(4) Night follows day; and day night. The pendulum swings from Summer to Winter, and then back again. The corpuscles, atoms, molecules, and all masses of matter, swing around the circle of their nature. There is no such thing as absolute rest, or cessation from movement, and all movement partakes of rhythm. The principle is of universal application. It may be applied to any question, or phenomena of any of the many planes of life. It may be applied to all phases of human activity. There is always the Rhythmic swing from one pole to the other. The Universal Pendulum is ever in motion. The Tides of Life flow in and out, according to Law.

(8) There are other features of the operation of this Principle of Rhythm of which we wish to speak at this point. There comes into its operations that which is known as the Law of Compensation. One of the definitions or meanings of the word "Compensate" is, "to counterbalance" which is the sense in which the Hermetists use the term. It is this Law of Compensation to which the Kybalion refers when it says: "The measure of the swing to the right is the measure of the swing to the left; rhythm compensates."

(1) The great Fifth Hermetic Principle--the Principle of Rhythm-embodies the truth that in everything there is manifested a measured motion; a to-and-from movement; a flow and inflow; a swing forward and backward; a pendulum-like movement; a tide-like ebb and flow; a high-tide and a low- tide; between the two-poles manifest on the physical, mental or spiritual planes. The Principle of rhythm is closely connected with the Principle of Polarity described in the preceding chapter. Rhythm manifests between the two poles established by the Principle of Polarity. This does not mean, however, that the pendulum of Rhythm swings to the extreme poles, for this rarely happens; in fact, it is difficult to establish the extreme polar opposites in the majority of cases. But the swing is ever "toward" first one pole and then the other.

(5) The Principle of rhythm is well understood by modern science, and is considered a universal law as applied to material things. But the Hermetists carry the principle much further, and know that its manifestations and influence extend to the mental activities of Man, and that it accounts for the bewildering succession of moods, feelings and other annoying and perplexing changes that we notice in ourselves. But the Hermetists by studying the operations of this Principle have learned to escape some of its activities by Transmutation.

(5) 5. The Principle of Rhythm "Everything flows, out and in; everything has its tides; all things rise and fall; the pendulum-swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates." --The Kybalion. This Principle embodies the truth that in everything there is manifested a measured motion, to and fro; a flow and inflow; a swing backward and forward; a pendulum-like movement; a tide-like ebb and flow; a high-tide and low-tide; between the two poles which exist in accordance with the Principle of Polarity described a moment ago. There is always an action and a reaction; an advance and a retreat; a rising and a sinking. This is in the affairs of the Universe, suns, worlds, men, animals, mind, energy, and matter. This law is manifest in the creation and destruction of worlds; in the rise and fall of nations; in the life of all things; and finally in the mental states of Man (and it is with this latter that the Hermetists find the understanding of the Principle most important). The Hermetists have grasped this Principle, finding its universal application, and have also discovered certain means to overcome its effects in themselves by the use of the appropriate formulas and methods. They apply the Mental Law of Neutralization. They cannot annul the Principle, or cause it to cease its operation, but they have learned how to escape its effects upon themselves to a certain degree depending upon the Mastery of the Principle. They have learned how to USE it, instead of being USED BY it. In this and similar methods, consist the Art of the Hermetists. The Master of Hermetics polarizes himself at the point at which he desires to rest, and then neutralizes the Rhythmic swing of the pendulum which would tend to carry him to the other pole. All individuals who have attained any degree of Self-Mastery do this to a certain degree, more or less unconsciously, but the Master does this consciously, and by the use of his Will, and attains a degree of Poise and Mental Firmness almost impossible of belief on the part of the masses who are swung backward and forward like a pendulum. This Principle and that of Polarity have been closely studied by the Hermetists, and the methods of counteracting, neutralizing, and USING them form an important part of the Hermetic Mental Alchemy.

(19) We have to ask ourselves whether there are not certain Acts which without the addition of a time-element will be thought of as imperfect and therefore classed with motions. Take for instance living and life. The life of a definite person implies a certain adequate period, just as his happiness is no merely instantaneous thing. Life and happiness are, in other words, of the nature ascribed to Motion: both therefore must be treated as motions, and Motion must be regarded as a unity, a single genus; besides the quantity and quality belonging to Substance we must take count of the motion manifested in it.

We may further find desirable to distinguish bodily from psychic motions or spontaneous motions from those induced by external forces, or the original from the derivative, the original motions being activities, whether externally related or independent, while the derivative will be Passions.

But surely the motions having external tendency are actually identical with those of external derivation: the cutting issuing from the cutter and that effected in the object are one, though to cut is not the same as to be cut.

Perhaps however the cutting issuing from the cutter and that which takes place in the cut object are in fact not one, but "to cut" implies that from a particular Act and motion there results a different motion in the object cut. Or perhaps the difference lies not in the fact of being cut, but in the distinct emotion supervening, pain for example: passivity has this connotation also.

But when there is no pain, what occurs? Nothing, surely, but the Act of the agent upon the patient object: this is all that is meant in such cases by Action. Action, thus, becomes twofold: there is that which occurs in the external, and that which does not. The duality of Action and Passion, suggested by the notion that Action takes place in an external, is abandoned.

Even writing, though taking place upon an external object, does not call for passivity, since no effect is produced, upon the tablet beyond the Act of the writer, nothing like pain; we may be told that the tablet has been inscribed, but this does not suffice for passivity.

Again, in the case of walking there is the earth trodden upon, but no one thinks of it as having experienced Passion . Treading on a living body, we think of suffering, because we reflect not upon the walking but upon the ensuing pain: otherwise we should think of suffering in the case of the tablet as well.

It is so in every case of Action: we cannot but think of it as knit into a unity with its opposite, Passion. Not that this later "Passion" is the opposite of Action in the way in which being burned is the opposite of burning: by Passion in this sense we mean the effect supervening upon the combined facts of the burning and the being burned, whether this effect be pain or some such process as withering.

Suppose this Passion to be treated as of itself producing pain: have we not still the duality of agent and patient, two results from the one Act? The Act may no longer include the will to cause pain; but it produces something distinct from itself, a pain-causing medium which enters into the object about to experience pain: this medium, while retaining its individuality, produces something yet different, the feeling of pain.

What does this suggest? Surely that the very medium- the act of hearing, for instance- is, even before it produces pain or without producing pain at all, a Passion of that into which it enters.

But hearing, with sensation in general, is in fact not a Passion. Yet to feel pain is to experience a Passion- a Passion however which is not opposed to Action.

(400) a courageous and harmonious life; and when we have found them, we shall adapt the foot and the melody to words having a like spirit, not the words to the foot and melody. To say what these rhythms are will be your duty—you must teach me them, as you have already taught me the harmonies. But, indeed, he replied, I cannot tell you. I only know that there are some three principles of rhythm out of which metrical systems are framed, just as in sounds there are four notes 36 out of which all the harmonies are composed; that is an observation which I have made. But of what sort of lives they are severally the imitations I am unable to say. Then, I said, we must take Damon into our counsels; and he will tell us what rhythms are expressive of meanness, or insolence, or fury, or other unworthiness, and what are to be reserved for the expression of opposite feelings. And I think that I have an indistinct recollection of his mentioning a complex Cretic rhythm; also a dactylic or heroic, and he arranged them in some manner which I do not quite understand, making the rhythms equal in the rise and fall of the foot, long and short alternating; and, unless I am mistaken, he spoke of an iambic as well as of a trochaic rhythm, and assigned to them short and long quantities. 37 Also in some cases he appeared to praise or censure the movement of the foot quite as much as the rhythm; or perhaps a combination of the two; for I am not certain what he meant. These matters, however, as I was saying, had better be referred to Damon himself, for the analysis of the subject would be difficult, you know? Rather so, I should say. But there is no difficulty in seeing that grace or the absence of grace is an effect of good or bad rhythm. None at all.

(9) The Law of Compensation is that the swing in one direction determines the swing in the opposite direction, or to the opposite pole-the one balances, or counterbalances, the other. On the Physical Plane we see many examples of this Law. The pendulum of the clock swings a certain distance to the right, and then an equal distance to the left. The seasons balance each other in the same way. The tides follow the same Law. And the same Law is manifested in all the phenomena of Rhythm. The pendulum, with a short swing in one direction, has but a short swing in the other; while the long swing to the right invariably means the long swing to the left. An object hurled upward to a certain height has an equal distance to traverse on its return. The force with which a projectile is sent upward a mile is reproduced when the projectile returns to the earth on its return journey. This Law is constant on the Physical Plane, as reference to the standard authorities will show you.

(7) Remember always, however, that you do not really destroy the Principle of Rhythm, for that is indestructible. You simply overcome one law by counter-balancing it with another and thus maintain an equilibrium. The laws of balance and counter-balance are in operation on the mental as well as on the physical planes, and an understanding of these laws enables one to seem to overthrow laws, whereas he is merely exerting a counterbalance. "Nothing escapes the Principle of Cause and Effect, but there are many Planes of Causation, and one may use the laws of the higher to overcome the laws of the lower." --The Kybalion.

(7) The importance of this will be appreciated by any thinking person who realizes what creatures of moods, feelings and emotion the majority of people are, and how little mastery of themselves they manifest. If you will stop and consider a moment, you will realize how much these swings of Rhythm have affected you in your life--how a period of Enthusiasm has been invariably followed by an opposite feeling and mood of Depression. Likewise, your moods and periods of Courage have been succeeded by equal moods of Fear. And so it has ever been with the majority of persons--tides of feeling have ever risen and fallen with them, but they have never suspected the cause or reason of the mental phenomena. An understanding of the workings of this Principle will give one the key to the Mastery of these rhythmic swings of feeling, and will enable him to know himself better and to avoid being carried away by these inflows and outflows. The Will is superior to the conscious manifestation of this Principle, although the Principle itself can never be destroyed. We may escape its effects, but the Principle operates, nevertheless. The pendulum ever swings, although we may escape being carried along with it.

(33) The series of transformations is divided into moments. When the series is completed, time gives place to duration.

(1) The time [ordinarily necessary for this motion of the vital-force] is as long as the inspiration is still present, or about the time required for eating a meal.

(2) Now Time’s distinguished on the Earth by quality of air, by variation of its heat and cold; in Heaven by the returnings of the stars to the same spots, the revolution of their course in Time. And while the Cosmos is the home of Time, it is kept green [itself] by reason of Time’s course and motion. Time, on the other hand, is kept by regulation. Order and Time effect renewal of all things which are in Cosmos by means of alternation.

(9) "A Number, a Measure, belonging to Movement?"

This, at least, is plausible since Movement is a continuous thin; but let us consider.

To begin with, we have the doubt which met us when we probed its identification with extent of Movement: is Time the measure of any and every Movement?

Have we any means of calculating disconnected and lawless Movement? What number or measure would apply? What would be the principle of such a Measure?

One Measure for movement slow and fast, for any and every movement: then that number and measure would be like the decade, by which we reckon horses and cows, or like some common standard for liquids and solids. If Time is this Kind of Measure, we learn, no doubt, of what objects it is a Measure- of Movements- but we are no nearer understanding what it is in itself.

Or: we may take the decade and think of it, apart from the horses or cows, as a pure number; this gives us a measure which, even though not actually applied, has a definite nature. Is Time, perhaps, a Measure in this sense?

No: to tell us no more of Time in itself than that it is such a number is merely to bring us back to the decade we have already rejected, or to some similar collective figure.

If, on the other hand, Time is a Measure possessing a continuous extent of its own, it must have quantity, like a foot-rule; it must have magnitude: it will, clearly, be in the nature of a line traversing the path of Movement. But, itself thus sharing in the movement, how can it be a Measure of Movement? Why should the one of the two be the measure rather than the other? Besides an accompanying measure is more plausibly considered as a measure of the particular movement it accompanies than of Movement in general. Further, this entire discussion assumes continuous movement, since the accompanying principle; Time, is itself unbroken .

The fact is that we are not to think of a measure outside and apart, but of a combined thing, a measured Movement, and we are to discover what measures it.

Given a Movement measured, are we to suppose the measure to be a magnitude?

If so, which of these two would be Time, the measured movement or the measuring magnitude? For Time must be either the movement measured by magnitude, or the measuring magnitude itself or something using the magnitude like a yard-stick to appraise the movement. In all three cases, as we have indicated, the application is scarcely plausible except where continuous movement is assumed: unless the Movement proceeds smoothly, and even unintermittently and as embracing the entire content of the moving object, great difficulties arise in the identification of Time with any kind of measure.

Let us, then, suppose Time to be this "measured Movement," measured by quantity. Now the Movement if it is to be measured requires a measure outside itself; this was the only reason for raising the question of the accompanying measure. In exactly the same way the measuring magnitude, in turn, will require a measure, because only when the standard shows such and such an extension can the degree of movement be appraised. Time then will be, not the magnitude accompanying the Movement, but that numerical value by which the magnitude accompanying the Movement is estimated. But that number can be only the abstract figure which represents the magnitude, and it is difficult to see how an abstract figure can perform the act of measuring.

And, supposing that we discover a way in which it can, we still have not Time, the measure, but a particular quantity of Time, not at all the same thing: Time means something very different from any definite period: before all question as to quantity is the question as to the thing of which a certain quantity is present.

Time, we are told, is the number outside Movement and measuring it, like the tens applied to the reckoning of the horses and cows but not inherent in them: we are not told what this Number is; yet, applied or not, it must, like that decade, have some nature of its own.

Or "it is that which accompanies a Movement and measures it by its successive stages"; but we are still left asking what this thing recording the stages may be.

In any case, once a thing- whether by point or standard or any other means- measures succession, it must measure according to time: this number appraising movement degree by degree must, therefore, if it is to serve as a measure at all, be something dependent upon time and in contact with it: for, either, degree is spatial, merely- the beginning and end of the Stadium, for example- or in the only alternative, it is a pure matter of Time: the succession of early and late is stage of Time, Time ending upon a certain Now or Time beginning from a Now.

Time, therefore, is something other than the mere number measuring Movement, whether Movement in general or any particular tract of Movement.

Further: Why should the mere presence of a number give us Time- a number measuring or measured; for the same number may be either- if Time is not given us by the fact of Movement itself, the Movement which inevitably contains in itself a succession of stages? To make the number essential to Time is like saying that magnitude has not its full quantity unless we can estimate that quantity.

Again, if Time is, admittedly, endless, how can number apply to it?

Are we to take some portion of Time and find its numerical statement? That simply means that Time existed before number was applied to it.

We may, therefore, very well think that it existed before the Soul or Mind that estimates it- if, indeed, it is not to be thought to take its origin from the Soul- for no measurement by anything is necessary to its existence; measured or not, it has the full extent of its being.

And suppose it to be true that the Soul is the appraiser, using Magnitude as the measuring standard, how does this help us to the conception of Time?

(6) The Hermetic Masters long since discovered that while the Principle of Rhythm was invariable, and ever in evidence in mental phenomena, still there were two planes of its manifestation so far as mental phenomena are concerned. They discovered that there were two general planes of Consciousness, the Lower and the Higher, the understanding of which fact enabled them to rise to the higher plane and thus escape the swing of the Rhythmic pendulum which manifested on the lower plane. In other words, the swing of the pendulum occurred on the Unconscious Plane, and the Consciousness was not affected. This they call the Law of Neutralization. Its operations consist in the raising of the Ego above the vibrations of the Unconscious Plane of mental activity, so that the negative-swing of the pendulum is not manifested in consciousness, and therefore they are not affected. It is akin to rising above a thing and letting it pass beneath you. The Hermetic Master, or advanced student, polarizes himself at the desired pole, and by a process akin to "refusing" to participate in the backward swing or, if you prefer, a "denial" of its influence over him, he stands firm in his polarized position, and allows the mental pendulum to swing back along the unconscious plane. All individuals who have attained any degree of self- mastery, accomplish this, more or less unknowingly, and by refusing to allow their moods and negative mental states to affect them, they apply the Law of Neutralization. The Master, however, carries this to a much higher degree of proficiency, and by the use of his Will he attains a degree of Poise and Mental Firmness almost impossible of belief on the part of those who allow themselves to be swung backward and forward by the mental pendulum of moods and feelings.

(1) The interval between the cessation of the expiration and the cessation of the inspiration is the time during which the vital-force remaineth in the median-nerve.

(12) The Hermetists regard the chain of lives as continuous, and as forming a part of one life of the individual, so that in consequence the rhythmic swing is understood in this way, while it would be without meaning unless the truth of reincarnation is admitted.

(72) And during this period the day becomes daily longer and the night nightly shorter to the thirtieth morning.

(26) We may now take the various specific types of Motion, such as locomotion, and once again enquire for each one whether it is not to be divided on the basis of direction, up, down, straight, circular- a question already raised; whether the organic motion should be distinguished from the inorganic- they are clearly not alike; whether, again, organic motions should be subdivided into walking, swimming and flight.

Perhaps we should also distinguish, in each species, natural from unnatural motions: this distinction would however imply that motions have differences which are not external. It may indeed be the case that motions create these differences and cannot exist without them; but Nature may be supposed to be the ultimate source of motions and differences alike.

Motions may also be classed as natural, artificial and purposive: "natural" embracing growth and decay; "artificial" architecture and shipbuilding; "purposive" enquiry, learning, government, and, in general, all speech and action.

Again, with regard to growth, alteration and birth, the division may proceed from the natural and unnatural, or, speaking generally, from the characters of the moved objects.