(1) And it is also the Udgitha. The breath verily is up (uj) for by breath this whole world is upheld (ut-tabdha}. Song (glthd), verily, is speech; ut and githa— that is Udgitha.

(1) Then they [i.e. the gods] said to the In-breath (prana): c Sing for us the Udgitha.' e So' be it/ said the In-breath, and sang for them. Whatever pleasure there is in the in-breath, that it sang for the gods; whatever good one breathes in, that for itself. They [i.e. the devils] knew: 'Verily, by this singer they will overcome us.' They rushed upon it and pierced it with evil That evil was the improper thing thai one breathes in. This, truly, was that evil.

(1) As also Brahmadatta Caikitaneya, while partaking of King [Soma], said: 'Let this king cause this man's head to fall off, if Ayasya Angirasa sang the Udgitha with any other means than that, for/ said he, 'only with speech and with breath did he sing the Udgitha/

(0) Oṁ. May we hear what is auspicious with our ears, Deities. May we see what is auspicious with our eyes, Revered Ones. May we enjoy a long life, allotted by the gods, while singing their praises.Oṁ. Peace; peace; peace.

(8) He who closes all the doors of the senses, confines the mind within the heart, draws the prāna into the head, and engages in the practice of yoga, uttering Om, the single syllable denoting Brahman, and meditates on Me— he who so departs, leaving the body, attains the Supreme Goal.

(1) Then they [i. e. the gods] said to the Ear: * Sing for us the Udgltha/ ' So be it/ said the Ear, and sang for them. Whatever pleasure there is in the ear, that it sang for the gods; whatever good one hears, that for itself. They [i.e. the devils] knew. 'Verily, by this singer they will overcome us/ They rushed upon it and pierced it with evil. That evil was the improper thing that one hears. This, truly, was that evil.

(28) Let there be soundless repetition of OM and meditation thereon.

(1) They said to Speech: c Sing for us the Udgitha. 'So be it/ said Speech, and sang for them. Whatever pleasure there is in speech, that it sang for the gods; what- ever good one speaks, that for itself. They [i. e. the devils] knew: ' Verily, by this singer they will overcome us.' They rushed upon it and pierced it with evil. That evil was the improper thing that one speaks. That was the evil.

(1) Then they [i.e. the gods] said to the Eye: cSing for us the Udgitha.' cSo be it/ said the Eye, and sang for them. Whatever pleasure there is in the eye, that it sang for the gods; what- ever good one sees, that for itself. They [i.e. the devils] knew: 'Verily, by this singer they will overcome us/ They rushed upon it and pierced it with evil. That evil was the improper thing that one sees. This, truly, was that evil.

(50) And if the spirit is pleased therewith, then it [the spirit] bringeth the same before its mother into the heart, and the heart, or the fountain of the heart, giveth it [the sound] to all the powers in the whole body; and then the mouth and hands lay hold on it.

(40) The first voice blesses the Lord of Spirits for ever and ever.

(44) O now, when the Dhydna Bar do upon me is dawning! Abandoning the whole mass of distractions and illusions, May [the mind] be kept in the mood of endless undistracted Samddhi, May firmness both in the visualizing and in the perfected [stages] be obtained: At this time, when meditating one-pointedly, with [all other] actions put aside, May I not fall under the power of misleading, stupefying passions. O now, when the Bardo of the Moment of Death upon me is dawning! Abandoning attraction and craving, and weakness for all [worldly things], May I be undistracted in the space of the bright [enlightening] teachings, May I [be able to] transfuse myself into the heavenly space of the Unborn: The hour hath come to part with this body composed of flesh and blood; May I know the body to be impermanent and illusory.

(34) This is heavenly music, for here every one singeth according to the voice of his quality, and the prince leadeth the choir or chorus, as a chanter or singing-master with his scholars; and the king rejoiceth and jubilateth with his angels, to the honour of the great God, and to the increasing and multiplying of the heavenly joys, and that is in the heart of God as a holy sport or scene; and to that end also are they created for the joy and honour of God.

(1) Now next, the praying of the puiificatory formulas (pavamana). — The Prastotri priest (Praiser), verily, begins to praise with the Chant (sdman). When he begins to praise, then let [the sacrlficer] mutter the following: — ' From the unreal (asaf) lead me to the real (sat) I From darkness lead me to light! From death lead me to immortality ' ' When he says ' From the unreal lead me to the real/ the unreal, verily, is death, the real is immortality. * From death lead me to immortality. Make me immortal ' — that is what he says. death, the light is immortality. ' From death lead me to im- mortality. Make me immortal ' — that is what he says. ' From death lead me to immortality '—there is nothing there that seems obscure. Now whatever other verses there are of a hymn of praise (stotra), in them one may win food for himself by singing. And, therefore, in them he should choose a boon, whatever desire he may desire. That Udgatri priest who knows this — whatever desire he desires, either for himself or for the sacri- ficer, that he obtains by singing. This, indeed, is world-con- quering. There is no prospect of his being without a world who knows thus this Saman.

(6) Whoever may wish, ( I would attain something great! — in the northern course of the sun, on an auspicious day of the 1 M % half month of the waxing moon, having performed the Upasad ceremony for twelve days, having collected in a dish of the wood of the sacied fig-tree (udambara\ or in a cup, all sorts of herbs including fruits, having swept around, having smeared around, having built up a fire, having strewn it around, having prepared the melted butter according to rule, having com- pounded the mixed potion under a male star, he makes an oblation, saying: — ' However many gods in thee, All-knower, Adversely slay desires of a person, To them participation I here offer! Let them, pleased, please me with all desires! Hail! Whoever lays herself adverse, And says, "I the deposer am!" To thee, O such appeasing one, With stream of ghee I sacrifice. Hail! ' a. ( To the chiefest, hail! To the best, hail! ' — he makes an oblation in the fire and pours off the remainder in the mixed potion. A Hail to breath (prana) \ ' To the most excellent, hail! ' — he makes an oblation in the fire and pours off the remainder in the mixed potion. A Hail to speech! £ To the firm basis, hail!' — he makes an oblation in the fire and pours off the remainder in the mixed potion. A Hail to the eye! 'To attainment, hail!'— he makes an oblation in the fire and pours off the remainder in the mixed potion. A Hail to the ear! ' To the abode, hail! ' — he makes an oblation in the fire and pours off the remainder in the mixed potion. A Hail to the mind! -where some of the same directions occur. Another parallel passage is Chand.

(7) I am the savour of waters, Ο son of Kunti, the radiance of the sun and moon; I am the syllable Om in all the Vedas, the sound in ether, the manliness in man.

(1) Then they [i.e. the gods] said to the Mind: ' Sing for us the Udgltha/ c So be it/ said the Mind, and sang for them. Whatever pleasure there is in the mind, that it sang for the gods, what- ever good one imagines, that for itself. They [i.e. the devils] knew: 'Verily, by this singer they will overcome us/ They rushed upon him and pierced him with evil. That evil was the improper thing that one imagines. This, truly, was that evil. And thus they let out upon these divinities with evil, they pierced them with evil.

(6) Verily, he who knows attainment — for him, indeed, is attained what wish he wishes. The Ear, verily, is attainment, for in the ear all these Vedas are attained. The wish that he wishes is attained for him who knows this.

(2) These two [sense-organs] here [i. e. the ears] are Gotama and Bharadvaja. This is Gotama and this is Bharadvaja. These two here [i. e. the eyes] are VisVamitra and Jamadagni. This is VisVamitra. This is Jamadagni. These two here[L e. the nostrils] are Vasishtha and Kas"yapa. This is Vasishtha. This is Kas"yapa. The voice is Atri, for by the voice food is eaten (*/ad). Verily, eating (at~ti) is the same as the name 1 A very similar stanza is found at AV. 10. 8. 9. Atri. He who knows this becomes the eater of everything; everything becomes his food.

(3) Give me my mouth that I may speak with it; and guide my heart at its hour of Darkness and Night