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Passages similar to: Chandogya Upanishad — Prapathaka I, Khanda 7
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Chandogya Upanishad
Prapathaka I, Khanda 7 (3)
Rik is the ear, Sâman the mind. This Sâman (mind) rests on that Rik (ear). Therefore the Sâman is sung as resting on the Rik. Sâ is the ear, ama the mind, and that makes Sâma.
Brihadaranyaka Upanishad
Brahmana 3 (1.3.2)
And it is also the Sama-Veda. The Chant (saman\ verily, is speech. It is sa (she) and ama (he). That is the origin of the word sdman. Or because it is...
Brihadaranyaka Upanishad
Brahmana 5 (1.5.5)
These same are the three Vedas. The Rig-Veda is Speech. The Yajur-Veda is Mind. The Sama-Veda is Breath.
Brihadaranyaka Upanishad
Brahmana 13 (5.13.3)
The Saman. Verily, the Saman is life (prana), for in life are all beings here combined (samyand). Combined, indeed, are all beings here serving him...
Brihadaranyaka Upanishad
Brahmana 6 (1.6.3)
Now of forms. — That which is called the Eye is their hymn of praise (uktha), for from it arise (nt-thd) all forms. It is their Saman (chant), for it...
Brihadaranyaka Upanishad
Brahmana 3 (1.3.25)
He who knows the property of that Saman has that property. Its property, truly, is tone. Therefore let him who is about to perform the duties of an...
Brihadaranyaka Upanishad
Brahmana 3 (1.3.27)
He who knows the suppoit of that Saman is indeed supported. Voice, verily, is its support, for when supported on voice the breath sings. But some say...
Brihadaranyaka Upanishad
Brahmana 6 (1.6.1)
Verily, this world is a triad — name, form, and work. Of these, as regards names, that which is called Speech is their hymn of praise (ttktha), for...
Brihadaranyaka Upanishad
Brahmana 3 (1.3.36)
He who knows the gold of that Saman comes to have gold. The tone (svara), verily, is its gold. He comes to have gold who knows thus that gold of the...