(11) Into Thee enter these hosts of gods, and some in fear extol Thee with folded hands. And bands of Rishis and Siddhas exclaim, “May there be peace!” and praise Thee with splendid hymns.

(11) The Rudras, Ādityas, Vasus, and Sādhyas; the Viśwas, Aświns, Maruts, and Ushmapās; and the hosts of Gandharvas, Yakshas, Asuras, and Siddhas— all behold Thee and are amazed.

(4) Kâlî (black), Karâlî (terrific), Manogavâ (swift as thought), Sulohitâ (very red), Sudhûmravarnâ (purple), Sphuliṅginî (sparkling), and the brilliant Visvarûpî (having all forms), all these playing about are called the seven tongues (of fire).

(6) Oh ye gods who draw along the Bark of the Eternal one: ye who lift up above the Tuat, and who raise up the Sky: ye who enable the Souls to enter into the mummied forms; ye whose hands grasp the cordage, hold firm with your ropes and stop the adversaries that the Bark may rejoice and the god proceed in peace

(17) The meager available native records contain abundant evidence that the later civilizations of Central and South America were hopelessly dominated by the black arts of their priestcrafts. In the convexities of their magnetized mirrors the Indian sorcerers captured the intelligences of elemental beings and, gazing into the depths of these abominable devices, eventually made the scepter subservient to the wand. Robed in garments of sable hue, the neophytes in their search for truth were led by their sinister guides through the confused passageways of necromancy. By the left-hand path they descended into the somber depths of the infernal world, where they learned to endow stones with the power of speech and to subtly ensnare the minds of men with their chants and fetishes. As typical of the perversion which prevailed, none could achieve to the greater Mysteries until a human being had suffered immolation at his hand and the bleeding heart of the victim had been elevated before the leering face of the stone idol fabricated by a priestcraft the members of which realized more fully than they dared to admit the true nature of the man-made demon. The sanguinary and indescribable rites practiced by many of the Central American Indians may represent remnants of the later Atlantean perversion of the ancient sun Mysteries. According to the secret tradition, it was during the later Atlantean epoch that black magic and sorcery dominated the esoteric schools, resulting in the bloody sacrificial rites and gruesome idolatry which ultimately overthrew the Atlantean empire and even penetrated the Aryan religious world.

(11) All the lands praise thy beauties like Rā when he rises every morning; thou art crowned like him who is high on his pedestal, thy beauties are exalted, thy strides are lengthened; thou hast received the royal power of Seb, thy father who creates thy beauties; thy mother gave existence to thy limbs, Nut who bare the gods bare thee to be the chief of the five gods. The white crown of the South is placed on thy head; thou seizest the hook and the flail. When thou wast still in the womb, before thou didst appear on earth, thou wast crowned to be lord of the two earths, the atef crown of Rā was on thy head

(1) Thy right eye is in the Sektit boat, thy left eye is in the Âtit boat. Thy eyebrows are with Anubis, thy fingers are with Thoth, thy locks are with Ptah Sokaris; they prepare for thee a good way, they smite for thee the associates of Sut

(11) Behold the Ādityas and the Vasus and the Rudras and the twin Aświns and the Maruts; behold, O Bhārata, many wonders that no one has ever seen before.

(3) ' Yajnavalkya/. said Sakalya, t by knowing what Brahma is it that you have talked down the Brahmans of the Kurupafi- calas? ' ' I know the quarters of heaven together with their gods and their bases.' their gods and their bases, [20] what divinity have you in this eastern quarter? ' < The sun/ ' On the eye/ c And on what is the eye based? ' { On the heart/ he said, ' for with the heart one knows appear- ances, for on the heart alone appearances are based/ ' Quite so, Yajnavalkya/

(1) Oh ye four Harbingers who sit at the prow of the Bark of Rā, and convey the fixed ordinances of the Inviolate One, ye who are judges of my distress and of my good fortune, and propitiate the gods with the flames from your mouths: ye who present to the gods their oblations and the sacrificial meals to the Glorified: ye who live through Maāt and are sated with Maāt: who have nothing wrong in you and execrate that which is disordered, do ye put an end to my ills and remove that which is disorderly in me through my being smitten to the earth

(10) Thy throat is like Anubis, thy limbs are necklaces made of gold; thy breasts are two eggs of crystal which Horus has painted blue, thy forearms are adorned with topaz, thy shoulders are well established on their base; thy heart is happy every day, thy whole heart is the work of the two divine Powers, thy body worships the stars of the gods above and below; for thy belly is like a calm sky, and thy bowels are the Tuat which nobody can fathom, and which sends out light in the dark night; its offerings are eatable plants

(10) The sand painting here reproduced is part of the medicine series prepared far the healing of disease. In the healing ceremony the patient is placed upon the drawing, which is made in a consecrated hogan, and all outsiders excluded. The sacred swastika in the center of the drawing is perhaps the most nearly universal of religious emblems and represents the four corners of the world. The two hunchback god, at the right and left assume their appearance by reason of the great clouds borne upon their backs. In Navaho religious art, male divinities are always shown with circular heads and female divinities with square heads.

(3) In b the central object is the Sun setting in the West . He is saluted by three hawk-headed and by three jackal-headed divinities, the Spirits of Pu and of Nechen. Below this scene the Sun of Yesterday and the Sun of To-day in lion forms are saluted by Isis and Nephthys

(28) In this figure the pagan naturalists represent all the vital powers of the three kingdoms and families of sublunary nature-mineral, plant, and animal (man considered as an animal). At one of her ears was the moon and at the other the sun, to indicate that these two were the agent and patient, or father and mother principles of all natural objects; and that Isis, or Nature, makes use of these two luminaries to communicate her powers to the whole empire of animals, vegetables, and minerals. On the back of her neck were the characters of the planets and the signs of the zodiac which assisted the planets in their functions. This signified that the heavenly influences directed the destinies of the principles and sperms of all things, because they were the governors of all sublunary bodies, which they transformed into little worlds made in the image of the greater universe.

(1) O Tmu, Shu, Tefnut, Seb, Nut, Osiris, Isis, Sut, Nephthys, Horus of the two Horizons, Hathor in the great dwelling, Chepera, Mentu lord of Thebes, Amon lord of Nestaui, ye the great cycle of the gods, ye the small cycle of the gods, ye gods and goddesses issued from Nu, Sebek of Shet, Sebek in all his manifold names, in all the abodes where his ka likes to be; ye gods of the South and of the North, ye gods in heaven and on earth, grant a pure garment to the mighty Chu N. ; give him to be glorious by it and destroy all that was wrong in him

(1) Thou art a lion, thou art a sphinx, thou art Horus who avengeth his father; thou art these four gods, those glorious ones who are shouting for joy, who are making incantations, and who bring out water by the power of the tramp of their feet. Thou risest on the right, thou risest on the left. Seb has opened thy blind eyes, he has loosened thy legs which were fettered. Thou hast received thy heart of thy mother, thy whole heart of thy own body; thy soul is in the sky, thy body is under the ground. There is bread for thy body, water for thy throat, sweet breeze for thy nostrils

(13) In the Hindu system of philosophy, each petal of the lotus bears a certain symbol which gives an added clue to the meaning of the flower. The Orientals also used the lotus plant to signify the growth of man through the three periods of human consciousness--ignorance, endeavor, and understanding. As the lotus exists in three elements (earth, water, and air) so man lives in three worlds--material, intellectual, and spiritual. As the plant, with its roots in the mud and the slime, grows upward through the water and finally blossoms forth in the light and air, so the spiritual growth of man is upward from the darkness of base action and desire into the light of truth and understanding, the water serving as a symbol of the ever-changing world of illusion through which the soul must pass in its struggle to reach the state of spiritual illumination. The rose and its Eastern equivalent, the lotus, like all beautiful flowers, represent spiritual unfoldment and attainment: hence, the Eastern deities are often shown seated upon the open petals of the lotus blossoms.

(17) Men in whom sattva prevails worship the gods; men in whom rajas prevails worship demigods and demons; and men in whom tamas prevails worship ghosts and disembodied spirits.

(6) From him come the Rik, the Sâman, the Yagush, the Dîkshâ (initiatory rites), all sacrifices and offerings of animals, and the fees bestowed on priests, the year too, the sacrificer, and the worlds, in which the moon shines brightly and the sun.

(1) THE yoni and phallus were worshiped by nearly all ancient peoples as appropriate symbols of God's creative power. The Garden of Eden, the Ark, the Gate of the Temple, the Veil of the Mysteries, the vesica piscis or oval nimbus, and the Holy Grail are important yonic symbols; the pyramid, the obelisk, the cone, the candle, the tower, the Celtic monolith, the spire, the campanile, the Maypole, and the Sacred Spear are symbolic of the phallus. In treating the subject of Priapic worship, too many modern authors judge pagan standards by their own and wallow in the mire of self-created vulgarity. The Eleusinian Mysteries--the greatest of all the ancient secret societies--established one of the highest known standards of morality and ethics, and those criticizing their use of phallic symbols should ponder the trenchant words of King Edward III, "Honi soit qui mal y pense."