(1) The world used in its peril to believe That the fair Cypria delirious love Rayed out, in the third epicycle turning; Wherefore not only unto her paid honour Of sacrifices and of votive cry The ancient nations in the ancient error, But both Dione honoured they and Cupid, That as her mother, this one as her son, And said that he had sat in Dido's lap; And they from her, whence I beginning take, Took the denomination of the star That woos the sun, now following, now in front. I was not ware of our ascending to it; But of our being in it gave full faith My Lady whom I saw more beauteous grow. And as within a flame a spark is seen, And as within a voice a voice discerned, When one is steadfast, and one comes and goes, Within that light beheld I other lamps Move in a circle, speeding more and less, Methinks in measure of their inward vision. From a cold cloud descended never winds, Or visible or not, so rapidly They would not laggard and impeded seem

(44) "If you wish to inspect the orgies of the Corybantes, " writes Clement, "Then know that, having killed their third brother, they covered the head of the dead body with a purple cloth, crowned it, and carrying it on the point of a spear, buried it under the roots of Olympus. These mysteries are, in short, murders and funerals. [This ante-Nicene Father in his efforts to defame the pagan rites apparently ignores the fact that, like the Cabirian martyr, Jesus Christ was foully betrayed, tortured, and finally murdered!] And the priests Of these rites, who are called kings of the sacred rites by those whose business it is to name them, give additional strangeness to the tragic occurrence, by forbidding parsley with the roots from being placed on the table, for they think that parsley grew from the Corybantic blood that flowed forth; just as the women, in celebrating the Thcsmophoria, abstain from eating the seeds of the pomegranate, which have fallen on the ground, from the idea that pomegranates sprang from the drops of the blood of Dionysus. Those Corybantes also they call Cabiric; and the ceremony itself they announce as the Cabiric mystery."

(35) The fifteenth to eighteenth chapters inclusive contain an account of seven angels (the Pleiades) who pour their vials upon the earth. The contents of their vials (the loosened energy of the Cosmic Bull) are called the seven last plagues. Here also is introduced a symbolic figure, termed "the harlot of Babylon, "which is described as a woman seated upon a scarlet-colored beast having seven heads and ten horns. The woman was arrayed in purple and scarlet and bedecked with gold, precious stones, and pearls, having in her hand a golden cup full of abominations. This figure may be an effort (probably interpolated) to vilify Cybele, or Artemis, the Great Mother goddess of antiquity. Because the pagans venerated the Mater Deorum through symbols appropriate to the feminine generative principle they were accused by the early Christians of worshiping a courtesan. As nearly all the ancient Mysteries included a test of the neophyte's moral character, the temptress (the animal soul) is here portrayed as a pagan goddess.

(3) Each one her breast was rending with her nails; They beat them with their palms, and cried so loud, That I for dread pressed close unto the Poet. "Medusa come, so we to stone will change him!" All shouted looking down; "in evil hour Avenged we not on Theseus his assault!" "Turn thyself round, and keep thine eyes close shut, For if the Gorgon appear, and thou shouldst see it, No more returning upward would there be." Thus said the Master; and he turned me round Himself, and trusted not unto my hands So far as not to blind me with his own. O ye who have undistempered intellects, Observe the doctrine that conceals itself Beneath the veil of the mysterious verses! And now there came across the turbid waves The clangour of a sound with terror fraught, Because of which both of the margins trembled; Not otherwise it was than of a wind Impetuous on account of adverse heats, That smites the forest, and, without restraint, The branches rends, beats down, and bears away; Right onward, laden with dust, it goes superb, And puts to flight the wild beasts and the shepherds.

(2) And the sun's face, uprising, overshadowed So that by tempering influence of vapours For a long interval the eye sustained it; Thus in the bosom of a cloud of flowers Which from those hands angelical ascended, And downward fell again inside and out, Over her snow-white veil with olive cinct Appeared a lady under a green mantle, Vested in colour of the living flame. And my own spirit, that already now So long a time had been, that in her presence Trembling with awe it had not stood abashed, Without more knowledge having by mine eyes, Through occult virtue that from her proceeded Of ancient love the mighty influence felt. As soon as on my vision smote the power Sublime, that had already pierced me through Ere from my boyhood I had yet come forth, To the left hand I turned with that reliance With which the little child runs to his mother, When he has fear, or when he is afflicted, To say unto Virgilius: "Not a drachm Of blood remains in me, that does not tremble; I know the traces of the ancient flame."

(43) While a vast number of deities are associated with the Samothracian Mysteries, the ritualistic drama centers around four brothers. The first three--Aschieros, Achiochersus, and Achiochersa--attack and murder the fourth--Cashmala (or Cadmillus). Dionysidorus, however, identifies Aschieros with Demeter, Achiochersus with Pluto, Achiochersa with Persephone, and Cashmala with Hermes. Alexander Wilder notes that in the Samothracian ritual "Cadmillus is made to include the Theban Serpent-god, Cadmus, the Thoth of Egypt, the Hermes of the Greeks, and the Emeph or Æsculapius of the Alexandrians and Phœnicians. " Here again is a repetition of the story of Osiris, Bacchus, Adonis, Balder, and Hiram Abiff. The worship of Atys and Cybele was also involved in the Samothracian Mysteries. In the rituals of the Cabiri is to be traced a form of pine-tree worship, for this tree, sacred to Atys, was first trimmed into the form of a cross and then cut down in honor of the murdered god whose body was discovered at its foot.

(5) Acclamations to thee, mightier than the gods; thou art praised by the gods of Hermopolis, the living spirits who are in their tabernacles. They give praise to the valour of Mut (?), and they begin to bring offerings to the mysterious gates. Their bones are sound, they are delivered from dangers; they become powerful in the eternal abode; they are delivered from the society of the wicked one, the spirit with a terrible face, which is among the assembly of the gods

(364) sins by sacrifices or charms, with rejoicings and feasts; and they promise to harm an enemy, whether just or unjust, at a small cost; with magic arts and incantations binding heaven, as they say, to execute their will. And the poets are the authorities to whom they appeal, now smoothing the path of vice with the words of Hesiod;— ‘Vice may be had in abundance without trouble; the way is smooth and her dwelling-place is near. But before virtue the gods have set toil 6 ,’ and a tedious and uphill road: then citing Homer as a witness that the gods may be influenced by men; for he also says:— ‘The gods, too, may be turned from their purpose; and men pray to them and avert their wrath by sacrifices and soothing entreaties, and by libations and the odour of fat, when they have sinned and transgressed 7 .’ And they produce a host of books written by Musaeus and Orpheus, who were children of the Moon and the Muses—that is what they say—according to which they perform their ritual, and persuade not only individuals, but whole cities, that expiations and atonements for sin may be made by sacrifices and amusements which fill a vacant hour, and are equally at the service of the living and the dead; the latter

(3) Shadows borne onward by the aforesaid stress. Whereupon said I: "Master, who are those People, whom the black air so castigates?" "The first of those, of whom intelligence Thou fain wouldst have," then said he unto me, "The empress was of many languages. To sensual vices she was so abandoned, That lustful she made licit in her law, To remove the blame to which she had been led. She is Semiramis, of whom we read That she succeeded Ninus, and was his spouse; She held the land which now the Sultan rules. The next is she who killed herself for love, And broke faith with the ashes of Sichaeus; Then Cleopatra the voluptuous." Helen I saw, for whom so many ruthless Seasons revolved; and saw the great Achilles, Who at the last hour combated with Love. Paris I saw, Tristan; and more than a thousand Shades did he name and point out with his finger, Whom Love had separated from our life. After that I had listened to my Teacher, Naming the dames of eld and cavaliers, Pity prevailed, and I was nigh bewildered.

(9) And if at any time there is the want of an animal, they are satisfied with bleeding their own finger for a sacrifice. The prophetess Diotima, by the Athenians offering sacrifice previous to the pestilence, effected a delay of the plague for ten years. The sacrifices, too, of Epimenides of Crete, put off the Persian war for an equal period. And it is considered to be all the same whether we call these spirits gods or angels. And those skilled in the matter of consecrating statues, in many of the temples have erected tombs of the dead, calling the souls of these Daemons, and teaching them to be wor-shipped by men; as having, in consequence of the purity of their life, by the divine foreknowledge, received the power of wandering about the space around the earth in order to minister to men. For they knew that some souls were by nature kept in the body. But of these, as the work proceeds, in the treatise on the angels, we shall discourse.

(13) Lo, to thee I pour as a libation the sparkling gleam of Bromius."He signifies, as I think, the soul's first milk-like nutriment of the four-and-twenty elements, after which solidified milk comes as food. And last, he teaches of the blood of the vine of the Word, the sparkling wine, the perfecting gladness of instruction. And Drops is the operating Word, which, beginning with elementary training, and advancing to the growth of the man, inflames and illumines man up to the measure of maturity. The third is said to be a writing copy for children -marptes, sfigx klwy, zxnkqhdos. And it signifies, in my opinion, that by the arrangement of the elements and of the world, we must advance to the knowledge of what is more perfect, since eternal salvation is attained by force and toil; for maryai is to grasp. And the harmony of the world is meant by the Sphinx; and zunkqhdon means difficulty; and klwys means at once the secret knowledge of the Lord and day. Well! does not Epigenes, in his book on the Poetry of Orpheus, in exhibiting the peculiarities found in Orpheus, say that by " the curved rods" (keraisi) is meant "ploughs;"and by the warp (sthmosi), the furrows; and the woof (mitos) is a figurative expression for the seed; and that the tears of Zeus signify a shower; and that the "parts" (moirai) are, again, the phases of the moon, the thirtieth day, and the fifteenth, and the new moon, and that Orpheus accordingly calls them "white-robed," as being parts of the light?

(5) Encircling her, a cloister made themselves The seven Nymphs, with those lights in their hands Which are secure from Aquilon and Auster. "Short while shalt thou be here a forester, And thou shalt be with me for evermore A citizen of that Rome where Christ is Roman. Therefore, for that world's good which liveth ill, Fix on the car thine eyes, and what thou seest, Having returned to earth, take heed thou write." Thus Beatrice; and I, who at the feet Of her commandments all devoted was, My mind and eyes directed where she willed. Never descended with so swift a motion Fire from a heavy cloud, when it is raining From out the region which is most remote, As I beheld the bird of Jove descend Down through the tree, rending away the bark, As well as blossoms and the foliage new, And he with all his might the chariot smote, Whereat it reeled, like vessel in a tempest Tossed by the waves, now starboard and now larboard. Thereafter saw I leap into the body Of the triumphal vehicle a Fox, That seemed unfed with any wholesome food.

(2) With respect, however, to the mother of the Gods, you, indeed, seem to think that those who are possessed by the Goddess are males; for, conformably to this, you denominate them Metrizantes. But the thing is not truly so. For those who are precedaneously inspired by the mother of the Gods are women; but the males that are thus inspired are very few in number, and such as are more effeminate. This enthusiasm, however, has a vivific and replenishing power, on which account, also, it in a remarkable degree differs from all other mania.

(8) "And at the commandment of my Father, the First Mystery which looketh within, I myself went down into the chaos, shining most exceedingly, and approached the lion-faced power, which shone exceedingly, and took its whole light in it and held fast all the emanations of Self-willed, so that from now on they went not into their region, that is the thirteenth æon. And I took away the power of all the emanations of Self-willed, and they all fell down in the chaos powerless. And I led forth Pistis Sophia, she being on the right of Gabriēl and Michaēl. And the great light-stream entered again into her. And Pistis Sophia beheld with her eyes her foes, that I had taken their light-power from them. And I led Pistis Sophia forth from the chaos, she treading under foot the serpent-faced emanation of Self-willed, and moreover treading under foot the seven-faced-basilisk emanation, and treading under foot the lion- and dragon-faced power. I made Pistis Sophia continue to stand upon the seven-headed-basilisk emanation of Self-willed; and it was more mighty than them all in its evil doings. And I, the First Mystery, stood by it and took all the powers in it, and made to perish its whole matter, so that no seed should arise from it from now on."

(3) Thou makest me remember where and what Proserpina that moment was when lost Her mother her, and she herself the Spring." As turns herself, with feet together pressed And to the ground, a lady who is dancing, And hardly puts one foot before the other, On the vermilion and the yellow flowerets She turned towards me, not in other wise Than maiden who her modest eyes casts down; And my entreaties made to be content, So near approaching, that the dulcet sound Came unto me together with its meaning As soon as she was where the grasses are. Bathed by the waters of the beauteous river, To lift her eyes she granted me the boon. I do not think there shone so great a light Under the lids of Venus, when transfixed By her own son, beyond his usual custom! Erect upon the other bank she smiled, Bearing full many colours in her hands, Which that high land produces without seed. Apart three paces did the river make us; But Hellespont, where Xerxes passed across, (A curb still to all human arrogance,)

(3) "My Master," I replied, "by hearing thee I am more sure; but I surmised already It might be so, and already wished to ask thee Who is within that fire, which comes so cleft At top, it seems uprising from the pyre Where was Eteocles with his brother placed." He answered me: "Within there are tormented Ulysses and Diomed, and thus together They unto vengeance run as unto wrath. And there within their flame do they lament The ambush of the horse, which made the door Whence issued forth the Romans' gentle seed; Therein is wept the craft, for which being dead Deidamia still deplores Achilles, And pain for the Palladium there is borne." "If they within those sparks possess the power To speak," I said, "thee, Master, much I pray, And re-pray, that the prayer be worth a thousand, That thou make no denial of awaiting Until the horned flame shall hither come; Thou seest that with desire I lean towards it." And he to me: "Worthy is thy entreaty Of much applause, and therefore I accept it; But take heed that thy tongue restrain itself.

(6) "Summae Deus clementiae," in the bosom Of the great burning chanted then I heard, Which made me no less eager to turn round; And spirits saw I walking through the flame; Wherefore I looked, to my own steps and theirs Apportioning my sight from time to time. After the close which to that hymn is made, Aloud they shouted, "Virum non cognosco;" Then recommenced the hymn with voices low. This also ended, cried they: "To the wood Diana ran, and drove forth Helice Therefrom, who had of Venus felt the poison." Then to their song returned they; then the wives They shouted, and the husbands who were chaste. As virtue and the marriage vow imposes. And I believe that them this mode suffices, For all the time the fire is burning them; With such care is it needful, and such food, That the last wound of all should be closed up.

(14) Again, that the Spring is called "flowery," from its nature; and Night "still," on account of rest; and the Moon" Gorgonian," on account of the face in it; and that the time in which it is necessary to sow is called Aphrodite by the "Theologian." In the same way, too, the Pythagoreans figuratively called the planets the "dogs of Persephone;" and to the sea they applied the metaphorical appellation of "the tears of Kronus." Myriads on myriads of enigmatical utterances by both poets and philosophers are to be found; and there are also whole books which present the mind of the writer veiled, as that of Heraclitus On Nature, who on this very account is called "Obscure." Similar to this book is the Theology of Pherecydes of Syrup; for Euphorion the poet, and the Causes of Callimachus, and the Alexandra of Lycophron, and the like, are proposed as an exercise in exposition to all the grammarians.

(39) "In the Mysteries of the Phrygians, "says Julius Firmicus, "which are called those of the MOTHER OF THE GODS, every year a PINE TREE is cut down and in the inside of the tree the image of a YOUTH is tied in! In the Mysteries of Isis the trunk of a PINE TREE is cut: the middle of the trunk is nicely hollowed out; the idol of Osiris made from those hollowed pieces is BURIED. In the Mysteries of Proserpine a tree cut is put together into the effigy and form of the VIRGIN, and when it has been carried within the city it is MOURNED 40 nights, but the fortieth night it is BURNED!" (See Sod, the Mysteries of Adoni.)

(12) The souls of men, seeing their images in the mirror of Dionysus as it were, have entered into that realm in a leap downward from the Supreme: yet even they are not cut off from their origin, from the divine Intellect; it is not that they have come bringing the Intellectual Principle down in their fall; it is that though they have descended even to earth, yet their higher part holds for ever above the heavens.

Their initial descent is deepened since that mid-part of theirs is compelled to labour in care of the care-needing thing into which they have entered. But Zeus, the father, takes pity on their toils and makes the bonds in which they labour soluble by death and gives respite in due time, freeing them from the body, that they too may come to dwell there where the Universal Soul, unconcerned with earthly needs, has ever dwelt.

For the container of the total of things must be a self-sufficing entity and remain so: in its periods it is wrought out to purpose under its Reason-Principles which are perdurably valid; by these periods it reverts unfailingly, in the measured stages of defined life-duration, to its established character; it is leading the things of this realm to be of one voice and plan with the Supreme. And thus the kosmic content is carried forward to its purpose, everything in its co-ordinate place, under one only Reason-Principle operating alike in the descent and return of souls and to every purpose of the system.

We may know this also by the concordance of the Souls with the ordered scheme of the kosmos; they are not independent, but, by their descent, they have put themselves in contact, and they stand henceforth in harmonious association with kosmic circuit- to the extent that their fortunes, their life experiences, their choosing and refusing, are announced by the patterns of the stars- and out of this concordance rises as it were one musical utterance: the music, the harmony, by which all is described is the best witness to this truth.

Such a consonance can have been procured in one only way:

The All must, in every detail of act and experience, be an expression of the Supreme, which must dominate alike its periods and its stable ordering and the life-careers varying with the movement of the souls as they are sometimes absorbed in that highest, sometimes in the heavens, sometimes turned to the things and places of our earth. All that is Divine Intellect will rest eternally above, and could never fall from its sphere but, poised entire in its own high place, will communicate to things here through the channel of Soul. Soul in virtue of neighbourhood is more closely modelled upon the Idea uttered by the Divine Intellect, and thus is able to produce order in the movement of the lower realm, one phase maintaining the unvarying march the other adopting itself to times and season.

The depth of the descent, also, will differ- sometimes lower, sometimes less low- and this even in its entry into any given Kind: all that is fixed is that each several soul descends to a recipient indicated by affinity of condition; it moves towards the thing which it There resembled, and enters, accordingly, into the body of man or animal.