(5) The head of the person who is there in that orb is Bhur — there is one head, this is one syllable. Bkuvar is the arms — there are two arms, these are two syllables. Svar is the feet 1 ' Truth* is another meaning (beside ' the Real') of the word satyam. anrtam* — there are two feet, these are two syllables (su-ar). The mystic name (upanisad) thereof is * Day ' (ahan). He slays ( */kan) evil, he leaves it behind ( «/ha) who knows this.

(17) The word “Sat” is used to denote reality and goodness; and likewise, Ο Pārtha, the word “Sat” is used for an auspicious action.

(4) Now then, Yajnavalkya had two wives, Maitreyi and Katyayani. Of the two, Maitreyi was a discourser on sacred knowledge (brahma-vddinz) \ Katyayani had just (eva) a woman's knowledge in that matter (tarhi\ Now then, Yajnavalkya was about to commence another mode of life.

(1) (Now these are the names which I will give from the Boundless onward. Write them with a sign, that the Sons of God may be revealed from here on. This is the name of the Immortal: aaa , ōōō ; and this is the name of the Voice, for the sake of which the Perfect Man hath set himself in motion: iii . And these are the interpretations of the names of these mysteries: the first [name], which is aaa , its interpretation is fff ; the second, which is mmm or ōōō, its interpretation is aaa ; the third, which is ps ps ps , its interpretation is ooo ; the fourth, which is fff , its interpretation is nnn ; the fifth, which is ddd , its interpretation is aaa . He on the throne is aaa . This is the interpretation of the second: aaaa , aaaa , aaaa ; this is the interpretation of the whole name.)

(5) The head of the person who is here in the right eye is Bhur— there is one head, this is one syllable. BJmvar is the arms — there are two arms, these are two syllables. Svar is the feet — there are two feet, these are two syllables (su-ar). The mystic name (upanisad) thereof is * I ' (akam). He slays evil, he leaves it behind ( */ka) who knows this.

(17) “Om Tat Sat”— this has been declared as the threefold designation of Brahman. By means of it were created, at the beginning, the Brāhmins, the Vedas, and the Sacrifices.

(10) Him in the Yasnas of our Piety we seek to praise with homage, who in His persistent energy was famed to be (in truth) the Lord Ahura Mazda, for He hath appointed in His kingdom, through His holy Order and His Good Mind, both Weal and Immortality, to grant the eternal mighty pair to this our land (and the creation).

(14) Of these, sattva, being stainless, is luminous and healthful. It binds, Ο sinless Arjuna, by creating attachment to happiness and attachment to knowledge.

(3) Se-ta , literally Filius terrae , is a common noun signifying signifying an earth-worm. It is applied to the Sun as rising out of the earth. There are several pictures at Denderah representing the Sun-god Hor-sam-ta in the form of the worm rising out of the Lotus of Dawn. See pl. xxiii, from Mariette, Dend . I, 47 and 48

(1) Now next, the praying of the puiificatory formulas (pavamana). — The Prastotri priest (Praiser), verily, begins to praise with the Chant (sdman). When he begins to praise, then let [the sacrlficer] mutter the following: — ' From the unreal (asaf) lead me to the real (sat) I From darkness lead me to light! From death lead me to immortality ' ' When he says ' From the unreal lead me to the real/ the unreal, verily, is death, the real is immortality. * From death lead me to immortality. Make me immortal ' — that is what he says. death, the light is immortality. ' From death lead me to im- mortality. Make me immortal ' — that is what he says. ' From death lead me to immortality '—there is nothing there that seems obscure. Now whatever other verses there are of a hymn of praise (stotra), in them one may win food for himself by singing. And, therefore, in them he should choose a boon, whatever desire he may desire. That Udgatri priest who knows this — whatever desire he desires, either for himself or for the sacri- ficer, that he obtains by singing. This, indeed, is world-con- quering. There is no prospect of his being without a world who knows thus this Saman.

(14) Sattva binds one to happiness, and rajas to action, Ο Bhārata; whereas tamas veils knowledge and binds one to inadvertence.

(1) Verily, this world is a triad — name, form, and work. Of these, as regards names, that which is called Speech is their hymn of praise (ttktha), for from it arise (ut-tha) all names. It is their Saman (chant), for it is the same (sama) as all names. It is their prayer (brahman)^ for it supports ( */bhar) all names.

(9) —Thy name is with the mighty Glorified. He is the soul of the great body which is in Sais of Neith

(14) If the embodied soul meets with death when sattva prevails, it goes to the spotless realms of those who know the Highest.

(5) The Uktha*\ Verily, the Uktha is life (prana), for it is life that causes everything here to rise up (ut-tha). From him there rises up an Uktha-knowing son, he wins co-union and co-status with the Uktha, who knows this.

(1) 2. And it is also the Sama-Veda. The Chant (saman\ verily, is speech. It is sa (she) and ama (he). That is the origin of the word sdman. Or because it is equal (sama) to a gnat, equal to a fly, equal to an elephant, equal to these three worlds, equal to this uni- verse, therefore, indeed; it is the Sama-Veda. He obtains intimate union with the Saman, he wins its world who knows thus that Saman.

(1) Verily, at that time the world was undifferentiated. It became differentiated just by name and foim, as the saying is: differentiated just by name and form, as the saying is: ' He has such a name, such a form.' He entered in here, even to the fingernail-tips, as a razor would be hidden in a razor-case, or fire in a fire-holder.' Him they see not, for [as seen] he Is incomplete. When breathing, he becomes breath (prdnd) by name; when speaking, voice; when seeing, the eye; when hearing, the ear; when thinking, the mind: these are merely the names of his acts. Whoever worships one or another of these — he knows not; for he is the earliest occurrence of a favorite simile of the later Vedanta; cf. for example, £ankara on the Brahma-Sutras 3. 2. 6 ' as fire is latent in firewood or in covered embers.* But the meaning of m&vambJiara is uncertain. Etymologically the word is a compound signifying * all-bearing.' As such it is an unambiguous appellation of the earth at AV 12. I 6. The only other occurrence of its adjectival -use that is cited in BR. is AV. 2. 16. 5, where the commentator substantiates his rendering the meaning ( fire ' (A V Tr. p. 60-61), and in his criticism of Bohtlingk's translation of this Upamshad (AJP n. 432) suggests that ' vtivambhara may perhaps here mean some kind of insect, in accordance with its later use,' and * since the point of comparison is the invisibility of the things encased ' proposes the translation * or as a vitvambhara in a vtfvam&kara-uest. But Professor Lanman adds to Whitney's note on AV. a. 16. 5 (AV, Tr. p. 60- j); 'I think, nevertheless, that fire may be meant.' The same simile recurs at Kaush. 4. 20. incomplete with one or another of these. One should worship with the thought that he is just one's self (atman\ for therein all these become one That same thing, namely, this self, is the trace (fadaniyd) of this All, for by it one knows this All. Just as, verily, one might find by a footprint (^r),thus— - He finds fame and praise who knows this.

(6) Then he takes a sip, saying: — 'On this desired [glory] of Savitri — 'Tis sweetness, winds for pious man — "Tis sweetness, too, the streams pour forth. Sweet-filled for us let be the herbs' To Earth (b/iur), hail! [On this desired] glory of the god let us meditate. Sweet be the night and morning glows! Sweet be the atmosphere of earth ' And sweet th' Heaven-father (dyaus pita) be to us! To Atmosphere (bhuvas), hail! And may he himself inspire our thoughts' 6 The tree be full of sweet for us! And let the sun be full of sweet! Sweet-filled the cows become for us 1 7 To the Sky (svar\ hail! ' He repeats all the Savitri Hymn and all the « Sweet-verses/ and says: 'May I indeed become this world -all! O Earth (bhnr) and Atmosphere (bhuvas) and Sky (svar) \ Hail!' Finally, having taken a sip, having washed his hands, he lies down behind the fire, head eastward. In the morning he worships the sun, and says: c Of the quarters of heaven thou art the one lotus-flower! s May I of men become the one lotus-flower! ' s bear some lesemblance to the phrase which involves a play on words m the corresponding passage in Chand. 5. 2. 6, amo ndmd 'si ama hi te sarvam zdam, c Thou art He (ama) by name, for this whole world is at home (ama) m thee.' 8 A symbolic expression for ' pre-eminent.' Then he goes back the same way that he came, and, seated behind the fire, mutters the Line of Tradition (vamsa)* 7- This, indeed, did Uddalaka Arurn tell to his pupil Vaja- saneya Yajnavalkya, and say: « Even if one should pour this on a dry stump, branches would be produced and leaves would spring forth.

(48) Oh Fearful one, who art over the Two Earths, Red god who orderest the block of execution; to whom is given the Double Crown and Enjoyment as Prince of Sutenhunen

(4) I am Sechit Uat’it who sitteth on the right side of Heaven: I am Sahit encircled by the Spirits of Heliopolis. [36