(42) Isis is shown with her son Horus in her arms. She is crowned with the lunar orb, ornamented with the horns of rams or bulls. Orus, or Horus as he is more generally known, was the son of Isis and Osiris. He was the god of time, hours, days, and this narrow span of life recognized as mortal existence. In all probability, the four sons of Horus represent the four kingdoms of Nature. It was Horus who finally avenged the murder of his father, Osiris, by slaying Typhon, the spirit of Evil.

(9) 7 Horus [lives], beloved of the two lands, N., king of Upper and Lower Egypt, N., of the two goddesses beloved bodily, N., lords of Ombos, N. 7 Heir of Geb, whom he loves, N., beloved of all the gods, N., given life, endurance, joy, health, all happiness, like R`.

(54) The Egyptian sphinx, the Greek centaur, and the Assyrian man-bull have much in common. All are composite creatures combining human and animal members; in the Mysteries all signify the composite nature of man and subtly refer to the hierarchies of celestial beings that have charge of the destiny of mankind. These hierarchies are the twelve holy animals now known as constellations--star groups which are merely symbols of impersonal spiritual impulses. Chiron, the centaur, teaching the sons of men, symbolizes the intelligences of the constellation of Sagittarius, who were the custodians of the secret doctrine while (geocentrically) the sun was passing through the sign of Gemini. The five-footed Assyrian man-bull with the wings of an eagle and the head of a man is a reminder that the invisible nature of man has the wings of a god, the head of a man, and the body of a beast. The same concept was expressed through the sphinx--that armed guardian of the Mysteries who, crouching at the gate of the temple, denied entrance to the profane. Thus placed between man and his divine possibilities, the sphinx also represented the secret doctrine itself. Children's fairy stories abound with descriptions of symbolic monsters, for nearly all such tales are based upon the ancient mystic folklore.

(2) "And the first ruler, who is in the first dungeon, hath a crocodile's face, whose tail is in his mouth. And out of the jaws of the dragon cometh all ice and all dust and all cold and all different diseases. This [is] he who is called with his authentic name in his region 'Enchthonin.' "And the ruler who is in the second dungeon,--a cat's face is his authentic face. This [is] he who is called in his region 'Charachar.' "And the ruler who is in the third dungeon,--a dog's face is his authentic face. This [is] he who is called in his region 'Archarōch.' "And the ruler who is in the fourth dungeon,--a serpent's face is his authentic face. This [is] he who is called in his region 'Achrōchar.' "And the ruler who is in the fifth dungeon,--a black bull's face is his authentic face. This [is] he who is called in his region 'Marchūr.' "And the ruler who is in the sixth dungeon,--a wild boar's face is his authentic face. This [is] he who is called in his region 'Lamchamōr.' "And the ruler who is in the seventh dungeon, --a bear's face is his authentic face. This [is] he who is called in his region with his authentic name 'Luchar.' "And the ruler of the eighth dungeon,--a vulture's face is his authentic face, whose name in his region is called 'Laraōch.' "And the ruler of the ninth dungeon,--a basilisk's face is his authentic face, whose name in his region is called 'Archeōch.' "And in the tenth dungeon is a multitude of rulers, and every one of them hath seven dragon's heads in his authentic face. And he who is over them all is in his region with his name called Xarmarōch.' "And in the eleventh dungeon is a multitude of rulers,--and every one of them hath seven cat-faced heads in his authentic face. And the great one over them is called in his region Rōchar.' "And in the twelfth dungeon is an exceedingly great multitude of rulers, and every one of them hath seven dog-faced heads in his authentic face. And the great one over them is called in his region 'Chrēmaōr.' "These rulers then of these twelve dungeons are inside the dragon of the outer darkness, each and every one of them hath a name every hour, and every one of them changeth his face every

(42) The Egyptian devil, Typhon, was often symbolized by the Set monster whose identity is obscure. It has a queer snoutlike nose and pointed ears, and may have been a conventional hyena. The Set monster lived in the sand storms and wandered about the world promulgating evil. The Egyptians related the howling of the desert winds with the moaning cry of the hyena. Thus when in the depths of the night the hyena sent forth its doleful wail it sounded like the last despairing cry of a lost soul in the clutches of Typhon. Among the duties of this evil creature was that of protecting the Egyptian dead against: grave robbers.

(33) The fifteenth numbered major trump is called Le Diable, the Devil, and portrays a creature resembling Pan with the horns of a ram or deer, the arms and body of a man, and the legs and feet of a goat or dragon. The figure stands upon a cubic stone, to a ring in the front of which are chained two satyrs. For a scepter this so-called demon carries a lighted torch or candle. The entire figure is symbolic of the magic powers of the astral light, or universal mirror, in which the divine forces are reflected in an inverted, or infernal, state. The demon is winged like a bar, showing that it pertains to the nocturnal, or shadow inferior sphere. The animal natures of man, in the form of a male and a female elemental, are chained to its footstool. The torch is the false light which guides unillumined souls to their own undoing. In the pseudo-Egyptian Tarot appears Typhon--a winged creature composed of a hog, a man, a bat, a crocodile, and a hippopotamus--standing in the midst of its own destructiveness and holding aloft the firebrand of the incendiary. Typhon is created by man's own misdeeds, which, turning upon their maker, destroy him.

(3) After these things, therefore, we shall define the reasons of the self-apparent statues [or images]. Hence, in the forms of the Gods which are seen by the eyes, the most clear spectacles of truth itself are perceived, which are also accurately splendid, and shine forth with an evolved light. The images of archangels present themselves to the view true and perfect; but those of angels preserve, indeed, the same form, but fail in plenitude of indication. The images of dæmons are obscure; and those of heroes are seen to be still inferior to these. With respect, also, to archons, the images of such as are mundane, are clear; but of such as are material, obscure. Both, however, are seen to be of an authoritative nature. And the images of souls appear to be of a shadowy form.

(12) And when he sees the unity of the hidden ones, [he] sees the Barbalo-Aeon, [the] unbegotten offspring of [that One].

(43) 33 Take the two eyes of Horus, the black and the white; take them to thyself to be in thy face, that they may illuminate thy face. 33 A white jar, a black jar, for carrying. N. has white mnw-stone and black mnw-stone ht-jars (which are) the right eye and the left eye.

(246) 252 See, how N. stands there among (you), the two horns on him (like) two wild-bulls, 252 for thou art the black ram, son of a black sheep. 252 born of a white sheep, nursed by four sheep. 253 The blue-eyed Horus comes against you; guard yourselves against the red-eyed Horus, 253 furious in wrath, whose might no one withstands. 253 His messengers go; his runner hastens. 253 They announce to him who lifts up his arm in the East 254 that this One passes in thee of whom Dwn-`n.wi said: "He shall command my (?) fathers, the gods." 254 The gods are silent before thee; the Ennead lay their hands upon their mouth, 254 before this One in thee (of whom) Dwn-`n.wi said: "He shall command my (?) fathers, the gods." 255 Stand at the doorway of the horizon; open the double doors of b.w, 255 that thou mayest stand at their (the gods') head, as Geb at the head of his Ennead-- 255 they (the gods) enter, they are smitten with fear; they depart, they lift up their head. 256 They see thee like Min, chief of the two 'itr.t-palaces. 256 He stands, he stands behind thee, thy brother stands behind thee, thy relative (n) stands behind thee. 256 Thou perishest not; thou art not destroyed. 256 Thy name remains among men; thy name has its being among the gods.

(11) Tell me who Thou art that wearest this frightful form. Salutations to Thee, Ο God Supreme! Have mercy. I desire to know Thee, who art the Primal One; for I do not understand Thy purpose.

(5) The head of the person who is there in that orb is Bhur — there is one head, this is one syllable. Bkuvar is the arms — there are two arms, these are two syllables. Svar is the feet 1 ' Truth* is another meaning (beside ' the Real') of the word satyam. anrtam* — there are two feet, these are two syllables (su-ar). The mystic name (upanisad) thereof is * Day ' (ahan). He slays ( */kan) evil, he leaves it behind ( «/ha) who knows this.

(46) As a beast of burden the horse was the symbol of the body of man forced to sustain the weight of his spiritual constitution. Conversely, it also typified the spiritual nature of man forced to maintain the burden of the material personality. Chiron, the centaur, mentor of Achilles, represents the primitive creation which was the progenitor and instructor of mankind, as described by Berossus. The winged horse and the magic carpet both symbolize the secret doctrine and the spiritualized body of man. The wooden horse of Troy, secreting an army for the capture of the city, represents man's body concealing within it those infinite potentialities which will later come forth and conquer his environment. Again, like Noah's Ark, it represents the spiritual nature of man as containing a host of latent potentialities which subsequently become active. The siege of Troy is a symbolic account of the abduction of the human soul (Helena) by the personality (Paris) and its final redemption, through persevering struggle, by the secret doctrine--the Greek army under the command of Agamemnon.

(220) 194 The two doors of the horizon are open; its bolts slide. I 94 He has come to thee, N.t (Crown of Lower Egypt); he has come to thee, Nsr.t (Uraeus); 194 he has, come to thee, Great One; he has come to thee, Great-inmagic (Crown of Lower Egypt). 194 He is pure for thee; he is in awe of thee. 195 Mayest thou be satisfied with him; mayest thou be satisfied with his purity; 195 mayest thou be satisfied with his word, which he speaks to thee: 195 "How beautiful is thy face, when it is peaceful, new, young, for a god, father of the gods, has begotten thee!" 195 He has come to thee, Great-in-magic (Crown of Lower Egypt). 195 It is Horus, who has fought in protection of his eye, Great-inmagic.

(10) 8 Horus lives, living apparition of the king of Upper and Lower Egypt, N., 8 (of the land of) the two goddesses, living apparition, N., 8 (of the land of) the two lords (of Ombos), N., 8 Osiris, lord of the D.t, N., 8 the beloved son of Geb, N., 8 son of Nut, opener of her body (womb), N., 8 endowed with life, endurance, joy, health, like R`, eternally.

(4) Search round thy neck, and thou wilt find the belt Which keeps it fastened, O bewildered soul, And see it, where it bars thy mighty breast." Then said to me: "He doth himself accuse; This one is Nimrod, by whose evil thought One language in the world is not still used. Here let us leave him and not speak in vain; For even such to him is every language As his to others, which to none is known." Therefore a longer journey did we make, Turned to the left, and a crossbow-shot oft We found another far more fierce and large. In binding him, who might the master be I cannot say; but he had pinioned close Behind the right arm, and in front the other, With chains, that held him so begirt about From the neck down, that on the part uncovered It wound itself as far as the fifth gyre. "This proud one wished to make experiment Of his own power against the Supreme Jove," My Leader said, "whence he has such a guerdon. Ephialtes is his name; he showed great prowess. What time the giants terrified the gods; The arms he wielded never more he moves."

(20) The fourth numbered major trump is called L'Empereur, the Emperor, and by its numerical value is directly associated with the great Deity revered by the Pythagoreans under the form of the tetrad. His symbols declare the Emperor to be the Demiurgus, the Great King of the inferior world. The Emperor is dressed in armor and his throne is a cube stone, upon which a phœnix is also clearly visible. The king has his legs crossed in a most significant manner and carries either a scepter surmounted by an orb or a scepter in his right hand and an orb n his left. The orb itself is evidence that he is supreme ruler of the world. Upon his right and left breasts respectively appear the symbols of the sun and moon, which in symbolism are referred to as the eyes of the Great King. The position of the body and legs forms the symbol of sulphur, the sign of the ancient alchemical monarch. In the pseudo-Egyptian Tarot the figure is in profile. He wears a Masonic apron and the skirt forms s right-angled triangle. Upon his head is the Crown of the North and his forehead is adorned wit the coiled uræus.

(1) He who has seen everything, I will make known (?) to the lands. I will teach (?) about him who experienced all things,... alike, Anu granted him the totality of knowledge of all. He saw the Secret, discovered the Hidden, he brought information of (the time) before the Flood. He went on a distant journey, pushing himself to exhaustion, but then was brought to peace. He carved on a stone stela all of his toils, and built the wall of Uruk-Haven, the wall of the sacred Eanna Temple, the holy sanctuary. Look at its wall which gleams like copper(?), inspect its inner wall, the likes of which no one can equal! Take hold of the threshold stone--it dates from ancient times! Go close to the Eanna Temple, the residence of Ishtar, such as no later king or man ever equaled!

(27) From the dark world of Aharman were Akôman and Andar, and then Sôvar, and then Nâkahêd, and then Tâîrêv and Zâîrîk.