(97) In this sixth melting I hold to be the greatest danger for [al]chymists about the preparing of their silver and gold. For there belongeth to it, and is required for it, a very subtile fire, and it may soon be burnt or made dead or deaf; and it becometh very dim or blind if the fire be too cold.

(50) In a goldstone men find also a little piece of it in some place, wherein there is more and purer gold, than in another not discerned, though there is gold in the whole stone or ore.

(53) a a ExumeENust! saith: The envious have laid waste the whole Art with the multiplicity of names, but the entire work must be the Art of the Coin. For the Philosophers have ordered the doctors of this art to make coin-like gold, which also the same Philosophers have called by all manner of names.

The Turba answereth: Inform, therefore, posterity, O Exumenus, concern- ’ 161 ing a few of these names, that they may take warning! And he: They have named it salting, sublimating, washing, and pounding Ethelias, whitening in the fire, frequently cooking vapour and coagulating, turning into rubigo, the confection of Ethel, the art of the water of sulphur and coagula. By all these names is that operation called which has pounded and whitened copper. And know ye, that quicksilver is white to the sight, but when it is possessed by the smoke of sulphur, it reddens and becomes Cambar. Therefore, when quicksilver is cooked with its confections it is turned into red, and hence the

Philosopher saith that the nature of lead is swiftly converted. Do you not see that the Philosophers have spoken without envy? Hence we deal in many ways with pounding and reiteration, that ye may extract the spirits existing in the vessel, which the fire did not cease to burn continuously. But the M water placed with those things prevents the fire from burning, and it befalls those things that the more they are possessed by the flame of fire, the more they are hidden in the depths of the water, lest they should be injured by the heat of the fire; but the water receives them in its belly and repels the flame of fire from them.

The Turba answereth: Unless ye make bodies not-bodies ye achieve nothing. But concerning the sublimation of water the Philosophers have treated not a little. And know that unless ye diligently pound the thing in the fire, the Ethelia does not ascend, but when that does not ascend ye achieve nothing. When, however, it ascends it is an instrument for the intended tincture with which ye tinge, and concerning this Ethelia

Hermes saith:

Sift the things which ye know; but another: Liquefy the things. Therefore,

Arras saith: Unless ye pound the thing diligently in the fire, Ethelia does not ascend. The Master hath put forth a view whichI shall now explain to the reasoners. Know ye that a very great wind of the south, when it is stirred up, sublimates clouds and elevates the vapours of the sea.

The Turba answereth: Thou hast dealt obscurely. And he: I will explain the testa,* and the vessel wherein is incombustible sulphur. But I order you to congeal fluxible quicksilver out of many things, that two may be made three, and four one, and two one.

(10) ARISLEUS saith:—Know that the key of this work is the art of Coins.* Take, therefore, the body which I have shewn to you and reduce it to thin tablets. Next immerse the said tablets in the Water of our Sea,t which is permanent Water,! and, after it is covered,§ set it over a gentle fire until the tablets are melted and become waters or Etheliz, which are one and the same thing. Mix, cook, and simmer in a gentle fire until Brodium is produced, like to Saginatum. Then stir in its water of Etheliz until it be coagulated, and the coins become variegated, which we call the Flower of Salt. Cook it, therefore, until it be deprived of blackness, and the whiteness appear. Then rub it, mix with the Gum of Gold, and cook -until it becomes red Etheliz. Use patience in pounding lest you become weary. Imbue the Ethelia with its own water, which has preceded from it, which also is Permanent Water, until the same becomes red. This, then, is Burnt Copper,” which is the Leaven of Gold and the Flower thereof. Cook the same with Permanent Water, which is always with it, until the water be dried up. Continue the operation until all the water is consumed, and it becomes a most subtle powder.

(96) VI. Now when it is melted the sixth time, then it grows somewhat harder, and then the life, which is risen up in the love, moveth and stirreth itself. From this stirring existeth the tone in the hardness, and the mineral ore gets a clear sound, for the hard and dead beating or noise of the bitter fiery matter is gone away.

(5) 'And as, my dear, by one nugget of gold all that is made of gold is known, the difference being only a name, arising from speech, but the truth being that all is gold?

(23) This Chapter is taken from papyrus London 9900 Aa . It has no vignette, the translation here given is that which I published in 1873 ( Zeitschrift , 1873, pp. 25 and 81), with a few changes

(52) Ixumprus satih: You will have treated most excellently, O MHorfolcus, concerning the regimen of copper and the humid spirit, provided you proceed therewith. And he: Perfect, therefore, what I have omitted, O Ixumdrus!

Ixumprus saith: You must know that this Ethelia* which you have previously mentioned and notified, which also the envious have called by many names, doth. whiten, and tinge when it is whitened; then truly the Philosophers have called it the Flower of Gold, because it is a certain natural thing.

Do you not remember what the Philosophers have said, that before it arrives at this terminus, copper does not tinge?* But when it is tinged it tinges, because quicksilver tinges when it is combined with its tincture. But when it is mixed with those ten things which the Philosophers have denominated fermented urines, then have they called all these things Multiplication. But some have termed their mixed bodies Corsufle and Gum of Gold.t Therefore, those names which are found in the books of the Philosophers, and are thought superfluous and vain, are true and yet are fictitious, because they are one thing, one opinion, and one way. This is the quicksilver which is indeed extracted from all things,* out of which all things are produced, which also is pure water that destroys the shade of copper. And know ye that this quicksilver, when it is whitened, becomes a sulphur which contains sulphur, and is a venom that has a brilliance lke marble; this the envious call Ethelia, orpiment and sandarac, out of which a tincture and pure spirit ascends with a mild fire, and the whole pure flower is sublimated, which flower becomes wholly quicksilver. It is, therefore, a most great arcanum which the Philosophers have thus described, because sulphur alone whitens copper. Ye, O investigators of this Art, must know that the said sulphur cannot whiten copper until it is whitened in the work! And know ye also that it is the habit of this sulphur to escape. When, therefore, it flees from its own thick bodies, and is sublimated as a vapour, then it behoves you to retain it otherwise with quicksilver of its own kind, lest it vanish altogether. Wherefore the Philosophers have said, that sulphurs are contained by sulphurs. Know, further, that sulphurs tinge, and then are they certain to escape unless they are united to quicksilver of its own kind. Do not, therefore, think that because it tinges* and afterwards escapes, it is the coin of the Vulgar, for what the Philosophers are seeking is the coin of the Philosophers, which, unless it be mixed with white or red, which is quicksilver of its own kind, would doubtless escape. I direct you, therefore, to mix quicksilver with quicksilver (of its kind) until together they become one clean water composed out oftwo. This is, therefore, the great arcanum, the confection of which is with its own gum; it is cooked with flowers in a gentle fire and with earth;

it is made red with mucra and with vinegar, salt, and nitre,* and with mutal is turned into rubigo, or by any of the select tingeing agents existing in our coin.

(93) Now when the wrath of these four spirits is killed, then the mineral orey Salitter stands in the water, like a tough matter, and looketh like that spirit which is predominant in the mineral ore; and the light which stands in the fire coloureth [tinctureth] it according to its own quality, be it silver or gold.

(84) But where the heat in the light was chief or predominant, there much silver and gold, as also some fair, clear stones, in the flash of the light, came to be; but especially where the love in the light was chief or predominant, there the most precious stones or jewels, as also the best, purest and finest gold came to be.

(27) Grecorius* saith: O all ye Turba, it is to be observed that the envious have called the venerable’ stone Efflucidinus,t and they have ordered it to be ruled until it coruscates like marble in its splendour.} And go they: Show, therefore, what it is to posterity. Then he: Willingly; you must know that the copper is commingled with vinegar, and ruled until it becomes’ water. Finally, let it be congealed, and it remains a coruscating stone with a brilliancy like marble, which, when ye see thus, I direct you to rule until it becomes red, because when it is cooked till it is disintegrated and becomes earth, it is turned into a red colour. When ye see it thus, repeatedly cook and imbue it until it assume the aforesaid colour, and it shall become hidden gold. Then re-. peat the process, when it will become gold of a Tyrian colour. It behoves you, therefore, O all ye investigators of this Art, when ye have observed that this Stone is coruscating, to pound and turn it into earth, until it acquires some degree of redness; then take the remainder* of the water which the envioust ordered you to divide into two parts, and ye shall imbibe them! several times until the colours which are hidden by no body appear unto you.S Know also that if ye rule it ignorantly, ye shall see nothing of those colours. I knew a certain person who commenced this work, and operated the natures of truth, who, when the redness was somewhat slow in appearing, imagined that he had made a mistake, and so relinquished the work. Observe, therefore, how ye make the conjunction, for the punic dye,* having embraced his spouse, passes swiftly into her body, liquefies, congeals, breaks up, and disintegrates the same. Finally, the redness does not delay in coming, and if ye effect it without the weight, death will take place, whereupon it will be thought to be bad. Hence, I order that the fire should be gentle in liquefaction, but when it is turned to earth make the same intense,t and imbue it until God shall extract the colours for us and they appear.

(82) But silver and gold in the dead palpability or tangibility are but as a dark stone, in comparison with the root of the heavenly generating; but I set it down here only that thou may know from whence it has its original.

(4) This chapter, in the MSS. of which the Turin copy is the type, is repeated as Chapter 121, with the following rubric:—

(59) Has not the artificer made the image? or the goldsmith, melting the gold, has gilded it, and what follows.

(2) "The first thought hath arisen in me concerning the word which thou hast spoken: 'Now, therefore, the soul giveth the apology and seal unto all the rulers who are in the region of the king, the Adamas, and giveth the apology and the honour and the glory of all their seals and the songs of praise to the region of the Light,'--concerning this word then thou hast spoken unto us aforetime, when they brought thee the piece of money and thou didst see that it was of silver and copper and didst ask: 'Whose is this image?' They said: 'The king's.' And when thou sawest that it was of silver and copper mixed, thou saidst: 'Give therefore the king's unto the king and God's unto God,'--that is: If the soul receiveth mysteries, it giveth the apology to all the rulers and to the region of the king, the Adamas; and the soul giveth the honour and the glory to all those of the region of the Light. And the word: 'It hath glistened, when thou didst see that it is made up of silver and copper,'--it is the type thereof, that in it [ sc. the soul] is the power of the Light, which is the refined silver, and that in it is the counterfeiting spirit, which is the material copper. This, my Lord, is the first thought.

(2) The three versions which have been preserved of this text are very fragmentary. The most complete, papyrus 10478 of the British Museum, contains only the 7 to 12. As the interest of this text, the character of which is chiefly pictorial, lies in the vignettes, it has been thought unnecessary to give a translation of it

(2) “The shining circlets of his golden hair,

Which ev’n the Graces might be proud to wear,

Instarr’d with gems and gold, bestrow the shore

(1) Let these notes of ours, as we have often said for the sake of those that consult them carelessly and unskilfully, be of varied character - and as the name itself indicates, patched together - passing constantly from one thing to another, and in the series of discussions hinting at one thing and demonstrating another. "For those who seek for gold," says Heraclitus, "dig much earth and find little gold." But those who are of the truly golden race, in mining for what is allied to them, will find the much in little. For the word will find one to understand it. The Miscellanies of notes contribute, then, to the recollection and expression of truth in the case of him who is able to investigate with reason.

(11) For the astringent quality now attracted the Salitter very strongly together, and dried it, whence the bitter earth is proceeded; but the stones are from the Salitter which at that time stood in the power of the tone or tune.

(4) This Chapter is taken from the Turin text; parts of it are quite unintelligible