(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(36) I am the great Cat, who frequenteth the Persea tree in Heliopolis, on that night of battle wherein is effected the defeat of the Sebau, and that day upon which the adversaries of the Inviolate god are exterminated

(37) Who is that great Cat? It is Râ himself. For Sau said, He is the likeness (Maȧu) of that which he hath created, and his name became that of Cat (Maȧu

(1) Verily, the day arose for the horse as the sacrificial vessel which stands before. Its place is the eastern sea. Verily, the night arose for him as the sacrificial vessel which stands behind. Its place is the western sea. Verily, these two arose on both sides of the horse as the two sacrificial vessels. animal sacrifices in ancient India (described at length in Sat. Br. 13. 1-5), is interpreted, in this and the following Brahmana, as of cosmic significance — a miniature reproduction of the world-order. In the liturgy for the Horse-sacrifice (contained in VS. 22-25) there is a similar apportionment of the parts of the animal to the vanous parts of the world. Compare also a similar elaborate cosmic correlation of the ox at AV. 9. 7. symbolized cosmically by the Bay of Bengal and the Indian Ocean. Becoming a steed, he carried the gods; a stallion, the Gandharvas; a courser, the demons; a horse, men. The sea, indeed, is his relative. The sea is his place.

(2) The following symbol, likewise, testifies the truth of this. For by the God “ sitting above the lotus ,” a transcendency and strength which by no means come into contact with the mire, are obscurely signified, and also indicate his intellectual and empyrean empire. For every thing belonging to the lotus is seen to be circular, viz. both the form of the leaves and the fruit; and circulation is alone allied to the motion of intellect, which energizes with invariable sameness, in one order, and according to one reason. But the God is established by himself, and above a dominion and energy of this kind, venerable and holy, superexpanded, and abiding in himself, which his being seated is intended to signify. When the God, also, is represented as “ sailing in a ship ,” it exhibits to us the power which governs the world. As, therefore, the pilot being separate from the ship presides over the rudder of it, thus the sun having a separate subsistence, governs the helm of the whole world. And as the pilot directs all things from the stem, giving from himself a small principle of motion to the vessel; thus, also, by a much greater priority, the God indivisibly imparts supernally from the first principles of nature, the primordial causes of motions. These particulars, therefore, and still more than these, are indicated by the God sailing in a ship.

(5) Immediately afterward Tohil, Avilix, and Hacavitz were turned to stone, together with the deified beings the puma, the jaguar, the snake, the cantil, and the hobgoblin. Their arms became fastened to the trees when the sun, the moon, and the stars appeared. All alike, were changed into stone. Perhaps we should not be living today because of the voracious animals, the puma, the jaguar, the snake, and the cantil, as well as the hobgoblin; perhaps our power would not exist if these first animals had not been turned into stone by the sun. When the sun arose, the hearts of Balam-Quitzé, Balam-Acab, Mahucutah, and Iqui-Balam were filled with joy. Great was their joy when it dawned. And there were not many men at that place; only a few were there on the mountain Hacavitz. There dawn came to them, there they burned their incense and danced, turning their gaze toward the East, whence they had come. There were their mountains and their valleys, whence had come Balam-Quitzé, BalamAcab, Mahucutah, and Iqui-Balam, as they were called.

(5) And for this cause it comes to pass that these are called the “sacred animals” by the Egyptians, and that each several state gives service to the souls of those whose souls have been made holy, while they were still alive; so that [the several states] are governed by the laws [of their peculiar sacred animals], and called after their names. It is because of this, Asclepius, those [animals] which are considered by some states deserving of their worship, in others are thought otherwise; and on account of this the states of the Egyptians wage with each other frequent war. XXXVIII

(41) Thus is completed the Profound Heart-Drops of the Bardo Doctrine, called The Bardo Thodol, which liberateth embodied beings. [In our Manuscript (but not in the Block-Print), directly following the text of the Bardo Thodol, there are thirteen folios of rituals and prayers (lit., 'paths of good wishes'), which all professional readers of the Bardo Thodol must know, usually from memory, and apply as needed; and they are here rendered into English as follows:]

(15) Brahmin devotees at Vaisali perceived the fragrance and became elated; they praised the rare occurrence. Their chief, called “Lunar Canopy” took eighty-four thousand men to Vimalakirti’s house where they saw many Bodhisattvas seated on majestic lion thrones; they were jubilant and paid reverence to the Bodhisattvas and the Buddha’s chief disciples, and then stood at one side. Earthly and heavenly ghosts as well as the devas of the worlds of desire and of form who smelt the fragrance, came as well.

(12) At that time, all newly initiated Bodhisattvas and chief disciples of the Buddha paid reverence to the Tathagata Merukalpa and then sat on the lion throne.

(2) The incense which Balam-Quitzé brought was called Mixtán-Pom; the incense which BalamAcab brought was called Cavixtán-Pom; and that which Mahucutah brought was called Cabauil-Pom. The three had their incense and burned it when they began to dance facing toward the East. They wept for joy as they danced and burned their incense, their precious incense. Then they wept because they did not yet behold nor see the sunrise. But, then, the sun came up. The small and large animals were happy; and arose from the banks of the river, in the ravines, and on the tops of the mountains, and all turned their eyes to where the sun was rising. Then the puma and the jaguar roared. But first the bird called Queletzú burst into song. In truth, all the animals were happy, and the eagle, the white vulture; the small birds and the large birds stretched their wings.

(13) Therefore also the Egyptians place Sphinxes before their temples, to signify that the doctrine respecting God is enigmatical and obscure; perhaps also that we ought both to love and fear the Divine Being: to love Him as gentle and benign to the pious; to fear Him as inexorably just to the impious; for the sphinx shows the image of a wild beast and of a man together.

(7) Also, the Word of God attributes to the Heavenly Beings a likeness to Brass, Electron, and many-coloured stones. Electron, as being partly like gold, partly like silver, denotes the incorruptible, as in gold, and unexpended, and undiminished, and spotless brilliancy, and the brightness, as in silver, and a luminous and heavenly radiance. But to the Brass, according to the reasons assigned, must be attributed either the likeness of fire or that of gold. We must consider that the many-coloured appearances of stones denote either as white, the luminous; or as red, the fiery; or as yellow, the golden; or as green, the youthful and the full grown; and within each likeness you will find an explanation which teaches the inner meaning of the typical images. But since, I think, according to our power, this has been sufficiently said, let us pass to the sacred explanation of the Divine representations of the Heavenly Minds through wild beasts. We must consider that the shape of a Lion signifies the leading, and robust, and indomitable, and the assimilation, as far as possible, to the unutterable Godhead, by the concealment of the intellectual footprints, and by the mystically modest covering of the path, leading to It, during Divine illumination.

(11) Again, at the death of those discipline -holding abbots and doctors in metaphysical discourses [who remain uninstructed in these Bardo teachings], however assiduously they may have devoted themselves to religious practices, and however in the human world, there will not come any phenomenal signs such as rainbow-halo [at the funeral-pyre] nor bone-reliques [from the ashes]. This is because when they lived the mystic [or esoteric] doctrines were never held within their heart, and because they had spoken contemptuously of them, and because they were never acquainted [through initiation] with the deities of the mystic [or esoteric] doctrines; thus, when these dawn on the Bardo, they do not recognize them. Suddenly [seeing] what they had never seen before, engendered, they pass into the miserable states because of that. Therefore, if the observers of the disciplines, and the [or esoteric] doctrines, such signs as the rainbow-halo come not, nor are bone-reliques and seed-like bones ever produced [from the bones of their funeral-pyre]: these are the reasons for it.

(2) Since, then, our earliest progenitors were in great error, —seeing they had no rational faith about the Gods, and that they paid no heed unto their cult and holy worship,—they chanced upon an art whereby they made Gods [for themselves]. To this invention they conjoined a power that suited it, [derived] from cosmic nature; and blending these together, since souls they could not make, [they set about] evoking daimons’ souls or those of angels; [and thus] attached them to their sacred images and holy mysteries, so that the statues should, by means of these, possess the powers of doing good and the reverse.

(1) Whence also the Egyptians did not entrust the mysteries they possessed to all and sundry, and did not divulge the knowledge of divine things to the profane; but only to those destined to ascend the throne, and those of the priests that were judged the worthiest, from their nurture, culture, and birth. Similar, then, to the Hebrew enigmas in respect to concealment, are those of the Egyptians also. Of the Egyptians, some show the sun on a ship, others on a crocodile. And they signify hereby, that the sun, making a passage through the delicious and moist air, generates time; which is symbolized by the crocodile in some other sacerdotal account. Further, at Diospolis in Egypt, on the temple called Pylon, there was figured a boy as the symbol of production, and an old man as that of decay. A hawk, on the other hand, was the symbol of God, as a fish of hate; and, according to a different symbolism, the crocodile; of impudence. The whole symbol, then, when put together, appears to teach this: "Oh ye who are born and die, God hates impudence."

(12) O nobly-born, the Great Glorious Buddha-Heruka, dark-brown of colour; with three heads, six hands, and four feet firmly postured; the right [face] being white, the left, red, the central, dark-brown; the body emitting flames of radiance; the nine eyes widely opened, in terrifying gaze; the eyebrows quivering like lightening; the protruding teeth glistening and set over one another; giving vent to sonorous utterances of 'a-la-la' and 'ha-ha', and piercing whistling sounds; the hair of a reddish-yellow colour, standing on end, and emitting radiance; the heads adorned with dried [human] skulls, and the [symbols of the] sun and moon; black serpents and raw [human] heads forming a garland for the body; the first of the right hands holding a wheel, the middle one, a sword, the last one, a battle-axe; the first of the left hands, a bell, the middle one, a skull-bowl, the last one, a ploughshare; his body embraced by the Mother, Buddha-Krotishaurima, her right hand clinging to his neck and her left putting to his mouth a red shell [filled with blood], [making] a palatal sound like a crackling [and] a clashing sound, and a rumbling sound as loud as thunder; [emanating from the two deities] radiant flames of wisdom, blazing from every hair-pore [of the body] and each containing a flaming dorje; [the two deities together thus], standing with [one] leg bent and [the other] straight and tense, on a dais supported by horned eagles, will come froth from within thine own brain and shine vividly upon thee. Fear that not. Be not awed. Know it to be the embodiment of thine own intellect. As it is thine own tutelary deity, be not terrified. Be not afraid, for in reality is it the Bhagavan Vairochana, the Father-Mother. Simultaneously with the recognition, liberation will be obtained: if they be recognized, merging [thyself], in at-one-ment, into the tutelary deity, Buddhahood in the Sambhoga-Kaya will be won.

(7) And the disk of the sun was a great dragon whose tail was in his mouth and who reached to seven powers of the Left and whom four powers in the form of white horses drew. And the base of the moon had the type of a ship which a male and a female dragon steered and two white bulls drew. The figure of a babe was on the stern of the moon who guided the dragons who robbed the light from the rulers. And on its prow was a cat's face. And the whole world and the mountains and the seas fled together to the west to the left.

(24) A goddess (devakanya) who had watched the gods (devas) listening to the Dharma in Vimalakirti’s room appeared in bodily form to shower flowers on the Bodhisattvas and the chief disciples of the Buddha (in their honour). When the flowers fell on the Bodhisattvas, they fell to the ground, but when they fell on the chief disciples, they stuck to their bodies and did not drop in spite of all their efforts to shake them off.

(4) As it approached the hour for the morning meal, Lord Buddha, Honoured of the Worlds, attired himself in a mendicant’s robe, and bearing an alms-bowl in his hands, walked towards the great city of Shravasti, which he entered to beg for food. Within the city he proceeded from door to door, and received such donations as the good people severally bestowed. Concluding this religious exercise, the Lord Buddha returned to the grove of Jeta, and partook of the frugal meal received as alms. Thereafter he divested himself of his mendicant’s robe, laid aside the venerated alms-bowl, bathed his sacred feet, and accepted the honoured seat reserved for him by his disciples.