In accord with the spirit of the universe, he was at peace with all creation. He judged not the rights and wrongs of mankind, and thus lived quietly in his generation. Although his book is an extraordinary production, it is plausible and harmless enough. Although the style is most irregular, it is at the same time ingenious and attractive. As a thinker, he is endlessly suggestive. Above, he roams with God. Below, he consorts with those who are beyond the pale of life and death, who deny a beginning and an end. In relation to the root, he speaks on a grand and extensive scale. In relation to Tao, he establishes a harmony between man and the higher powers. Nevertheless, he yields to the modifications of existence and responds to the exigencies of environment. His arguments are inexhaustible, and never illogical. He is far-reaching, mysterious, and not to be fully explored. Hui Tzŭ was a man of many ideas. His works would fill five carts. But his doctrines are paradoxical, and his terms are used ambiguously. He calls infinite greatness, beyond which there is nothing, the Greater One. He calls infinite smallness, within which there is nothing, the Lesser One. He says that that which is without dimensions measures a thousand li. That heaven and earth are equally low. That mountain and marsh are equally level. That the sun at noon is the sun setting. That when an animal is born, it dies.

He who stands on his tiptoes does not stand firm; he who stretches his legs does not walk (easily). (So), he who displays himself does not shine; he...