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Passages similar to: Chandogya Upanishad — Prapathaka II, Khanda 22
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Chandogya Upanishad
Prapathaka II, Khanda 22 (1)
The udgîtha, of which a poet said, I choose the deep sounding note of the Sâman as good for cattle, belongs to Agni; the indefinite note belongs to Pragâpati, the definite note to Soma, the soft and smooth note to Vâyu, the smooth and strong note to Indra, the heron-like note to Brihaspati, the dull note to Varuna. Let a man cultivate all of these, avoiding, however, that of Varuna.
Brihadaranyaka Upanishad
Brahmana 1 (3.1.10)
'Yajnavalkya/ said he, c how many hymns of praise will the Udgatri chant today in this sacrifice? ' 'Three.' ' The introductory hymn, the...
Brihadaranyaka Upanishad
Brahmana 3 (1.3.3)
Then they [i.e. the gods] said to the In-breath (prana): c Sing for us the Udgitha.' e So' be it/ said the In-breath, and sang for them. Whatever...
Brihadaranyaka Upanishad
Brahmana 3 (1.3.2)
They said to Speech: c Sing for us the Udgitha. 'So be it/ said Speech, and sang for them. Whatever pleasure there is in speech, that it sang for the...
Brihadaranyaka Upanishad
Brahmana 3 (1.3.28)
Now next, the praying of the puiificatory formulas (pavamana). — The Prastotri priest (Praiser), verily, begins to praise with the Chant (sdman)....
Brihadaranyaka Upanishad
Brahmana 1 (3.1.5)
* Yajnavalkya/ said he, £ since everything here is over- taken by the waxing and waning moon, by what means does a sacrificer obtain release from the...
Brihadaranyaka Upanishad
Brahmana 3 (1.3.23)
The breath verily is up (uj) for by breath this whole world is upheld (ut-tabdha}. Song (glthd), verily, is speech; ut and githa— that is Udgitha.