(36) Later, Hunahpu was restored to life by magic, and the two brothers, having thus foiled every attempt against their lives by the Xibalbians, in order to better avenge the murder of Hunhun-ahpu and Vukub-hunhun-ahpu, permitted themselves to be burned upon a funeral pyre. Their powdered bones were then cast into a river and immediately became two great man-fishes. Later taking upon themselves the forms of aged wanderers, they danced for the Xibalbians and wrought strange miracles. Thus one would cut the other to pieces and with a single word resurrect him, or they would burn houses by magic and then instantly rebuild them. The fame of the two dancers--who were in reality Hunahpu and Xbalanque--finally came to the notice of the twelve princes of Xibalba, who thereupon desired these two miracle-workers to perform their strange fears before them. After Hunahpu and Xbalanque had slain the dog of the princes and restored it to life, had burned the royal palace and instantly rebuilt it, and given other demonstrations of their magical powers, the monarch of the Xibalbians asked the magicians to destroy him and restore him also to life. So Hunahpu and Xbalanque slew the princes of Xibalba but did not return them to life, thereby avenging the murder of Hunhun-ahpu and Vukub-hunhun-ahpu. These heroes later ascended to heaven, where they became the celestial lights.

(22) to exalt themselves before our face?" So the princes of Xibalba sent for the two youths, Hunahpu and Xbalanque, that they might destroy them also in the seven days of the Mysteries. Before departing, the two brothers bade farewell to their grandmother, each planting in the midst of the house a cane plant, saying that as long as the cane lived she would know that they were alive. "O, our grandmother, O, our mother, do not weep; behold the sign of our word which remains with you. " Hunahpu and Xbalanque then departed, each with his sabarcan (blowpipe), and for many days they journeyed along the perilous trail, descending through tortuous ravines and along precipitous cliffs, past strange birds and boiling springs, cowards the sanctuary of Xibalba.

(14) Now his elder son was in the field: and as he came and drew nigh to the house, he heard music and dancing. And he called one of the servants, and asked what these things meant. And he said unto him, Thy brother is come; and thy father hath killed the fatted calf, because he hath received him safe and sound. And he was angry, and would not go in: therefore came his father out, and entreated him.

(18) The princes of Xibalba (so the Popol Vuh recounts) sent their four owl messengers to Hunhun-ahpu and Vukub-hunhun-ahpu, ordering them to come at once to the place of initiation in the fastnesses of the Guatemalan mountains. Failing in the tests imposed by the princes of Xibalba, the two brothers--according to the ancient custom--paid with their lives for their shortcomings. Hunhun-ahpu and Vukub-hunhun-ahpu were buried together, but the head of Hunhun-ahpu was placed among the branches of the sacred calabash tree which grew in the middle of the road leading to the awful Mysteries of Xibalba. Immediately the calabash tree covered itself with fruit and the head of Hunhun-ahpu "showed itself no more; for it reunited itself with the other fruits of the calabash tree." Now Xquiq was the virgin daughter of prince Cuchumaquiq. From her father she had learned of the marvelous calabash tree, and desiring to possess some of its fruit, she journeyed alone to the somber place where it grew. When Xquiq put forth her hand to pick the fruit of the tree, some saliva from the mouth of Hunhun-ahpu fell into it and the head spoke to Xquiq, saying: "This saliva and froth is my posterity which I have just given you. Now my head will cease to speak, for it is only the head of a corpse, which has no more flesh."

(28) The fifth ordeal was also of a nocturnal nature. Hunahpu and Xbalanque were ushered into a great chamber which was immediately filled with ferocious tigers. Here they were forced to remain throughout the night. The young men tossed bones to the tigers, which they ground to pieces with their strong jaws. Gazing into the House of the Tigers, the princes of Xibalba beheld the animals chewing the bones and said one to the other: "They have at last learned (to know the power of Xibalba), and they have given themselves up to the beasts. " But when at dawn Hunahpu and Xbalanque emerged from the House of the Tigers unharmed, the Xibalbians

(9) "Are you afraid?" asked Tzŭ Ssŭ. "I am not," replied Tzŭ Yü. "What have I to fear? Ere long I shall be decomposed. My left shoulder will become a cock, and I shall herald the approach of morn. My right shoulder will become a cross-bow, and I shall be able to get broiled duck. My buttocks will become wheels; and with my soul for a horse, I shall be able to ride in my own chariot. I obtained life because it was my time: I am now parting with it in accordance with the same law. Content with the natural sequence of these states, joy and sorrow touch me not. I am simply, as the ancients expressed it, hanging in the air, unable to cut myself down, bound with the trammels of material existence. But man has ever given way before God: why, then, should I be afraid?" By-and-by, another of the four, named Tzŭ Lai, fell ill, and lay gasping for breath, while his family stood weeping around. The fourth friend, Tzŭ Li, went to see him. "Chut!" cried he to the wife and children; "begone! you balk his decomposition." Then, leaning against the door, he said, "Verily, God is great! I wonder what he will make of you now. I wonder whither you will be sent. Do you think he will make you into a rat's liver or into the shoulders of a snake?" "A son," answered Tzŭ Lai, "must go whithersoever his parents bid him. Nature is no other than a man's parents.

(24) When told to adore the king, Hunahpu and Xbalanque laughed, for they knew that the figure pointed out to them was the lifeless manikin. The young adventurers thereupon addressed the twelve princes by name thus: "Hail, Hun-came; hail, Vukub-came; hail, Xiquiripat; hail, Cuchumaquiq; hail, Ahalpuh; hail, Ahalcana; hail, Chamiabak; hail, Chamiaholona; hail, Quiqxic; hail, Patan; hail, Quiqre; hail, Quiqrixqaq." When invited by the Xibalbians to seat themselves upon a great stone bench, Hunahpu and Xbalanque declined to do so, declaring that they well knew the stone to be heated so that they would he burned to death if they sat upon it. The princes of Xibalba then ordered Hunahpu and Xbalanque to rest for the night in the House of Shadows. This completed the first degree of the Xibalbian Mysteries.

After short anecdotes of Pharaoh's magicians, of the mule who complained to the camel that he was always stumbling, and of the prophet Ezra, comes the story of the old man who wept not for the death of his sons. An old man who was noted for sanctity, and who realized the saying of the Prophet, "The 'ulama of the faith are as the prophets of Israel," lost all his sons, but showed no grief or regret. His wife therefore rebuked him for his want of feeling, whereupon he replied to her as follows:

(19) Following the admonitions of Hunhun-ahpu, the young girl returned to her home. Her father, Cuchumaquiq, later discovering that she was about to become a mother, questioned her concerning the father of her child. Xquiq replied that the child was begotten while she was gazing upon the head of Hunhun-ahpu in the calabash tree and that she had known no man. Cuchumaquiq, refusing to believe her story, at the instigation of the princes of Xibalba, demanded her heart in an urn. Led away by her executioners, Xquiq pleaded with them to spare her life, which they agreed to do, substituting for her heart the fruit of a certain tree (rubber) whose sap was red and of the consistency of blood. When the princes of Xibalba placed the supposed heart upon the coals of the altar to be consumed, they were all amazed by the perfume which rose therefrom, for they did not know that they were burning the fruit of a fragrant plant.

(2) When Wên Po Hsüeh Tzŭ was on his way to Ch'i, he broke his journey in Lu. A certain man of Lu begged for an interview, but Wên Po Hsüeh Tzŭ said, "No. I have heard that the gentlemen of the Middle Kingdom are experts in ceremonies and obligations, but wanting in knowledge of the human heart. I do not wish to see him." So he went on to Ch'i; but once more at Lu, on his way home, the same man again begged to have an interview. "When I was last here," cried Wên Po Hsüeh Tzŭ, "he asked to see me, and now again he asks to see me. Surely he must have something to communicate." Whereupon he went and received the stranger, and on returning gave vent to sighs. Next day he received him again, and again after the interview gave vent to sighs. Then his servant asked him, saying, "How is it that whenever you receive this stranger, you always sigh afterwards?" "I have already told you," replied Wên Po Hsüeh Tzŭ, "that the people of the Middle Kingdom are experts in ceremonies and obligations but wanting in knowledge of the human heart. The man who visited me came in and went out as per compasses and square. His demeanour was now that of the dragon, now that of the tiger. He criticised me as though he had been my son. He admonished me as though he had been my father. Therefore I gave vent to sighs."

(3) The parents of Laila refused to let Majnun go near their tents. But Majnun, intoxicated with love, borrowed the skin of a sheep from a shepherd in the desert, where Laila's tribe pitched their tents. He bent his head down and put on the sheep-skin, and said to the shepherd: 'In the name of God, let me crawl along in the middle of your sheep, then lead the flock past Laila's tent, so that I may perhaps discover her sweet perfume, and being concealed in this skin may contrive something.' The shepherd did as Majnun wished, and as they passed her tent he saw her, and swooned away. The shepherd then carried him from the tents into the desert and threw water on his face to cool his burning love.

Another day, Majnun was with some companions in the desert, and one of them asked him: 'How can you, a nobleman, go about naked? I wdll get some clothes for you if you wish.' Majnun said: 'No garments that I can wear are worthy of my friend, so for me there is nothing better than my bare body or a sheepskin. She, for me, is as ispand to avert the evil eye. Majnun would willingly wear garments of silk and cloth of gold, but he prefers this sheepskin by means of which he caught sight of Laila.'

Love should tear aside your prudence. Love changes your attitude. To love is to give up your ordinary life and forsake your tawdry pleasures.

(6) The one uprose and down the other fell, Though turning not away their impious lamps, Underneath which each one his muzzle changed. He who was standing drew it tow'rds the temples, And from excess of matter, which came thither, Issued the ears from out the hollow cheeks; What did not backward run and was retained Of that excess made to the face a nose, And the lips thickened far as was befitting. He who lay prostrate thrusts his muzzle forward, And backward draws the ears into his head, In the same manner as the snail its horns; And so the tongue, which was entire and apt For speech before, is cleft, and the bi-forked In the other closes up, and the smoke ceases. The soul, which to a reptile had been changed, Along the valley hissing takes to flight, And after him the other speaking sputters.

(2) At the time when Zulaikha was enjoying her high rank and dignity she had Joseph put in prison, and told one of her slaves to give him fifty blows with a stick. ' Strike him hard,' she said, 'so that I shall be able to hear his cries.' But this good man did not wish to hurt Joseph, so he took the skin of an animal, and said: 'When I beat it, cry out at each stroke.' When Zulaikha heard the cries she went to the cell and said: 'You are too easy with him, strike harder.' Then the slave said to Joseph, 'O radiance of the sun! If Zulaikha examines you and does not see any marks, she will punish me severely. Now, uncover your shoulders and brace up your heart and bear the blows. If you cry out from the blows she will take less notice of the marks.' Joseph uncovered his shoulders, the stick fell, and his cries went up to heaven. When Zulaikha heard him she went and said: 'It is enough, these cries have produced their effect. Before, his groans were nothing; now, they are very real.'

(86) And I looked at them and saw, and behold they all let out their privy members, like horses, and began to cover the cows of the oxen, and they all became pregnant and bare elephants, camels, and asses.

(20) Xquiq gave birth to twin sons, who were named Hunahpu and Xbalanque and whose lives were dedicated to avenging the deaths of Hunhun-ahpu and Vukub-hunhun-ahpu. The years passed, and the two boys grew up to manhood and great were their deeds. Especially did they excel in a certain game called tennis but somewhat resembling hockey. Hearing of the prowess of the youths, the princes of Xibalba asked: "Who, then, are those who now begin again to play over our heads, and who do not scruple to shake (the earth)? Are not Hunhun-ahpu and Vukub-hunhun-ahpu dead, who wished

A certain king had three sons, who were the light of his eyes, and, as it were, a fountain whence the palm tree of his heart drank the water of bliss. One day he called his sons before him and commanded them to travel through his realm, and to inspect the behavior of the governors and the state of the administration; and he strictly charged them not to go near a particular fort which he named. But, according to the saying, "Man hankers after what is forbidden," the three princes disobeyed their father, and, before going anywhere else, proceeded to visit this fort. The result was, that they fell into calamities, and had occasion to repeat the text, "Had we but hearkened or understood, we had not been among the dwellers in the flame." The fort was full of pictures, images and forms, and amongst them was a portrait of a beautiful damsel, the daughter of the King of China, which made such a deep impression on the three princes that they all became distracted with love and determined to journey to the court of the King of China and sue for the hand of his daughter.

(13) "What manner of bird is this?" cried Chuang Tzŭ. "With strong wings it does not fly away. With large eyes it does not see." So he picked up his skirts and strode towards it with his cross-bow, anxious to get a shot. Just then he saw a cicada enjoying itself in the shade, forgetful of all else. And he saw a mantis spring and seize it, forgetting in the act its own body, which the strange bird immediately pounced upon and made its prey. And this it was which had caused the bird to forget its own nature. "Alas!" cried Chuang Tzŭ with a sigh, "how creatures injure one another. Loss follows the pursuit of gain." So he laid aside his bow and went home, driven away by the park-keeper who wanted to know what business he had there. For three months after this, Chuang Tzŭ did not leave the house; and at length Lin Chü asked him, saying, "Master, how is it that you have not been out for so long?" "While keeping my physical frame," replied Chuang Tzŭ, "I lost sight of my real self. Gazing at muddy water, I lost sight of the clear abyss. Besides, I have learnt from the Master as follows:—"When you go into the world, follow its customs." Now when I strolled into the park at Tiao-ling, I forgot my real self. That strange bird which flew close past me to the chestnut grove, forgot its nature. The keeper of the chestnut grove took me for a thief. Consequently I have not been out." When Yang Tzŭ went to the Sung State, he passed a night at an inn.

(23) The actual ordeals of the Xibalbian Mysteries were seven in number. As a preliminary the two adventurers crossed a river of mud and then a stream of blood, accomplishing these difficult feats by using their sabarcans as bridges. Continuing on their way, they reached a point where four roads converged--a black road, a white road, a red road, and a green road. Now Hunahpu and Xbalanque knew that their first test would consist of being able to discriminate between the princes of Xibalba and the wooden effigies robed to resemble them; also that they must call each of the princes by his correct name without having been given the information. To secure this information, Hunahpu pulled a hair from his leg, which hair then became a strange insect called Xan; buzzing along the black road, the Xan entered the council chamber of the princes of Xibalba and stung the leg of the figure nearest the door, which it discovered to be a manikin. By the same artifice the second figure was proved to be of wood, but upon stinging the third, there was an immediate response. By stinging each of the twelve assembled princes in turn the insect thus discovered each one's name, for the princes called each other by name in discussing the cause of the mysterious bites. Having secured the desired information in this novel manner, the insect then flew back to Hunahpu and Xbalanque, who thus fortified, fearlessly approached the threshold of Xibalba and presented themselves to the twelve assembled princes.

(2) Had shown me through its opening many moons Already, when I dreamed the evil dream Which of the future rent for me the veil. This one appeared to me as lord and master, Hunting the wolf and whelps upon the mountain For which the Pisans cannot Lucca see. With sleuth-hounds gaunt, and eager, and well trained, Gualandi with Sismondi and Lanfianchi He had sent out before him to the front. After brief course seemed unto me forespent The father and the sons, and with sharp tushes It seemed to me I saw their flanks ripped open. When I before the morrow was awake, Moaning amid their sleep I heard my sons Who with me were, and asking after bread. Cruel indeed art thou, if yet thou grieve not, Thinking of what my heart foreboded me, And weep'st thou not, what art thou wont to weep at? They were awake now, and the hour drew nigh At which our food used to be brought to us, And through his dream was each one apprehensive; And I heard locking up the under door Of the horrible tower; whereat without a word I gazed into the faces of my sons.

The poet now returns to the story of Mahmud and Ayaz, which is continued at intervals till the end of the book. The king inquired of Ayaz what made him continually visit his old shoes and garments, as Majnun used to visit his Laila, or as a Christian regularly visits his priest to obtain absolution for his sins. Why should he call to these dead things, like a fond mother calling to her dead infant, were it not that faith and love made them, as it were, living beings to him? The eye sees what it brings with it to see; it can see nothing but what it has gained the faculty of seeing. Thus the face of Laila, which seemed so lovely to the eyes of Majnun, made clairvoyant by love, seemed to strangers to have no claims to beauty. The earthly forms which here surround us are, as it were, vessels fraught with spiritual wine, only visible to those who have learnt to discern the deep things of the Spirit.