(3) * Yajnavalkya/ said he, £ since everything here is over- taken by the waxing and waning moon, by what means does a sacrificer obtain release from the waxing and waning moon? ' ' By the Udgatri-priest, by the wind, by breath. Verily breath is the Udgatri of the sacrifice. That which is this breath is wind, is the Udgatri. This is release, this is com- plete release.

(1) As also Brahmadatta Caikitaneya, while partaking of King [Soma], said: 'Let this king cause this man's head to fall off, if Ayasya Angirasa sang the Udgitha with any other means than that, for/ said he, 'only with speech and with breath did he sing the Udgitha/

(1) He bethought himself: 'Verily, if I shall intend against him, I shall make the less food for myself.' With that speech, with that self he brought forth this whole world, whatsoever exists here: the Hymns (re) [i.e. the Rig- Veda], the Formulas (yajus) [i.e. the Yajur-Veda], the Chants (sdman) [i.e. the Sama-Veda], meters, sacrifices, men, cattle. Whatever he brought forth, that he began to eat. Verily, he eats ( Vad) everything: that is the adtti-oaiure of Aditi (the Infinite). He who knows thus the tf&fz-nature of Aditi, becomes an eater of everything here; everything becomes food for him.

(1) He who knows the property of that Saman has that property. Its property, truly, is tone. Therefore let him who is about to perform the duties of an Ritvij priest desire a good itself. tone in his voice. Being possessed of such a voice, let him perform the duties of the Ritvij priest. Therefore people desire to see at the sacrifice one who has a good tone, as being one who has a possession. He has a possession who knows thus the property of the Saman.

(1) Now next, the praying of the puiificatory formulas (pavamana). — The Prastotri priest (Praiser), verily, begins to praise with the Chant (sdman). When he begins to praise, then let [the sacrlficer] mutter the following: — ' From the unreal (asaf) lead me to the real (sat) I From darkness lead me to light! From death lead me to immortality ' ' When he says ' From the unreal lead me to the real/ the unreal, verily, is death, the real is immortality. * From death lead me to immortality. Make me immortal ' — that is what he says. death, the light is immortality. ' From death lead me to im- mortality. Make me immortal ' — that is what he says. ' From death lead me to immortality '—there is nothing there that seems obscure. Now whatever other verses there are of a hymn of praise (stotra), in them one may win food for himself by singing. And, therefore, in them he should choose a boon, whatever desire he may desire. That Udgatri priest who knows this — whatever desire he desires, either for himself or for the sacri- ficer, that he obtains by singing. This, indeed, is world-con- quering. There is no prospect of his being without a world who knows thus this Saman.

(3) 'Yajnavalkya/ said he, c how many hymns of praise will the Udgatri chant today in this sacrifice? ' 'Three.' ' The introductory hymn, the accompanying hymn, and the benediction hymn as the third.' < Which are those three with reference to the self? ' 'The introductory hymn is the in-breath (prana). The accompanying hymn is the out-breath (apand). The bene- diction hymn is the diffused breath (yyana).' ' What does one win by these? ' ' One wins the earth-world by the introductory hymn, the atmosphere-world by the accompanying hymn, the sky-world by the benediction hymn.' Thereupon the Hotri-priest Asvala held his peace,

(6) Verily, he who knows attainment — for him, indeed, is attained what wish he wishes. The Ear, verily, is attainment, for in the ear all these Vedas are attained. The wish that he wishes is attained for him who knows this.

(1) Then they [i.e. the gods] said to this Breath in the mouth: ' Sing for us the Udgltha/ They [i.e. the devils] knew: c Verily, by this singer they will overcome us/ They rushed upon him and desired to pierce him with evil. As a clod of earth would be scattered by striking on a stone, even so they were scattered in all directions and perished. Therefore the gods increased, the demons became inferior. He increases with himself, a hateful enemy becomes inferior for him who knows this.

(5) On this point, verily, Janaka, [king] of Videha, spoke as follows to Budila Asvatarasvi: f^io! Now if you spoke of yourself thus as a knower of the Gayatri, how then have you come to be an elephant and are carrying? ' ' Because, great king, I did not know its mouth/ said he. Its mouth is fire. Verily, indeed, even if they lay very much 1 RV. 3. 62. 1: On this, of Savitri the god, The choicest glory let us think. Our thoughts may he himself inspire! on a fire, it burns it all. Even so one who knows this, al- though he commits very much evil, consumes it all and becomes clean and puie, ageless and immortal

(3) Then Uddalaka Arum questioned him. 'Yajfiavalkya,' said he, ' we were dwelling among the Madras in the house of Patancala Kapya, studying the sacrifice. He had a wife possessed by a spirit (gandharvd). We asked him: " Who arc you? " He said: " I am Kabandha Atharvana." He said to Patancala Kapya and to us students of the sacrifice: fCDo you know, O Kapya, that thread by which this world and the other world and all things are tied together? " Patancala Kapya said: "I do not know it, Sir/ He said to Patancala Kapya and to us students of the sacrifice: * Pray do you know, O Kapya, that Inner Controller who from within controls this world and the other world and all things? " Patancala Kapya said: " I do not know him, Sir." He said to Patancala Kapya and to us students of the sacrifice: a Verily, Kapya, he who knows that thread and the so-called Inner Controller knows Brahma, he knows the worlds, he knows the gods, he knows the Vedas, he knows created things, he knows the Soul, he knows everything/' Thus he [i.e. the spirit] explained it to them. And I know it. If you, O Yajfiavalkya, drive away the Brahma-cows without knowing that thread and the Inner Controller, your head will fall off/ ' Verily, I know that thread and the Inner Controller,; Any one might say "I know, I know." Do you tell what you know/