, use exercise and regimen to develope his muscles. Very right, he said. Neither are the two arts of music and gymnastic really designed, as is often supposed, the one for the training of the soul, the other for the training of the body. What then is the real object of them? I believe, I said, that the teachers of both have in view chiefly the improvement of the soul. How can that be? he asked. Did you never observe, I said, the effect on the mind itself of exclusive devotion to gymnastic, or the opposite effect of an exclusive devotion to music? In what way shown? he said. The one producing a temper of hardness and ferocity, the other of softness and effeminacy, I replied. Yes, he said, I am quite aware that the mere athlete becomes too much of a savage, and that the mere musician is melted and softened beyond what is good for him. Yet surely, I said, this ferocity only comes from spirit, which, if rightly educated, would give courage, but, if too much intensified, is liable to become hard and brutal. That I quite think.

(48) To be said, when Râ sets in the Land of Life; with hands bent downward

(5) Let Rā lend me his two hands, let not his divine Boatmen prevent me. Let my strength be that of the divine Eye, and conversely

(9) I am arrayed and equipped with thy Words of Power, O Rā; with that which is above and with that which is below me

(31) I am come to see Râ at his setting, and I unite with the breeze at his coming forth: my two hands are pure for adoring him

(10) Râ is satisfied; Râ is satisfied; Râ maketh his progress peacefully

(4) My head is that of Rā and I am summed up as Tmu: Four times the arm’s length of Rā: four times the width of the world

(93) But in this hard, severe and cold power stands [i.e. consisteth] the corporeal essence or the body, wherein the spirit of life generateth itself; and out of that same spirit the light and the understanding [generate themselves]; and then through these the senses and the trial or testing of all powers ariseth.

(1) What you afterwards say is as follows: “ That some of those who suffer a mental alienation, energize enthusiastically on hearing cymbals or drums, or a certain modulated sound, such as those who are Corybantically inspired, those who are possessed by Sabazius, and those who are inspired by the mother of the Gods .” It is necessary, therefore, to discuss the causes of these things, and to show how they are definitely produced. That music, therefore, is of a motive nature, and is adapted to excite the affections, and that the melody of pipes produces or heals the disordered passions of the soul, changes the temperaments or dispositions of the body, and by some melodies causes a Bacchic fury, but by others occasions this fury to cease; and, likewise, how the differences of these accord with the several dispositions of the soul, and that an unstable and variable melody is adapted to ecstasies, such as are the melodies of Olympus, and others of the like kind; all these appear to me to be adduced in a way foreign to enthusiasm. For they are physical and human, and the work of our art; but nothing whatever of a divine nature in them presents itself to the view.

(3) From the midst of that radiance, the natural sound of Reality, reverberating like a thousand thunders simultaneously sounding, will come. That is the natural sound of thine own real self. Be not daunted thereby, nor terrified, nor awed.

(3) I am come as a messenger of Rā, to make fast Maāt upon the Arm, for the dawning of Neith at Ment’ait, and for restoring the Eye to him who taketh the reckoning thereof