(71) The column on the right, which is called Jachin, has its foundation on Chochmah, the outpouring Wisdom of God; the three globes suspended from it are all masculine potencies. The column at the left is called Boaz. The three globes upon it are feminine and receptive potencies, for it is founded in Understanding, a receptive and maternal potency. Wisdom, it will be noted, is considered as radiant or outpouring, and Understanding as receptive, or something which is filled by the flowing of Wisdom. The three pillars are ultimately united in Malchuth, in which all the powers of the superior worlds are manifested.

(1) Come, then, let us at last, if you please, rest our mental vision from the strain of lofty contemplation, befitting Angels, and descend to the divided and manifold breadth of the many-shaped variety of the Angelic forms, and then return analytically from the same, as from images, to the simplicity of the Heavenly Minds. But let this first be made plain to you, that the explanations of the sacredly depicted likenesses represent the same ranks of the Heavenly Beings as sometimes ruling, and, at other times, as being ruled; and the last, ruling, and the first, being ruled; and the same, as has been said, having first, and middle, and last powers --without introducing anything absurd into the description, according to the following method of explanation. For if indeed we were to say that some are ruled by those above them, and then that they rule the same, and that those above, whilst ruling those below, are ruled by those same who are being ruled, the thing would manifestly be absurd, and mixed with all sorts of confusion. But if we say that the same rule and are ruled, but no longer the self-same, or from the self-same, but that each same is ruled by those before, and rules those below, one might say appropriately that the Divinely pictured presentations in the Oracles may sometimes attribute, properly and truly, the very same, both to first, and middle, and last powers. Now the straining elevation to things above, and their being drawn unswervingly around each other, as being guardians of their own proper powers, and that they participate in the providential faculty to provide for those below them by mutual communication, befit truly all the Heavenly Beings, although some, pre-eminently and wholly, as we have often said, and others partially and subordinately.

(19) The right Tablet of the Law further signifies Jachin--the white pillar of light; the left Tablet, Boaz--the shadowy pillar of darkness. These were the names of the two pillars cast from brass set up on the porch of King Solomon's Temple. They were eighteen cubits in height and beautifully ornamented with wreaths of chainwork, nets, and pomegranates. On the top of each pillar was a large bowl--now erroneously called a ball or globe--one of the bowls probably containing fire and the other water. The celestial globe (originally the bowl of fire), surmounting the right-hand column (Jachin), symbolized the divine man; the terrestrial globe (the bowl of water), surmounting the left-hand column (Boaz), signified the earthly man. These two pillars respectively connote also the active and the passive expressions of Divine Energy, the sun and the moon, sulphur and salt, good and bad, light and darkness. Between them is the door leading into the House of God, and standing thus at the gates of Sanctuary they are a reminder that Jehovah is both an androgynous and an anthropomorphic deity. As two parallel columns they denote the zodiacal signs of Cancer and Capricorn, which were formerly placed in the chamber of initiation to represent birth and death--the extremes of physical life. They accordingly signify the summer and the winter solstices, now known to Freemasons under the comparatively modern appellation of the "two St. Johns."

(25) TABLE VII., Figure 6. In Figure 6 the letter a marks the center of eternity. The motion of the rays toward b, d, and c was the first divine manifestation and is symbolized by the equilateral triangle, b, d, c. The eternal world within the inner circle became manifest in the water (salt), the light (mercury), and the fire (sulphur) of the archetypal world, represented by the three circles (f, e, g) within the triangle of complete equality (h, i, k), which is in turn surrounded by the circle of the high throne. The circle f is named understanding; e, wisdom; g, reason. In circle i is the word Father; in circle h, Son; in circle k, Spirit. The seven outer circles are the seven spirits before the throne. The lower part of the figure is similar to Figures 53 and 54. The outer circles are the angelic world ending in the cognizable world of the Sons of God. Then comes the circle of the visible constellations and fixed stars; within this is the solar system with the sun as the center (l). Ungrund means the Abyss.

(31) The two end figures represent the obverse and reverse of the same diagram and are termed Table Three. They are "designed to show the Condition of the whole Man, as to all his three essential Parts, Spirit, Soul, and Body, in his Regenerated State." The third figure from the left is called the Second Table, and sets forth "the Condition of Man in his old, lapsed, and corrupted State; without any respect to, or consideration of his renewing by regeneration." The third figure, however, does not correspond with the First Table of William Law. The First Table presumably represents the condition of humanity before the Fall, but the Gichtel plate pertains to the third, or regenerated, state of mankind. William Law thus describes the purpose of the diagrams, and the symbols upon them: "These three tables are designed to represent Man in his different Threefold State: the First before his Fall, in Purity, Dominion, and Glory: the Second after his Fall, in Pollution and Perdition: and the Third in his rising from the Fall, or on the Way of regeneration, in Sanctification and Tendency to his last Perfection." The student of Orientalism will immediately recognize in the symbols upon the figures the Hindu chakras, or centers of spiritual force, the various motions and aspects of which reveal the condition of the disciple's internal divine nature.

(43) The World Virgin is sometimes shown standing between two great pillars--the Jachin and Boaz of Freemasonry--symbolizing the fact that Nature attains productivity by means of polarity. As wisdom personified, Isis stands between the pillars of opposites, demonstrating that understanding is always found at the point of equilibrium and that truth is often crucified between the two thieves of apparent contradiction.

(20) Said over a Boat of four cubits in length, painted green. And let a starry sky be made, clean and purified with natron and incense. And see thou make an image of Rā upon a tablet of light green colour at the prow of the Boat. And see thou make an image of the Deceased whom thou lovest, that he may be made strong in this boat, and that his voyage be made in the Bark of Rā, and that Rā himself may look upon him. Do not do this for any one except for thine own self, thy father and thy son. And let them be exceedingly cautious for themselves. The Deceased acquireth might with Rā, and made to possess power among the gods, who regard him as one of themselves, and when men or the Dead see him they fall upon their faces. He is seen in the Netherworld as the image of Rā

(19) TABLE IV, Figure. 53. Figure 53 has been designated the symbolic tomb of Christian Rosencreutz. The upper circle is the first world--the Divine Sphere of God. The triangle in the center is the throne of God. The small circles at the points of the star symbolize the seven great Spirits before the throne, mentioned in the Book of Revelation, in the midst of which walks the Alpha and Omega--the Son of God. The central triangle contains three flames--the Divine Trinity. From the lowest of these flames proceeds the first divine outflow, shown by two parallel lines descending through the throne of Saturn (the Spirit Orifelis, through whom God manifested Himself). Passing through the boundary of the celestial universe and the 22 spheres of the lower system, the lines end at point B, the throne of Lucifer, in whom the divine outpouring is concentrated and reflected. From him the divine light irradiates in succession to d (Capricorn), e (Gemini), f (Libra), g (Taurus), h (Pisces), i (Aquarius), k (Cancer), l (Virgo), m (Aries), n (Leo), o (Scorpio), p (Sagittarius), thence back to d. The zodiacal circles represent twelve orders of great and beneficent Spirits, and the smaller circles within the ring of fixed stars mark the orbits of the sacred planets.

(31) The diagram shown above is also reproduced in The Rosicrucians, by Hargrave Jennings. This author adds to the original diagram appearing in Antiquitatum Judaicarum Libri IX the signs of the zodiac, placing Aries at the head and continuing in sequential order to Leo, which occupies the fifth cross section of the ark. Jennings assigns the panel containing the door to the undivided constellation of Virgo-Libra-Scorpio (which is continued into the first subdivision of the second section) and the remaining four cress sections to the constellations of Sagittarius to Pisces inclusive. A study of the plate discloses the ark to be divided into eleven main sections, and along the base and roof of each section are shown three subdivisions, thus making in all the sacred number 33. Occupying the position corresponding to the generative system of the human body will also be noted the cross upon the door of the central section. Two openings are shown in the ark: one--the main door representing the orifice through which the animal lives descend into physical existence; the other a small window proximate to the crown of the head through which the spirit gains liberty according to the ancient rites.

(26) TABLE IX, Figure 9. Figure 9 is a synthesis of the Old and New Testaments and represents the interblending planes of being. In the right margin the seven outer circles contain the names of the planetary angels. The words in the graduated circles from the top triangle downward read: (1) Abyss of Compassion; (2) Zion; (3) The New Heaven and the New Earth; (4) The New Jerusalem; (5) Paradise; (6) The Bosom of Abraham; (7) The Outer Courts of the Lord. From below the circles of darkness reach upward, each divine principle being opposed by an infernal opposite. The small circle on the left containing a triangle and cross is named The Tree of Life, and that on the right The Tree of the Knowledge of Good and Evil. In the center of the diagram is the Trinity, joined with the superior and inferior planes by lines of activity.

(57) The Table as a whole is susceptible of many interpretations. If the border of the Table with its hieroglyphic figures be accepted as the spiritual source, then the throne in the center represents the physical body within which human nature is enthroned. From this point of view the entire Table becomes emblematic of the auric bodies of man, with the border as the outer extremity or shell of the auric egg. If the throne be accepted as the symbol of the spiritual sphere, the border typifies the elements, and the various panels surrounding the central one become emblematic of the worlds or planes emanating from the one divine source. If the Table be considered from a purely physical basis, the throne becomes symbolic of the generative system and the Table reveals the secret processes of embryology as applied to the formation of the material worlds. If a purely physiological and anatomical interpretation be desired, the central throne becomes the heart, the Ibimorphous Triad the mind, the Nephtæan Triad the generative system, and the surrounding hieroglyphics the various parts and members of the human body. From the evolutionary viewpoint the central gate becomes the point of both entrance and exit. Here also is set forth the process of initiation, in which the candidate after passing successfully through the various ordeals is finally brought into the presence of his own soul, which he alone is capable of unveiling.

(22) [paragraph continues] My House be established. "In the splendor of mental and spiritual illumination, the High Priest stood between the pillars as a mute witness to the perfect virtue of equilibrium--that hypothetical point equidistant from all extremes. He thus personified the divine nature of man in the midst of his compound constitution--the mysterious Pythagorean Monad in the presence of the Duad. On one side towered the stupendous column of the intellect; on the other, the brazen pillar of the flesh. Midway between these two stands the glorified wise man, but he cannot reach this high estate without first suffering upon the cross made by joining these pillars together. The early Jews occasionally represented the two pillars, Jachin and Boaz, as the legs of Jehovah, thereby signifying to the modern philosopher that Wisdom and Love, in their most exalted sense, support the whole order of creation--both mundane and supermundane.

(1) BUT since even the great and the small are attributed to the Cause of all, arid the same, and the different, and the similar, and the dissimilar, and the standing, and the movement. Come! and let us gaze upon these images of the Divine Names, such as have been manifested to us. Almighty God, then, is celebrated in the Oracles as great, both in greatness and in a gentle breeze, which manifests the Divine littleness; and as the same, when the Oracles declare "thou art the same"; and as different, when He is depicted, by the same Oracles, as of many shapes and many forms; and as similar, as mainstay of things similar and similitude; and as dissimilar to all, as the like of whom there is not; and as standing, and unmoved, and seated for ever; and as moving, as going forth to all; and whatever other Divine Names, of the same force with these, are celebrated by the Oracles.

(2) Hence, likewise, it says that he is one and the same, but that the vicissitudes of his form, and his configurations, must be admitted to exist in the recipients. On this account it asserts “that he is changed every hour, according to the signs of the zodiac,” in consequence of these being variously changed about the God, according to the many modes by which they receive him. The Egyptians use prayers to the sun, conformable to these assertions, not only in visions which are seen by the bodily eyes, but also in their more common supplications, all which have such a meaning as this, and are offered to the God conformably to a symbolic and mystic doctrine of this kind. Hence it would not be reasonable in any one to undertake a defence of them.

(3) After these things, therefore, we shall define the reasons of the self-apparent statues [or images]. Hence, in the forms of the Gods which are seen by the eyes, the most clear spectacles of truth itself are perceived, which are also accurately splendid, and shine forth with an evolved light. The images of archangels present themselves to the view true and perfect; but those of angels preserve, indeed, the same form, but fail in plenitude of indication. The images of dæmons are obscure; and those of heroes are seen to be still inferior to these. With respect, also, to archons, the images of such as are mundane, are clear; but of such as are material, obscure. Both, however, are seen to be of an authoritative nature. And the images of souls appear to be of a shadowy form.

(18) As representing the power that fabricated the lower, or Demiurgic, sphere, the tablets of stone were sacred to Jehovah in contradistinction to the tablets of sapphire that signified the potency that established the higher, or celestial, sphere. Without doubt the Mosaic tablets have their prototype in the stone pillars or obelisks placed on either side of the entrance to pagan temples. These columns may pertain to that remote time when men worshiped the Creator through His zodiacal sign of Gemini, the symbol of which is still the phallic pillars of the Celestial Twins. "The Ten Commandments, writes Hargrave Jennings, "are inscribed in two groups of five each, in columnar form. The five to the right (looking from the altar) mean the 'Law'; the five to the left mean the 'Prophets.' The right stone is masculine, the left stone is feminine. They correspond to the two disjoined pillars of stone (or towers) in the front of every cathedral, and of every temple in the heathen times." (See The Rosicrucians: Their Rites and Mysteries.) The same author states that the Law is masculine because it was delivered direct from the Deity, while the Prophets, or Gospels, were feminine because born through the nature of man.

(27) What is that? Râ and his births from Yesterday at the dugs of the Mehurit cows? It is the figure of the Eye of Râ, at his daily birth. And Mehurit is the Eye

(5) But the different, since Almighty God is present to all providentially, and becomes all in all, for the sake of the preservation of all, resting upon Himself, and His own identity within Himself, standing, as beseems an energy, one and ceaseless, and imparting Himself with an unbending power, for deification of those turned to Him. And we must suppose that the difference of the manifold shapes of Almighty God, during the multiform visions, signifies that certain things are different from the phenomena under which they appear. For, as when language depicts the soul itself, under a bodily form, and fashions bodily members around the memberless, we think differently of the members attributed to it, as befits the soul's memberless condition; and we call the mind head, and opinion neck,--as intermediate between rational and irrational--and anger, breast; and lust, belly; and the constitution, legs and feet; using the names of the members as symbols of the powers. Much more then, as respects Him, Who is beyond all, is it necessary to make clear the difference of forms and shapes by reverent and God-becoming, and mystic explanations. And if you wish to apply the threefold shapes of bodies to the impalpable and shapeless God, you must say, that the Progression of Almighty God, which spreads out to all things, is a Divine extension; and length, the power extending itself over the whole; and depth, the hiddenness and imperception incomprehensible to all creatures. But, that we may not forget ourselves, in our explanation, of the different shapes and forms, by confounding the incorporeal Divine Names with those given through symbols of objects of sense, we have for this reason spoken concerning these things in the Symbolic Theology. But now, let us suppose the Divine difference, as really not a sort of change from the super-immovable identity, but as the single multiplication of itself, and the uniform progressions of its fecundity to all.

(73) In an effort to set forth in an appropriate figure the Christian doctrine of the Trinity, it was necessary to devise an image in which the three persons--Father, Son, and Holy Ghost--were separate and yet one. In different parts of Europe may be seen figures similar to the above, wherein three faces are united in one head. This is a legitimate method of for to those able to realize the sacred significance of the threefold head a great mystery is revealed. However, in the presence of such applications of symbology in Christian art, it is scarcely proper to consider the philosophers of other faiths as benighted if, like the Hindus, they have a three-faced Brahma, or, like the Romans, a two-faced Janus.

(10) The sand painting here reproduced is part of the medicine series prepared far the healing of disease. In the healing ceremony the patient is placed upon the drawing, which is made in a consecrated hogan, and all outsiders excluded. The sacred swastika in the center of the drawing is perhaps the most nearly universal of religious emblems and represents the four corners of the world. The two hunchback god, at the right and left assume their appearance by reason of the great clouds borne upon their backs. In Navaho religious art, male divinities are always shown with circular heads and female divinities with square heads.