(2) And there are those who fashion ears and eyes of costly material, and consecrate them, dedicating them in the temples to the gods - by this plainly indicating that God sees and hears all things. Besides, the lion is with them the symbol of strength and prowess, as the ox clearly is of the earth itself, and husbandry and food, and the horse of fortitude and confidence; while, on the other hand, the sphinx, of strength combined with intelligence - as it had a body entirely that of a lion, and the face of a man. Similarly to these, to indicate intelligence, and memory, and power, and art, a man is sculptured in the temples. And in what is called among them the Komasiae of the gods, they carry about golden images - two dogs, one hawk, and one ibis; and the four figures of the images they call four letters. For the dogs are symbols of the two hemispheres, which, as it were, go round and keep watch; the hawk, of the sun, for it is fiery and destructive (so they attribute pestilential diseases to the sun); the ibis, of the moon, likening the shady parts to that which is dark in plumage, and the luminous to the light. And some will have it that by the dogs are meant the tropics, which guard and watch the sun's passage to the south and north. The hawk signifies the equinoctial line, which is high and parched with heat, as the ibis the ecliptic. For the ibis seems, above other animals, to have furnished to the Egyptians the first rudiments of the invention of number and measure, as the oblique line did of circles.

(1) Whence also the Egyptians did not entrust the mysteries they possessed to all and sundry, and did not divulge the knowledge of divine things to the profane; but only to those destined to ascend the throne, and those of the priests that were judged the worthiest, from their nurture, culture, and birth. Similar, then, to the Hebrew enigmas in respect to concealment, are those of the Egyptians also. Of the Egyptians, some show the sun on a ship, others on a crocodile. And they signify hereby, that the sun, making a passage through the delicious and moist air, generates time; which is symbolized by the crocodile in some other sacerdotal account. Further, at Diospolis in Egypt, on the temple called Pylon, there was figured a boy as the symbol of production, and an old man as that of decay. A hawk, on the other hand, was the symbol of God, as a fish of hate; and, according to a different symbolism, the crocodile; of impudence. The whole symbol, then, when put together, appears to teach this: "Oh ye who are born and die, God hates impudence."

(13) This Chapter is not frequently met with in the papyri; it was written on the wrappings and the bandages of the dead; for instance, on the funeral cloth of King Thothmes III, where it is not complete. This Chapter is interesting, as it shows how repulsive to the Egyptians was the idea of corruption, of the decay of the body, which is described here in most realistic terms. This is one of the reasons why they gave such importance to mummification

(5) And for this cause it comes to pass that these are called the “sacred animals” by the Egyptians, and that each several state gives service to the souls of those whose souls have been made holy, while they were still alive; so that [the several states] are governed by the laws [of their peculiar sacred animals], and called after their names. It is because of this, Asclepius, those [animals] which are considered by some states deserving of their worship, in others are thought otherwise; and on account of this the states of the Egyptians wage with each other frequent war. XXXVIII

(1) But it was not only the most highly intellectual of the Egyptians, but also such of other barbarians as prosecuted philosophy, that affected the symbolical style. They say, then, that Idanthuris king of the Scythians, as Pherecydes of Syros relates, sent to Darius, on his passing the Ister in threat of war, a symbol, instead of a letter, consisting of a mouse, a frog, a bird, a javelin, a plough. And there being a doubt in reference to them, as was to be expected, Orontopagas the Chiliarch said that they were to resign the kingdom; taking dwellings to be meant by the mouse, waters by the frog, air by the bird, land by the plough, arms by the javelin. But Xiphodres interpreted the contrary; for he said, "If we do not take our flight like birds, or like mice get below the earth, or like frogs beneath the water, we shall not escape their arrows; for we are not lords of the territory."

(36) I am the great Cat, who frequenteth the Persea tree in Heliopolis, on that night of battle wherein is effected the defeat of the Sebau, and that day upon which the adversaries of the Inviolate god are exterminated

(50) This chapter is in itself most interesting, and it is one of the most important as illustrative of Egyptian mythology. It is impossible at present to explain every detail, but the general drift of the chapter is not to be mistaken. And the same drift is to be recognised in the whole course of Egyptian religious literature from the beginning

(49) And the plague was very grievous in Egypt, and there was no house in Egypt where there was not one dead, and weeping and lamentation.

(3) After the interruption due to Chapters 153 and 154, we revert to the series inaugurated by 151, the description of the chamber in which the mummy is deposited, and of the funeral equipment of the deceased, his amulets and ornaments. The papyrus III, 93 (Pb), of the Louvre, throws several of these Chapters into one, with the title: the description of the hidden things of the Tuat , and the vignette (Pl. LV) represents three figures of Chapter 151: the statuette, the torch or flame, and the Anubis; besides two Tat of different substances, one of them for the wall, and one to be put on the neck of the deceased, and a buckle

(13) Therefore also the Egyptians place Sphinxes before their temples, to signify that the doctrine respecting God is enigmatical and obscure; perhaps also that we ought both to love and fear the Divine Being: to love Him as gentle and benign to the pious; to fear Him as inexorably just to the impious; for the sphinx shows the image of a wild beast and of a man together.

(1) Thou art a lion, thou art a sphinx, thou art Horus who avengeth his father; thou art these four gods, those glorious ones who are shouting for joy, who are making incantations, and who bring out water by the power of the tramp of their feet. Thou risest on the right, thou risest on the left. Seb has opened thy blind eyes, he has loosened thy legs which were fettered. Thou hast received thy heart of thy mother, thy whole heart of thy own body; thy soul is in the sky, thy body is under the ground. There is bread for thy body, water for thy throat, sweet breeze for thy nostrils

Then follows a long account of the birth of Moses, of Pharaoh's devices to kill him in his infancy, of his education in Pharaoh's house, of his desiring Pharaoh to let the children of Israel go, and of his contest with the magicians of Egypt, and his victory over them. In the course of the story the following anecdote is narrated: A snake-catcher, who was following his occupation in the mountains, discovered a large snake frozen by the cold, and, imagining it to be dead, he tied it up and took it to Baghdad. There all the idlers of the city flocked together to see it, and the snake, thawed by the warmth of the sun, recovered life, and immediately destroyed the spectators.

(11) 8 To say by Nut: I unite thy beauty with this body (and with) this ba, for life, endurance, joy, health 8 of Horus, divine apparition, king of Upper and Lower Egypt, N. (of the land of) the two goddesses, divine apparition, N., 8 powerful lord (of Ombos), N., living eter[nally]. 2. RITUAL OF BODILY RESTORATION OF THE DECEASED, AND OFFERINGS, UTTERANCES 12203

(4) The Chapters numbered 51 and 52 are not found in the most ancient papyri, but the substance of them and their formulas are met with on the ancient coffins [65] and in the Pyramid texts. See, for instance, Unas 189, Teta 68, with M. Maspero’s note on the latter text. I do not, however, believe, as M. Maspero does, that these texts convey the idea “so frequent[!] among half-civilised peoples, of another life in which the deceased will have nothing to eat and drink but excremental matter.” That the which I translate ‘dirt’ and ‘lye’ are of this nature is quite certain, but they are objects of abhorrence to the Sun-god, like the dead rat and the putrid cat in chapter 33, because he is a consuming fire, and “whatsoever he findeth upon his path he devoureth it,” Unas 515. It is only natural then that the deceased who is identified with the Sun-god in these texts should express his execration of such offensive matter. He is not afraid of being limited to this food, his fear springs from the opposite extreme

(4) Next in order advances the sacred Scribe, with wings on his head, and in his hand a book and rule, in which were writing ink and the reed, with which they write. And he must be acquainted with what are called hieroglyphics, and know about cosmography and geography, the position of the sun and moon, and about the five planets; also the description of Egypt, and the chart of the Nile; and the description of the equipment of the priests and of the places consecrated to them, and about the measures and the things in use in the sacred rites. Then the Stole-keeper follows those previously mentioned, with the cubit of justice and the cup for libations. He is acquainted with all points called Paedeutic (relating to training) and Moschophatic (sacrificial). There are also ten books which relate to the honour paid by them to their gods, and containing the Egyptian worship; as that relating to sacrifices, first-fruits, hymns, prayers, processions, festivals, and the like. And behind all walks the Prophet, with the water-vase carried openly in his arms; who is followed by those who carry the issue of loaves.

(9) And if at any time there is the want of an animal, they are satisfied with bleeding their own finger for a sacrifice. The prophetess Diotima, by the Athenians offering sacrifice previous to the pestilence, effected a delay of the plague for ten years. The sacrifices, too, of Epimenides of Crete, put off the Persian war for an equal period. And it is considered to be all the same whether we call these spirits gods or angels. And those skilled in the matter of consecrating statues, in many of the temples have erected tombs of the dead, calling the souls of these Daemons, and teaching them to be wor-shipped by men; as having, in consequence of the purity of their life, by the divine foreknowledge, received the power of wandering about the space around the earth in order to minister to men. For they knew that some souls were by nature kept in the body. But of these, as the work proceeds, in the treatise on the angels, we shall discourse.

(52) Of those, too, who at one time lived as men among the Egyptians, but were constituted gods by human opinion, were Hermes the Theban, and Asclepius of Memphis; Tireseus and Manto, again, at Thebes, as Euripides says. Helenus, too, and Laocoon, and OEnone, and Crenus in Ilium. For Crenus, one of the Heraclidae, is said to have been a noted prophet. Another was Jamus in Elis, from whom came the Jamidae; and Polyidus at Argos and Megara, who is mentioned by the tragedy.

(1) The doubts also that follow in the next place require for their solution the assistance of the same divinely-wise Muse. But I am desirous, previous to this, to unfold to you the peculiarity of the theology of the Egyptians. For they, imitating the nature of the universe, and the fabricative energy of the Gods, exhibit certain images through symbols of mystic, occult, and invisible intellections; just as nature, after a certain manner, expresses invisible reasons [or productive powers] through visible forms. But the fabricative energy of the Gods delineates the truth of forms, through visible images. Hence the Egyptians, perceiving that all superior natures rejoice in the similitude to them of inferior beings, and thus wishing to fill the latter with good, through the greatest possible imitation of the former, very properly exhibit a mode of theologizing adapted to the mystic doctrine concealed in the symbols.

(5) [10 lines are missing here.']

"I had you recline on the great couch, indeed, on the couch of honor I let you recline, 1 had you sit in the position of ease, the seat at the left, so the princes of the world kissed your feet. I had the people of Uruk mourn and moan for you, I filled happy people with woe over you, and after you (died) I let a filthy mat of hair grow over my body, and donned the skin of a lion and roamed the wilderness." Just as day began to dawn, he undid his straps... I... carnelian,

(31) In his divine poem he gives this advice, 'Sweep away the dust from thy house!'" "O Pharaoh, if you are wise, I show you mercy; But if you are an ass, I give you the stick as an ass. So I will drive you out of your stable, In this stable asses and men alike See! I have brought a staff for the purpose of correcting It turns into a serpent in vengeance against you, You are an evil serpent, swelled to the size of a hill. This staff is a foretaste to you of hell,