(22) to exalt themselves before our face?" So the princes of Xibalba sent for the two youths, Hunahpu and Xbalanque, that they might destroy them also in the seven days of the Mysteries. Before departing, the two brothers bade farewell to their grandmother, each planting in the midst of the house a cane plant, saying that as long as the cane lived she would know that they were alive. "O, our grandmother, O, our mother, do not weep; behold the sign of our word which remains with you. " Hunahpu and Xbalanque then departed, each with his sabarcan (blowpipe), and for many days they journeyed along the perilous trail, descending through tortuous ravines and along precipitous cliffs, past strange birds and boiling springs, cowards the sanctuary of Xibalba.

(18) The princes of Xibalba (so the Popol Vuh recounts) sent their four owl messengers to Hunhun-ahpu and Vukub-hunhun-ahpu, ordering them to come at once to the place of initiation in the fastnesses of the Guatemalan mountains. Failing in the tests imposed by the princes of Xibalba, the two brothers--according to the ancient custom--paid with their lives for their shortcomings. Hunhun-ahpu and Vukub-hunhun-ahpu were buried together, but the head of Hunhun-ahpu was placed among the branches of the sacred calabash tree which grew in the middle of the road leading to the awful Mysteries of Xibalba. Immediately the calabash tree covered itself with fruit and the head of Hunhun-ahpu "showed itself no more; for it reunited itself with the other fruits of the calabash tree." Now Xquiq was the virgin daughter of prince Cuchumaquiq. From her father she had learned of the marvelous calabash tree, and desiring to possess some of its fruit, she journeyed alone to the somber place where it grew. When Xquiq put forth her hand to pick the fruit of the tree, some saliva from the mouth of Hunhun-ahpu fell into it and the head spoke to Xquiq, saying: "This saliva and froth is my posterity which I have just given you. Now my head will cease to speak, for it is only the head of a corpse, which has no more flesh."

(26) The third ordeal took place presumably in a cavern called the House of Spears. Here hour after hour the youths were forced to defend themselves against the strongest and most skillful warriors armed with spears. Hunahpu and Xbalanque pacified the spearmen, who thereupon ceased attacking them. They then turned their attention to the second and most difficult part of the test: the production of four vases of the rarest flowers but which they were not permitted to leave the temple to gather. Unable to pass the guards, the two young men secured the assistance of the ants. These tiny creatures, crawling into the gardens of the temple, brought back the blossoms so that by morning the vases were filled. When Hunahpu and Xbalanque presented the flowers to the twelve princes, the latter, in amazement, recognized the blossoms as having been filched from their own private gardens. In consternation, the princes of Xibalba then counseled together how they could destroy the intrepid neophytes and forthwith prepared for them the next ordeal.

(11) And the prince Maste'ma sent ravens and birds to devour the seed which was sown in the land, in order to destroy the land, and rob the children of men of their labours. Before they could plough in the seed, the ravens picked (it) from the surface of the ground.

(42) The exploits of Hunahpu and Xbalanque take place before the actual creation of the human race and therefore are to be considered essentially as spiritual mysteries. Xibalba doubtless signifies the inferior universe of Chaldean and Pythagorean philosophy; the princes of Xibalba are the twelve Governors of the lower universe; and the two dummies or manikins in their midst may be interpreted as the two false signs of the ancient zodiac inserted in the heavens to make the astronomical Mysteries incomprehensible to the profane. The descent of Hunahpu and Xbalanque into the subterranean kingdom of Xibalba by crossing over the rivers on bridges made from their blowguns has a subtle analogy to the descent of the spiritual nature of man into the physical body through certain superphysical channels that may be likened to the blowguns or tubes. The sabarcan is also an appropriate emblem of the spinal cord and the power resident within its tiny central opening. The two youths are invited to play the "Game of Life" with the Gods of Death, and only with the aid of supernatural power imparted to them by the "Sages" can they triumph over these gloomy lords. The tests represent the soul wandering through the sub-zodiacal realms of the created universe; their final victory over the Lords of Death represents the ascension of the spiritual and illumined consciousness from the tower nature which has been wholly consumed by the fire of spiritual purification.

(16) And they dug out a pit in the earth, and iron was obtained by them and beaten out with a stone, and without a forge they beat out a cutting edge from it; and they cut wood with it, and prepared a wooden shelter from the sun (pês-khûr).

(9) When Tzŭ Kung went south to the Ch'u State on his way back to the Chin State, he passed through Han-yin. There he saw an old man engaged in making a ditch to connect his vegetable garden with a well. He had a pitcher in his hand, with which he was bringing up water and pouring it into the ditch,—great labour with very little result. "If you had a machine here," cried Tzŭ Kung, "in a day you could irrigate a hundred times your present area. The labour required is trifling as compared with the work done. Would you not like to have one?" "What is it?" asked the gardener. "It is a contrivance made of wood," replied Tzŭ Kung, "heavy behind and light in front. It draws up water as you do with your hands, but in a constantly overflowing stream. It is called a well-sweep." Thereupon the gardener flushed up and said, "I have heard from my teacher that those who have cunning implements are cunning in their dealings, and that those who are cunning in their dealings have cunning in their hearts, and that those who have cunning in their hearts cannot be pure and incorrupt, and that those who are not pure and incorrupt are restless in spirit, and that those who are restless in spirit are not fit vehicles for Tao. It is not that I do not know of these things. I should be ashamed to use them."

(68) But if thorns grow among them, and the mower cometh to reap his crop, he cutteth them down together, but he casteth out the thorns, and they are to be burnt in the fire; but the various flowers and good crop he gathereth, and causes it to be brought into his barn.

(11) And in the first year of the fifth week Abram taught those who made implements for oxen, the artificers in wood, and they made a vessel above the ground, facing the frame of the plough, in order to put the seed thereon, and the seed fell down therefrom upon the share of the plough, and was hidden in the earth, and they no longer feared the ravens.

(36) Later, Hunahpu was restored to life by magic, and the two brothers, having thus foiled every attempt against their lives by the Xibalbians, in order to better avenge the murder of Hunhun-ahpu and Vukub-hunhun-ahpu, permitted themselves to be burned upon a funeral pyre. Their powdered bones were then cast into a river and immediately became two great man-fishes. Later taking upon themselves the forms of aged wanderers, they danced for the Xibalbians and wrought strange miracles. Thus one would cut the other to pieces and with a single word resurrect him, or they would burn houses by magic and then instantly rebuild them. The fame of the two dancers--who were in reality Hunahpu and Xbalanque--finally came to the notice of the twelve princes of Xibalba, who thereupon desired these two miracle-workers to perform their strange fears before them. After Hunahpu and Xbalanque had slain the dog of the princes and restored it to life, had burned the royal palace and instantly rebuilt it, and given other demonstrations of their magical powers, the monarch of the Xibalbians asked the magicians to destroy him and restore him also to life. So Hunahpu and Xbalanque slew the princes of Xibalba but did not return them to life, thereby avenging the murder of Hunhun-ahpu and Vukub-hunhun-ahpu. These heroes later ascended to heaven, where they became the celestial lights.

(6) I watched the appearance of the weather-- the weather was frightful to behold! I went into the boat and sealed the entry. For the caulking of the boat, to Puzuramurri, the boatman, I gave the palace together with its contents. Just as dawn began to glow there arose from the horizon a black cloud. Adad rumbled inside of it, before him went Shullat and Hanish, heralds going over mountain and land. Erragal pulled out the mooring poles, forth went Ninurta and made the dikes overflow. The Anunnaki lifted up the torches, setting the land ablaze with their flare. Stunned shock over Adad's deeds overtook the heavens, and turned to blackness all that had been light. The... land shattered like a... pot. All day long the South Wind blew..., blowing fast, submerging the mountain in water, overwhelming the people like an attack.

(34) The sixth test consisted of remaining from sunset to sunrise in the House of Fire. Hunahpu and Xbalanque entered a large apartment arranged like a furnace. On every side the flames arose and the air was stifling; so great was the heat that those who entered this chamber could survive only a few moments. But at sunrise when the doors of the furnace were opened, Hunahpu and Xbalanque came forth unscorched by the fury of the flames. The princes of Xibalba, perceiving how the two intrepid youths had survived every ordeal prepared for their destruction, were filled with fear lest all the secrets of Xibalba should fall into the hands of Hunahpu and Xbalanque. So they prepared the last ordeal, an ordeal yet more terrible than any which had gone before, certain that the youths could not withstand this crucial test.

(8) "Certain germs, falling upon water, become duckweed. When they reach the junction of the land and the water, they become lichen. Spreading up the bank, they become the dog-tooth violet. Reaching rich soil, they become wu-tsu, the root of which becomes grubs, while the leaves comes from butterflies, or hsü. These are changed into insects, born in the chimney corner, which look like skeletons. Their name is ch'ü-to. After a thousand days, the ch'ü-to becomes a bird, called Kan-yü-ku, the spittle of which becomes the ssŭ-mi. The ssŭ-mi becomes a wine fly, and that comes from an i-lu. The huang-k'uang produces the chiu-yu and the mou-jui produces the glow-worm. The yang-ch'i grafted to an old bamboo which has for a long time put forth no shoots, produces the ch'ing-ning, which produces the leopard, which produces the horse, which produces man. "Then man goes back into the great Scheme, from which all things come and to which all things return."

(3) After the deluge sent by the gods to destroy mankind at the close of the Iron Age, only Deucalion and Pyrrha were left alive. Entering a ruined sanctuary to pray, they were directed by an oracle to depart from the temple and with heads veiled and garments unbound cast behind them the bones of their mother. Construing the cryptic message of the god to mean that the earth was the Great Mother of all creatures, Deucalion picked up loose rocks and, bidding Pyrrha do likewise, cast them behind him. From these rocks there sprang forth a new and stalwart race of human beings, the rocks thrown by Deucalion becoming men and those thrown by Pyrrha becoming women. In this allegory is epitomized the mystery of human evolution; for spirit, by ensouling matter, becomes that indwelling power which gradually but sequentially raises the mineral to the status of the plant; the plant to the plane of the animal; the animal to the dignity of man; and man to the estate of the gods.

(1) Unto you (O Ahura and Asha!) the Soul of the Kine (our sacred herds and folk) cried aloud: For whom did ye create me, and by whom did ye fashion me? On me comes the assault of wrath, and of violent power, the blow of desolation, audacious insolence, and (thievish) might. None other pasture-giver have I than you, therefore do ye teach me good (tillage) for the fields (my only hope of welfare )!

(28) The fifth ordeal was also of a nocturnal nature. Hunahpu and Xbalanque were ushered into a great chamber which was immediately filled with ferocious tigers. Here they were forced to remain throughout the night. The young men tossed bones to the tigers, which they ground to pieces with their strong jaws. Gazing into the House of the Tigers, the princes of Xibalba beheld the animals chewing the bones and said one to the other: "They have at last learned (to know the power of Xibalba), and they have given themselves up to the beasts. " But when at dawn Hunahpu and Xbalanque emerged from the House of the Tigers unharmed, the Xibalbians

(42) "On the fifth leaf there was a fair rose tree flowered in the midst of a sweet garden, climbing up against a hollow oak; at the foot whereof boiled a fountain of most white water, which ran headlong down into the depths, notwithstanding it first passed among the hands of infinite people, who digged in the earth seeking for it; but because they were blind, none of them knew it, except here and there one who considered the weight. On the last side of the fifth leaf there was a king with a great fauchion, who made to be killed in his presence by some soldiers a great multitude of little infants, whose mothers wept at the feet of the unpitiful soldiers: the blood of which infants was afterwards by other soldiers gathered up, and put in a great vessel, wherein the sun and the moon came to bathe themselves.

(4) Yet you struck him, and turned him into a wolf, so his own shepherds now chase him and his own dogs snap at his shins. You loved Ishullanu, your father's date gardener, who continually brought you baskets of dates, and brightened your table daily. You raised your eyes to him, and you went to him: 'Oh my Ishullanu, let us taste of your strength, stretch out your hand to me, and touch our vulva. Ishullanu said to you: 'Me! What is it you want from me! Has my mother not baked, and have I not eaten that I should now eat food under contempt and curses and that alfalfa grass should be my only cover against the cold? As you listened to these his words you struck him, turning him into a dwarf(?), and made him live in the middle of his (garden of) labors, where the mihhu do not go up, nor the bucket of dates (?) down.

(1) [This chapter is supplementary to chapter iv.] Chuang Tzŭ was travelling over a mountain when he saw a huge tree well covered with foliage. A woodsman had stopped near by, not caring to take it; and on Chuang Tzŭ enquiring the reason, he was told that it was of no use. "This tree," cried Chuang Tzŭ, "by virtue of being good for nothing succeeds in completing its allotted span." When Chuang Tzŭ left the mountain, he put up at the house of an old friend. The latter was delighted, and ordered a servant to kill a goose and cook it. "Which shall I kill?" enquired the servant; "the one that cackles or the one that doesn't?" His master told him to kill the one which did not cackle. And accordingly, the next day, a disciple asked Chuang Tzŭ, saying, "Yesterday, that tree on the mountain, because good for nothing, was to succeed in completing its allotted span. But now, our host's goose, which is good for nothing, has to die. Upon which horn of the dilemma will you rest?" "I rest," replied Chuang Tzŭ with a smile, "halfway between the two. In that position, appearing to be what I am not, it is impossible to avoid the troubles of mortality; though, if charioted upon Tao and floating far above mortality, this would not be so. No praise, no blame; both great and small; changing with the change of time, but ever without special effort; both above and below; making for harmony with surroundings; reaching creation's First Cause; swaying all things and swayed by none;—how then shall such troubles come? This was the method of Shên Nung and Huang Ti.

(4) Afterwards, about that wonderful shaking out from the earth, they say that a great mountain is the knot of lands; and the passage for the waters within the mountains is the root which is below the mountains; they forsake the upper parts so that they may flow into it, just as the roots of trees pass into the earth; a counterpart (ângunî-aîtak) of the blood in the arteries of men, which gives strength to the whole body.