(20) Leaf 8. Under the sun, moon, and Mercury are the words Three and One, an inference that the three are one. The words under the flower stems read: "Whiteness forty days after ashes." Under the blossoms is written: (left) "Minor time of the Stone"; (right) "The selected red." Between the arms of the central figure appears: "Let one pound of Mercury be placed." To the left is written: "If you who read shall have known this figure, you will possess the whole science of the Stone"; to the right: "And if you do not acknowledge it, you will be stiff-necked and dull." Above the sun is the word Father; above the satyr, "Ferment of the work." Beside the child is the sentence: "The son of the moon would threw the Stone into the fire--his mother." Above the flaming basket is written: "I am the true Stone." Under the central figure are the words: "A moderate fire is the master of the work."

(5) Wishing to express Sun in writing, they make a circle; and Moon, a figure like the Moon, like its proper shape. But in using the figurative style, by transposing and transferring, by changing and by transforming in many ways as suits them, they draw characters. In relating the praises of the kings in theological myths, they write in anaglyphs. Let the following stand as a specimen of the third species - the Enigmatic. For the rest of the stars, on account of their oblique course, they have figured like the bodies of serpents; but the sun, like that of a beetle, because it makes a round figure of ox-dung, and rolls it before its face. And they say that this creature lives six months under ground, and the other division of the year above ground, and emits its seed into the ball, and brings forth; and that there is not a female beetle. All then, in a word, who have spoken of divine things, both Barbarians and Greeks, have veiled the first principles of things, and delivered the truth in enigmas, and symbols, and allegories, and metaphors, and such like tropes. Such also are the oracles among the Greeks. And the Pythian Apollo is called Loxias. Also the maxims of those among the Greeks called wise men, in a few sayings indicate the unfolding of matter of considerable importance. Such certainly is that maxim, "Spare Time:" either because life is short, and we ought not to expend this time in vain; or, on the other hand, it bids you spare your personal expenses; so that, though you live many years, necessaries may not fail you. Similarly also the maxim "Know thyself" shows many things; both that thou art mortal, and that thou wast born a human being; and also that, in comparison with the other excellences of life, thou art of no account, because thou sayest that thou art rich or renowned; or, on the other hand, that, being rich or renowned, you are not honoured on account of your advantages alone. And it says, Know for what thou wert born, and whose image thou art; and what is thy essence, and what thy creation, and what thy relation to God, and the like. And the Spirit says by Isaiah the prophet, "I will give thee treasures, hidden, dark." Now wisdom, hard to hunt, is the treasures of God and unfailing riches. But those, taught in theology by those prophets, the poets, philosophize much by way of a hidden sense. I mean Orpheus, Linus, Musaeus, Homer, and Hesiod, and those in this fashion wise. The persuasive style of poetry is for them a veil for the many.

(29) Figure 2 is the globe of the earth, showing the houses and signs of the zodiac. Figure 3 is the character of the Universal Mercury (Divine Life) in its triune aspect of mercury, sulphur, and salt. Figure 4 is true saltpetre purified with quicklime and alkali. Figure 5 shows the exact degree or angle of the planets' places as well as the individual fixed stars in the zodiac. The letter a is the sun and b is the earth. From k to i are the circles of Mercury and Venus; g to h, the circles of earth and moon; f to e and e to c, of Jupiter and Saturn; c to d, the starry belt or zodiac. Figure 6 is the Microcosm, with the planets and signs of the zodiac corresponding to the different parts of its form. The words upon the figure read: Know thyself. In words, herbs, and stones lies a great power. Figure 7 is the universal character from which all characters have been taken. Figures 8, 9, and 10 are left to the solution of the reader. Figure 11 is the radiating Universal Mercury.

(1) Let him imagine, who would well conceive What now I saw, and let him while I speak Retain the image as a steadfast rock, The fifteen stars, that in their divers regions The sky enliven with a light so great That it transcends all clusters of the air; Let him the Wain imagine unto which Our vault of heaven sufficeth night and day, So that in turning of its pole it fails not; Let him the mouth imagine of the horn That in the point beginneth of the axis Round about which the primal wheel revolves,— To have fashioned of themselves two signs in heaven, Like unto that which Minos' daughter made, The moment when she felt the frost of death; And one to have its rays within the other, And both to whirl themselves in such a manner That one should forward go, the other backward; And he will have some shadowing forth of that True constellation and the double dance That circled round the point at which I was; Because it is as much beyond our wont, As swifter than the motion of the Chiana Moveth the heaven that all the rest outspeeds.

(38) In his introductory notes to the Popol Vuh, Dr. Guthrie presents a number of important parallelisms between this sacred book of the Quichés and the sacred writings of other great civilizations. In the tests through which Hunahpu and Xbalanque are forced to pass he finds the following analogy with the signs of the zodiac as employed in the Mysteries of the Egyptians, Chaldeans, and Greeks:

(28) The period of 2,160 years required for the regression of the sun through one of the zodiacal constellations is often termed an age. According to this system, the age secured its name from the sign through which the sun passes year after year as it crosses the equator at the vernal equinox. From this arrangement are derived the terms The Taurian Age, The Aryan Age, The Piscean Age, and The Aquarian Age. During these periods, or ages, religious worship takes the form of the appropriate celestial sign--that which the sun is said to assume as a personality in the same manner that a spirit assumes a body. These twelve signs are the jewels of his breastplate and his light shines forth from them, one after the other.

(39) Paracelsus, Agrippa, Kircher, Lilly, and numerous other magicians and astrologers have tabulated the gems and stones corresponding to the various planets and zodiacal signs. The following list has been compiled from their writings. To the sun is assigned the carbuncle, ruby, garnet---especially the pyrope--and other fiery stones, sometimes the diamond; to the moon, the pearl, selenite, and other forms of crystal; to Saturn, the onyx, jasper, topaz, and sometimes the lapis lazuli; to Jupiter, the sapphire, emerald, and marble; to Mars, the amethyst, hyacinth, lodestone, sometimes the diamond; to Venus, the turquoise, beryl, emerald, and sometimes the pearl, alabaster, coral, and carnelian; to Mercury, the chrysolite, agate, and variegated marble.

(40) The nineteenth numbered major trump is called Le Soleil, the Sun, and portrays two children--probably Gemini, the Twins--standing together in a garden surrounded by a magic ring of flowers. One of these children should be shown as male and the other female. Behind them is a brick wall apparently enclosing the garden. Above the wall the sun is rising, its rays alternately straight and curved. Thirteen teardrops are falling from the solar face Levi, seeing in the two children Faith and Reason, which must coexist as long as the temporal universe endures, writes: "Human equilibrium requires two feet, the worlds gravitate by means of two forces, generation needs two sexes. Such is the meaning of the arcanum of Solomon, represented by the two pillars of the temple, Jakin and Bohas." (See Transcendental Magic.) The sun of Truth is shining into the garden of the world over which these two children, as personifications of eternal powers reside. The harmony of the world depends upon the coordination of two qualities symbolized throughout the ages as the mind and the heart. In the pseudo-Egyptian Tarot the children give place to a youth and a maiden. Above them in a solar nimbus is the phallic emblem of generation--a line piercing a circle. Gemini is ruled by Mercury and the two children personify the serpents entwined around the caduceus.

(12) I know also very well, that it is not fit for the disciple to fight against his Master. And I know that the high experienced masters of astrology do far exceed me in their way. But I labour in my calling, and they in theirs, lest I should be found a lazy idle servant to my Lord, at his coming, when he will demand the talent he has entrusted me withal; but that I may present it to him with usury or profit and gain.

(1) Now was it the ascent no hindrance brooked, Because the sun had his meridian circle To Taurus left, and night to Scorpio; Wherefore as doth a man who tarries not, But goes his way, whate'er to him appear, If of necessity the sting transfix him, In this wise did we enter through the gap, Taking the stairway, one before the other, Which by its narrowness divides the climbers. And as the little stork that lifts its wing With a desire to fly, and does not venture To leave the nest, and lets it downward droop, Even such was I, with the desire of asking Kindled and quenched, unto the motion coming He makes who doth address himself to speak. Not for our pace, though rapid it might be, My father sweet forbore, but said: "Let fly The bow of speech thou to the barb hast drawn." With confidence I opened then my mouth, And I began: "How can one meagre grow There where the need of nutriment applies not?" "If thou wouldst call to mind how Meleager Was wasted by the wasting of a brand, This would not," said he, "be to thee so sour;

(15) Leaf 4. At the top: "Let them believe that . everything is possible. The art is fleeting, bright and rare, and not believed by the foolish." The words between the sun and crescent read "It is hidden," and on the panel across the body "The Book of life and true Treasury of the World." The panel to the left of the figure says "Moving almost all, and the soul of its body returns to the place from which it had fled, and ripens seven months or nine, and the King crowned with his diadem appears." The right panel states: "There are three Mercuries: animal, vegetable, and mineral." The text below is of such a cryptic nature that to translate it is well nigh impossible. It declares that by putting fire beneath the feet of the symbolic figure it is possible to extract therefrom the sun and the moon which the human body is shown elevating to a position of dignity above its head.

(3) These words of his so spurred me on, that I Strained every nerve, behind him scrambling up, Until the circle was beneath my feet. Thereon ourselves we seated both of us Turned to the East, from which we had ascended, For all men are delighted to look back. To the low shores mine eyes I first directed, Then to the sun uplifted them, and wondered That on the left hand we were smitten by it. The Poet well perceived that I was wholly Bewildered at the chariot of the light, Where 'twixt us and the Aquilon it entered. Whereon he said to me: "If Castor and Pollux Were in the company of yonder mirror, That up and down conducteth with its light, Thou wouldst behold the zodiac's jagged wheel Revolving still more near unto the Bears, Unless it swerved aside from its old track. How that may be wouldst thou have power to think, Collected in thyself, imagine Zion Together with this mount on earth to stand, So that they both one sole horizon have, And hemispheres diverse; whereby the road Which Phaeton, alas! knew not to drive,

(40) Leaf 24. The words at the top read: "I, the bird [the adept], speak into thine ears from the Sun, Moon and Azoth. The work is perfected with little labor." The panel to the left describes the nature of primordial matter and the drink of the Philosophers. The text to the right reads: "This is my beloved Son whom I saw and loved. If he be resurrected, He will remain at home, and in that house the spirit will be the soul and the body; for Mercury may be called the son of the Sun and the Moon." Under the child's figure is added: "If he were not dead, I should not have been his mother. I bore him after death before he was born in the world; under my feet I have what was his, and out of me and my Son and the foundation of my feet the Philosopher's Stone is made." At the lower left the three constituents of the Stone are shown elevated upon a pedestal to signify their dignity.

(24) Leaf 11. The fount is described as that from which the two Mercuries of the Philosophers are extracted. At the upper left is described the white Mercury and at the right the red Mercury. The text about the fountain declares that Saturn collects the white Mercury, which is called the Water of Earth; and the Earth collects the red Mercury, which is called the Water of Heaven. The text to the left of the frog reads: "Through Him who created the Heavens and the Earth I am the Philosopher's Stone, and in my body I carry something the wise seek. If such a charm be extracted from me, it will be a sweet refreshment for you. I am an animal having father and mother, and father and mother were created; and in my body are contained the four elements, and I am before father and mother and I am a poisonous animal." The lines at the right describe distilling and calcining processes.

(33) In the morning Virgo Lucifera announced that each of the wedding guests had become a "Knight of the Golden Stone. " The aged warden then presented each man with a gold medal, bearing on one side the inscription "At. Nat. Mi. " and on the other, "Tem. Na. F." The entire company returned in twelve ships to the King's palace. The flags on the vessels bore the signs of the zodiac, and C.R.C. sat under that of Libra. As they entered the lake, many ships met them and the King and Queen, together with their lords, ladies, and virgins, rode forth on a golden barge to greet the returning guests. Atlas then made a short oration in the King's behalf, also asking for the royal presents. In reply the aged warden delivered to Cupid, who hovered about the royal pair, a small, curious-shaped casket. C.R.C. and the old lord, each bearing a snow-white ensign with a red cross on it, rode in the carriage with the King. At the first gate stood the porter with blue clothes, who, upon seeing C.R.C., begged him to intercede with the King to release him from that post of servitude. The King replied that the porter was a famous astrologer who was forced to keep the gate as a punishment for the crime of having gazed upon Lady Venus reposing upon her couch. The King further declared that the porter could be released only when another was found who had committed the same crime. Upon hearing this, C.R.C.'s heart sank, for he realized himself to be the culprit, but he remained silent at that time.

(18) After washing and drinking in the garden from a fountain which bore several inscriptions--among them one reading, "Drink, brothers, and live"--the guests, led by Virgo Lucifera, ascended the 365 steps of the royal winding stairs. The guests were given wreaths of laurel and, a curtain being raised, found themselves in the presence of the King and Queen. C.R.C. was awestruck by the glory of the throne room and especially by the magnificence of the Queen's robes, which were so dazzling that he could not gaze upon them. Each guest was presented to the King by one of the virgins and after this ceremony the Virgo Lucifera made a short speech in which she recited the achievements of the honest "artists" and begged that each be questioned as to whether she had properly fulfilled her duty. Old Atlas then stepped forward and in the name of their Royal Majesties greeted the intrepid band of philosophers and assured Virgo Lucifera that she should receive a royal reward.

(2) For time always proceeding the divine mode of knowledge becomes evanescent, through being frequently mingled and contaminated with much of what is mortal. This divine mode is indeed [in astrology also], and a certain clear indication of truth, though it is but small, is at the same time preserved in it. For it places before our eyes manifest signs of the mensuration of the divine periods, when it predicts the eclipses of the sun and moon, and the concursions of the moon with the fixed stars, and when the experience of the sight is seen to accord with the prediction. Moreover, the observations of the celestial bodies through the whole of time, both by the Chaldeans and by us, testify that this science is true. Indications, also, more known than these might be adduced, if the present discussion was precedaneously about these particulars. But as they are superfluous, and do not pertain to the knowledge of the peculiar dæmon, I shall, as it is fit so to do, omit them, and pass on to things more appropriate than these.

(25) Leaf 12. The three words at the top read: "This is Nature." The lines above the donkey read: "This is the Philosophers' donkey who wished to rise to the practice of the Philosopher's Some." The three lines below the animal are translated: "Frogs gather in multitudes but science consists of clear water made from the Sun and Moon." The text under the symbolic bird is as follows: "This is fortune with two wings. Whosoever has it knows that fruit will in such away be produced. A great philosopher has shown that the stone is a certain white sun, to see which needs a telescope. To dissolve it in water requires the Sun and Moon, and here one must open 200 telescopes, putting body and soul in one mass. And here is lost the mass; other sages cook the frogs and add nothing, if the juice of the Wise you wish to enjoy." To the Greeks the frog symbolized both metempsychosis and earthly humidity.

(3) And after the Singer advances the Astrologer, with a horologe in his hand, and a palm, the symbols of astrology. He must have the astrological books of Hermes, which are four in number, always in his mouth. Of these, one is about the order of the fixed stars that are visible, and another about the conjunctions and luminous appearances of the sun and moon; and the rest respecting their risings.

(1) In that part of the youthful year wherein The Sun his locks beneath Aquarius tempers, And now the nights draw near to half the day, What time the hoar-frost copies on the ground The outward semblance of her sister white, But little lasts the temper of her pen, The husbandman, whose forage faileth him, Rises, and looks, and seeth the champaign All gleaming white, whereat he beats his flank, Returns in doors, and up and down laments, Like a poor wretch, who knows not what to do; Then he returns and hope revives again, Seeing the world has changed its countenance In little time, and takes his shepherd's crook, And forth the little lambs to pasture drives. Thus did the Master fill me with alarm, When I beheld his forehead so disturbed, And to the ailment came as soon the plaster. For as we came unto the ruined bridge, The Leader turned to me with that sweet look Which at the mountain's foot I first beheld. His arms he opened, after some advisement Within himself elected, looking first Well at the ruin, and laid hold of me.