(1) The great Fifth Hermetic Principle--the Principle of Rhythm-embodies the truth that in everything there is manifested a measured motion; a to-and-from movement; a flow and inflow; a swing forward and backward; a pendulum-like movement; a tide-like ebb and flow; a high-tide and a low- tide; between the two-poles manifest on the physical, mental or spiritual planes. The Principle of rhythm is closely connected with the Principle of Polarity described in the preceding chapter. Rhythm manifests between the two poles established by the Principle of Polarity. This does not mean, however, that the pendulum of Rhythm swings to the extreme poles, for this rarely happens; in fact, it is difficult to establish the extreme polar opposites in the majority of cases. But the swing is ever "toward" first one pole and then the other.

(4) Night follows day; and day night. The pendulum swings from Summer to Winter, and then back again. The corpuscles, atoms, molecules, and all masses of matter, swing around the circle of their nature. There is no such thing as absolute rest, or cessation from movement, and all movement partakes of rhythm. The principle is of universal application. It may be applied to any question, or phenomena of any of the many planes of life. It may be applied to all phases of human activity. There is always the Rhythmic swing from one pole to the other. The Universal Pendulum is ever in motion. The Tides of Life flow in and out, according to Law.

(5) 5. The Principle of Rhythm "Everything flows, out and in; everything has its tides; all things rise and fall; the pendulum-swing manifests in everything; the measure of the swing to the right is the measure of the swing to the left; rhythm compensates." --The Kybalion. This Principle embodies the truth that in everything there is manifested a measured motion, to and fro; a flow and inflow; a swing backward and forward; a pendulum-like movement; a tide-like ebb and flow; a high-tide and low-tide; between the two poles which exist in accordance with the Principle of Polarity described a moment ago. There is always an action and a reaction; an advance and a retreat; a rising and a sinking. This is in the affairs of the Universe, suns, worlds, men, animals, mind, energy, and matter. This law is manifest in the creation and destruction of worlds; in the rise and fall of nations; in the life of all things; and finally in the mental states of Man (and it is with this latter that the Hermetists find the understanding of the Principle most important). The Hermetists have grasped this Principle, finding its universal application, and have also discovered certain means to overcome its effects in themselves by the use of the appropriate formulas and methods. They apply the Mental Law of Neutralization. They cannot annul the Principle, or cause it to cease its operation, but they have learned how to escape its effects upon themselves to a certain degree depending upon the Mastery of the Principle. They have learned how to USE it, instead of being USED BY it. In this and similar methods, consist the Art of the Hermetists. The Master of Hermetics polarizes himself at the point at which he desires to rest, and then neutralizes the Rhythmic swing of the pendulum which would tend to carry him to the other pole. All individuals who have attained any degree of Self-Mastery do this to a certain degree, more or less unconsciously, but the Master does this consciously, and by the use of his Will, and attains a degree of Poise and Mental Firmness almost impossible of belief on the part of the masses who are swung backward and forward like a pendulum. This Principle and that of Polarity have been closely studied by the Hermetists, and the methods of counteracting, neutralizing, and USING them form an important part of the Hermetic Mental Alchemy.

(5) The Principle of rhythm is well understood by modern science, and is considered a universal law as applied to material things. But the Hermetists carry the principle much further, and know that its manifestations and influence extend to the mental activities of Man, and that it accounts for the bewildering succession of moods, feelings and other annoying and perplexing changes that we notice in ourselves. But the Hermetists by studying the operations of this Principle have learned to escape some of its activities by Transmutation.

(8) There are other features of the operation of this Principle of Rhythm of which we wish to speak at this point. There comes into its operations that which is known as the Law of Compensation. One of the definitions or meanings of the word "Compensate" is, "to counterbalance" which is the sense in which the Hermetists use the term. It is this Law of Compensation to which the Kybalion refers when it says: "The measure of the swing to the right is the measure of the swing to the left; rhythm compensates."

(400) a courageous and harmonious life; and when we have found them, we shall adapt the foot and the melody to words having a like spirit, not the words to the foot and melody. To say what these rhythms are will be your duty—you must teach me them, as you have already taught me the harmonies. But, indeed, he replied, I cannot tell you. I only know that there are some three principles of rhythm out of which metrical systems are framed, just as in sounds there are four notes 36 out of which all the harmonies are composed; that is an observation which I have made. But of what sort of lives they are severally the imitations I am unable to say. Then, I said, we must take Damon into our counsels; and he will tell us what rhythms are expressive of meanness, or insolence, or fury, or other unworthiness, and what are to be reserved for the expression of opposite feelings. And I think that I have an indistinct recollection of his mentioning a complex Cretic rhythm; also a dactylic or heroic, and he arranged them in some manner which I do not quite understand, making the rhythms equal in the rise and fall of the foot, long and short alternating; and, unless I am mistaken, he spoke of an iambic as well as of a trochaic rhythm, and assigned to them short and long quantities. 37 Also in some cases he appeared to praise or censure the movement of the foot quite as much as the rhythm; or perhaps a combination of the two; for I am not certain what he meant. These matters, however, as I was saying, had better be referred to Damon himself, for the analysis of the subject would be difficult, you know? Rather so, I should say. But there is no difficulty in seeing that grace or the absence of grace is an effect of good or bad rhythm. None at all.

(7) Remember always, however, that you do not really destroy the Principle of Rhythm, for that is indestructible. You simply overcome one law by counter-balancing it with another and thus maintain an equilibrium. The laws of balance and counter-balance are in operation on the mental as well as on the physical planes, and an understanding of these laws enables one to seem to overthrow laws, whereas he is merely exerting a counterbalance. "Nothing escapes the Principle of Cause and Effect, but there are many Planes of Causation, and one may use the laws of the higher to overcome the laws of the lower." --The Kybalion.

(7) The importance of this will be appreciated by any thinking person who realizes what creatures of moods, feelings and emotion the majority of people are, and how little mastery of themselves they manifest. If you will stop and consider a moment, you will realize how much these swings of Rhythm have affected you in your life--how a period of Enthusiasm has been invariably followed by an opposite feeling and mood of Depression. Likewise, your moods and periods of Courage have been succeeded by equal moods of Fear. And so it has ever been with the majority of persons--tides of feeling have ever risen and fallen with them, but they have never suspected the cause or reason of the mental phenomena. An understanding of the workings of this Principle will give one the key to the Mastery of these rhythmic swings of feeling, and will enable him to know himself better and to avoid being carried away by these inflows and outflows. The Will is superior to the conscious manifestation of this Principle, although the Principle itself can never be destroyed. We may escape its effects, but the Principle operates, nevertheless. The pendulum ever swings, although we may escape being carried along with it.

(9) The Law of Compensation is that the swing in one direction determines the swing in the opposite direction, or to the opposite pole-the one balances, or counterbalances, the other. On the Physical Plane we see many examples of this Law. The pendulum of the clock swings a certain distance to the right, and then an equal distance to the left. The seasons balance each other in the same way. The tides follow the same Law. And the same Law is manifested in all the phenomena of Rhythm. The pendulum, with a short swing in one direction, has but a short swing in the other; while the long swing to the right invariably means the long swing to the left. An object hurled upward to a certain height has an equal distance to traverse on its return. The force with which a projectile is sent upward a mile is reproduced when the projectile returns to the earth on its return journey. This Law is constant on the Physical Plane, as reference to the standard authorities will show you.

(6) As we have explained in previous chapters, the Hermetists hold that the Principle of Rhythm manifests on the Mental Plane as well as on the Physical Plane, and that the bewildering succession of moods, feelings, emotions, and other mental states, are due to the backward and forward swing of the mental pendulum, which carries us from one extreme of feeling to the other. The Hermetists also teach that the Law of Neutralization enables one, to a great extent, to overcome the operation of Rhythm in consciousness. As we have explained, there is a Higher Plane of Consciousness, as well as the ordinary Lower Plane, and the Master by rising mentally to the Higher Plane causes the swing of the mental pendulum to manifest on the Lower Plane, and he, dwelling on his Higher Plane, escapes the consciousness of the swing backward. This is effected by polarizing on the Higher Self, and thus raising the mental vibrations of the Ego above those of the ordinary plane of consciousness. It is akin to rising above a thing and allowing it to pass beneath you. The advanced Hermetist polarizes himself at the Positive Pole of his Being-the "I Am" pole rather than the pole of personality and by "refusing" and "denying" the operation of Rhythm, raises himself above its plane of consciousness, and standing firm in his Statement of Being he allows the pendulum to swing back on the Lower Plane without changing his Polarity. This is accomplished by all individuals who have attained any degree of self-mastery, whether they understand the law or not. Such persons simply "refuse" to allow themselves to be swung back by the pendulum of mood and emotion, and by steadfastly affirming the superiority they remain polarized on the Positive pole. The Master, of course, attains a far greater degree of proficiency, because he understands the law which he is overcoming by a higher law, and by the use of his Will he attains a degree of Poise and Mental Steadfastness almost impossible of belief on the part of those who allow themselves to be swung backward and forward by the mental pendulum of moods and feelings.

(22) But suppose that we identify alteration with Motion on the ground that Motion itself results in difference: how then do we proceed to define Motion?

It may roughly be characterized as the passage from the potentiality to its realization. That is potential which can either pass into a Form- for example, the potential statue- or else pass into actuality- such as the ability to walk: whenever progress is made towards the statue, this progress is Motion; and when the ability to walk is actualized in walking, this walking is itself Motion: dancing is, similarly, the motion produced by the potential dancer taking his steps.

In the one type of Motion a new Form comes into existence created by the motion; the other constitutes, as it were, the pure Form of the potentiality, and leaves nothing behind it when once the motion has ceased. Accordingly, the view would not be unreasonable which, taking some Forms to be active, others inactive, regarded Motion as a dynamic Form in opposition to the other Forms which are static, and further as the cause of whatever new Form ensues upon it. To proceed to identify this bodily motion with life would however be unwarrantable; it must be considered as identical only in name with the motions of Intellect and Soul.

That Motion is a genus we may be all the more confident in virtue of the difficulty- the impossibility even- of confining it within a definition.

But how can it be a Form in cases where the motion leads to deterioration, or is purely passive? Motion, we may suggest, is like the heat of the sun causing some things to grow and withering others. In so far as Motion is a common property, it is identical in both conditions; its apparent difference is due to the objects moved.

Is, then, becoming ill identical with becoming well? As motions they are identical. In what respect, then, do they differ? In their substrates? or is there some other criterion?

This question may however be postponed until we come to consider alteration: at present we have to discover what is the constant element in every motion, for only on this basis can we establish the claim of Motion to be a genus.

Perhaps the one term covers many meanings; its claim to generic status would then correspond to that of Being.

As a solution of the problem we may suggest that motions conducing to the natural state or functioning in natural conditions should perhaps, as we have already asserted, be regarded as being in a sense Forms, while those whose direction is contrary to nature must be supposed to be assimilated to the results towards which they lead.

But what is the constant element in alteration, in growth and birth and their opposites, in local change? What is that which makes them all motions? Surely it is the fact that in every case the object is never in the same state before and after the motion, that it cannot remain still and in complete inactivity but, so long as the motion is present, is continually urged to take a new condition, never acquiescing in Identity but always courting Difference; deprived of Difference, Motion perishes.

Thus, Difference may be predicated of Motion, not merely in the sense that it arises and persists in a difference of conditions, but in the sense of being itself perpetual difference. It follows that Time, as being created by Motion, also entails perpetual difference: Time is the measure of unceasing Motion, accompanying its course and, as it were, carried along its stream.

In short, the common basis of all Motion is the existence of a progression and an urge from potentiality and the potential to actuality and the actual: everything which has any kind of motion whatsoever derives this motion from a pre-existent potentiality within itself of activity or passivity.

(47) Timaeus: deficient in grace, which exists in most of us, Rhythm also was bestowed upon us to be our helper by the same deities and for the same ends. The foregoing part of our discourse, save for a small portion, has been an exposition of the operations of Reason; but we must also furnish an account of what comes into existence through Necessity.

(2) There is always an action and reaction; an advance and a retreat; a rising and a sinking; manifested in all of the airs and phenomena of the Universe. Suns, worlds, men, animals, plants, minerals, forces, energy, mind and matter, yes, even Spirit, manifests this Principle. The Principle manifests in the creation and destruction of worlds; in the rise and fall of nations; in the life history of all things; and finally in the mental states of Man.

(12) We are brought thus to the conception of a Natural-Principle- Time- a certain expanse of the Life of the Soul, a principle moving forward by smooth and uniform changes following silently upon each other- a Principle, then, whose Act is sequent.

But let us conceive this power of the Soul to turn back and withdraw from the life-course which it now maintains, from the continuous and unending activity of an ever-existent soul not self-contained or self-intent but concerned about doing and engendering: imagine it no longer accomplishing any Act, setting a pause to this work it has inaugurated; let this outgoing phase of the Soul become once more, equally with the rest, turned to the Supreme, to Eternal Being, to the tranquilly stable.

What would then exist but Eternity?

All would remain in unity; how could there be any diversity of things? What Earlier or Later would there be, what long-lasting or short-lasting? What ground would lie ready to the Soul's operation but the Supreme in which it has its Being? Or, indeed, what operative tendency could it have even to That since a prior separation is the necessary condition of tendency?

The very sphere of the Universe would not exist; for it cannot antedate Time: it, too, has its Being and its Movement in Time; and if it ceased to move, the Soul-Act continuing, we could measure the period of its Repose by that standard outside it.

If, then, the Soul withdrew, sinking itself again into its primal unity, Time would disappear: the origin of Time, clearly, is to be traced to the first stir of the Soul's tendency towards the production of the sensible universe with the consecutive act ensuing. This is how "Time"- as we read- "came into Being simultaneously" with this All: the Soul begot at once the Universe and Time; in that activity of the Soul this Universe sprang into being; the activity is Time, the Universe is a content of Time. No doubt it will be urged that we read also of the orbit of the Stars being Times": but do not forget what follows; "the stars exist," we are told, "for the display and delimitation of Time," and "that there may be a manifest Measure." No indication of Time could be derived from the Soul; no portion of it can be seen or handled, so it could not be measured in itself, especially when there was as yet no knowledge of counting; therefore the Soul brings into being night and day; in their difference is given Duality- from which, we read, arises the concept of Number.

We observe the tract between a sunrise and its return and, as the movement is uniform, we thus obtain a Time-interval upon which to measure ourselves, and we use this as a standard. We have thus a measure of Time. Time itself is not a measure. How would it set to work? And what kind of thing is there of which it could say, "I find the extent of this equal to such and such a stretch of my own extent?" What is this "I"? Obviously something by which measurement is known. Time, then, serves towards measurement but is not itself the Measure: the Movement of the All will be measured according to Time, but Time will not, of its own Nature, be a Measure of Movement: primarily a Kind to itself, it will incidentally exhibit the magnitudes of that movement.

And the reiterated observation of Movement- the same extent found to be traversed in such and such a period- will lead to the conception of a definite quantity of Time past.

This brings us to the fact that, in a certain sense, the Movement, the orbit of the universe, may legitimately be said to measure Time- in so far as that is possible at all- since any definite stretch of that circuit occupies a certain quantity of Time, and this is the only grasp we have of Time, our only understanding of it: what that circuit measures- by indication, that is- will be Time, manifested by the Movement but not brought into being by it.

This means that the measure of the Spheric Movement has itself been measured by a definite stretch of that Movement and therefore is something different; as measure, it is one thing and, as the measured, it is another; its being measured cannot be of its essence.

We are no nearer knowledge than if we said that the foot-rule measures Magnitude while we left the concept Magnitude undefined; or, again, we might as well define Movement- whose limitlessness puts it out of our reach- as the thing measured by Space; the definition would be parallel since we can mark off a certain space which the Movement has traversed and say the one is equivalent to the other.

(16) If it be urged that Motion is but imperfect Act, there would be no objection to giving priority to Act and subordinating to it Motion with its imperfection as a species: Act would thus be predicated of Motion, but with the qualification "imperfect."

Motion is thought of as imperfect, not because it is not an Act, but because, entirely an Act, it yet entails repetition . It repeats, not in order that it may achieve actuality- it is already actual- but that it may attain a goal distinct from itself and posterior: it is not the motion itself that is then consummated but the result at which it aims. Walking is walking from the outset; when one should traverse a racecourse but has not yet done so, the deficiency lies not in the walking- not in the motion- but in the amount of walking accomplished; no matter what the amount, it is walking and motion already: a moving man has motion and a cutter cuts before there is any question of Quantity. And just as we can speak of Act without implying time, so we can of Motion, except in the sense of motion over a defined area; Act is timeless, and so is Motion pure and simple.

Are we told that Motion is necessarily in time, inasmuch as it involves continuity? But, at this, sight, never ceasing to see, will also be continuous and in time. Our critic, it is true, may find support in that principle of proportion which states that you may make a division of no matter what motion, and find that neither the motion nor its duration has any beginning but that the division may be continued indefinitely in the direction of the motion's origin: this would mean that a motion just begun has been in progress from an infinity of time, that it is infinite as regards its beginning.

Such then is the result of separating Act from Motion: Act, we aver, is timeless; yet we are forced to maintain not only that time is necessary to quantitative motion, but, unreservedly, that Motion is quantitative in its very nature; though indeed, if it were a case of motion occupying a day or some other quantity of time, the exponents of this view would be the first to admit that Quantity is present to Motion only by way of accident.

In sum, just as Act is timeless, so there is no reason why Motion also should not primarily be timeless, time attaching to it only in so far as it happens to have such and such an extension.

Timeless change is sanctioned in the expression, "as if change could not take place all at once"; if then change is timeless, why not Motion also?- Change, be it noted, is here distinguished from the result of change, the result being unnecessary to establish the change itself.

(33) The Circuit does not go by chance but under the Reason-Principle of the living whole; therefore there must be a harmony between cause and caused; there must be some order ranging things to each other's purpose, or in due relation to each other: every several configuration within the Circuit must be accompanied by a change in the position and condition of things subordinate to it, which thus by their varied rhythmic movement make up one total dance-play.

In our dance-plays there are outside elements contributing to the total effect- fluting, singing, and other linked accessories- and each of these changes in each new movement: there is no need to dwell on these; their significance is obvious. But besides this there is the fact that the limbs of the dancer cannot possibly keep the same positions in every figure; they adapt themselves to the plan, bending as it dictates, one lowered, another raised, one active, another resting as the set pattern changes. The dancer's mind is on his own purpose; his limbs are submissive to the dance-movement which they accomplish to the end, so that the connoisseur can explain that this or that figure is the motive for the lifting, bending, concealment, effacing, of the various members of the body; and in all this the executant does not choose the particular motions for their own sake; the whole play of the entire person dictates the necessary position to each limb and member as it serves to the plan.

Now this is the mode in which the heavenly beings must be held to be causes wherever they have any action, and, when. they do not act, to indicate.

Or, a better statement: the entire kosmos puts its entire life into act, moving its major members with its own action and unceasingly setting them in new positions; by the relations thus established, of these members to each other and to the whole, and by the different figures they make together, the minor members in turn are brought under the system as in the movements of some one living being, so that they vary according to the relations, positions, configurations: the beings thus co-ordinated are not the causes; the cause is the coordinating All; at the same time it is not to be thought of as seeking to do one thing and actually doing another, for there is nothing external to it since it is the cause by actually being all: on the one side the configurations, on the other the inevitable effects of those configurations upon a living being moving as a unit and, again, upon a living being thus by its nature conjoined and concomitant and, of necessity, at once subject and object to its own activities.

(23) The Motion which acts upon Sensible objects enters from without, and so shakes, drives, rouses and thrusts its participants that they may neither rest nor preserve their identity- and all to the end that they may be caught into that restlessness, that flustering excitability which is but an image of Life.

We must avoid identifying Motion with the objects moved: by walking we do not mean the feet but the activity springing from a potentiality in the feet. Since the potentiality is invisible, we see of necessity only the active feet- that is to say, not feet simply, as would be the case if they were at rest, but something besides feet, something invisible but indirectly seen as an accompaniment by the fact that we observe the feet to be in ever-changing positions and no longer at rest. We infer alteration, on the other hand, from the qualitative change in the thing altered.

Where, then, does Motion reside, when there is one thing that moves and another that passes from an inherent potentiality to actuality? In the mover? How then will the moved, the patient, participate in the motion? In the moved? Then why does not Motion remain in it, once having come? It would seem that Motion must neither be separated from the active principle nor allowed to reside in it; it must proceed from agent to patient without so inhering in the latter as to be severed from the former, passing from one to the other like a breath of wind.

Now, when the potentiality of Motion consists in an ability to walk, it may be imagined as thrusting a man forward and causing him to be continually adopting a different position; when it lies in the capacity to heat, it heats; when the potentiality takes hold of Matter and builds up the organism, we have growth; and when another potentiality demolishes the structure, the result is decay, that which has the potentiality of demolition experiencing the decay. Where the birth-giving principle is active, we find birth; where it is impotent and the power to destroy prevails, destruction takes place- not the destruction of what already exists, but that which intervenes upon the road to existence.

Health comes about in the same way- when the power which produces health is active and predominant; sickness is the result of the opposite power working in the opposite direction.

Thus, Motion is conditioned, not only by the objects in which it occurs, but also by its origins and its course, and it is a distinctive mark of Motion to be always qualified and to take its quality from the moved.

(2) Under and behind all outward appearances or manifestations, there must always be a Substantial Reality. This is the Law. Man considering the Universe, of which he is a unit, sees nothing but change in matter, forces, and mental states. He sees that nothing really IS, but that everything is BECOMING and CHANGING. Nothing stands still-everything is being born, growing, dying-the very instant a thing reaches its height, it begins to decline--the law of rhythm is in constant operation--there is no reality, enduring quality, fixity, or substantiality in anything-- nothing is permanent but Change. He sees all things evolving from other things, and resolving into other things--constant action and reaction; inflow and outflow; building up and tearing down; creation and destruction; birth, growth and death. Nothing endures but Change. And if he be a thinking man, he realizes that all of these changing things must be but outward appearances or manifestations of some Underlying Power--some Substantial Reality.

(8) Movement Time cannot be- whether a definite act of moving is meant or a united total made up of all such acts- since movement, in either sense, takes place in Time. And, of course, if there is any movement not in Time, the identification with Time becomes all the less tenable.

In a word, Movement must be distinct from the medium in which it takes place.

And, with all that has been said or is still said, one consideration is decisive: Movement can come to rest, can be intermittent; Time is continuous.

We will be told that the Movement of the All is continuous .

But, if the reference is to the Circuit of the heavenly system the time taken in the return path is not that of the outgoing movement; the one is twice as long as the other: this Movement of the All proceeds, therefore, by two different degrees; the rate of the entire journey is not that of the first half.

Further, the fact that we hear of the Movement of the outermost sphere being the swiftest confirms our theory. Obviously, it is the swiftest of movements by taking the lesser time to traverse the greater space the very greatest- all other moving things are slower by taking a longer time to traverse a mere segment of the same extension: in other words, Time is not this movement.

And, if Time is not even the movement of the Kosmic Sphere much less is it the sphere itself though that has been identified with Time on the ground of its being in motion.

Is it, then, some phenomenon or connection of Movement?

Let us, tentatively, suppose it to be extent, or duration, of Movement.

Now, to begin with, Movement, even continuous, has no unchanging extent , since, even in space, it may be faster or slower; there must, therefore, be some unit of standard outside it, by which these differences are measurable, and this outside standard would more properly be called Time. And failing such a measure, which extent would be Time, that of the fast or of the slow- or rather which of them all, since these speed-differences are limitless?

Is it the extent of the subordinate Movement ?

Again, this gives us no unit since the movement is infinitely variable; we would have, thus, not Time but Times.

The extent of the Movement of the All, then?

The Celestial Circuit may, no doubt, be thought of in terms of quantity. It answers to measure- in two ways. First there is space; the movement is commensurate with the area it passes through, and this area is its extent. But this gives us, still, space only, not Time. Secondly, the circuit, considered apart from distance traversed, has the extent of its continuity, of its tendency not to stop but to proceed indefinitely: but this is merely amplitude of Movement; search it, tell its vastness, and, still, Time has no more appeared, no more enters into the matter, than when one certifies a high pitch of heat; all we have discovered is Motion in ceaseless succession, like water flowing ceaselessly, motion and extent of motion.

Succession or repetition gives us Number- dyad, triad, etc.- and the extent traversed is a matter of Magnitude; thus we have Quantity of Movement- in the form of number, dyad, triad, decade, or in the form of extent apprehended in what we may call the amount of the Movement: but, the idea of Time we have not. That definite Quantity is merely something occurring within Time, for, otherwise Time is not everywhere but is something belonging to Movement which thus would be its substratum or basic-stuff: once more, then, we would be making Time identical with Movement; for the extent of Movement is not something outside it but is simply its continuousness, and we need not halt upon the difference between the momentary and the continuous, which is simply one of manner and degree. The extended movement and its extent are not Time; they are in Time. Those that explain Time as extent of Movement must mean not the extent of the movement itself but something which determines its extension, something with which the movement keeps pace in its course. But what this something is, we are not told; yet it is, clearly, Time, that in which all Movement proceeds. This is what our discussion has aimed at from the first: "What, essentially, is Time?" It comes to this: we ask "What is Time?" and we are answered, "Time is the extension of Movement in Time!"

On the one hand Time is said to be an extension apart from and outside that of Movement; and we are left to guess what this extension may be: on the other hand, it is represented as the extension of Movement; and this leaves the difficulty what to make of the extension of Rest- though one thing may continue as long in repose as another in motion, so that we are obliged to think of one thing Time that covers both Rest and Movements, and, therefore, stands distinct from either.

What then is this thing of extension? To what order of beings does it belong?

It obviously is not spatial, for place, too, is something outside it.

(3) 3. The Principle of Vibration "Nothing rests; everything moves; everything vibrates." --The Kybalion. This Principle embodies the truth that "everything is in motion"; "everything vibrates"; "nothing is at rest"; facts which Modern Science endorses, and which each new scientific discovery tends to verify. And yet this Hermetic Principle was enunciated thousands of years ago, by the Masters of Ancient Egypt. This Principle explains that the differences between different manifestations of Matter, Energy, Mind, and even Spirit, result largely from varying rates of Vibration. From THE ALL, which is Pure Spirit, down to the grossest form of Matter, all is in vibration--the higher the vibration, the higher the position in the scale. The vibration of Spirit is at such an infinite rate of intensity and rapidity that it is practically at rest--just as a rapidly moving wheel seems to be motionless. And at the other end of the scale, there are gross forms of matter whose vibrations are so low as to seem at rest. Between these poles, there are millions upon millions of varying degrees of vibration. From corpuscle and electron, atom and molecule, to worlds and universes, everything is in vibratory motion. This is also true on the planes of energy and force (which are but varying degrees of vibration); and also on the mental planes (whose states depend upon vibrations); and even on to the spiritual planes. An understanding of this Principle, with the appropriate formulas, enables Hermetic students to control their own mental vibrations as well as those of others. The Masters also apply this Principle to the conquering of Natural phenomena, in various ways. "He who understands the Principle of Vibration, has grasped the scepter of power," says one of the old writers.