(9) As, then, lyres ought not to be touched by those who are destitute of skill in playing the lyre, nor flutes by those who are unskilled in flute-playing, neither are those to put their hand to affairs who have not knowledge, and know not how to use them in the whole of life.

(4) followed by a thundering peal, without end and without beginning, now dying, now living, now sinking, now rising, on and on without a moment's break. And so you were afraid. "When I played again, it was the harmony of the Yin and Yang, lighted by the glory of sun and moon; now broken, now prolonged, now gentle, now severe, in one unbroken, unfathomable volume of sound. Filling valley and gorge, stopping the ears and dominating the senses, adapting itself to the capacities of things,—the sound whirled around on all sides, with shrill note and clear. The spirits of darkness kept to their domain. Sun, moon, and stars, pursued their appointed course. When the melody was exhausted I stopped; if the melody did not stop, I went on. You would have sympathised, but you could not understand. You would have looked, but you could not see. You would have pursued, but you could not overtake. You stood dazed in the middle of the wilderness, leaning against a tree and crooning, your eye conscious of exhausted vision, your strength failing for the pursuit, and so unable to overtake me. Your frame was but an empty shell. You were completely at a loss, and so you were amazed. "Then I played in sounds which produce no amazement, the melodious law of spontaneity, springing forth like nature's countless buds, in manifold but formless joy, as though poured forth to the dregs, in deep but soundless bass. Beginning nowhere, the melody rested in void; some would say dead, others alive, others real, others ornamental, as it scattered itself on all sides in never to be anticipated chords.

(5) My dear Mind, thou supposest thou art very sound, but thou art so beaten, that thou feelest thy Disease no more. Art thou not very near unto Death, how then canst thou account thyself to be sound? O my dear Soul, boast not of thy Soundness, thou liest fettered in heavy Bonds, yea in a very dark Dungeon; thou swimmest in a deep Water, which rises up to thy very Lips, and thou must continually expect Death. Besides, the Hunter is behind thee with a great Company of thy worst Enemies, whereby he draws thee continually down by his Chains into the horrible Deep, into the Abyss of Hell, and his Crew thrust thee on behind thee, and run upon thee on all Sides, yelling and hunting, as if they had the Hind they hunt after.

(3) And having gone straight home, they said to their mother, for their father was dead: "We are going, our mother, but our going is only for a while. The messengers of the lord have come to take us. 'They must come,' they said, according to the messengers. "We shall leave our ball here in pledge," they added. They went immediately to hang it in the space under the rooftree. "We will return to play," they said. And going to Hunbatz and Hunchouén they said to them: "Keep on playing the flute and singing, painting, and carving; warm our house and warm the heart of your grandmother." When they took leave of their mother, Xmucané was moved and burst into tears. "Do not worry, we are going, but we have not died yet," said Hun-Hunahpú and Vucub-Hunahpú as they left.

(1) What you afterwards say is as follows: “ That some of those who suffer a mental alienation, energize enthusiastically on hearing cymbals or drums, or a certain modulated sound, such as those who are Corybantically inspired, those who are possessed by Sabazius, and those who are inspired by the mother of the Gods .” It is necessary, therefore, to discuss the causes of these things, and to show how they are definitely produced. That music, therefore, is of a motive nature, and is adapted to excite the affections, and that the melody of pipes produces or heals the disordered passions of the soul, changes the temperaments or dispositions of the body, and by some melodies causes a Bacchic fury, but by others occasions this fury to cease; and, likewise, how the differences of these accord with the several dispositions of the soul, and that an unstable and variable melody is adapted to ecstasies, such as are the melodies of Olympus, and others of the like kind; all these appear to me to be adduced in a way foreign to enthusiasm. For they are physical and human, and the work of our art; but nothing whatever of a divine nature in them presents itself to the view.

(1) The amorous Nightingale first came forward almost beside himself with passion. He poured emotion into each of the thousand notes of his song; and in each was to be found a world of secrets. When he sang of these mysteries the birds became silent. 'The secrets of love are known to me,' he said. 'All night I repeat my songs of love. Is there no unhappy David to whom I can sing the yearning psalms of love? The flute's sweet wailing is because of me, and the lamenting of the lute. I create a tumult among the roses as well as in the hearts of lovers. Always I teach new mysteries, at each instant I repeat new songs of sadness. When love overpowers my soul my singing is as the sighing sea. Who hears me forsakes his reason, though he be among the wise. If I am parted from my dear Rose I am desolate, I cease my singing and tell my secrets to none. Mv secrets are not known to everyone; only to the Rose are they known with certainty. So deep in love am I with the Rose that I do not even think of my own existence; but only of the Rose and

the coral of her petals. The journey to the Simurgh is beyond my strength; the love of the Rose is enough for the Nightingale. It is for me that she flowers with her hundred petals; what more then can I wish! The Rose which blooms today is full of longing, and for me smiles joyously. When she shows her face under the veil I know that it is for me. How then can the Nightingale remain a single night deprived of the love of this enchantress?'

(1) To run o'er better waters hoists its sail The little vessel of my genius now, That leaves behind itself a sea so cruel; And of that second kingdom will I sing Wherein the human spirit doth purge itself, And to ascend to heaven becometh worthy. But let dead Poesy here rise again, O holy Muses, since that I am yours, And here Calliope somewhat ascend, My song accompanying with that sound, Of which the miserable magpies felt The blow so great, that they despaired of pardon. Sweet colour of the oriental sapphire, That was upgathered in the cloudless aspect Of the pure air, as far as the first circle, Unto mine eyes did recommence delight Soon as I issued forth from the dead air, Which had with sadness filled mine eyes and breast. The beauteous planet, that to love incites, Was making all the orient to laugh, Veiling the Fishes that were in her escort. To the right hand I turned, and fixed my mind Upon the other pole, and saw four stars Ne'er seen before save by the primal people.

(1) Remember, Reader, if e'er in the Alps A mist o'ertook thee, through which thou couldst see Not otherwise than through its membrane mole, How, when the vapours humid and condensed Begin to dissipate themselves, the sphere Of the sun feebly enters in among them, And thy imagination will be swift In coming to perceive how I re-saw The sun at first, that was already setting. Thus, to the faithful footsteps of my Master Mating mine own, I issued from that cloud To rays already dead on the low shores. O thou, Imagination, that dost steal us So from without sometimes, that man perceives not, Although around may sound a thousand trumpets, Who moveth thee, if sense impel thee not? Moves thee a light, which in the heaven takes form, By self, or by a will that downward guides it. Of her impiety, who changed her form Into the bird that most delights in singing, In my imagining appeared the trace; And hereupon my mind was so withdrawn Within itself, that from without there came Nothing that then might be received by it.

(6) So I became before that latest fire, While it was said, "Why dost thou daze thyself To see a thing which here hath no existence? Earth in the earth my body is, and shall be With all the others there, until our number With the eternal proposition tallies. With the two garments in the blessed cloister Are the two lights alone that have ascended: And this shalt thou take back into your world." And at this utterance the flaming circle Grew quiet, with the dulcet intermingling Of sound that by the trinal breath was made, As to escape from danger or fatigue The oars that erst were in the water beaten Are all suspended at a whistle's sound. Ah, how much in my mind was I disturbed, When I turned round to look on Beatrice, That her I could not see, although I was Close at her side and in the Happy World!

(399) under the circumstances, and acquiescing in the event. These two harmonies I ask you to leave; the strain of necessity and the strain of freedom, the strain of the unfortunate and the strain of the fortunate, the strain of courage, and the strain of temperance; these, I say, leave. And these, he replied, are the Dorian and Phrygian harmonies of which I was just now speaking. Then, I said, if these and these only are to be used in our songs and melodies, we shall not want multiplicity of notes or a panharmonic scale? I suppose not. Then we shall not maintain the artificers of lyres with three corners and complex scales, or the makers of any other many-stringed curiously-harmonised instruments? Certainly not. But what do you say to flute-makers and flute-players? Would you admit them into our State when you reflect that in this composite use of harmony the flute is worse than all the stringed instruments put together; even the panharmonic music is only an imitation of the flute? Clearly not. There remain then only the lyre and the harp for use in the city, and the shepherds may have a pipe in the country. That is surely the conclusion to be drawn from the argument. The preferring of Apollo and his instruments to Marsyas and his instruments is not at all strange, I said. Not at all, he replied. And so, by the dog of Egypt, we have been unconsciously purging the State, which not long ago we termed luxurious. And we have done wisely, he replied. Then let us now finish the purgation, I said. Next in order to harmonies, rhythms will naturally follow, and they should be subject to the same rules, for we ought not to seek out complex systems of metre, or metres of every kind, but rather to discover what rhythms are the expressions of

(16) For the Region of the Air must here drive the Work through the Throat, where then all the Veins in the whole Body tend and concur, and bring the Virtue of the noble Tincture towards that, and mingle themselves with the Word; and there also all the three Regions of the Mind come, and mingle themselves with the Distinguishing, [Framing, Articulating, or Separating] of Words; and there is a very wonderful Form, [or Manner of Work.] For every Region [or Dominion] will distinguish [or separate] the Word according to its Essences, for the Sound goes out of the Heart, out of all three Principles.

(47) And we must further a consider, that when the Shriek [or Crack] makes its Dwelling-house, in its strong Breaking-through, out of the Gate of the anxious Darkness, viz. the Tongue, that the Shriek [or Crack] has not then yet seen the Virgin; but when it reflected [or shined] back again into the Heart, into the opened Darkness, and found her so habitable, there then first sprung up its Joy, and Pleasantness, and it became paradisical, and desired not [to go] into the Tongue again, but into the Head, and [desired] there to have its Region out of the Source of the Heart. Therefore the Tongue ought not in all [or altogether] to be believed, for it sits not in the heavenly Region, as the friendly pleasant Virtue [does;] but it has its Region in the Crack and Flash, and the Flash is as near the hellish Region, as the Crack is, for they are both generated in the Sharpness of the Stars, in the Essences, and the Tongue speaks both Lyes and Truth; in which of the two the Spirit arms itself, according to that it speaks: Also it many Times speaks Lies in great Men; when it is armed from the Essences, then it speaks in the Crack, like a Rider in his [haughty, surly, vaunting State,] or high Mindedness. The Life of the Soul. The Gate.

(3) Never to thee presented art or nature Pleasure so great as the fair limbs wherein I was enclosed, which scattered are in earth. And if the highest pleasure thus did fail thee By reason of my death, what mortal thing Should then have drawn thee into its desire? Thou oughtest verily at the first shaft Of things fallacious to have risen up To follow me, who was no longer such. Thou oughtest not to have stooped thy pinions downward To wait for further blows, or little girl, Or other vanity of such brief use. The callow birdlet waits for two or three, But to the eyes of those already fledged, In vain the net is spread or shaft is shot." Even as children silent in their shame Stand listening with their eyes upon the ground, And conscious of their fault, and penitent; So was I standing; and she said: "If thou In hearing sufferest pain, lift up thy beard And thou shalt feel a greater pain in seeing." With less resistance is a robust holm Uprooted, either by a native wind Or else by that from regions of Iarbas,

(5) Whatever melody most sweetly soundeth On earth, and to itself most draws the soul, Would seem a cloud that, rent asunder, thunders, Compared unto the sounding of that lyre Wherewith was crowned the sapphire beautiful, Which gives the clearest heaven its sapphire hue. "I am Angelic Love, that circle round The joy sublime which breathes from out the womb That was the hostelry of our Desire; And I shall circle, Lady of Heaven, while Thou followest thy Son, and mak'st diviner The sphere supreme, because thou enterest there." Thus did the circulated melody Seal itself up; and all the other lights Were making to resound the name of Mary. The regal mantle of the volumes all Of that world, which most fervid is and living With breath of God and with his works and ways, Extended over us its inner border, So very distant, that the semblance of it There where I was not yet appeared to me. Therefore mine eyes did not possess the power Of following the incoronated flame, Which mounted upward near to its own seed.

(41) The prayer is answered by the mere fact that part and other part are wrought to one tone like a musical string which, plucked at one end, vibrates at the other also. Often, too, the sounding of one string awakens what might pass for a perception in another, the result of their being in harmony and tuned to one musical scale; now, if the vibration in a lyre affects another by virtue of the sympathy existing between them, then certainly in the All- even though it is constituted in contraries- there must be one melodic system; for it contains its unisons as well, and its entire content, even to those contraries, is a kinship.

Thus, too, whatever is hurtful to man- the passionate spirit, for example, drawn by the medium of the gall into the principle seated in the liver- comes with no intention of hurt; it is simply as one transferring fire to another might innocently burn him: no doubt, since he actually set the other on fire he is a cause, but only as the attacking fire itself is a cause, that is by the merely accidental fact that the person to whom the fire was being brought blundered in taking it.

(2) And now begin the dolesome notes to grow Audible unto me; now am I come There where much lamentation strikes upon me. I came into a place mute of all light, Which bellows as the sea does in a tempest, If by opposing winds 't is combated. The infernal hurricane that never rests Hurtles the spirits onward in its rapine; Whirling them round, and smiting, it molests them. When they arrive before the precipice, There are the shrieks, the plaints, and the laments, There they blaspheme the puissance divine. I understood that unto such a torment The carnal malefactors were condemned, Who reason subjugate to appetite. And as the wings of starlings bear them on In the cold season in large band and full, So doth that blast the spirits maledict; It hither, thither, downward, upward, drives them; No hope doth comfort them for evermore, Not of repose, but even of lesser pain. And as the cranes go chanting forth their lays, Making in air a long line of themselves, So saw I coming, uttering lamentations,

(1) A will benign, in which reveals itself Ever the love that righteously inspires, As in the iniquitous, cupidity, Silence imposed upon that dulcet lyre, And quieted the consecrated chords, That Heaven's right hand doth tighten and relax. How unto just entreaties shall be deaf Those substances, which, to give me desire Of praying them, with one accord grew silent? 'Tis well that without end he should lament, Who for the love of thing that doth not last Eternally despoils him of that love! As through the pure and tranquil evening air There shoots from time to time a sudden fire, Moving the eyes that steadfast were before, And seems to be a star that changeth place, Except that in the part where it is kindled Nothing is missed, and this endureth little; So from the horn that to the right extends Unto that cross's foot there ran a star Out of the constellation shining there; Nor was the gem dissevered from its ribbon, But down the radiant fillet ran along, So that fire seemed it behind alabaster.

(1) Already was the flame erect and quiet, To speak no more, and now departed from us With the permission of the gentle Poet; When yet another, which behind it came, Caused us to turn our eyes upon its top By a confused sound that issued from it. As the Sicilian bull (that bellowed first With the lament of him, and that was right, Who with his file had modulated it) Bellowed so with the voice of the afflicted, That, notwithstanding it was made of brass, Still it appeared with agony transfixed; Thus, by not having any way or issue At first from out the fire, to its own language Converted were the melancholy words. But afterwards, when they had gathered way Up through the point, giving it that vibration The tongue had given them in their passage out, We heard it said: "O thou, at whom I aim My voice, and who but now wast speaking Lombard, Saying, 'Now go thy way, no more I urge thee,' Because I come perchance a little late, To stay and speak with me let it not irk thee; Thou seest it irks not me, and I am burning.

(24) And now when it seeth and heareth the divine tone, tune and sound rise up, which is externally without it, then is its spirit affected and kindled with joy, and elevateth itself in its princely seat, and singeth and ringeth forth very joyful words concerning God's holiness, and concerning the fruit and vegetation of the eternal life.

(1) Eager already to search in and round The heavenly forest, dense and living-green, Which tempered to the eyes the new-born day, Withouten more delay I left the bank, Taking the level country slowly, slowly Over the soil that everywhere breathes fragrance. A softly-breathing air, that no mutation Had in itself, upon the forehead smote me No heavier blow than of a gentle wind, Whereat the branches, lightly tremulous, Did all of them bow downward toward that side Where its first shadow casts the Holy Mountain; Yet not from their upright direction swayed, So that the little birds upon their tops Should leave the practice of each art of theirs; But with full ravishment the hours of prime, Singing, received they in the midst of leaves, That ever bore a burden to their rhymes, Such as from branch to branch goes gathering on Through the pine forest on the shore of Chiassi, When Eolus unlooses the Sirocco. Already my slow steps had carried me Into the ancient wood so far, that I Could not perceive where I had entered it.