Passages similar to: Timaeus — Time and Celestial Bodies
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Timaeus
Time and Celestial Bodies (40c)
Timaeus: He framed to be the wardress and fashioner of night and day, she being the first and eldest of all the gods which have come into existence within the Heaven. But the choric dances of these same stars and their crossings one of another, and the relative reversals and progressions of their orbits, and which of the gods meet in their conjunctions, and how many are in opposition, and behind which and at what times they severally pass before one another and are hidden from our view, and again re-appearing
Let him imagine, who would well conceive What now I saw, and let him while I speak Retain the image as a steadfast rock, The fifteen stars, that in...
(1) Let him imagine, who would well conceive What now I saw, and let him while I speak Retain the image as a steadfast rock, The fifteen stars, that in their divers regions The sky enliven with a light so great That it transcends all clusters of the air; Let him the Wain imagine unto which Our vault of heaven sufficeth night and day, So that in turning of its pole it fails not; Let him the mouth imagine of the horn That in the point beginneth of the axis Round about which the primal wheel revolves,— To have fashioned of themselves two signs in heaven, Like unto that which Minos' daughter made, The moment when she felt the frost of death; And one to have its rays within the other, And both to whirl themselves in such a manner That one should forward go, the other backward; And he will have some shadowing forth of that True constellation and the double dance That circled round the point at which I was; Because it is as much beyond our wont, As swifter than the motion of the Chiana Moveth the heaven that all the rest outspeeds.
Chapter IV: Divine Things Wrapped Up in Figures Both in the Sacred and in Heathen Writers. (5)
Wishing to express Sun in writing, they make a circle; and Moon, a figure like the Moon, like its proper shape. But in using the figurative style, by...
(5) Wishing to express Sun in writing, they make a circle; and Moon, a figure like the Moon, like its proper shape. But in using the figurative style, by transposing and transferring, by changing and by transforming in many ways as suits them, they draw characters. In relating the praises of the kings in theological myths, they write in anaglyphs. Let the following stand as a specimen of the third species - the Enigmatic. For the rest of the stars, on account of their oblique course, they have figured like the bodies of serpents; but the sun, like that of a beetle, because it makes a round figure of ox-dung, and rolls it before its face. And they say that this creature lives six months under ground, and the other division of the year above ground, and emits its seed into the ball, and brings forth; and that there is not a female beetle. All then, in a word, who have spoken of divine things, both Barbarians and Greeks, have veiled the first principles of things, and delivered the truth in enigmas, and symbols, and allegories, and metaphors, and such like tropes. Such also are the oracles among the Greeks. And the Pythian Apollo is called Loxias. Also the maxims of those among the Greeks called wise men, in a few sayings indicate the unfolding of matter of considerable importance. Such certainly is that maxim, "Spare Time:" either because life is short, and we ought not to expend this time in vain; or, on the other hand, it bids you spare your personal expenses; so that, though you live many years, necessaries may not fail you. Similarly also the maxim "Know thyself" shows many things; both that thou art mortal, and that thou wast born a human being; and also that, in comparison with the other excellences of life, thou art of no account, because thou sayest that thou art rich or renowned; or, on the other hand, that, being rich or renowned, you are not honoured on account of your advantages alone. And it says, Know for what thou wert born, and whose image thou art; and what is thy essence, and what thy creation, and what thy relation to God, and the like. And the Spirit says by Isaiah the prophet, "I will give thee treasures, hidden, dark." Now wisdom, hard to hunt, is the treasures of God and unfailing riches. But those, taught in theology by those prophets, the poets, philosophize much by way of a hidden sense. I mean Orpheus, Linus, Musaeus, Homer, and Hesiod, and those in this fashion wise. The persuasive style of poetry is for them a veil for the many.
The world used in its peril to believe That the fair Cypria delirious love Rayed out, in the third epicycle turning; Wherefore not only unto her paid...
(1) The world used in its peril to believe That the fair Cypria delirious love Rayed out, in the third epicycle turning; Wherefore not only unto her paid honour Of sacrifices and of votive cry The ancient nations in the ancient error, But both Dione honoured they and Cupid, That as her mother, this one as her son, And said that he had sat in Dido's lap; And they from her, whence I beginning take, Took the denomination of the star That woos the sun, now following, now in front. I was not ware of our ascending to it; But of our being in it gave full faith My Lady whom I saw more beauteous grow. And as within a flame a spark is seen, And as within a voice a voice discerned, When one is steadfast, and one comes and goes, Within that light beheld I other lamps Move in a circle, speeding more and less, Methinks in measure of their inward vision. From a cold cloud descended never winds, Or visible or not, so rapidly They would not laggard and impeded seem
The concubine of old Tithonus now Gleamed white upon the eastern balcony, Forth from the arms of her sweet paramour; With gems her forehead all...
(1) The concubine of old Tithonus now Gleamed white upon the eastern balcony, Forth from the arms of her sweet paramour; With gems her forehead all relucent was, Set in the shape of that cold animal Which with its tail doth smite amain the nations, And of the steps, with which she mounts, the Night Had taken two in that place where we were, And now the third was bending down its wings; When I, who something had of Adam in me, Vanquished by sleep, upon the grass reclined, There were all five of us already sat. Just at the hour when her sad lay begins The little swallow, near unto the morning, Perchance in memory of her former woes, And when the mind of man, a wanderer More from the flesh, and less by thought imprisoned, Almost prophetic in its visions is, In dreams it seemed to me I saw suspended An eagle in the sky, with plumes of gold, With wings wide open, and intent to stoop, And this, it seemed to me, was where had been By Ganymede his kith and kin abandoned, When to the high consistory he was rapt.
Who is the One who watcheth o'er that order? For every order hath its boundaries marked out by place and number. The sun's the greatest god of gods in...
(3) But if thou wouldst "see" him, bethink thee of the sun, bethink thee of moon's course, bethink thee of the order of the stars. Who is the One who watcheth o'er that order? For every order hath its boundaries marked out by place and number. The sun's the greatest god of gods in heaven; to whom all of the heavenly gods give place as unto king and master. And he, this so-great one, he greater than the earth and sea, endures to have above him circling smaller stars than him. Out of respect to Whom, or out of fear of Whom, my son, [doth he do this]? Nor like nor equal is the course each of these stars describes in heaven. Who [then] is He who marketh out the manner of their course and its extent?
Now the whole spindle has the same motion; but, as the whole revolves in one direction, the seven inner circles move slowly in the other, and of these...
(617) coloured by the reflected light of the seventh; the second and fifth [Saturn and Mercury] are in colour like one another, and yellower than the preceding; the third [Venus] has the whitest light; the fourth [Mars] is reddish; the sixth [Jupiter] is in whiteness second. Now the whole spindle has the same motion; but, as the whole revolves in one direction, the seven inner circles move slowly in the other, and of these the swiftest is the eighth; next in swiftness are the seventh, sixth, and fifth, which move together; third in swiftness appeared to move according to the law of this reversed motion the fourth; the third appeared fourth and the second fifth. The spindle turns on the knees of Necessity; and on the upper surface of each circle is a siren, who goes round with them, hymning a single tone or note. The eight together form one harmony; and round about, at equal intervals, there is another band, three in number, each sitting upon her throne: these are the Fates, daughters of Necessity, who are clothed in white robes and have chaplets upon their heads, Lachesis and Clotho and Atropos, who accompany with their voices the harmony of the sirens—Lachesis singing of the past, Clotho of the present, Atropos of the future; Clotho from time to time assisting with a touch of her right hand the revolution of the outer circle of the whorl or spindle, and Atropos with her left hand touching and guiding the inner ones, and Lachesis laying
Before the throne of God was the crystal sea representing the Schamayim, or the living waters which are above the heavens. Before the throne also...
(12) Before the throne of God was the crystal sea representing the Schamayim, or the living waters which are above the heavens. Before the throne also were four creatures--a bull, a lion, an eagle, and a man. These represented the four corners of creation and the multitude of eyes with which they were covered are the stars of the firmament. The twenty-four elders have the same significance as the priests gathered around the statue of Ceres in the Greater Eleusinian Rite and also the Persian Genii, or gods of the hours of the day, who, casting away their crowns, glorify the Holy One. As symbolic of the divisions of time, the elders adore the timeless and enduring Spirit in the midst of them.
The three Divine are in this hierarchy, First the Dominions, and the Virtues next; And the third order is that of the Powers. Then in the dances...
(6) The three Divine are in this hierarchy, First the Dominions, and the Virtues next; And the third order is that of the Powers. Then in the dances twain penultimate The Principalities and Archangels wheel; The last is wholly of angelic sports. These orders upward all of them are gazing, And downward so prevail, that unto God They all attracted are and all attract. And Dionysius with so great desire To contemplate these Orders set himself, He named them and distinguished them as I do. But Gregory afterwards dissented from him; Wherefore, as soon as he unclosed his eyes Within this heaven, he at himself did smile. And if so much of secret truth a mortal Proffered on earth, I would not have thee marvel, For he who saw it here revealed it to him, With much more of the truth about these circles."
"The Logos-figure described is a composite picture of the seven sacred planets: he has the snowy-white hair of Kronos ('Father Time'), the blazing...
(14) "The Logos-figure described is a composite picture of the seven sacred planets: he has the snowy-white hair of Kronos ('Father Time'), the blazing eyes of 'wide-seeing' Zeus, the sword of Arcs, the shining face of Helios, and the chiton and girdle of Aphrodite; his feet are of mercury, the metal sacred to Hermes, and his voice is like the murmur of the ocean's waves (the 'many waters'), alluding to Selene, the Moon-Goddess of the four seasons and of the waters."
These words of his so spurred me on, that I Strained every nerve, behind him scrambling up, Until the circle was beneath my feet. Thereon ourselves...
(3) These words of his so spurred me on, that I Strained every nerve, behind him scrambling up, Until the circle was beneath my feet. Thereon ourselves we seated both of us Turned to the East, from which we had ascended, For all men are delighted to look back. To the low shores mine eyes I first directed, Then to the sun uplifted them, and wondered That on the left hand we were smitten by it. The Poet well perceived that I was wholly Bewildered at the chariot of the light, Where 'twixt us and the Aquilon it entered. Whereon he said to me: "If Castor and Pollux Were in the company of yonder mirror, That up and down conducteth with its light, Thou wouldst behold the zodiac's jagged wheel Revolving still more near unto the Bears, Unless it swerved aside from its old track. How that may be wouldst thou have power to think, Collected in thyself, imagine Zion Together with this mount on earth to stand, So that they both one sole horizon have, And hemispheres diverse; whereby the road Which Phaeton, alas! knew not to drive,
The heavenly Gods dwell in the heights of Heaven, each filling up and watching o’er the rank he hath received; whereas these Gods of ours, each in its...
(3) But do not, O Asclepius, I pray thee, think the doings of the terrene Gods are the result of chance. The heavenly Gods dwell in the heights of Heaven, each filling up and watching o’er the rank he hath received; whereas these Gods of ours, each in its way,—by looking after certain things, foretelling others by oracles and prophecy, foreseeing others, and duly helping them along,—act as allies of men, as though they were our relatives and friends.
Chapter VIII: The Use of the Symbolic Style By Poets and Philosophers. (14)
Again, that the Spring is called "flowery," from its nature; and Night "still," on account of rest; and the Moon" Gorgonian," on account of the face...
(14) Again, that the Spring is called "flowery," from its nature; and Night "still," on account of rest; and the Moon" Gorgonian," on account of the face in it; and that the time in which it is necessary to sow is called Aphrodite by the "Theologian." In the same way, too, the Pythagoreans figuratively called the planets the "dogs of Persephone;" and to the sea they applied the metaphorical appellation of "the tears of Kronus." Myriads on myriads of enigmatical utterances by both poets and philosophers are to be found; and there are also whole books which present the mind of the writer veiled, as that of Heraclitus On Nature, who on this very account is called "Obscure." Similar to this book is the Theology of Pherecydes of Syrup; for Euphorion the poet, and the Causes of Callimachus, and the Alexandra of Lycophron, and the like, are proposed as an exercise in exposition to all the grammarians.
[Asclepius] What dost thou call, Thrice-greatest one, the heads of things, or sources of beginnings? [Trismegistus] Great are the mysteries which I...
(1) [Asclepius] What dost thou call, Thrice-greatest one, the heads of things, or sources of beginnings?
[Trismegistus] Great are the mysteries which I reveal to thee, divine the secrets I disclose; and so I make beginning of this thing with prayers for Heaven’s favour. The hierarchies of Gods are numerous; and of them all one class is called the Noumenal, the other [class] the Sensible. The former are called Noumenal, not for the reason that they’re thought to lie beyond our senses; for these are just the Gods we sense more truly than the ones we call the visible,—just as our argument will prove, and thou, if thou attend, wilt be made fit to see. For that a lofty reasoning, and much more one that is too godlike for the mental grasp of [average] men, if that the speaker’s words are not received with more attentive service of the ears,—will fly and flow beyond them; or rather will flow back [again], and mingle with the streams of its own source.
Chapter XIV: Greek Plagiarism From the Hebrews. (22)
Again, power in all things is by the most intellectual among the Greeks ascribed to God; Epicharmus - he was a Pythagorean - saying: "Nothing escapes...
(22) Again, power in all things is by the most intellectual among the Greeks ascribed to God; Epicharmus - he was a Pythagorean - saying: "Nothing escapes the divine. This it behoves thee to know. He is our observer. To God nought is impossible." And the lyric poet: "And God from gloomy night Can raise unstained light, And can in darksome gloom obscure The day's refulgence pure." He alone who is able to make night during the period of day is God. In the Phoenomena Aratus writes thus: "With Zeus let us begin; whom let us ne'er, Being men, leave unexpressed. All full of Zeus, The streets, and throngs of men, and full the sea, And shores, and everywhere we Zeus enjoy." He adds: "For we also are His offspring;.... " that is, by creation. "Who, bland to men, Propitious signs displays, and to their tasks Arouses. For these signs in heaven He fixed, The constellations spread, and crowned the year With stars; to show to men the seasons' tasks, That all things may proceed in order sure.
The Cryptogram as a factor in Symbolic Philosophy (80)
The first circle portrays the divine antecedents of justice, the second the universal scope of justice, and the third the results of human...
(80) The first circle portrays the divine antecedents of justice, the second the universal scope of justice, and the third the results of human application of justice. Hence, the first circle deals with divine principles, the second circle with mundane affairs, and the third circle with man. On the at the top of the picture sits Themis, the presiding spirit of law, and at her feet three other queens--Juno, Minerva, and Venus--their robes ornamented with geometric figures. The axis of law connects the throne, of divine justice above with the throne of human judgment at the bottom of the picture. Upon the latter throne is seated a queen with a scepter in her hand, before whom stands the winged goddess Nemesis--the angel of judgment.
For do not the celestial Gods rule over generals ; the terrene occupy particulars? [Trismegistus] That which we call Heimarmenē, Asclepius, is the nec...
(1) [Asclepius] What part of the economy, Thrice-greatest one, does the Heimarmenē, or Fate, then occupy? For do not the celestial Gods rule over generals ; the terrene occupy particulars?
[Trismegistus] That which we call Heimarmenē, Asclepius, is the necessity of all things that are born, bound ever to themselves with interlinked enchainments. This, then, is either the effector of all things, or it is highest God, or what is made the second God by God Himself,—or else the discipline of all things both in heaven and on earth, established by the laws of the Divine.
The Supreme Deity is symbolized by the small globe at the top, which is divided into two hemispheres, the dark half representing the divine darkness...
(29) The Supreme Deity is symbolized by the small globe at the top, which is divided into two hemispheres, the dark half representing the divine darkness with which the Deity surround Himself and which serves as His hiding place. The radiant hemisphere signifies the divine light which is in God and which, pouring forth, manifests as the objective creative power. The large dark globe to the left and beneath the dark half of the upper sphere signifies the potential darkness which was upon the face of the primordial deep and within which moved the Spirit of God. The light globe to the right is the Deity who is revealed out of the darkness. Here the shining Word has dissipated the shadows and a glorious universe has been formed. The divine power of this radiant globe is cognizable to man as the sun. The large light and a dark section represents the created universes partaking of the light and darkness which are in the nature of the Creator. The dark half represents the Deep, or Chaos, the Eternal Waters pouring forth out of the Deity; the light half-circle containing the figure of Apollo represents the diurnal hemisphere of the world, which in the ancient Mysteries was ruled over by Apollo. The dark half-circle is the nocturnal hemisphere ruled over by Dionysius (Dionysos), whose figure is faintly visible in the gloom.
[Asclepius] And of what nature, O Thrice-greatest one, may be the quality of those who are considered terrene Gods? [Trismegistus] It doth consist,...
(1) [Asclepius] And of what nature, O Thrice-greatest one, may be the quality of those who are considered terrene Gods?
[Trismegistus] It doth consist, Asclepius, of plants, and stones, and spices, which contain the nature of [their own] divinity. And for this cause they are delighted with repeated sacrifice, with hymns, and lauds, and sweetest sounds, tuned to the key of Heaven’s harmonious song.
Wherefore the wisest of the Egyptian priests decided that the temple of Athene should be hypaethral, just as the Hebrews constructed the temple...
(8) Wherefore the wisest of the Egyptian priests decided that the temple of Athene should be hypaethral, just as the Hebrews constructed the temple without an image. And some, in worshipping God, make a representation of heaven containing the stars; and so worship, although Scripture says, "Let of Eurysus the Pythagorean, which is as follows, who in his book On Fortune, having said that the "Creator, on making man, took Himself as an exemplar," added, "And the body is like the other things, as being made of the same material, and fashioned by the best workman, who wrought it, taking Himself as the archetype." And, in fine, Pythagoras and his followers, with Plato also, and most of the other philosophers, were best acquainted with the Lawgiver, as may be concluded from their doctrine. And by a happy utterance of divination, not without divine help, concurring in certain prophetic declarations, and, seizing the truth in portions and aspects, in terms not obscure, and not going beyond the explanation of the things, they honoured it on as pertaining the appearance of relation with the truth. Whence the Hellenic philosophy is like the torch of wick which men kindle, artificially stealing the light from the sun. But on the proclamation of the Word all that holy light shone forth. Then in houses by night the stolen light is useful; but by day the fire blazes, and all the night is illuminated by such a sun of intellectual light.