(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(4) Of the four lists were fashioned the two arms, The thighs and legs, the belly and the chest Members became that never yet were seen. Every original aspect there was cancelled; Two and yet none did the perverted image Appear, and such departed with slow pace. Even as a lizard, under the great scourge Of days canicular, exchanging hedge, Lightning appeareth if the road it cross; Thus did appear, coming towards the bellies Of the two others, a small fiery serpent, Livid and black as is a peppercorn. And in that part whereat is first received Our aliment, it one of them transfixed; Then downward fell in front of him extended. The one transfixed looked at it, but said naught; Nay, rather with feet motionless he yawned, Just as if sleep or fever had assailed him. He at the serpent gazed, and it at him; One through the wound, the other through the mouth Smoked violently, and the smoke commingled. Henceforth be silent Lucan, where he mentions Wretched Sabellus and Nassidius, And wait to hear what now shall be shot forth.

(1) Whence also the Egyptians did not entrust the mysteries they possessed to all and sundry, and did not divulge the knowledge of divine things to the profane; but only to those destined to ascend the throne, and those of the priests that were judged the worthiest, from their nurture, culture, and birth. Similar, then, to the Hebrew enigmas in respect to concealment, are those of the Egyptians also. Of the Egyptians, some show the sun on a ship, others on a crocodile. And they signify hereby, that the sun, making a passage through the delicious and moist air, generates time; which is symbolized by the crocodile in some other sacerdotal account. Further, at Diospolis in Egypt, on the temple called Pylon, there was figured a boy as the symbol of production, and an old man as that of decay. A hawk, on the other hand, was the symbol of God, as a fish of hate; and, according to a different symbolism, the crocodile; of impudence. The whole symbol, then, when put together, appears to teach this: "Oh ye who are born and die, God hates impudence."

(18) Here, as in each case of mythological name, the animal is not meant, but something which is connoted by it. The name of the ass is given to it in consequence of one of its characteristics. It is . But this is one of the seventy-five names of the Sun-god in the Solar Litany. [58] And he derives this appellation from his fructifying power

(17) The Eater of the Ass is a Serpent, but who is the Ass?

(28) If thy Maker in thee does not make the Image of God, but the Image of the Serpent, how wilt thou then bring thy Beast into the Kingdom of Heaven? Dost thou suppose that God has Adders and Serpents in the broken Gate of the Regeneration in the pleasant Habitation? Or dost thou suppose that he looks after thy Hypocrisy, that thou buildest great Houses of Stone for him, and therein dost exercise thy Hypocrisy and Pomp? What cares he for thy Songs and roaring Noise, if thy Heart be a Murderer and Devourer? He will have a new-born Man, who yields himself up to him in Righteousness, and in the Fear of God; him, the Treader upon the Serpent takes into his Arms, and makes him an heavenly Image; such a one is a Child of Heaven, and not thy Fox.

(9) Over all the archons he appointed an Archon with no one commanding him. He is the lord of all of them, that is, the countenance which the Logos brought forth in his thought as a representation of the Father of the Totalities. Therefore, he is adorned with every which a representation of him, since he is characterized by every property and glorious quality. For he too is called "father" and god" and "demiurge" and "king" and "judge" and "place" and "dwelling" and "law."

(1) Thou art a lion, thou art a sphinx, thou art Horus who avengeth his father; thou art these four gods, those glorious ones who are shouting for joy, who are making incantations, and who bring out water by the power of the tramp of their feet. Thou risest on the right, thou risest on the left. Seb has opened thy blind eyes, he has loosened thy legs which were fettered. Thou hast received thy heart of thy mother, thy whole heart of thy own body; thy soul is in the sky, thy body is under the ground. There is bread for thy body, water for thy throat, sweet breeze for thy nostrils

(10) Said on a serpent having two legs, and bearing a two-horned disk. Two eyes are before him, having two legs and two wings

(68) For so long as the Image stands in the Anger, it is the Image of the Serpent; but if it goes forth [from the Lust of Sin, or Desire of Evil] into the breaking [or destroying thereof,] then a heavenly Image is figured by the Treader upon the Serpent, and uthe Serpent's Head is broken; the two Kingdoms fight [or wrestle] one with another, and that which overcomes, figures the Image.

(17) Differently, the stones might be the various phases of salvation; some occupying the upper, some the lower parts of the entire body saved. The three hundred and sixty bells, suspended from the robe, is the space of a year, "the acceptable year of the Lord," proclaiming and resounding the stupendous manifestation of the Saviour. Further, the broad gold mitre indicates the regal power of the Lord, "since the Head of the Church" is the Savour. The mitre that is on it [i.e., the head] is, then, a sign of most princely rule; and otherwise we have heard it said, "The Head of Christ is the God and Father of our Lord Jesus Christ." Moreover, there was the breastplate, comprising the ephod, which is the symbol of work, and the oracle logion; and this indicated the Word logos by which it was framed, and is the symbol of heaven, made by the Word, and subjected to Christ, the Head of all things, inasmuch as it moves in the same way, and in a like manner. The luminous emerald stones, therefore, in the ephod, signify the sun and moon, the helpers of nature. The shoulder, I take it, is the commencement of the hand.

(64) The Lion with dazzling mouth and with head bent forwards is the Phallus of Osiris [ otherwise of Râ

(3) After these things, therefore, we shall define the reasons of the self-apparent statues [or images]. Hence, in the forms of the Gods which are seen by the eyes, the most clear spectacles of truth itself are perceived, which are also accurately splendid, and shine forth with an evolved light. The images of archangels present themselves to the view true and perfect; but those of angels preserve, indeed, the same form, but fail in plenitude of indication. The images of dæmons are obscure; and those of heroes are seen to be still inferior to these. With respect, also, to archons, the images of such as are mundane, are clear; but of such as are material, obscure. Both, however, are seen to be of an authoritative nature. And the images of souls appear to be of a shadowy form.

(7) Their numberless faces then, and many feet, manifest, as I think, their property of viewing the most Divine illuminations from many sides, and their conception of the good things of God as ever active and abundantly receptive; and the sixfold arrangement of the wings, of which the Scripture speaks, does not, I think, denote, as seems to some, a sacred number, but that of the highest Essence and Order around God; the first and middle and last of its contemplative and Godlike powers are altogether elevating, free, and supermundane. Hence the most holy wisdom of the Oracles, when reverently describing the formation of the wings, places the wings around their heads, and middle, and feet; suggesting their complete covering with wings, and their manifold faculty of leading to the Really Being.

(3) the form of a great serpent; another again changed itself also into the form of a seven-headed basilisk; another again changed itself into the form of a dragon. And moreover the first power of Self-willed, the lion-faced, and all his other very numerous emanations, they came together and oppressed Pistis Sophia and led her again into the lower regions of the chaos and alarmed her again exceedingly.

(5) Be silent Ovid, of Cadmus and Arethusa; For if him to a snake, her to fountain, Converts he fabling, that I grudge him not; Because two natures never front to front Has he transmuted, so that both the forms To interchange their matter ready were. Together they responded in such wise, That to a fork the serpent cleft his tail, And eke the wounded drew his feet together. The legs together with the thighs themselves Adhered so, that in little time the juncture No sign whatever made that was apparent. He with the cloven tail assumed the figure The other one was losing, and his skin Became elastic, and the other's hard. I saw the arms draw inward at the armpits, And both feet of the reptile, that were short, Lengthen as much as those contracted were. Thereafter the hind feet, together twisted, Became the member that a man conceals, And of his own the wretch had two created. While both of them the exhalation veils With a new colour, and engenders hair On one of them and depilates the other,

Then when Sophia Zoe saw that the rulers of darkness cursed her companions, she was angry. And when she came out of the first heaven with every power, she chased the rulers from their heavens, and she cast them down to the sinful world, that they might dwell there as evil demons upon the earth. She sent the bird that was in paradise so that, until the consummation of the age, it might spend the thousand years in the rulers’ world: a vital living being with soul, called the phoenix, which kills itself and reanimates itself for a witness to their judgment, because they dealt unjustly with Adam and his race. There are three human beings and their descendants in the world until the consummation of the age: the spiritual and the psychical and the earthly. This is like the three kinds of phoenixes of paradise: the first is immortal; the second attains one thousand years; as for the third, it is written in the Holy Book that it is consumed. Likewise three baptisms exist: the first is spiritual, the second is by fire, the third is by water. Just as the phoenix appears as a witness for the angels, so too the water serpents in Egypt have become a witness to those who go down for the baptism of a true person. The two bulls in Egypt, insofar as they indicate the sun and the moon as a mystery, exist for a witness to Sabaoth, that Sophia of the world has been exalted above the sun and the moon, from the day when she created them and sealed her heaven until the consummation of the age. And the worm that is brought forth from the phoenix is also a human being. It is written of it, “The just will sprout like the phoenix.” The phoenix first appears alive, and dies, and rises again, as a sign of what appears at the consummation of the age. These great signs appeared only in Egypt, not in other lands, signifying that it is like the paradise of god.