(33) They said to him: It is written (Lamentations 2:1), "He threw the beauty of Israel from heaven to earth." From here we see that it fell. He replied: If you have read, you did not review, and if you reviewed, you did not go over it a third time. What does it resemble? A king had a beautiful crown on his head and a beautiful cloak on his shoulders. When he heard evil tidings, he cast the crown from his head and the cloak from his shoulders.

Mahmud, the celebrated king of Ghazni, had a favorite named Ayaz, who was greatly envied by the other courtiers. One day they came to the king and informed him that Ayaz was in the habit of retiring to a secret chamber, and locking himself in, and that they suspected he had there concealed coin stolen from the treasury, or else wine and forbidden drink. The fact was, that Ayaz had placed in that chamber his old shoes and the ragged dress which he used to wear before the king had promoted him to honor, and used to retire there every day and wear them for a time, in order to remind himself of his lowly origin, and to prevent himself from being puffed up with pride. This he did in accordance with the text, "Let man reflect out of what he was created." The intoxication of the present life puffs up many with false pride, even as Iblis, who refused to worship Adam, saying, "Who is Adam, that he should be lord over me?" This he said because he was one of the Jinn, who are all created of fire. Adam, on the other hand, confessed his own vileness, saying, "Thou hast formed me out of clay." The king was well assured of the fidelity of Ayaz; but in order to confute those who suspected him, he ordered them to go by night and break open that chamber and bring away all the treasure and other things hidden in it. It is a characteristic of evildoers to think evil of the saints, because they judge of their conduct by the light of their own evil natures, as the crooked foot makes a crooked footprint, and as the spider sees things distorted through the web he has spun himself The hug's conduct in this did not betoken any diminution of his love for Ayaz, because lover and beloved are always as ono soul, though they may be opposed to outward view. Accordingly the courtiers proceeded to the chamber of Ayaz at night, and broke open the door, and searched the floor and the walls, but found only the old shoes and the ragged dress. They then returned to the king discomfited and shamefaced, even as the wicked who have slandered the saints will be on the day of judgment, according to the text, "On the resurrection day thou shalt see those who have lied of God with their faces black." Then they besought the king to pardon their offence, but he refused, saying that their offence had been committed against Ayaz, and that he would leave it to Ayaz to decide whether they should be punished or pardoned. If Ayaz showed mercy it would be well; and if he punished it would be well also, for "the law of retaliation is the security for life." Only he enjoined him to pronounce his sentence without delay, because "Waiting is punishment."

(9) Thou receivest thy clothing, thy sandals, thy stick, thy linen, thy weapons, with which thou wilt cut off heads, thou wilt twist round the necks of thy foes; these enemies who would bring death to thee, they will not approach thee

(4) Its character is different from the Book of the Dead in general. It seems to be part of a ritual such as the Ritual of Amon and Mut, with which it has a great likeness (see Moret, Rituel du culte divin , ch. 6). (1) The clothing in a pure or perhaps a clean garment, will be the sign that all that was wrong in the deceased has been destroyed by the gods. Therefore the deceased calls on them, asking them to complete this destruction in order that he may shine or be glorious, wearing the pure garment

(40) And he clothed him with byssus garments, and lie put a gold chain upon his neck, and (a herald) proclaimed before him " 'El 'El wa' Abirer," and he placed a ringon his hand and made him ruler over all his house, and magnified him, and said unto him : " Only on the throne shall I be greater than thou."

(5) ¶And when the king came in to see the guests, he saw there a man which had not on a wedding garment: and he saith unto him, Friend, how earnest thou in hither not having a wedding garment? And he was speechless.

(35) The garments and ornamentations supposedly worn by the gods are also keys, for in the Mysteries clothing was considered as synonymous with form. The degree of spirituality or materiality of the organisms was signified by the quality, beauty, and value of the garments worn. Man's physical body was looked upon as the robe of his spiritual nature; consequently, the more developed were his super-substantial powers the more glorious his apparel. Of course, clothing was originally worn for ornamentation rather than protection, and such practice still prevails among many primitive peoples. The Mysteries caught that man's only lasting adornments were his virtues and worthy characteristics; that he was clothed in his own accomplishments and adorned by his attainments. Thus the white robe was symbolic of purity, the red robe of sacrifice and love, and the blue robe of altruism and integrity. Since the body was said to be the robe of the spirit, mental or moral deformities were depicted as deformities of the body.

(15) Then they went to give the capes to Xtah and Xpuch, as they were called, and Balam-Quitzé. Balam-Acab, and Mahucutah said to them: "Here is proof of your conversation [with us]; take these before the lords: Say to them, 'In truth, Tohil has talked to us; here we bring the proof,' tell them, and have them dress themselves in the clothes which you will give them." This they told the maidens when they bade them farewell. The latter went at once, carrying the abovementioned painted capes. When they arrived, the lords were filled with joy to see their faces and their hands, from which hung the things the maidens had gone for. "Did you see the face of Tohil?" they asked them. "Yes, we saw it," answered Xtah and Xpuch. "Very well. And you bring the token, do you not?" the lords asked, thinking that this was the proof of their sin.

(16) Then the maidens held out the painted capes, all covered with [the figures] of jaguars and eagles, and covered with bumblebees and wasps, painted on the surface of the cloth and which shone before them. At once they felt a desire to put the capes on. The jaguar did nothing when the lord threw the first painting on his back. Then the lord put on the second painting, with the figure of the eagle. The lord felt very well wrapped within it. And he turned about before all of them.

(12) When worn over the area related to the animal passions, the pure lambskin signifies the regeneration of the procreative forces and their consecration to the service of the Deity. The size of the apron, exclusive of the flap, makes it the symbol of salvation, for the Mysteries declare that it must consist of 144 square inches.

(13) Then they held council with the priests and sacrificers and they said to Balam-Quitzé, BalamAcab, Mahucutah, and Iqui-Balam: "Paint three capes, paint on them the symbol of your being in order that it may be recognized by the tribes, when the maidens who are washing carry them back. Give the capes to them," Balam-Quitzé, Balam-Acab, and Mahucutah were told.

(5) Both the peacock and the ibis were objects of veneration because they destroyed the poisonous reptiles which were popularly regarded as the emissaries of the infernal gods. Because of the myriad of eyes in its tail feathers the peacock was accepted as the symbol of wisdom, and on account of its general appearance it was often confused with the fabled phœnix of the Mysteries. There is a curious belief that the flesh of the peacock will not putrefy even though kept for a considerable time. As an outgrowth of this belief the peacock became the emblem of immortality, because the spiritual nature of man--like the flesh of this bird--is incorruptible.

(21) "There were provided ten curtains of blue, of purple, and scarlet, and fine-twined linen. As is said, 'Moreover thou shall make the tabernacle with ten curtains of fine-twined linen, and blue, and purple, and scarlet.' * * * There were provided eleven curtains of goats' hair, and the length of every one of them was thirty cubits, * * *. Rabbi Judah said, 'There were two covers-the lower one of rams' skins dyed red, and the upper one of badgers' skins. '"

(5) It is alluded to in the next Chapter (fifth verse), “thou puttest on the pure garment, and thou divestest the apron, when thou stretchest thyself on the funereal bed.”

(38) The bow and the quiver he hung at his side

(40) Th. robe of the High Priest of Israel were often called "The Garments of Glory", for they resembled the regenerated and spiritualized nature of man, symbolized by a vestment which all must weave from the threads of character and virtue before they can become High Priests after the Order of Melchizedek.

A jackal fell into a dye-pit, and his skin was dyed of various colors. Proud of his splendid appearance, he returned to his companions, and desired them to address him as a peacock. But they proceeded to test his pretensions, saying, "Dost thou scream like a peacock, or strut about gardens as peacocks are wont to do?" And he was forced to admit that he did not, whereupon they rejected his pretensions. Another story, also on the subject of false pretenders, follows. A proud man who lacked food procured a skin full of fat, greased his beard and lips with it, and called on his friends to observe how luxuriously he had dined. But his belly was vexed at this, because it was hungry, and he was destroying his chance of being invited to dinner by his friends. So the belly cried to God, and a cat came and carried off the skin of fat, and so the man's false pretences were exposed. The poet takes occasion to point out that Pharaoh's pretensions to divinity exactly resembled the pretensions of this jackal, and adds that all such false pretenders may be detected by the mark noted in the Koran, "Ye shall know them by the strangeness of their speech." This recalls the story of Harut and Marut, two angels who were very severe on the frailties of mankind, and whom God sent down upon the earth to be tempted, with the result that they both succumbed to the charms of the daughters of men.

(38) "As for that which was within it, the leaves of bark or rind, were engraven and with admirable diligence written, with a point of iron, in fair and neat Latin letters colored. It contained thrice seven leaves, for so were they counted in the top of the leaves, and always every seventh leaf there was painted a virgin and serpent swallowing her up. In the second seventh, a cross where a serpent was crucified; and the last seventh, there were painted deserts, or wildernesse, in the midst whereof ran many fair fountains, from whence there issued out a number of serpents, which ran up and down here and there. Upon the first of the leaves, was written in great capital letters of gold, Abraham the Jew, Prince, Priest, Levite, Astrologer, and Philosopher, to the Nation of the Jews, by the Wrath of God dispersed among the Gauls, sendeth Health. After this it was filled with great execrations and curses (with this word Maranatha, which was often repeated there) against every person that should cast his eyes upon it, if he were not Sacrificer or Scribe.

(30) bearing a black standard. He wore only the plainest of garments, declaring that rich and conspicuous raiment did not become the pious, and did not remove his shoes at prayer. He was particularly concerned with the cleanliness of his teeth and at the time of his death, when too weak to speak, indicated his desire for a toothpick. When fearful of forgetting something, the Prophet tied a thread to his ring. He once had a very fine gold ring but, noting that his followers had taken to wearing similar rings in emulation of him, he removed his own and threw it away lest his followers form an evil habit. (See The Life of Mohammad.)

(2) Now concealment is evinced in the reference of the seven circuits around the temple, which are made mention of among the Hebrews; and the equipment on the robe, indicating by the various symbols, which had reference to visible objects, the agreement which from heaven reaches down to earth. And the covering and the veil were variegated with blue, and purple, and scarlet, and linen. And so it was suggested that the nature of the elements contained the revelation of God.