(13) Pythagoras saith:—We posit another government which is not from another root, but it differs in name. And know, all ye seekers after this Science and ‘Wisdom, that whatsoever the envious may have enjoined in their books concerning the’ composition of natures which agree together,* in savour there is only one, albeit to sight they are as diverse as possible. Know, also, that the thing which they have described in so many ways follows and attains its companion without fire, even as the magnet follows the iron, to which the said thing is not vainly compared, nor to a seed, nor to a matrix, for it is also like unto these. And this same thing, which followst its companion without fire, causes many colours to appear when embracing it, for this reason, that the said one thing enters into every regimen, and is found everywhere, being a stone, and also not a stone; common ”* and precious; hidden and concealed, yet known by everyone; of one name and of many names, which is the Spume of the Moon. This stone, therefore, is not a stone, because it is more precious; without it Nature never operates anything; its name is one, yet we have called it by many names on account of the excellence of its nature.*

The Turba answereth:—O! Master! wilt thou not mention some of those names for the guidance of seekers?

And he:—It is called White Ethelia, White Copper, and that which flies from the fire and alone whitens copper. Break up, therefore, the White Stone, and afterwards coagulate it with milk.* Then pound the calx in the mortar, taking care that the humidity does not escape from the vessel; but coagulate it in the vessel until it shall become a cinder. Cook also with Spume of Luna and regulate. For ye shall find the stone broken, and already imbued with its own water.t This, therefore, is the stone which we call by all names, which assimilates the work and drinks it, and is the stone out of which also all colours appear. Take, therefore, that same gum,} which is from the scoriz, and mix with cinder of calx, which you have ruled, and with the feeces which you know, moistening with permanent water. Then look and see whether it has become a powder, but if not, roast in a fire stronger than the first fire, until it be pounded. Then imbue with permanent water, and the more the colours vary all the more suffer them to be heated. Know, moreover, that if you take white quicksilver, or the Spume of Luna, and do as ye are bidden, breaking up with a gentle fire, the same is coagulated, and becomes a stone. Out of this stone, therefore, when it is broken up, many colours will appear to you. But herein, if any ambiguity occur to you in our discourse, do as ye are bidden, ruling the same until: a white and coruscating stone shall be produced, and so ye find your purpose.

(8) For this is very well to be apprehended and perceived in the Earth and Stones, that the four Elements are of one only Substance, and that the Earth and Stones were generated in the Fierceness from the Kindling of the Elements. For a Stone is but Water; and therefore we should do well to consider, what Kind of Fierceness there must have been, that has drawn the Water so hard together.

(27) Grecorius* saith: O all ye Turba, it is to be observed that the envious have called the venerable’ stone Efflucidinus,t and they have ordered it to be ruled until it coruscates like marble in its splendour.} And go they: Show, therefore, what it is to posterity. Then he: Willingly; you must know that the copper is commingled with vinegar, and ruled until it becomes’ water. Finally, let it be congealed, and it remains a coruscating stone with a brilliancy like marble, which, when ye see thus, I direct you to rule until it becomes red, because when it is cooked till it is disintegrated and becomes earth, it is turned into a red colour. When ye see it thus, repeatedly cook and imbue it until it assume the aforesaid colour, and it shall become hidden gold. Then re-. peat the process, when it will become gold of a Tyrian colour. It behoves you, therefore, O all ye investigators of this Art, when ye have observed that this Stone is coruscating, to pound and turn it into earth, until it acquires some degree of redness; then take the remainder* of the water which the envioust ordered you to divide into two parts, and ye shall imbibe them! several times until the colours which are hidden by no body appear unto you.S Know also that if ye rule it ignorantly, ye shall see nothing of those colours. I knew a certain person who commenced this work, and operated the natures of truth, who, when the redness was somewhat slow in appearing, imagined that he had made a mistake, and so relinquished the work. Observe, therefore, how ye make the conjunction, for the punic dye,* having embraced his spouse, passes swiftly into her body, liquefies, congeals, breaks up, and disintegrates the same. Finally, the redness does not delay in coming, and if ye effect it without the weight, death will take place, whereupon it will be thought to be bad. Hence, I order that the fire should be gentle in liquefaction, but when it is turned to earth make the same intense,t and imbue it until God shall extract the colours for us and they appear.

(2) No stone was ever so renowned as the stone in the Ring of Solomon, yet it was quite a simple stone weighing no more than half a dang. But when Solomon made a seal of it, the whole earth came under his sway. His rule was established and his law extended to the far horizons. Though the wind carried his will to every quarter, he possessed only a stone of half a dang. He said: ' Since my realm and rule depend on this stone, from henceforth no one shall have such power.'

Although Solomon became a great king because of his seal, it was this that delayed his progress on the spiritual path; and he came to the Paradise of Eden five hundred years later than the other prophets. If a stone could produce such a state in regard to Solomon, what could it do to a being

like you, poor Partridge? Turn your heart away from common jewels. Seek the true jewel and be always in quest of the Good Jeweller.

(42) Meteors, or rocks from heaven, were considered tokens of divine favor and enshrined as evidence of a pact between the gods and the community in which they fell. Curiously marked or chipped natural stones are occasionally found. In China there is a slab of marble the grain of which forms a perfect likeness of the Chinese dragon. The Oberammergau stone, chipped by Nature into a close resemblance to the popular conception of the face of Christ, is so remarkable that even the crowned heads of Europe requested the privilege of beholding it. Stones of such nature were held in the highest esteem among primitive peoples and even today exert a wide influence upon the religiously-minded.

(5) But the followers of Carpocrates and Epiphanes think that wives should be common property. Through them the worst calumny has become current against the Christian name. This fellow Epiphanes, whose writings I have at hand, was a son of Carpocrates and his mother was named Alexandria. On his father's side he was an Alexandrine, on his mother's a Cephallenian. He lived in all only seventeen years, and at Same in Cephallenia was honoured as a god. There a temple of vast blocks of stone was erected and dedicated to him, with altars, sacred precincts, and a "museum." The Cephallenians gather at the temple every new moon and celebrate with sacrifices the day when Epiphanes became a god as his birthday; they pour libations to him, feast in his honour, and sing his praises. He was educated by his father in the general education and in Platonism, and he was instructed in the knowledge of the Monad, which is the root-origin of the Carpocratians' heresy.

(20) Betus saith:—O disciples, ye have discoursed excellently!*

PyTHAGoRAS answers:—Seeing that they are philosophers, O Belus, why hast thou called them disciples?

He answereth:—lIt is in honour of their Master, lest I should make them equal with him. Then

PytHaGcoras saith:—Those who, in conjunction with us, have composed this book which is called the Turba, ought not to betermed disciples.

Then he:— Master, they have frequently described Permanent Water, and the making of the White and the Red in many ways, albeit under many names; but in the modes after which they have conjoined weights, compositions, and regimens, they agree with the hidden truth. Behold, what is said concerning this despised thing! A report has gone abroad that the Hidden Glory of the Philosophers is a stone and not astone, and that it is called by many names, lest the foolish should recognise it, Certain wise men have designated it after one fashion, namely, according to the place where it is generated; others have adopted another, founded upon its colour, some of whom have termed it the Green Stone;* by other some it is called the Stone of the most intense Spirit of Brass, not to be mixed with bodies; by yet others its description has been further varied, because itis sold for coins by lapidaries who are called saven; some have named it Spume of Luna;t some have distinguished it astronomically or arithmetically; it has already received a thousand titles, of which the best is:— “That which is produced out of metals.” So also others have called it the Heart of the Sun, and yet others have declared it to be that which is brought forth out of quicksilver with the milk of volatile things.

a a a

(11) Because their doctrines were the sure foundation of all knowledge and the first step in the attainment of conscious immortality, the Mysteries were often represented as cubical or pyramidal stones. Conversely, these stones themselves became the emblem of that condition of self-achieved godhood. The unchangeability of the stone made it an appropriate emblem of God--the immovable and unchangeable Source of Existence--and also of the divine sciences--the eternal revelation of Himself to mankind. As the personification of the rational intellect, which is the true foundation of human life, Mercury, or Hermes, was symbolized in a like manner. Square or cylindrical pillars, surmounted by a bearded head of Hermes and called hermæ, were set up in public places. Terminus, a form of Jupiter and god of boundaries and highways, from whose name is derived the modern word terminal, was also symbolized by an upright stone, sometimes ornamented with the head of the god, which was placed at the borders of provinces and the intersections of important roads.

(61) Timaeus: and all the species of stone called “fusible”; while those which contain more water include all the solidified substances of the type of wax and frankincense. And now we have explained with some fullness the Four Kinds, which are thus variegated in their shapes and combinations and permutations; but we have still to try to elucidate the Causes which account for their affective qualities. Now, first of all, the quality of sense-perceptibility must always belong to the objects under discussion; but we have not as yet described the generation of flesh and the appurtenances of flesh, nor of that portion of Soul which is mortal. But, in truth, these last cannot be adequately explained

(20) Leaf 8. Under the sun, moon, and Mercury are the words Three and One, an inference that the three are one. The words under the flower stems read: "Whiteness forty days after ashes." Under the blossoms is written: (left) "Minor time of the Stone"; (right) "The selected red." Between the arms of the central figure appears: "Let one pound of Mercury be placed." To the left is written: "If you who read shall have known this figure, you will possess the whole science of the Stone"; to the right: "And if you do not acknowledge it, you will be stiff-necked and dull." Above the sun is the word Father; above the satyr, "Ferment of the work." Beside the child is the sentence: "The son of the moon would threw the Stone into the fire--his mother." Above the flaming basket is written: "I am the true Stone." Under the central figure are the words: "A moderate fire is the master of the work."

(8) Stones were highly venerated by prehistoric peoples primarily because of their usefulness. Jagged bits of stone were probably man's first weapons; rocky cliffs and crags constituted his first fortifications, and from these vantage points he hurled loose boulders down upon marauders. In caverns or rude huts fashioned from slabs of rock the first humans protected themselves from the rigors of the elements. Stones were set up as markers and monuments to primitive achievement; they were also placed upon the graves of the dead, probably as a precautionary measure to prevent the depredations of wild beasts. During migrations, it was apparently customary for primitive peoples to carry about with them stones taken from their original habitat. As the homeland or birthplace of a race was considered sacred, these stones were emblematic of that universal regard shared by all nations for the place of their geniture. The discovery that fire could be produced by striking together two pieces of stone augmented man's reverence for stones, but ultimately the hitherto unsuspected world of wonders opened by the newly discovered element of fire caused pyrolatry to supplant stone worship. The dark, cold Father--stone--gave birth out of itself to the bright, glowing Son-fire; and the newly born flame, by displacing its parent, became the most impressive and mysterious of all religio-philosophic symbols, widespread and enduring through the ages.

(13) Lo, to thee I pour as a libation the sparkling gleam of Bromius."He signifies, as I think, the soul's first milk-like nutriment of the four-and-twenty elements, after which solidified milk comes as food. And last, he teaches of the blood of the vine of the Word, the sparkling wine, the perfecting gladness of instruction. And Drops is the operating Word, which, beginning with elementary training, and advancing to the growth of the man, inflames and illumines man up to the measure of maturity. The third is said to be a writing copy for children -marptes, sfigx klwy, zxnkqhdos. And it signifies, in my opinion, that by the arrangement of the elements and of the world, we must advance to the knowledge of what is more perfect, since eternal salvation is attained by force and toil; for maryai is to grasp. And the harmony of the world is meant by the Sphinx; and zunkqhdon means difficulty; and klwys means at once the secret knowledge of the Lord and day. Well! does not Epigenes, in his book on the Poetry of Orpheus, in exhibiting the peculiarities found in Orpheus, say that by " the curved rods" (keraisi) is meant "ploughs;"and by the warp (sthmosi), the furrows; and the woof (mitos) is a figurative expression for the seed; and that the tears of Zeus signify a shower; and that the "parts" (moirai) are, again, the phases of the moon, the thirtieth day, and the fifteenth, and the new moon, and that Orpheus accordingly calls them "white-robed," as being parts of the light?

(13) Thou hast a similitude of this, in that the earth and stones are proceeded out of the incomprehensibility.

(20) In contrast to the idea of Hades as a state of darkness below, the gods were said to inhabit the tops of mountains, a well-known example being Mount Olympus, where the twelve deities of the Greek pantheon were said to dwell together. In his initiatory wanderings the neophyte therefore entered chambers of ever-increasing brilliancy to portray the ascent of the spirit from the lower worlds into the realms of bliss. As the climax to such wanderings he entered a great vaulted room, in the center of which stood a brilliantly illumined statue of the goddess Ceres. Here, in the presence of the hierophant and surrounded by priests in magnificent robes, he was instructed in the highest of the secret mysteries of the Eleusis. At the conclusion of this ceremony he was hailed as an Epoptes, which means one who has beheld or seen directly. For this reason also initiation was termed autopsy. The Epoptes was then given certain sacred books, probably written in cipher, together with tablets of stone on which secret instructions were engraved.

(56) Constans saith: What have you to do with the treatises of the envious, for it is necessary that this work should deal with four things? They answer: Demonstrate, therefore, what are those four? And he: Earth, water, air, and fire. Ye have then those four elements without which nothing is ever generated, nor is anything absolved in the Art. Mix, therefore, the dry with the humid, which are earth and water, and cook in the fire and in the air, whence the spirit and the soul are dessicated.* And know ye that the tenuous tingeing agent takes its power out of the tenuous part of the earth, out of the tenuous part cf the fire and of the air, while out of the tenuous part of the water, a tenuous spirit has been dessicated.t This, therefore, is the process of our work, namely, that everything may be turned into earth when the tenuous parts of these things are extracted, because a body is then composed which is a kind of atmospheric thing, and thereafter tinges the imposed body of coins.* Beware, however, O all ye investigators of this art, lest ye multiply things, for the envious have multiplied and destroyed for you! They have also described various regimens that they might deceive; they have further called it (or have likened it to) the humid with all the humid, and the dry with all the dry, by the name of every stone and metal, gall of animals of the sea, the winged things of heaven and reptiles of the earth. But do ye who would tinge observe that bodies are tinged with bodies. For I say to you what the

Philosopher said briefly and truly at the beginning of his book. In the art of gold is the quicksilver from Cambar, and in coins is the quicksilver from the Male. In nothing, however, look beyond this, since the two quicksilvers are also one.

(17) Leaf 6. This plate shows all the secrets of the great Stone. In the center stands the Paschal Virgin, in her hair the prime virtue which is described as an herb flourishing in wells. The hands hold the symbols of the spiritual and material elements. The statement at the upper left is to the effect that there are four spirits with two faces, which are called the elements. At the upper right it is written that fire lives on air, air on water, water on earth, and thus the Stone lives Peacefully on all the pure elements. Under the sun appears the word Summer; under the moon, Autumn. About the tree on the left with its attendant eyes are the words: "Turn away your eyes to [from?] the fire. There is space [?]." About the tree to the right. "Open your eyes to the fire. There is time." The lower panel opens with this sentence "I am exalted above the circles of world."

(26) Ceres, or Demeter, was the daughter of Kronos and Rhea, and by Zeus the mother of Persephone. Some believe her to be the goddess of the earth, but more correctly she is the deity protecting agriculture in general and corn in particular. The Poppy is sacred to Ceres and she is often shown carrying or ornamented by a garland of these flowers. In the Mysteries, Ceres represented riding in a chariot drawn by winged serpents.

(4) Before Colché, as a symbol of a town destroyed by him, there is now a pile of stones, which look almost as if they had been cut With the edge of an ax. it is there on the coast, called Petatayub, and it may be clearly seen today by people who pass, as proof of the valor of Quicab. They could neither kill him nor overcome him, for, in truth, he was a brave man, and all the people rendered tribute unto him.

(28) There are many accounts of stone images which, because of the substances entering into their composition and the ceremonials attendant upon their construction, were ensouled by the divinities whom they were created to resemble. To such images were ascribed various human faculties and powers, such as speech, thought, and even motion. While renegade priests doubtless resorted to trickery--an instance of which is related in a curious apocryphal fragment entitled Bel and the Dragon and supposedly deleted from the end of the Book of Daniel--many of the phenomena recorded in connection with sanctified statues and relics can hardly be explained unless the work of supernatural agencies be admitted.

(31) The following paragraph from Porphyry gives a fairly adequate conception of Eleusinian symbolism: "God being a luminous principle, residing in the midst of the most subtile fire, he remains for ever invisible to the eyes of those who do not elevate themselves above material life: on this account, the sight of transparent bodies, such as crystal, Parian marble, and even ivory, recalls the idea of divine light; as the sight of gold excites an idea of its purity, for gold cannot he sullied. Some have thought by a black stone was signified the invisibility of the divine essence. To express supreme reason, the Divinity was represented under the human form--and beautiful, for God is the source of beauty; of different ages, and in various attitudes, sitting or upright; of one or the other sex, as a virgin or a young man, a husband or a bride, that all the shades and gradations might be marked. Every thing luminous was subsequently attributed to the gods; the sphere, and all that is spherical, to the universe, to the sun and the moon--sometimes to Fortune and to Hope. The circle, and all circular figures, to eternity--to the celestial movements; to the circles and zones of the heavens. The section of circles, to the phases of the moon; and pyramids and obelisks, to the igneous principle, and through that to the gods of Heaven. A cone expresses the sun, a cylinder the earth; the phallus and triangle (a symbol of the matrix) designate generation." (From Essay on the Mysteries of Eleusis by M. Ouvaroff.)