(4) The Book of Successful Contemplation (Ying Kuan Ching) says: The sun sinks in the Great Water and magic pictures of trees in rows arise. The setting of the sun means that in Chaos (in the world before phenomena, that is, the intelligible world), a foundation is laid: that is the condition free of opposites {wu chi). Highest good is like water, pure and spotless. It is the ruler of the Great Polarity, the god who is revealed in the sign for that which greatly disturbs, Chin (19). Chen is also symbolized by wood, wherefore the image of trees in rows appears. A sevenfold row of trees means the light of the seven body-openings (or heart-openings). In the norlii-west is the direction of the creative. When it moves on one place farther, the abysmal is there. The sim which sinks into the Great Water is the image for the creative and abysmal. The abysmal is the direction of midnight (mouse, Tzu% north). At the winter solstice the thunder (Chin) is in the middle of the Earth quite hidden and covered up. Only when the sign Chin is reached, does the Light-pole come over the earth again. That is the picture representing the row of trees. The rest can be correspondingly inferred.

(30) Summary The student must not fall into the error of supposing that man really has seven separate and distinct souls, either tied together like a bundle of twigs, or else worn as one would wear seven overcoats, one over the other. The symbol is only figurative, and must not be construed literally. There are not seven selves in man—but only One Self concealed by seven veils, each of which while serving to conceal the real nature of the Self yet serves to disclose the presence and power thereof to some degree. It is as if seven planes of variously colored glass, ranging from the darkest to the almost-transparent and colorless, were to be placed before a brilliant light. The darker glass would almost entirely obscure the Light, though yet revealing its presence in some of its rays; the next lighter would reveal more, and obscure less; and so on to the last in which the obscuration was but slight, and the revelation almost perfect. All illustrations of this ineffable fact of the Eternal are, by the very nature of things, imperfect, faulty, and misleading if taken too literally.

(3) The Symbol is interpreted as follows: (1) The Infinite Unmanifest manifests itself in the Elemental Soul; (2) the Elemental Soul takes upon itself the outward form of Mineral Substance; (3) The Mineral Soul evolves from itself the Plant Soul; (4) the Plant Soul evolves from itself the Animal Soul; (5) the Animal Soul evolves from itself the Human Soul; (6) the Human Soul unfolds into the Soul of the Demi-Gods; (7) the Soul of the Demi-Gods unfolds into the Soul of the Gods; and finally, the Soul of the Gods once more is resolved into Pure Spirit, which is represented by the blank space at the centre of the symbol. This statement will be more clearly apprehended by those who have carefully studied the preceding chapters conveying instruction concerning the Seven Planes of Consciousness, and much of the information contained in those chapters is to be taken into consideration in the study of the present chapter.

(21) And thereupon it comes, that Man many Times in the Dwelling of the Brains, and of the Heart, as also in all the five Senses, in the Region [or Dominion] of the Stars, is in his Or according to the Complexions. Mind P often like a Wolf, a churlish Dog, crafty, fierce, and greedy; and P often like a Lion, stern, cruel, sturdy and active in devouring of his Prey; P often like a Dog, snappish, envious, malicious; often like an Adder and Serpent, subtle, venomous, stinging, poisonous, slanderous in his Words, and mischievous in his Deeds, ill-conditioned and lying, like the Quality of the Devil in the Shape of a Serpent at the Tree of Temptation; P often like a Hare, timorous, or fearful, starting and running away; P often like a Toad, whose Mind is so very venomous, that it poisons a tender [or weak] Mind to the temporal Death by its Imagination, which many Times makes Witches and Sorcerers, for the first Ground serves enough to it; P often like a tame Beast; and P often like a merry Beast, &c. all according as the Constellation stood, in its Incarnation in the wrestling Wheel, with its Virtue of the Quinta Essentia, so is the Starry Mind on rit region figured; although the Hour of Man's Birth alters much, and does hold in the first, whereof I will write hereafter in its Place, concerning Man's Birth [or Nativity.]

(10) Man's Image born of a Woman, here in this Life, is in a threefold Form, and stands in three Principles [or Beginnings;] viz. the Soul, that has its Original out of the first Principle, out of the strong and sour Might of the Eternity; and it swims [or moves] between two Principles, begirt with the third [Principle;] it reaches with its original Root into the Depth of the Eternity, in the Source [or Quality] where God the Father from Eternity enters (through the Gates of the Breaking through, and Opening) in himself, into the Light of Joy; and it is in the Band, where God calls himself a jealous, angry and austere God, and is a Sparkle out of the Omnipotence, appearing in the great Wonders of the Wisdom of God, through the dear Virgin of Chastity; and with the Form of the first Principle [it stands] in the Gate of the Sourness of Eternity [mingled, united, or] qualified with the Region of the Sun and Stars, and begirt with the four Elements; and the holy Element (viz. the Root of the four Elements) that is the Body of the Soul, in the second Principle, in the Gate [before or] towards God; and according to the Spirit of this World, the Region of the Stars is the Body of the Soul; and the Production of the four Elements is the Source-house, [or House of Operation,] or the Spirit of this World, which kindles the Region, so that it [springs forth or] operates. 1 1. And thus the Soul lives in such a threefold Source [or working Quality,] being bound with three Cords, and is drawn of all three. The first Cord is the Band of Eternity, generated in the Rising up of the Anxiety, and reaches the Abyss of Hell. The second Cord is the Kingdom of Heaven, generated through the Gates of the Deep in the Father, and regenerated out of the Birth of Sins, through the Humanity of Christ, and there the Soul also (in the Incarnation of Jesus Christ the Son of God) is tied up, and is drawn by the dear Virgin, in the Word of God. The third Cord is the Kingdom of the Stars, qualifying [or mingling] with the Soul, and it is hard drawn and held by the four Elements, and carried and led by them.

(68) Into this great Misery Man is fallen; and he is fallen quite shome to the Kingdom of the Stars and Elements, as to his Body; what these do with him, that he is, and that stands in the Substance; they make one great, another small; one straight, another stooping and crooked; they send one Fortune and Riches, and another Poverty; of one they make a crafty subtle Man according to the Council and Kingdom of this World, and of another they make an Idiot; they make one a King, and they break and pull down another; one they kill, another they bring into the World; and they continually drive the Mind of Man, yet into nothing else but into vain Troubles, Discontent, and Vexation.

(13) As to the beginning of the poem, the two first lines refer entirely to the activity of the Golden Flower. The two next lines are concerned with the mutual interpenetration of sun and moon. The sixth month is the adhering (Li) fire. The white snow that lies, is the true darkness of polarity in the middle of the fire sign, that is about to turn into the receptive. The third watch is the abysmal (K'ari) water. The sun's disk is the one polar line in the sign for water, which is about to turn into the creative. In this is contained the way to take the sign for the abysmal and the way to reverse the sign for the adhering (ire Li). The following two lines have to do with the activity of the pole of the Great Wain, the rise and fall of the whole release of polarity. Water is the sign of the abysmal; the eye is the wind of softness (Sun). The light of the eyes illumines the house of the abysmal, and controls there the seed of the great Light. " In Heaven " means the house of the creative (ChHen).

(2) His tail was wholly quivering in the void, Contorting upwards the envenomed fork, That in the guise of scorpion armed its point. The Guide said: "Now perforce must turn aside Our way a little, even to that beast Malevolent, that yonder coucheth him." We therefore on the right side descended, And made ten steps upon the outer verge, Completely to avoid the sand and flame; And after we are come to him, I see A little farther off upon the sand A people sitting near the hollow place. Then said to me the Master: "So that full Experience of this round thou bear away, Now go and see what their condition is. There let thy conversation be concise; Till thou returnest I will speak with him, That he concede to us his stalwart shoulders." Thus farther still upon the outermost Head of that seventh circle all alone I went, where sat the melancholy folk. Out of their eyes was gushing forth their woe; This way, that way, they helped them with their hands Now from the flames and now from the hot soil.

(5) There was once a king who had a son as charming as Joseph, full of grace and beauty. He was loved by ever)'one, and all who saw him would gladly have been the dust under his feet. If he went out at night, it was as if a new sun had risen over the desert. His eyes were the black narcissus, and when they glanced they set a world on fire. His smile scattered sugar, and wherever he walked a thousand roses bloomed, not waiting for the spring.

Now there was a simple dervish who had lost his heart to this young prince. Day and night he sat near the prince's palace, neither eating nor sleeping. His face became like yellow gold, and his ecs shed tears of silver, for his heart was cut in two. He would have died, but that from time to time he caught a glimpse of the young prince when he appeared in the bazaar. But how could such a prince comfort a poor dervish in this state? Yet the simple man, who was a shadow, a particle of an atom, wished to take the radiant sun on his breast.

One day when the prince was riding at the head of his attendants the dervish stood up and gave a cry and said: ' My reason has left me, my heart is consumed, I no longer have patience or strength to suffer,' and he beat his head on the ground in front of the prince. One of the courtiers wanted to have him killed, and went to the king. 'Sire,' he said, 'a libertine has fallen in love with your son.' The

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king was very angr)': 'Have this audacious scoundrel impaled/ he said. 'Bind him hand and foot and put his head on a stake.' The courtier went at once to do his bidding. They put a running noose on the neck of the beggar and dragged him to the stake. No one knew what it was about and no one interceded for him. When the wazir had had him brought under the gibbet, the dervish gave a cry of grief and said: 'For the love of God, give me a respite, so that at least I can say a prayer under the gibbet.' This was allowed, and the dervish prostrated himself and prayed: ' O God, since the king has given orders for my death - I, who am innocent - grant me, your ignorant servant, before I die, the good fortune to see only once the face of this young man, so that I may offer myself as a sacrifice. O God, my King, you who give ear to a thousand prayers, grant this last wish of mine.'

No sooner had the dervish uttered this prayer than the arrow of his desire reached its mark. The wazir divined his secret and took pity on him. He went to the king and explained the true state of things. At this the king became thoughtful; then compassion filled his heart and he pardoned the dervish, and said to the prince: 'Go and fetch this poor man from under the gibbet. Be gentle with him and drink with him, for he has tasted of your poison. Take him to your garden and then bring him to me.'

The young prince, another Joseph, went at once - the sun with a face of fire came face to face with an atom. This ocean of beautiful pearls went to seek a drop of water. Beat your head for joy, set your feet dancing, clap your hands! But the dervish was in despair; his tears turned the dust to mud and the world became heavy with his sighs. Even the prince himself could not help but weep. When the dervdsh saw his tears he said: 'O Prince, now you may take my life.' And so saying, he gave up the ghost and died. When he knew that he was united to his beloved no other desires were left.

O you, who at once exist and are yet a non-entity, whose happiness is mingled with unhappiness, if you have never experienced unrest, how will you appreciate tranquillity? You stretch out your hand towards the lightning and are stopped by swept-up heaps of snow. Strive valiantly, burn reason, and give yourself up to folly. If you wish to use this alchemy reflect a little and, by my example, renounce yourself; withdraw from your wandering thoughts into your soul so that you may come to spiritual poverty. As for me, who am neither I nor not-I, I have strayed from myself, and I find no other remedy than despair.

(11) Even though the deeds [of one paying such reverence] may not have been very elegant while in the human world, at his death there will come at least one kind of sign, such a rainbow-radiance, bone- images, and bone-reliques. This is because the esoteric [or mystic] doctrines possess great gift-waves.

(15) For He who prohibited the making of a graven image, would never Himself have made an image in the likeness of holy things. Nor is there at all any composite thing, and creature endowed with sensation, of the sort in heaven. But the face is a symbol of the rational soul, and the wings are the lofty ministers and energies of powers fight and left; and the voice is delightsome glory in ceaseless contemplation. Let it suffice that the mystic interpretation has advanced so far.

(10) Said also on a figure the middle part of which is that of a man; his arms are hanging down. The head of a ram is on his right shoulder, and another on his left shoulder. Thou wilt paint on one bandage the two figures of the god with raised arm, and put it across the chest of the deceased, so that the two painted figures may be on his breast

(5) It falls into the forest, and no part Is chosen for it; but where Fortune hurls it, There like a grain of spelt it germinates. It springs a sapling, and a forest tree; The Harpies, feeding then upon its leaves, Do pain create, and for the pain an outlet. Like others for our spoils shall we return; But not that any one may them revest, For 'tis not just to have what one casts off. Here we shall drag them, and along the dismal Forest our bodies shall suspended be, Each to the thorn of his molested shade." We were attentive still unto the trunk, Thinking that more it yet might wish to tell us, When by a tumult we were overtaken, In the same way as he is who perceives The boar and chase approaching to his stand, Who hears the crashing of the beasts and branches; And two behold! upon our left-hand side, Naked and scratched, fleeing so furiously, That of the forest, every fan they broke. He who was in advance: "Now help, Death, help!" And the other one, who seemed to lag too much, Was shouting: "Lano, were not so alert

(617) hold of either in turn, first with one hand and then with the other. When Er and the spirits arrived, their duty was to go at once to Lachesis; but first of all there came a prophet who arranged them in order; then he took from the knees of Lachesis lots and samples of lives, and having mounted a high pulpit, spoke as follows: ‘Hear the word of Lachesis, the daughter of Necessity. Mortal souls, behold a new cycle of life and mortality. Your genius will not be allotted to you, but you will choose your genius; and let him who draws the first lot have the first choice, and the life which he chooses shall be his destiny. Virtue is free, and as a man honours or dishonours her he will have more or less of her; the responsibility is with the chooser—God is justified.’ When the Interpreter had thus spoken he scattered lots indifferently among them all, and each of them took up the lot which fell near him, all but Er himself (he was not allowed), and each as he took his lot perceived the number which he had obtained. Then the Interpreter placed on the ground before them the samples of lives; and there were many more lives than the souls present, and they were of all sorts. There were lives of every animal and of man in every condition. And there were tyrannies among them, some lasting out the tyrant’s life, others which broke off in the middle and came to an end in poverty and exile and beggary; and there were lives of famous men, some who were famous for their form and beauty as well as for their strength and success in games,

(146) Stoop not down, for a precipice lieth beneath the Earth, reached by a descending Ladder which hath Seven Steps, and therein is established the Throne of an evil and fatal force.

These reflections on the nothingness of outward form compared to spirit lead the poet to the corollary that often men whose outward forms are buried in the grave are greater benefactors to the poor and helpless than men still living in the body. This is illustrated by the story of the man who was maintained by the Prefect of Tabriz. This man incurred heavy debts on the credit of his pension, even as the Imam Ja'far Sadiq was able to capture a strong fort single-handed through the power of God assisting him. When the creditors became pressing the man journeyed to Tabriz to seek further aid; but on arriving there he found the Prefect was dead. On learning this he was much cast down, but eventually recognized that he had erred in looking to a creature instead of his Creator for aid, according to the text, "The infidels equalize others with their Lord." This obliquity of spiritual sight, causing him to see a mere human benefactor, where the real benefactor was God alone, is illustrated by anecdotes of a man buying bread at Kashan, of Sultan Khwarazm Shah deluded into disliking a fine horse by the interested advice of his Vazir, and of Joseph, who when imprisoned by Pharaoh was induced to trust for deliverance to the intercession of the chief butler rather than to God alone, for which cause "he remained several years in prison." A charitable person of Tabriz endeavoured to raise funds for the poor man, and appealed to the citizens to aid him, but only succeeded in collecting a very small sum. He then visited the Prefect's tomb, and implored assistance from him; and the same night the Prefect appeared to him in a dream, and gave him directions where to find a great treasure, and directed him to make over this treasure to the poor man. Thus the dead Prefect proved a more liberal benefactor than the citizens of Tabriz who were still living.

(4) The branches either stand as the symbol of the first food, or they are that the multitude may know that fruits spring and grow universally, remaining a very long time; but that the duration of life allotted to themselves is brief. And it is on this account that they will have it that the branches are given; and perhaps also that they may know, that as these, on the other hand, are burned, so also they themselves speedily leave this life, and will become fuel for fire.

(72) For the Serpent stings many in the outward; but if it gets the inward Man, then the Image of God is gone. The Evil [or Malice] of the Stars drives many [strongly] to murder, steal, lie, and deceive, till they come to the Gallows, and Sword [or Block], and yet have not wholly [captivated] the inward; he is yet in the Gate, and is able (through repentance) to go into another Image, which is not like the outward. Man cannot judge the inward Man so wholly according to the outward, except they see that he despises God, and blasphemes the Holy Ghost; in such a one there is no divine Image. And it is hard [with him]; yet his Judgment is not [in the time of] this Body; the Gate of the merciful- ness stands open towards him, while he is in this Tabernacle.