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Passages similar to: Brihadaranyaka Upanishad — Brahmana 3
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Brihadaranyaka Upanishad
Brahmana 3 (1.3.23)
And it is also the Udgitha. The breath verily is up (uj) for by breath this whole world is upheld (ut-tabdha}. Song (glthd), verily, is speech; ut and githa— that is Udgitha.
Chandogya Upanishad
Prapathaka I, Khanda 2 (14)
He who knows this, and meditates on the syllable Om (the imperishable udgîtha) as the breath of life in the mouth, he obtains all wishes by singing....
Chandogya Upanishad
Prapathaka I, Khanda 3 (6-7)
Let a man meditate on the syllables of the udgîtha, i. e. of the word udgîtha. Ut is breath (prâna), for by means of breath a man rises...
Chandogya Upanishad
Prapathaka I, Khanda 4 (1)
Let a man meditate on the syllable Om, for the udgîtha is sung beginning with Om. And this is the full account of the syllable Om--
Chandogya Upanishad
Prapathaka I, Khanda 1 (8)
That syllable is a syllable of permission, for whenever we permit anything, we say Om, yes. Now permission is gratification. He who knowing this...
Chandogya Upanishad
Prapathaka I, Khanda 2 (11)
Therefore Brihaspati meditated on udgîtha (Om) as that breath, and people hold it to be Brihaspati, for speech is brihatî, and he (that breath) is the...
Chandogya Upanishad
Prapathaka I, Khanda 1 (3)
That udgîtha (Om) is the best of all essences, the highest, deserving the highest place , the eighth.
Chandogya Upanishad
Prapathaka I, Khanda 2 (10)
Aṅgiras meditated on the udgîtha (Om) as that breath, and people hold it to be Aṅgiras, i. e. the essence of the members (angânâm rasah);
Chandogya Upanishad
Prapathaka I, Khanda 5 (3)
Now with reference to the body. Let a man meditate on the udgîtha as the breath (in the mouth), for he goes sounding Om .
Chandogya Upanishad
Prapathaka I, Khanda 3 (4)
Speech is Rik, and therefore when a man utters a Rik verse he neither breathes up nor down. Rik is Sâman, and therefore when a man utters a Sâman...
Chandogya Upanishad
Prapathaka I, Khanda 13 (2)
The syllable Û is the sun, the syllable E is the Nihava or invocation, the syllable Auhoi is the Visve Devas, the syllable Hiṅ is Pragâpati, Svara...
Chandogya Upanishad
Prapathaka I, Khanda 3 (3)
Then let a man meditate on the udgîtha (Om) as vyâna indeed. If we breathe up, that is prâna, the up-breathing. If we breathe down, that is apâna,...
Chandogya Upanishad
Prapathaka II, Khanda 10 (3)
The word udgîtha has three syllables, the word upadrava has four syllables. With three and three syllables it should be equal. One syllable being...
Chandogya Upanishad
Prapathaka I, Khanda 1 (7)
Thus he who knowing this, meditates on the syllable (Om), the udgîtha, becomes indeed a fulfiller of desires.
Chandogya Upanishad
Prapathaka I, Khanda 1 (1)
LET a man meditate on the syllable Om, called the udgîtha; for the udgîtha (a portion of the Sâma-veda) is sung, beginning with Om. The full account,...
Chandogya Upanishad
Prapathaka II, Khanda 22 (2)
Let a man sing , wishing to obtain by his song immortality for the Devas. 'May I obtain by my song oblations (svadhâ) for the fathers, hope for men,...
Chandogya Upanishad
Prapathaka I, Khanda 5 (1)
The udgîtha is the pranava , the pranava is the udgîtha. And as the udgîtha is the sun , So is the pranava, for he (the sun) goes sounding Om.
Chandogya Upanishad
Prapathaka I, Khanda 1 (5)
The Rik indeed is speech, Sâman is breath, the udgîtha is the syllable Om. Now speech and breath, or Rik and Sâman, form one couple.
Chandogya Upanishad
Prapathaka I, Khanda 3 (2)
This (the breath in the mouth) and that (the sun) are the same. This is hot and that is hot. This they call svara (sound), and that they call...
Chandogya Upanishad
Prapathaka I, Khanda 8 (1)
There were once three men, well-versed in udgîtha , Silaka Sâlâvatya, Kaikitâyana, Dâlbhya, and Pravâhana Gaivali. They said: 'We are well-versed in...
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