(67) Now what is it that makes the Hearing, that you can hear that which stirs and makes a Noise? Wilt thou say that it is caused by the Noise of that outward Thing which gives the Sound? No! there must also be somewhat that must receive the Sound, and qualify or mix with the Sound, and distinguish the Sound of what is played or sung; the outward cannot do that alone, the inward must receive and distinguish the Noise. Behold, here you find the Beginning of the Life, and the Tincture wherein the Life consists; for the Tincture of the Crack in the Springing up of the Life, in the Breaking-open of the dark Gate, stands in the Sounding, and has its Gate open (next the Fire-flash near the Eyes) and receives the Noise of whatsoever sounds.

(48) Thus the second counsellor in the head is the ears, they stand open, and in all that soundeth the sound goes forth through them.

(17) When a tone or noise soundeth in thy ears, so that thou receivest or catchest it up from the being of God, then thou infectest it, as if thou didst dart thunderclaps into it.

(3) Happy is he who speaks in! the ears of the hearing. Now faith is the ear of the soul. And such the Lord intimates faith to be, when He says, "He that hath ears to hear, let him hear;" so that by believing he may comprehend what He says, as He says it. Homer, too, the oldest of the poets, using the word "hear" instead of" perceive" - the specific for the generic term - writes: "Him most they heard."

(94) What of the coward then? His bravery is gone! Strive, then, from mere hearing to press on to seeing; Then ear too will acquire the properties of an eye; Your ears, now worthless as wool, will become gems; Yea, your whole body will become a mirror, It will be as an eye or a bright gem in your bosom. First the hearing of the ear enables you to form ideas, Strive, then, to increase the number of these ideas, That they may guide you, like Majnun, to the Beloved. To return; that prince played the fool,

(10) The ear (hearing) departed, and having been absent for a year, it came round and said: 'How have you been able to live without me?' They replied: 'Like deaf people, not hearing, but breathing with the breath, speaking with the tongue, thinking with the mind. Thus we lived.' Then the ear went back.

(5) But some doubt arises when we consider the phenomena of hearing.

Perhaps we are to understand the process thus: the air is modified by the first movement; layer by layer it is successively acted upon by the object causing the sound: it finally impinges in that modified form upon the sense, the entire progression being governed by the fact that all the air from starting point to hearing point is similarly affected.

Perhaps, on the other hand, the intervenient is modified only by the accident of its midway position, so that, failing any intervenient, whatsoever sound two bodies in clash might make would impinge without medium upon our sense?

Still air is necessary; there could be no sound in the absence of the air set vibrating in the first movement, however different be the case with the intervenient from that onwards to the perception point.

The air would thus appear to be the dominant in the production of sound: two bodies would clash without even an incipient sound, but that the air, struck in their rapid meeting and hurled outward, passes on the movement successively till it reaches the ears and the sense of hearing.

But if the determinant is the air, and the impression is simply of air-movements, what accounts for the differences among voices and other sounds? The sound of bronze against bronze is different from that of bronze against some other substance: and so on; the air and its vibration remain the one thing, yet the difference in sounds is much more than a matter of greater or less intensity.

If we decide that sound is caused by a percussion upon the air, then obviously nothing turning upon the distinctive nature of air is in question: it sounds at a moment in which it is simply a solid body, until it is sent pulsing outwards: thus air in itself is not essential to the production of sound; all is done by clashing solids as they meet and that percussion, reaching the sense, is the sound. This is shown also by the sounds formed within living beings not in air but by the friction of parts; for example, the grinding of teeth and the crunching of bones against each other in the bending of the body, cases in which the air does not intervene.

But all this may now be left over; we are brought to the same conclusion as in the case of sight; the phenomena of hearing arise similarly in a certain co-sensitiveness inherent in a living whole.

(74) And keep aloof from it even as women do." A person put this question to a philosopher, "O sage, what is true and what is false?" The sage touched his ear and said, "This is false, But the eye is true and its report is certain." The ear is false in relation to the eye, If a bat turn away its eyes from the sun, Still it is not veiled from some idea of the sun; Its very dread of the sun frames an idea of the sun, That idea of light terrifies it,

(16) We ought not to surrender our ears to all who speak and write rashly. For cups also, which are taken hold of by many by the ears, are dirtied, and lose the ears; and besides, when they fall they are broken. In the same way also, those, who have polluted the pure hearing of faith by many trifles, at last becoming deaf to the truth, become useless and fall to the earth. It is not, then, without reason that we commanded boys to kiss their relations, holding them by the ears; indicating this, that the feeling of love is engendered by hearing. And "God," who is known to those who love, "is love," as "God," who by instruction is communicated to the faithful, "is faithful; " and we must be allied to Him by divine love: so that by like we may see like, hearing the word of truth guilelessly and purely, as children who obey us. And this was what he, whoever he was, indicated who wrote on the entrance to the temple at Epidaurus the inscription: "Pure he must be who goes within The incense-perfumed fane."

(8) Namely, when we thus perceive by touch the warmth here in the body . And of it we have this audible proof: Namely, when we thus, after stopping our ears, listen to what is like the rolling of a carriage, or the bellowing of an ox, or the sound of a burning fire (within the ears). Let a man meditate on this as the (Brahman) which is seen and heard. He, who knows this, becomes conspicuous and celebrated, yea, he becomes celebrated.

(5) As for the two ears it is Mâzendarân which they will encompass.

(70) Thus now the Habitation of Man's Sound, wherein the Understanding is, must be from Eternity, although indeed in the Fall of Adam, Man has set himself in the Corruptibility, and in great Want of Understanding, as shall follow here. In like Manner also we find concerning the Smelling; for if the Spirit did not stand in the Sound, then no Smell of any Thing would press [or pierce] into the Essences; for the Spirit would be whole and swelled. But it standing thus in the Gate of the broken Darkness in the Crack and in the Sound, therefore all Virtues of all Things press in into that Gate, and try themselves by one another, and what the Essences of the Spirit love, that it desires, and draws the same into the Tincture; and then Hands and Mouth fall to it, and stuff it into the Stomach, into the outward Court of the four Elements, from whence the earthly Essences of the Stars and Elements feed. 7 1. And the Taste also is a Trying, and Attracting of the Tincture in the Essences of the Spirit. And so the Feeling also, if the Spirit of Man with its Essences did not stand in the Sound, there would be no Feeling; for when the sour Essences draw to them, then they awaken the bitter Prickle [or Sting] in the Fire-flash, which stirs itself, either by Griping, Thrusting, or Striking, and thereupon in all driving the bitter Prickle in the Fire-flash is awakened; and therein stands the Moving; [and] all in the Tincture.

(15) Presiding over the ear and the eye, the organs of touch, taste, and smell, and also over the mind, he experiences sense-objects.

(14) First the King gives it to the Eyes, to see whether it be Good or Evil; and the Eyes give it to the Ears, to hear from whence it comes, whether out of a true, or out of a false Region, and whether it be a Lie or Truth; and the Ears give it to the Nose, (the Smell,) that must smell, whether that which is brought in (and stands before the King) comes out of a good or uevil Essence; and the Nose gives it to the Taste, which must try whether it be pure or impure, and therefore the Taste has the Tongue, that it may spit it out again if it be impure; but if it be a Thought to [be expressed in] a Word, then the Lips are the Door-keepers, which must keep it shut, and not let the Tongue forth, but must bring it into the Region of the Air, into the Nostrils, and not into the Heart, and stifle it, and then it is dead.

(4) 'Now where the sight has entered into the void (the open space, the black pupil of the eye), there is the person of the eye, the eye itself is the instrument of seeing. He who knows, let me smell this, he is the Self, the nose is the instrument of smelling. He who knows, let me say this, he is the Self, the tongue is the instrument of saying. He who knows, let me hear this, he is the Self, the ear is the instrument of hearing.

(5) Then they meditated on the udgîtha (Om) as the ear, but the Asuras pierced it with evil. Therefore we hear both what should be heard and what should not be heard. For the car is pierced by evil.

(45) The second counsellor is the ears, which have their rise also from all the powers in the whole body through the spirit; their fountain is Mercurius or the sound, which ariseth from all the powers.

(4) He who knows success, his wishes succeed, both his divine and human wishes. The ear indeed is success.

(21) That He may bind him on the horns of a dilemma; For he says, 'Shall I do this or its reverse?' Also from God comes the preference of one alternative; 'Tis from God's impulsion that man chooses one of the two. If you desire sanity in this embarrassment, Take the cotton of evil suggestions from the mind's ear, That the heavenly voice from above may enter it, That you may understand that riddle of His, Then the mind's ear becomes the sensorium of inspiration; For what is this Divine voice but the inward voice?

(67) Timaeus: and the causes whereby its affections are produced. In general, then, let us lay it down that sound is a stroke transmitted through the ears, by the action of the air upon the brain and the blood, and reaching to the soul; and that the motion caused thereby, which begins in the head and ends about the seat of the liver, is “hearing”; and that every rapid motion produces a “shrill” sound, and every slower motion a more “deep” sound; and that uniform motion produces an “even” and smooth sound and the opposite kind of motion a “harsh” sound;